Lachlan Koumis

Jack White - The Raconteurs HUS 2019

Landon Wolf

The Magnatone 2-Button Footswitch is designed for hands-free operation, providing instant access to essential functions of compatible amplifiers like the Twilighter and Panoramic series. Built for durability, this footswitch allows musicians to control their sound seamlessly without needing to manually adjust the amp settings.

Magnatone

Product Page

2-button foot switch

ch ray

Der mxr Micro Amp addiert einen einstellbaren Boost zu dem Gitarrensignal. Er kann verwendet werden um Lead-Passagen anzuheben, um beim Wechsel zwischen zwei Gitarren mit unterschiedlichem Output (Humbucker/Singlecoil) das Signal anzugleichen, oder als permanenter Boost um Signaldegradation in langen Effektketten entgegenzuwirken.

This device adds a preset amount of gain, using a single control. With a guitar, this lets you boost your signal for lead work, adjust between two different guitars with unmatched output (i.e., humbucker to single coils), or it can supply a permanent boost in a long effects chain where signal drop off is a problem. Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles amp on/bypass (red LED indicates on) Gain knob adjusts total output volume when micro amp Is engaged

Official Product Page

Manual

MXR M 133 Micro Amp- Official Demo

MXR M 133 Micro Amp Review Tone Report EN

Review by The Gear Page

Demo by Jack Griffiths

Demo by Takumi Craft

Review by Ultimate Guitar

Review by Musiker-Board

M133 Micro Amp

Tester

Fender amps of the ’50s and ’60s are beloved and coveted by guitarists around the world. Thanks to BOSS’ technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls. The FBM-1 also functions perfectly as a “pre-gain pedal” placed before an already overdriven amp to add the tone character of the Bassman.

BOSS

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by  All World Music

Review by reddit /guitarpedals

Review by Hometone Blog

FBM-1 Fender 59 Bassman

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

dave sturgeon

Das Caverns Delay Reverb V2 Dual-Effektpedal kombiniert Delay und Reverb. Es verfügt über Keeleys analoges Tape Delay mit Modulation-Optionen. Das warme 650ms Delay wird mit Spring, Shimmer oder Modulated Reverb kombiniert.

The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. 

Keeley Electronics

Manual Part 2

Manual Part 1

Demo by Andy Martin

Caverns Delay Reverb v2

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Entwickelt, um den klassischen Fender Tremolo-Effekt (oder Vibrato, wie er oft genannt wird) zu emulieren, bietet der Tremulator eine „schiefe“ Amplitudenmodulation mit einer abgerundeten, traingularen Modulator-Wellenform. Es genügt zu sagen, dass der Tremulator wie der klassische Effekt vieler Vintage-Amps klingt, aber mit weniger Rauschen und Brummen und einer größeren Bandbreite an Geschwindigkeiten und Tiefen.

A hybrid of vintage sound and state-of-the-art quality, the Demeter Tremulator is designed for years of trouble-free operation.Designed to emulate the classic Fender tremolo effect (or vibrato as it is often referred to), the Tremulator features “lopsided” amplitude modulation with a rounded off traingular modulant waveform. Suffice it to say, the Tremulator sounds like the classic effect found on many vintage amps, but with less noise and hum and a greater range of speeds and depths.

Demeter Amps

Demo by JoowonGuitar

Demo by PedalCasters

Review by audiofanzine

TRM-1 Tremulator

As heard prominently on Jack White’s guitar solo in “Why Walk a Dog?”, this monophonic synth-fuzz has delighted and bewildered listeners since Jack began using it back in 2014. The Mantic Flex can provide an array of sounds from thick, phase sweeping squarewaves with pitch divebombs to brutal bitcrushed octaves and fluttery thereminesque squawks.

Mantic Effects

Review by Pedal of the Day

Review by Premier Guitar

Official Product Video

Demo by Na West

Mantic Flex

Das Bumble Buzz Pedal, handgefertigt von Chris Young von Union Tube & Transistor (der das Pedal gebaut hat, das für Jack Whites Gitarrensounds bei „Sixteen Saltines“ und den Gesang bei „I'm Shakin‘“ aus dem 2012er Album Blunderbuss verwendet wurde), ist bereit Summen und stechende Geräusche. Entworfen vom Third Man Creative Hive.

