chuck hale

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Tonex HX Effects

Konstantinos Gamatos

The OCD pedal is the only pedal that uses 2 x Mosfets configured as hard-clipping to 'Voltage reference" instead of the usual way: to ground." The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive.

Recently I stumbled across a reasonably large stash of the right kind of Germanium diodes so I ponied-up and bought all of them. So I decided to do a run of the ultimate OCD: a Custom Shop offering with a few circuit tweaks using 2 x Mosfets plus 2 x Germanium diodes, and one hell of a beautiful paint job... Metallic Teal with a chrome undercoat! This beauty morphs between blues and greens depending on the light and angle. And what would the ultimate OCD be without a Blue LED? The sound? Great definition, more tube-like feel, a bit wider dynamic range, more sustain, and a more focused single-note tone. And as with all Fulltone pedals... 100% Built in the USA.

Fulltone

Product Page

Manual

OCD Ge

Tester

Das Tone City Sweet Cream ist ein Low-Gain Overdrive Pedal mit einer super smoothen, Verstärker-ähnlichen Ansprache. Das Pedal lässt sich für satt verzerrte Sounds hervorragend mit anderen Drive Pedalen stacken oder kann verwendet werden, um Clean Sounds einen kontrollierbaren, berührungsempfindlichen Overdrive zu verleihen. Das Sweet Cream ist auch ein perfektes Werkzeug, um bereits verzerrte Verstärker in die Sättigung zu bringen, um einen kräftigen, cremigen Drive Sound zu erzeugen. Der einzigartige Touch-Regler passt das grundlegende 'Feeling' und die Dynamik des Pedals sowie das allgemeine Tone-Setting an, anstatt wie ein klassischer Tone-Regler nur mit einem Treble Cut zu arbeiten.

The Tone City Sweet Cream is a low-gain overdrive pedal with a super smooth, amp-like response. The pedal stacks extremely well with other drive pedals for rich distorted sounds or can be used to give your clean signal a controllable, touch-sensitive overdrive. The Sweet Cream is also a perfect tool to push already driven amplifiers into saturation for a thick, creamy drive sound. The unique Touch control adjusts the general feeling and dynamics of the pedal as well as the overall tone setting, instead of just rolling of the high-end like a standard Tone control.

Tone City

Official Product Page

Tone City Sweet Cream - Demo Video - W-Music Distribution

Tone City Sweet Cream - Demo Video - Andertons Music Co

Tone City Sweet Cream - Demo / Review Video - intheblues

Tone City Sweet Cream - Demo / Review Video - Have Guitar

Tone City Sweet Cream - Demo Video - Budget Pedal Demos

Tone City Sweet Cream - Demo / Review Video - gearmanndude

Tone City Sweet Cream - Demo / Review Video - The Tone King

Sweet Cream

Don Jordan

Das TS Mini ist eine kompakte Version des legendären Overdrive-Pedals von Ibanez aus der Tube Screamer-Reihe. Es bietet die klassischen Regler für Drive, Tone und Level in einem Gehäuse mit etwa halber Größe des Originals. Es verwendet True-Bypass-Schaltung und eine vollständig analoge Elektronik, um den saubersten Signalweg zu gewährleisten. Es ist für Pedalboards mit begrenztem Platz konzipiert, ohne den typischen Mitten-Boost-Charakter der Tube Screamer-Serie zu verlieren.

The TS Mini is a compact version of Ibanez’s legendary Tube Screamer overdrive pedal. It delivers the same classic drive, tone and level controls in a form-factor roughly half the size of the original. It uses true-bypass switching and 100% analog circuitry to preserve the cleanest signal path. It is optimized for pedalboards where space is at a premium while retaining the characteristic “mid-hump” overdrive that made the Tube Screamer family iconic.

Ibanez

Demo by Andertons Music Co

Demo by Marty Music

Review by Music Radar

Review by Premier Guitar

TS Mini

The Timmy pedal has always been known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. It's a fairly common thing for an overdrive to color tone, so why invest in a $1500 plus amp only to change it's inherent sound, right?

