先生 林

stratocaster

Sandbox Pedal Board-copy

ac10

thr10

ch ray

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural Dsp Technologies

Product Page

Review by wired

Review by The Gear Page

Review by Fractal Audio Forum

Review by guitarguitar

Quad Cortex 2.0 manual

Demo by EytschPi42

Demo by Neural DSP

Quad Cortex

Tester

The POT is pretty much the same as half of the King of Tone, with an external MODE switch standard. It is the same as the KOT with HIGHER GAIN option, so you can use the full range of the DRIVE knob and it has a little more drive at the top than a normal gain KOT. The DISTORTION mode is improved though, for a louder, stronger distortion sound.

Analogman

Review by Musiker-Board

Review by pedal of the day

Demo by Mike Hermans

Demo by shnobel

Manual

Prince of Tone

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Jarek Harek

KORG PitchBlack Poly polyphone Pedal Tuner - Ankundigung einen revolutionaren Fortschritt in der polyphonen Tuner, die Ihre Optimierungszeit verkurzen wird! Der Korg Pitchblack Poly ist der neue Standard in Gitarre und Bass pedal Tuner, mit dem exklusiven "String Seeker."

KORG PitchBlack Poly Polyphonic Pedal Tuner - Announcing a revolutionary advance in polyphonic tuners that will shorten your tuning time! Korg's pitchblack Poly is the new standard in guitar and bass pedal tuners, featuring the exclusive "String Seeker."

KORG

Official Product Video

Demo by Luís Fernando Bassetto

Review by Premier Guitar

Review by Talk Bass.com

Pitchblack Poly PB03

David Litaba

Mit dem TC Electronic SCF Gold veröffentlicht der dänische Hersteller eine Neuauflage des SCF Stereo Chorus/Flanger Pedals, das 1976 als erstes Produkt der Company das Licht der Welt erblickte. Optisch unterscheidet sich das Reissue, von der goldenen Beschriftung abgesehen, nicht vom Original und kommt mit identischem Gehäuse und Potibelegung.

Chorus. Flanger. Pitch Modulation. Three modes that deliver the magic swirls, wobbling wonders and pure shimmering awesomeness of the SCF that we know and love, staying true – and paying tribute – to the original. The very unit that has taken countless guitarists by surprise and blown away everything they thought they knew about modulation effects in a strum of a chord!

TC Electronic

Review by Gear4Music 

Review by Bonedo 

Demo by TC Electronic 

SCF GOLD SE

Javier Murcia Dominguez

Soul Press II ist die nächste Generation der Hotone Press-Pedalreihe. Das neu gestaltete Upgrade basiert auf den beliebten Konzepten von Soul Press und Vow Press. Es integriert bis zu vier Funktionsmodi (Volume, Wah, Volume/Wah, Expression), was die Spielbarkeit auf ein neues Niveau hebt. Die Pedalstellungsanzeige zeigt die Pedalstellung in Echtzeit an. Die Auswahl des TONE-Modus und die Einstellung des Q-Werts stellen eine absolute Verbesserung von Klang und Funktionalität dar. Mehrere E/A-Optionen bieten einen vielfältigeren Zugang. Die neu gestaltete Größe des Pedals sorgt für Tragbarkeit und optimale Ergonomie. Soul Press II ist ein wirklich vielseitiges Wah-Pedal.   

Soul Press II is a next-gen product in the Hotone Press series pedal line. It's new-designed upgrade is based on the popular concepts of both the Soul Press and Vow Press. It integrates up to four function modes (volume, wah, volume/wah, expression), taking playability to new heights. The pedal position indicator shows the pedal position in real time. The TONE mode selection and Q value adjustment represent an absolute improvement in tone and functionality. Multiple I/O options provide more diverse access. The reimagined pedal size maintains portability while delivering an optimal ergonomic experience. Soul Press II is a truly versatile wah pedal.   

HOTONE

Review by reddit /guitarpedals

Review by headliner

Review by Bass Musician Mag

Demo by The Pedal Guy

Demo by Nobes Music

Demo by intheblues

Demo by Pedal of the Day

Soul Press II

Electro-Harmonix

Superego Plus

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Sean Sheppard

Sun Face (Side Jacks/DC Input)

Oscar Kezirian

Drawing inspiration from its germanium predecessor, the Fuzz Phrase Si encapsulates the rich harmonic profile and dynamic response of the esteemed Fuzz Phrase Ltd.
It strikes a perfect balance between sought-after tonal characteristics, long sustain across the register and "clean-ability" rivalling the best vintage germanium fuzz circuits.
After meticulous testing of various silicon transistors, the BC107s emerged as the unequivocal choice.
We proceeded to fine tune the circuit to these transistors, securing all the attributes synonymous with the Fuzz Phrase legacy.