The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by the Third Man Creative Hive.

Union Tube & Transistor

Union Tube & Transistor Website

Third Man Records Website

Review by guitar pedal X

Demo by gearmandude

Jack White Demos Third Man Hardware Effects Pedals

TMR Bumble Buzz pedal (Readyman Studio Nashville with Jack White)

Bumble Buzz

The TU-3—the world’s best-selling stage tuner—unites trusted BOSS tuning technology with our iconic compact pedal format. Top performers everywhere rely on this robust stomp for fast and flawless tuning night after night, thanks to its high-visibility meter, simple operation, and road-tested durability. The versatile TU-3 also includes a mute function, tone-saving buffer, and power distribution capabilities, making it an essential utility tool for every player.

Demo by Equipboard

Review by reddit /Guitar

Review by The Gear Check

Review by bonedo

TU-3 Tuner

David Litaba

Das Premium Wah Pedal. Hier kann der Gitarrist den Wah-Effekt genau so zuschneiden, wie er es will. Mit Kontrolle über die Centerfrequenz (6 anwählbar), stufenloser Regelung der Wah-Bandbreite (Q-Control) und schaltbarem Volume Boost, stufenlos einstellbar von 0 bis satte +26dB.

 The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this powerful wah will deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note. This is the wah pedal of choice for guitar master Joe Satriani. The 535Q offers versatility never heard before. This pedal allows the player to customize and shape the sound of the wah. By a simple turn of the "Q" dial, you can shape your wah from a narrow, sharp wah to a broad, subtle wah. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version)---Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version) The CRYBABY 535Q also offers six new guitar wah ranges, a variable boost from 0 to +16 dB and a hard wire on/off switch. It's new custom circuitry consumes less power and eliminates unwanted distortion. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version) Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version)

Dunlop

Guitar World Demo

CRY BABY 535Q MULTI-WAH

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Richard Lagerweij

The PLASMA product series is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping.
Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, PLASMA technology transforms your instrument’s live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

Gamechanger Audio

Product Page 

Demo by AndyDemos

Demo by Rabea Massaad

Demo by intheblues

plasma coil

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Demo by BOB BRADLEY

Third Man Triplegraph

Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

DigiTech

Whammy DT

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

Electro-Harmonix

BIG MUFF PI

Riff-Step™ by Step Audio takes the DigiTech Whammy, the most popular pitch-shifting pedal of all time, and multiplies its sonic potential. Riff-Step lets you hear notes that aren’t normally available on the Whammy, then sequence those notes into elegant harmonies and improbable riffs.

With this powerful new controller and patented technology, you can do anything from ripping Van Halen licks while holding a single note, to creating embryonic mindholes. But don't mistake Riff-Step for a noise machine, it’s a serious compositional tool, providing complementary counterpoint to melodic lines.

Riff-Step™ transforms the DigiTech Whammy pedal into a Pitch-Shifting Sequencer.

Comes ready to rock with 16 presets. Create additional Riff-Step sequences directly on the pedal or with the easy-to-use Online Programmer.

Step Audio

Riff-Step DigiTech Whammy Enhancer

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Jack White - Boarding House Reach 2018.

Sørlie Musikksenter AS Rolf Sørlie

Die **Radial Engineering JDI** ist eine leistungsstarke passive DI-Box, entwickelt für Live-Tourneen und professionelle Studioaufnahmen. Sie ist mit einem hochwertigen **Jensen JT-DB-EPC Audio-Transformer** ausgestattet, der einen warmen, natürlichen Klang liefert – mit nahezu keiner Phasenverzerrung und einem absolut linearen Frequenzgang von **10Hz bis 40kHz**.  