At low settings you will be able to effortlessly achieve a sound that is simply "more" of what your amp already offers. As the gain is turned up, and the pedal's EQ adjusted accordingly, smooth, singing, round and reedy tones are at your fingertips.

The Timmy pedal's responsiveness is exactly like that of a great, tube amplifier in that it responds immediately to your right hand's attack.

The Paul Cochrane Timmy is absolutely a legend in the world of overdrive pedals, and has been copied to a large degree over the years by several knock offs. 

Paul Cochrane

Demo by Mass Street Music

Demo by Living Room GD

Timmy v3

Wenn Burkhard Lehle etwas baut, dann richtig und ohne Kompromisse. Mit seinem Mono Volume Pedal hat er ein High End Pedal ohne die sonst bei Volumenpedalen auftretenden Nachteile konstruiert. Es wird kein mechanisches Poti verwendet - das Mono Volume arbeitet mit einem Magnet Sensor der ein hochwertiges VCA steuert. Dadurch ist der gesammte Regelbereich gleichmäßig und ohne Klangverlust, Verschleiß und Potikratzen gehören der Vergangenheit an. Desweiteren besteht die Möglichkeit, das Ausgangssignal um bis zu 10 dB zu boosten. Das Pedal läuft sehr gleichmäßig und ruhig, da die Pedalwippe in Low Friction Polymer Gleitlagern läuft. Zusätzlich steht ein gebufferter Direkt Out zur Verfügung der als Tuner Out oder zur Weiterleitung an weiteres Equipment genutzt werden kann. Das Pedal läßt sich durch den niederohmigen Ausgang auch in einem seriellen FX Loops eines Amps betreiben.

When Burkhard Lehle builds something, he does it properly and without compromise. With his Mono Volume Pedal, he has constructed a high-end pedal without the disadvantages that usually occur with volume pedals. No mechanical potentiometer is used - the Mono Volume works with a magnetic sensor that controls a high-quality VCA. This means that the entire control range is even and without loss of sound, wear and potentiometer scratching are a thing of the past. There is also the option of boosting the output signal by up to 10 dB. The pedal runs very evenly and quietly because the pedal rocker runs on low friction polymer plain bearings. There is also a buffered direct out that can be used as a tuner out or for forwarding to other equipment. The pedal can also be operated in a serial FX loop of an amp thanks to the low-impedance output.

LEHLE

Demo by shnobel

Review by Michael Behm

Mono Volume

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Official Product Video

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Carlos  Steinmann

Mission Engineering

TT-2

Josh Johnson

The MC3 is a fully programmable controller, capable of sending up to 16 different MIDI messages per switch.

Morningstar Engineering

James Morse

The SP1-L6H can be connected to inputs on Line 6 devices that support an expression pedal and toe switch.

The linear potentiometer is matched exactly to the specifications of the Line 6 Helix for a precise and natural response. The pedal has a toe switch to turn effects on and off without requiring a separate footswitch.

Demo by Defcon Clark

Demo by  James Lebihan

SP1-L6H LINE 6

Angel Callejo Mellen

Das AI Machine Modeling Pedal bringt deine TONEX Tone Models live auf die Bühne! Performen mit Sounds, die von echtem Equipment nicht zu unterscheiden sind -  kein Computer erforderlich!
Spiele durch Hunderte von Verstärkern, Boxen, Pedalen und kompletten Rigs, einschließlich 1000 herunterladbarer Premium Tone Models und unbegrenzter Benutzer-Downloads. Er funktioniert auch als hochwertiges USB-Audio-Interface. Extrem rauscharme 24-Bit-, 192-kHz-Wandler, ein Frequenzgang von 5 Hz-24 kHz und ein Dynamikbereich von 123 dB bieten eine unglaubliche Klangqualität. Exklusive VIR™-Multi-IR-Kabinette und benutzerdefinierter IR-Loader, Noise Gate, EQ, Kompressor und 5 Stereo-Hall für leistungsstarke Klangformung auf der Bühne. Vollständige MIDI-Steuerung und Expression-Pedal-Eingang zur Integration in jedes Rig. Inklusive TONEX MAX Software, einem All-in-One-Player, Modeler und Librarian, und AmpliTube 5 Software.