Jam Pedals

Demo by  Chrisdava

Review by guitar pedal X

Review by musicradar

Fuzz Phrase STD

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Erschaffe sofortige Retrofuture-Atmosphäre mit stimmungsvollen Vintage-Delay-Sounds. Aktiviere deine Vorstellungskraft mit sich entwickelnden Ambient-Echos und warmen, organischen Rückkopplungen mit genau dem richtigen Maß an Schärfe. Gestalte deine Klanglandschaft in Echtzeit, indem du Volante als Erweiterung deines Musikinstruments einsetzt. Verleihe deinem Pedalboard atemberaubende Vintage-Vibes, die nachhallen und inspirieren.

Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.

Strymon

Review by guitar.com

Review by premierguitar.com

Review by amazona.de

Review by bonedo.de

Quick Start Guide

Demo by  Rhett Shull

Demo by Working Class Music

Demo by Keven Eknes

Volante

Schalte den Vintage-Charme von natürlichem Federhalls und pulsierendem Tremolo an. Source Audio macht sich nicht von Standardreverb-Effektprozessoren abhängig, wie sie in vielen modernen Reverb-Pedalen zu finden sind. Sie meißeln jede ihrer Effekt-Engines selbst von hand und laden sie in ihren eine leistungsstarken 56-Bit-Sigma-DSP. Ihr zweiköpfiges Team aus den Ingenieuren Bob Chidlaw und Jesse Remigni saß jahrelang Stunde um Stunde daran, jede Nuance und Idiosynkrasie der Federhall- und Tremolo-Effekte einiger der kultigsten Gitarrenverstärker und Outboard-Geräte der Musikindustrie einzufangen. Das Ergebnis ist unbestreitbare Klangqualität mit großartiger Klangtiefe und Präzision.

Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn't depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, they handcraft every one of their proprietary effects engines and load them to high-powered, 56-bit Sigma DSP.  Their two man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry’s most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

Source Audio

Official Product Page

True Spring Reverb - Demo by Musiker TV

SA True Spring - Demo by PG

Source Audio One Series True Spring Reverb - Review by Muzikus [CZ], [08-2019]

Source Audio One Series True Spring Reverb - Review by Gitarre & Bass [DE], [07-2019]

Source Audio One Series True Spring Reverb - Review by PremierGuitar [EN], [02-2019]

Source Audio One Series True Spring Reverb - Review by Gearphoria [EN], [10-2018]

Demo by Pete Thorn

True Spring Reverb

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Review by Elektronauts

Review by Guitar.com

Demo by strymon

El Capistan v2

Lee Atkin

Volante Midnight Edition

Phil Treu

150 built-in programs for DJ mixes and sound design
In addition to the effect programs that were so
popular on the KP3, such as a filter that's designed with an analog feel in mind, standard spatial-type effects such as a highly usable delay, a grain shifter that lets you freeze an instant of sound, and a decimator, we've added an enhanced looper as well as new effects.
You can connect a mic to the mic input jack
and generate full-fledged vocoder sounds in
real time. An "FX RELEASE" feature has been
provided which lets you control the reverberant
tail of the effect to obtain a more natural decay,
ensuring that these powerful effects will blend
naturally into your song or performance