Die **JDI** kann selbst extrem hohe Signalpegel ohne Verzerrung verarbeiten, was sie ideal für **Keyboards, Bass und akustische Instrumente** macht. Ihr robustes **14-Gauge-Stahlgehäuse** ist für den harten Tour-Alltag gebaut und eliminiert effektiv **Brummen und Störgeräusche**, die durch **Ground Loops** entstehen können.

The Radial Engineering JDI is a high-performance passive direct box designed for live concert touring and professional studio recording applications. It features a premium Jensen JT-DB-EPC audio transformer that delivers a smooth, warm sound with virtually zero phase distortion and ruler-flat response from 10Hz to 40kHz. The JDI can handle extreme signal levels without distortion, making it ideal for keyboards, bass, and acoustic instruments. Built with a heavy-duty 14-gauge steel chassis, the JDI is designed to withstand the rigors of touring while eliminating hum and buzz caused by ground loops.

Radial Engineering

Demo by Reverb

Review by Electronic Musician

Review by Keyboard

JDI Premium Passive DI

The Radial Twin-City uses a class-A input buffer to drive the amp outputs, which reduces susceptibility to noise and allows for completely silent switching on stage. To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output-B, along with a ground lift switch and 180⁰ polarity reverse switch that ensures both amplifiers play back in phase with each other. At the input, Drag Control load correction allows you to recreate the natural load on the pickups as if you were connected directly to a tube amplifier, allowing the natural tone of your instrument to shine through.

Review by Rig-Talk

Demo by Full Compass

Demo by X Ray

Twin-City ABY Amp Switcher

BassBalls Nano

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Jonathan James

Demo by 

BOSS TU-3 Chromatic Tuner

Der Electro-Harmonix POG2 ist ein polyphoner Oktavgenerator für Gitarreneffekte, der es Musikern ermöglicht, reichhaltige, komplexe Klänge zu erzeugen, indem er bis zu fünf Oktavfärbungen gleichzeitig mischt. Das 2009 veröffentlichte Pedal verfügt über einen verbesserten digitalen Algorithmus für präzises Tracking, einen Attack-Regler für sanftes Einblenden von Obertönen und einen 2-poligen resonanten Tiefpassfilter mit wählbaren Q-Modi. Das Pedal bietet acht programmierbare Presets, mit denen Musiker ihre bevorzugten Oktavkonfigurationen und Klangeinstellungen speichern und sofort abrufen können. Mit seinem True-Bypass-Design und seiner Fähigkeit, alles von surrealen 18-saitigen Gitarrenklirren bis hin zu dicken symphonischen Klangwänden zu erzeugen, bietet der POG2 Gitarristen und Bassisten eine umfangreiche Klangpalette für kreative Klangexperimente.

The Electro-Harmonix POG2 is a polyphonic octave generator guitar effects pedal that allows musicians to create rich, complex sounds by blending up to five octave harmonics simultaneously. Released in 2009, it features an enhanced digital algorithm for precise tracking, an Attack control for smooth harmonic fade-ins, and a 2-pole resonant low-pass filter with selectable Q modes. The pedal offers eight programmable presets, enabling musicians to save and instantly recall their favorite octave configurations and sound settings. With its true bypass design and ability to generate everything from surreal 18-string guitar jangles to thick symphonic walls of sound, the POG2 provides guitarists and bassists with an expansive tonal palette for creative sound exploration.

Review by Talk Bass.com

Review by reddit/guitarpedals

Demo by Leon Todd

Demo by shnobel

POG2

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Jack White (The Raconteurs) 2019 Pedal Board