AI Machine Modeling pedal brings your TONEX Tone Models live on stage! Perform with sounds indistinguishable from the real gear - no computer required! Play through hundreds of amps, cabs, pedals and full rigs, including 1000 downloadable premium. Tone Models and unlimited user downloads. Doubles as a high-quality USB audio interface, ultra-low noise 24-bit, 192 kHz converters, 5 Hz–24 kHz frequency response and 123 dB dynamic range offers incredible sound quality. Exclusive VIR™ multi-IR cabinets and custom IR Loader, Noise gate, EQ, compressor and 5 stereo reverbs for powerful on-stage tone shaping
Full MIDI control and expression pedal input integrate into any rig. Includes TONEX MAX software all-in-one player, modeler and librarian and AmpliTube 5 software.

IK Multimedia

Demo by Kyle Bull

Review by musicradar

Review by bonedo

Review by Sound on Sound

Review by AMAZONA

TONEX

Der HX Effects™ -Prozessor wurde entwickelt, um in traditionelle Verstärker- und Pedal-Setups integriert zu werden und kann als dediziertes Multieffektgerät oder als Kommandozentrale für Ihr gesamtes Rig dienen. Trotz seiner kompakten Größe liefert er die gleiche professionelle Klangqualität und das authentische HX® Modeling wie unsere marktführenden Helix®Prozessoren.

The HX Effects™ processor was designed to be integrated into traditional amp and pedal setups and may serve as anything from a dedicated multi-effects unit to the command center for your entire rig. Although compact in size, it delivers the same professional-grade sound quality and authentic HX® Modeling found in our market-leading Helix® processors.

LINE 6

Review by That Guitar Lover

Review by Gitarre&Bass

Review by Wampler Pedals

Review by Bonedo

Demo by Guitar Bonedo

Demo by  Steven Anthony

Demo by  Justin Meyers – Nashville Guitarist

Demo by  Bernd Kiltz - Gitarrenvideos

HX Effects

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Anthony Gachomo

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Praise 'n' Worship

Das wurde aber auch Zeit! Universal Audio hat den äußerst beliebten „Ochsen“ in ein Pedal gepresst: Der UAFX OX Stomp Dynamic Speaker Emulator ist gelandet, inklusive des begehrten Room-Reglers, 6 Presets, Effekte und mehr.

Designed to act at the perfect companion for amp modelling systems in the studio or on stage, Universal Audio’s new OX Stomp Dynamic Speaker Emulator comes packed with authentic-sounding cabinet, microphone and room models, as well as offering a selection of built-in studio-quality effects.

Universal Audio

Review by GEARNEWS 

Review by Sound On Sound 

Quick Start 

Demo by SweetWater 

Demo by Produce Like A Pro 

Ox Stomp

ch ray

NUX B-8 ist ein neu definiertes Drahtlossystem mit automatischer Einrichtung, störungsfreier 2,4-GHz-Rundfunkfrequenz und hochwertiger 24-Bit-48-kHz-Audioübertragung. Die Latenzzeit bei der Signalübertragung beträgt nur 2,5 ms bei bester Leistung. Die Betriebsreichweite beträgt bis zu 50 Meter (160 Fuß). 

Das drahtlose B-8-System eignet sich für alle Arten von E-Gitarren, E-Akustikgitarren, Bässe und verschiedene Instrumente mit elektronischen Tonabnehmern. Unabhängig davon, welches Instrument Sie spielen, können Sie die Bequemlichkeit mit B-8 Wireless genießen.

NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). 

B-8 wireless system fits all types of electric guitar, electric-acoustic guitar, bass guitar, and various instruments with electronic pickups. No matter what instrument you play, you can enjoy the convenience with B-8 wireless.

