New Pedal Board

FT-2 Dynamic Filter

JCT95 Justin Chancellor Crybaby Wah

RV-6 Reverb

BB-1X Bass Driver

DD-8 Digital Delay

Microtubes X Ultra

DS-1X Distortion

Triple Shot

Dual Band Compressor

BC-1X Bass Comp

OC-3 Super Octave

Sub 'N' Up Octaver

PH-3 Phase Shifter

BF-2 Flanger

QMX10

Polytune 2 mini

CEB-3 Bass Chorus

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

Product Page

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Manual

ES-5

Doch der AD-10 verfügt über ein Alleinstellungsmerkmal, das den Akustikgitarren-Preamp auf ein komplett neues Level hebt: die bahnbrechende Acoustic Resonance Processing-Technologie von BOSS. Die fortschrittliche Technologie gibt dem verstärkten Gitarrensound die komplexen Korpus- und Saitenresonanzen zurück, die bei den meisten Pickup-Systemen verloren gehen und erzeugt so den ausdrucksstarken, organischen Sound, der den akustischen Klang einer Gitarre maßgeblich definiert. Zu den weiteren Funktionen gehören eine transparente Anti-Feedback-Steuerung,

The Boss AD-10 Acoustic Preamp is an advanced tone tool for serious acoustic guitar players featuring manual and memory modes with 10 memory slots and eight effect types. The AD-10 offers advanced sound tools that enable you to achieve rich, natural acoustic tones. It is a fully featured, dual-channel acoustic preamp/DI pedal with premium audio quality, deep sound-shaping options, and flexible connectivity. On top of that, ambience, chorus, and delay effects are built in, eliminating the requirement to carry external sound processing.

Review by Michael Astley-Brown, musicradar.com

Review by Axel Ritt, amazona.de

Review by Michael Behm, bonedo.de

AD-10 Acoustic Preamp

The Boss DD-2 Digital Delay — one of the best digital delays pedals out there that actually sounds very analog. These were made in the mid 80s and are still sought after due to their warm delays and smooth but hazy decays. A few delay time modes offer up to 800 milliseconds plus a cool sample/hold feature that is really great for sustains or small loopy bits.

Review by Paul White, muzines.co

DD-2 Digital Delay

Fusing advanced BOSS tone technologies into a sleek, ultra-modern hardware design, the inspiring GX-100 delivers top-level performance everywhere you play. Explore 23 AIRD amplifiers and over 150 effects derived from the flagship GT-1000, and craft great sounds in seconds with the intuitive color touch display. Up to 15 simultaneous effect blocks provide unlimited tone possibilities, coupled with deep real-time command via onboard footswitches, an expression pedal, and external control support.

Review by Richard Purvis

GX-100

The BOSS Dynamic Filter FT-2 can change the cutoff frequency depending on the picking intensity on your guitar, creating a smooth wow effect. Adopting the newly developed filter, it can drastically change the harmonic contents without affecting the fundamental, creating tight sound which makes it useful even for a bass guitar or a keyboard. 

Review by Florence Munoz, guitarlessons.org