Review by Perfect Circuit

Review by DJ MAG

Review by AMAZONA

Demo by Desert Ninja

Demo by PlayersPlanetOz

KAOSS KP3+

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Éloi Deraiche

New Pedal Board

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

Oceans 11

PedalSafe Type A2

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Keeley Kompressoren sind wohl die beliebtesten Boutique Kompressoren am Markt. Mit weit über 50.000 gebauten Kompressoren ist die Keeley Werkstatt wohl ein Experte auf den Gebieten Kompression, Limiting und Sustain. Keeley weiß ganz genau was es braucht um ein Instrument klingen zu lassen, als wäre es professionell aufgenommen worden. Sie wissen wie sie deine Gitarre im Mix ganz nach vorn stellen und sie wissen genau, was das Spielen zur wahren Freude macht. Keeley Compression macht’s möglich! Der Keeley Compressor Plus ist der nächste Schritt nach vorne in Keeleys Reihe an 2- und 4- Knob Kompressoren. Die neuen Features sind einfach und geradeaus. Es gibt einen einfachen Release Schalter, der speziell auf Single Coils und Humbucker getunt ist. Kein rätseln mehr, ob Attack und Release richtig eingestellt sind. Deine Humbucker haben all das Attack und den Punch den sie haben sollen! Das Keeley Team hat außerdem einen fantastisch klingenden Tone Regler kreiert, der die sensiblen Obertöne, die bei komprimierten Signalen oft verloren gehen, betont. Außerdem verfügt der Compressor Plus über einen Blend Regler, der das Kompressor Signal auf bis zu 50 % im Mix absenken, und so die Dynamikspitzen in deinem Spiel und somit deine Phrasierung erhalten kann, während du zudem das nötige Sustain bekommst. Der Keeley Compressor Plus bietet denselben fabelhaften Push an süßen Frequenzen, den du von älteren Kompressoren kennst, nun mit der nötigen Flexibilität für jedes Instrument.

The Keeley Compressor is the most popular boutique compressor in the world.  With well over 50,000 compressors built in the Keeley shop we have an expert understanding of compression, limiting, and sustain.  Keeley know what it takes to make an instrument sound like it’s been professionally recorded.  They know how to make your guitar jump from the mix. They know how to make it fun and easy to play.  Keeley Compression is how.  The Keeley Compressor Plus is the next true advancement in their 2 and 4 knob compressor line.  The new features are simple and straight forward.  Now there is a simple Release Switch that is tuned for single coils or humbuckers.  No more wondering if you have the attack or release set right.  Your humbuckers will have all the attack and punch that they should.  The Keeley team designed a gorgeous sounding Tone Control that emphasizes the most sensitive harmonics that can be lost in compression.  The Compressor Plus now sports a Blend Control that retains the peaks in your playing and more importantly the proper phasing of your guitar signal.  The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to handle any instrument.

Keeley Electronics

Keeley Compressor Plus - Demo Video - ProGuitarShop Demos

Keeley Compressor Plus - Demo Video - Livingroom Gear Demos

Review by The Gear Check

Compressor Plus

Electro Harmonix ist bekannt für seine vielen analogen Bodentreter. Der Memory Man ist dabei ein klassisches Eimer-Ketten-Delay, wobei es das in zwei ziemlich identischen Ausführungen gibt, welche sich eben nur in der maximalen Delay-Zeit und damit dem Preis unterscheiden.

For decades, the Deluxe Memory Man has been the industry bottom line for sweet organic delay and modulation. Prized by serious musicians, the Deluxe Memory Man became the definition of attitude and character that still leads the way to analog perfection.

Electro-Harmonix has now created the ultimate Deluxe Memory Man equipped with Tap Tempo, 1100mS of maximum delay time, Expression Control and an Effects Loop. Adding Tap Tempo ensures that you will always be in sync with the groove, wherever your performance takes you, while five Tap Divide subdivisions deliver rhythmic variation. The Expression Pedal Input provides real time control over Blend, Rate, Depth, Feedback and Delay. The Effects Loop lets you insert effects into your wet signal without changing your dry signal, making the EHX Deluxe Memory Man 1100-TT the most powerful analog delay ever designed.

Review by bonedo 

Review by DelayDude

Demo by Curtis Kent 

DELUXE MEMORY MAN 1100-TT

MOD 11 Modulator

Das OD-3 OverDrive Pedal steht in der Tradition der legendären BOSS Overdrives und bietet dem Gitarristen eine stark erweiterte Palette an sanften Overdrive-Sounds und eine verbesserte Ansprache, ohne das Original zu vernachlässigen.

Built in the tradition of the legendary BOSS overdrives, the OD-3 OverDrive pedal gives guitarists a greatly expanded range of smooth overdrive tones and improved response while staying true to the original.