Review by gearnews

Demo by Scott Uhl

Demo by Andrew Siemon

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Florian LE CORRE

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Pigtronix

Demo by Pigtronix

Review by

Cosmosis

Jackson Okun

Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

Demo by Chord of Orion

Echolution 3

Die Philosopher’s Tone 2 hebt die bahnbrechende optische Kompression des Originals auf eine neue Ebene klanglicher Erleuchtung. Als erstklassiger Kompressor/Sustainer mit schaltbarem Grit bietet er mehr Vielseitigkeit denn je. Die weiterentwickelte Overdrive-Schaltung, erstmals in der limitierten Gold-Version zu hören, verleiht mit ihrem einzigartigen Germanium-Distortion-Schaltkreis einen geschmeidigen Hochtonbereich und einen satten Mitten-Antrieb, genau abgestimmt auf den optischen Sustainer. Neben den Reglern für Volume und Sustain verfügt die Philosopher’s Tone 2 über einen parallelen Clean Blend-Regler, mit dem Musiker ihren ursprünglichen Klang mit dem Kompressions-/Sustainer-Effekt mischen können, solange der Grit-Schaltkreis deaktiviert ist. Diese Technik stellt den natürlichen Anschlags-Attack wieder her und bewahrt Dynamik selbst bei extremem Sustain. Wenn der Grit-Schaltkreis aktiviert ist, umgeht der Blend-Regler automatisch die Kompromisse der Originaleinheit und verleiht deinem Sound eine farbenfrohe Verzerrung in Germanium- oder Silizium-Modus. Dieses nichtlineare Dioden-Clipping reicht von subtiler Overdrive bis zu überquellender Verzerrung – ganz ohne unerwünschtes Feedback. Ein Treble-Regler direkt vor dem Master Volume gewährt ±6 dB bei 2 kHz zur Feinabstimmung des Frequenzgangs. Mit True-Bypass-Schaltung und internen 18 V-Versorgungsrails bietet die Philosopher’s Tone 2 maximalen Clean-Headroom, ideal für heiße Pickups, aktive Bässe, Synths und andere Line-Level-Quellen. Läuft an 9 V DC.

Elevating the groundbreaking optical compression of the original Philosopher’s Tone to a new plane of tonal enlightenment, the Philosopher’s Tone 2 is a world-class compressor/sustainer with footswitchable Grit, allowing for more versatility than ever before. Featuring a refined implementation of the overdrive circuit first heard in the limited-edition Gold version of this iconic compressor pedal, the unique germanium distortion found in the Philosopher's Tone 2 delivers smooth top end and rich midrange response, tailored to perfectly match the characteristics of the optical sustainer driving it. In addition to Volume and Sustain controls, the Philosopher’s Tone 2 features a parallel clean Blend knob that allows musicians to mix their instrument’s original tone with the compressor/sustainer effect when the Grit circuit is bypassed. This mixing technique restores natural pick-attack and allows clean settings with extreme sustain to remain dynamic and musical. When the Grit circuit is engaged, the Blend knob is automatically bypassed, circumventing the compromises of the original unit and imparting a colorful distortion to your sound in both Germanium and Silicon modes. This nonlinear diode-clipping can range from subtle overdrive to overflowing distortion, all without unwanted feedback. A Treble control located just before the master Volume provides 6db of cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher’s Tone 2 features true-bypass switching and internal 18V power rails for maximum clean headroom that is ideal for use with hot pickups, active bass, synthesizers and other line-level sources. Runs on 9VDC

Demo by Juliana Wilson

Review by Guitar World

Philosopher's Tone 2

Gas Giant ist ein High-Gain Analog-Fuzz-Pedal mit wählbaren Voicing-Optionen für die Tonregelung und einem integrierten Noise Gate. Inspiriert von den legendären transistorbasierten Fuzz-Pedalen, die Anfang der 1970er-Jahre in New York City gebaut wurden, verwendet der Gas Giant vierfach gematchte Transistorensätze, um sicherzustellen, dass jedes einzelne Pedal perfekt auf den schwer zu findenden "Sweet Spot" klassischer Vintage-Pedale abgestimmt ist.