Das neue Caverns V2 Delay Reverb Dual Effektpedal kombiniert Delay und Reverb perfekt abgepackt für jedes Pedalboard. Reverb und Delay im Caverns V2 können getrennt geschaltet und geregelt werden, sind jedoch auch gemeinsam nutzbar. Die Reverb Seite ist bestückt mit einem 3-Wege Schalter, der dich zwischen Spring (einem Black Style Amp Reverb mit F-Style Tremolo), Modulation Mode (mit chorusartiger Modulation in den Trails) und Shimmer (mit zusätzlicher Oktave in den Hallfahnen) wählen lässt. Die Delay Seite verfügt über den Schaltkreis aus dem beliebten Magnetic Echo, design um analoge Delay Lines zu emulieren. Der 3-Wegeschalter lässt dich die Modulationsstärke wählen und Wow and Flutter zu den Repeats hinzufügen. Das Caverns V2 lässt dich zusätzlich zwischen True und Trails Bypass wählen, sodass du dir riesige Klanghöhlen schaffen kannst, die langsam ausklingen, wenn du das Pedal abstellst. Der Keeley Buffer wurde speziell design um deinen Tone komplett unangetastet zu lassen, ihn aber in voller Kraft and deinen Amp schickt.

The new Caverns Delay Reverb V2 dual effect pedal combines delay and reverb for the perfect end to any pedal board. The reverb and delay on the Caverns can be used individually or combined together. The Reverb side is equipped with a three way toggle switch than gives you the option to choose between Spring mode (Black style amp with F style tremolo), Modulation mode (choral modulation) or Shimmer mode (octave-up voices in reverb trails). The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, designed to emulate analog tape delay lines.  Three-way switchable modulation gives you options for adding Wow and Flutter to the repeats. Also, the new Caverns Delay Reverb V2 allows you to choose between True-Bypass or Trails, giving you the freedom to create huge caverns of sounds and let them ring out even after you turn the pedal off.  The Keeley buffer is engineered to retain your tone and feed your amplifier a full strength signal.

Keeley Caverns V2 - Demo Video - Mike Hermans

Keeley Caverns V2 - Demo Video - ProGuitarShopDemos

Keeley Caverns V2 - Demo Video - Livingroom Gear Demos

Review by That Guitar Lover

Caverns V2

PedalSafe Type C2

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Schutzabdeckung & universelle Montageplatte Für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & Universal Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Jack White - Boarding House Reach 2018

burin wongsestat

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Mooer gs1000

Heitor Rosa

The Vitoos DD12-SV3 is a 12-output (isolated) power supply designed for effect pedals

Vitoos

Demo by Ehrosmith TV

Demo by  Wendell Lavor

Review by 

DD12-SV3

Nick Toye

FS-6

Zur Feier des 40-jährigen Jubiläums der BOSS-Compact-Pedale haben sich BOSS und JHS Pedals zu einer historischen kreativen Zusammenarbeit zweier Branchenführer zusammengeschlossen. Untergebracht im klassischen BOSS-Compact-Design vereint das JB-2 Angry Driver die Sounds des legendären BOSS BD-2 Blues Driver mit dem beliebten Angry Charlie von JHS Pedals. In enger Zusammenarbeit entwickelten die beiden Pedalhersteller eine völlig neue kombinierte Schaltung mit optimiertem Sound und perfekter Abstimmung für den Dual-Mode-Overdrive-Betrieb.

Das JB-2 Angry Driver verfügt über drei Doppelpotis, die eine unabhängige Regelung von Drive, Tone und Level für jede der beiden Overdrive-Schaltungen ermöglichen. Über einen Sechsfach-Drehschalter lassen sich die beiden Overdrives einzeln oder kombiniert in Serien- oder Parallelbetrieb nutzen. Durch die Möglichkeit, den expressiven Low-to-Mid-Gain-Sound des Blues Driver mit der aggressiven Rock-Stimme des Angry Charlie in jeder erdenklichen Kombination zu mischen, bietet das JB-2 Angry Driver eine enorme Bandbreite und Vielseitigkeit in einem einzigen Overdrive-Pedal.

To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.

The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently or combine them in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.

Review by TonePedia

Demo by Guitarist

Demo by JHS Pedals

JB-2 Angry Driver

The Dyna Comp Mini Compressor combines the best of classic tone and modern convenience in a housing that's nearly half the size of the original. Thanks to its rare CA3080 "metal can" integrated circuit (IC), this pedal yields quieter operation, greater transparency, and increased dynamic range. An all-new Attack switch toggles between slow and fast attack times.