BOSS

Review by Guitar Pedal X

Review by Reddit /guitarpedals

Demo by sonicstate

Demo by Jack Fossett

Demo by Michael Banfield

OD-3 Overdrive

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Das MXR M225 Sub Machine Fuzz kombiniert die rauen Vintage-Töne des La Machine Fuzz mit einem grollenden Suboktav-Schaltkreis und bietet einen direkten Weg zu den klanglichen Grenzen des Heavy-Sounds. Es verfügt über Volume-, Tone-, Fuzz- und Sub-Regler, einen Octave-Schalter für einen Oktav-aufwärts-Fuzz-Modus und einen Series-Schalter, um das Suboktav-Signal direkt in den Fuzz oder parallel dazu für einen Split-Channel-Effekt zu leiten.

The Sub Machine Fuzz combines shaggy fuzz with a growling sub octave circuit—switchable between series and parallel modes—with an octave up fuzz mode for searing subterannean sounds.

Demo by Shnobel

Demo by The Pedal Zone

Review by Sweetwater

M225 Sub Machine Fuzz

Old Blood Noise Endeavors

Fault V2

With its ultra-bright display, groundbreaking polyphonic tuning mode, insanely fast and accurate strobe tuner, POLYTUNE 2 MINI serves up a massive upgrade for your pedalboard – while claiming very little of your precious pedalboard real estate.
Pure POLYTUNE Win!

Review by Guitar Gear Finder

Demo by Ryan Kiesshauer

Polytune 2 mini

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

This product is actually two effects pedals in one. The left side is based on an
improved version of the Ross compressor (compROSSor) and the right side the
Dan Armstrong Orange Squeezer (Juicer). Each is independent and can be used
separately or together. The order of the pedals, if used together, is Juicer first.

Info about Analag.Man compressors

Review by Maxwell's Pedal Reviews

Demo by gearmandude

Demo by UNKLE GROOVE

Mini Bicomp (ROSS)

This pedal is based on the 1960s British Dallas Rangemaster, which was best at the time to give a treble and gain boost to the dark British amps. This allowed them to get a sound more in tune with the time, as guitars were starting to become a loud, bold, lead instrument. This pedal is a type of BOOSTER, not really a distortion pedal nor a clean boost- it does modify your sound quite a bit. It excites certain frequencies and pushes your amp to allow it to create rich tube distortion. The pedal colors your tone, with a crunchy overdrive, boosting certain frequencies, and warming the tone with NOS germanium transistors. It does not have a lot of compression and sustain like most OD pedals, but a more raw, open sound.

Demo by Joe Perkins

Beano Boost Mini

Der MINI-CHORUS ist derselbe wie unser normaler Chorus, jedoch in einer kleineren, handgestempelten Box. Er hat die gleiche Größe wie unsere kleinen Kompressoren/Entsafter:

Zum gleichen Preis wie der normale Chorus, standardmäßig mit Batterie- und Gleichstromadapteranschluss und der gleichen Platine im Inneren für die gleichen Sounds wie der normale Chorus. Es ist ein tolles, einfaches, kleines Chorus-Pedal mit tollem Klang! Es ist mit einem externen MIX (BLEND)-Regler oder Tiefenschalter für jeweils 25 US-Dollar mehr erhältlich. Die Boxen auf den Mini-Chorus-Pedalen sahen großartig aus, wirklich schöne blaue Strukturfarbe. Im Jahr 2019 jetzt mit Stereo-Option erhältlich (nur seitliche Buchsen, kein Batterieraum). LED am Mini Chorus ist Standard.

The MINI-CHORUS is the same as our normal chorus, but in a smaller, hand stamped box. It is the same size as our small compressors/juicers:

Same price as the normal Chorus, these have both battery and DC adapter jack standard, and the same board inside for the same sounds as the normal Chorus. It's a great, simple, small chorus pedal with awesome tone! It is available with an external MIX (BLEND) knob or depth toggle for $25 more each. The boxes on the mini chorus pedals came out looking great, really nice blue textured color. In 2019, now available with Stereo option (side jacks only, no battery room). LED on the Mini Chorus is standard.

Why does our chorus sound better than the others that are made today? Both the newer MN3207 and our MN3007 are rated for 2.5% maximum Total Harmonic Distortion (THD) at a certain input voltage level. For the MN3007, this level is 0.78V RMS. For the MN3207, it's 0.25V RMS!! This means that our MN3007 that we use can take a much higher input signal level, which means much more dynamic range, and less noise. Think of it as trying to play your stereo at the same clean loud volume through a 78 watt solid state amp or a 25 watt S.S. amp. The 78 watt amp will have less distortion and noise, and sound much better at higher levels.