Neben den Gain- und Volume-Reglern verfügt das Pedal über eine doppelt funktionale Tonregelung, die sowohl den typischen satten Bass, schneidende Höhen und den klassischen Mid-Scoop alter Fuzz-Pedale liefert als auch eine Pigtronix-eigene Midrange-Bump-Einstellung für mehr Präsenz im Mittenbereich. Diese zwei Voicing-Optionen verändern die Frequenzansprache der Tonregelung im gesamten Regelweg erheblich und bieten eine Vielzahl massiver Fuzz-Sounds im kompakten 3-Regler-Format.


Gas Giant is a high-gain analog jumbo fuzz pedal with switchable voicing options for the tone control and a built-in noise gate. Inspired by the iconic transistor-based fuzz pedals built in NYC in the early 1970’s, the Gas Giant uses quad-matched transistor sets to ensure that each and every unit is perfectly dialed in to the “sweet spot” that can be so elusive to find in vintage pedals.

In addition to the Gain and Volume knobs, there is also a dual-function Tone control that delivers the traditional heavy bass, searing top-end and midrange Scoop found in vintage pedals, as well as a signature Pigtronix midrange-forward Bump setting. These two voicing options drastically change the frequency response of the Tone control throughout its entire range, providing a bevy of gargantuan fuzz tones in a compact 3-knob stompbox.

Demo by R. J. Ronquillo

Review by Guitar Pedal X

Gas Giant

Hiu Fung Hui

The Hotone Tuner Press is not just your average tuner pedal; it's the epitome of versatility. Weighing in at a mere 600g, this pedal isn't just a tuner; it's a volume pedal, an expression pedal, and a buffer pedal all rolled into one. The footswitch provides tactile feedback, allowing you to seamlessly switch between expression and volume control. Elevating the pedal in volume mode activates silent tuning automatically. The HD LCD screen, complemented by the switching indicator, ensures an intuitive, accurate, and rapid user experience. Furthermore, the Hotone Tuner Press inherits the classic design of the popular Ampero Press series, seamlessly blending Hotone aesthetics with portability and practicality. 

HOTONE

Demo by Chris Ma的Dark Horse Lab

Tuner Press

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Caleb Harding

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. 

JET Pedals

Review by delicious audio

Review by Worship Guitar Skills

Demo by gearfever

Demo by Hey Worship Leader

Demo by Ambient Endeavors

Demo by Nobes Music

Demo by Home Studio Simplified

LAMB

Tyson Edwards

Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

Manuals Page

Lion Distortion (In black)

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

GREGORY GUENEAU

Mako Series M1 MKII

Franko Teston

Der [ACS1]™ ist ein Verstärker- und Lautsprecherbox-Simulator, der den Klang und das Gefühl von Weltklasse-Verstärkern, ergänzende Lautsprecherbox-IRs von Tone Factor und York Audio sowie eine steuerbare Raumgröße liefert. Mit dem ACS1 haben Spieler umfassende Möglichkeiten, ihren Sound auf der Bühne, im Studio oder beim Üben zu Hause zu liefern. Einfache Bedienelemente, Stereo-Ein- und -Ausgang, integrierte Voreinstellungen und MIDI-Unterstützung machen den ACS1 zu einem unverzichtbaren Werkzeug im Arsenal eines Gitarristen. Spieler können auch ihre eigenen IRs laden und die Firmware auf walrusaudio.io aktualisieren.

The [ACS1]™ is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware at walrusaudio.io.

Review by Guitar Bomb

Demo by Andertons

Demo by The Studio Rats

Mako MKII ACS1

Caline

CP-207

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Loris Romeo

This is a multi-functional board: you can connect the ADAM via DI to the mixer for a multi-effect feel, or you can switch(blade) to the X Ultra connected to a bass head/cabinet set-up for your classic gigs. You can also use the X Ultra DI if you want to use a distortion you cannot achieve with the ADAM.

MIDI War Machine

David Litaba

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

TC Electronic

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

The Aggressively Distorting Advanced Machine has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.

Darkglass Electronics

Review by Bob Brinkman, guitarworld.com

Demo by  BassTheWorld.com

Demo by  Joe Calderone

Aggressively Distorting Advanced Machine

DARKGLASS - ADAM // Demo by Nate Navarro

Review by reddit /Bass

ADAM

Harley Benton

PowerPlant ISO-2AC Pro Modular

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case