Saulo Silveira

Das Power MOD ISO DC 1 ist ein Multi-Netzteil für Effektpedale und bietet bis zu 9 galvanisch getrennte, aufwändig gefilterte 9 VDC Stromanschlüsse und einen 5 V USB Anschluss.

Das Multi-Netzteil ist so konzipiert, dass es bis zu 9 Effektpedale gleichzeitig, und ohne Nebengeräusche zu erzeugen, mit Strom versorgt. Eine ausgeklügelte Filtertechnologie eliminiert effektiv hochfrequente Einstreuungen.

Ein separater Kurzschlussschutz für jeden Ausgang schützt die angeschlossenen Effektpedale vor Schäden im Falle eines Kurzschlusses. Unabhängig voneinander arbeitenden LED signalisieren den ordnungsgemäßen Zustand der Verbindung an jedem Ausgang. Bei einem Kurzschluss wird nur der betroffene Ausgang abgeschaltet, der Rest der Effektpedale bleibt betriebsbereit.

- Multi-Netzteil für Effektpedale
- bietet galvanisch isolierte und aufwändig gefilterte Stromausgänge
- passt in einen MOD Steckplatz and RockBoard® Pedalboards
- kompatibel mit vielen anderen Pedalboards
- abnehmbare Frontplatte für die Befestigung auf oder unter einem Pedalboard
- aufwändige Filtertechnologie verhindert Hochfrequenzeinstreuungen
- externes Netzteil verhindert Niederfrequenzeinstreuungen
- Verpolschutz am Eingang
- individuelle LED Anzeigen und Kurschlussschutz für alle Stromausgänge
- 2 x Zugentlastungen für angeschlossene Kabel
- Eingang: 24 VDC / 1,5 A
- Ausgänge: 8 x 9 VDC, je 300 mA / 1 x 9 VDC, 500 mA / 1 x 5 VDC USB-C, 2000 mA
- inkl. 1 x 24 VDC Netzteil (1,5 mA) mit austauschbaren multiregionalen Steckeradaptern
- (EU, UK, US/CA, AU/NZ), Eingangsspannungsbereich 100-240V AC
- inkl. 9 x RockBoard® Flat Power Cable, 60 cm (zum Anschluss der Effektpedale)
- Abmessungen (L x B x H): 175 x 85 x 47 mm (mit Frontplatte) / 160 x 85 x 33 mm (ohne Frontplatte)
- Gewicht: 500 g

The Power MOD ISO DC 1 is a multi-power supply for eﬀect pedals and provides up to 9 electrically isolated, highly filtered 9 VDC power connections and one 5V USB connection.

It fits in a MOD slot on ROCKBOARD pedalboards, but, due to its removable front plate, it can also be used as a power supply for other pedalboards. The multi-power supply is designed to provide noiseless power to up to 9 eﬀects pedals simultaneously. Sophisticated filtering technology eﬀectively eliminates high-frequency noise. Separate short-circuit protection for each power slot protects the connected eﬀects pedals from damage in the event of a short circuit.

Separate LED indicate healthy connections for individual each slot. Should a short circuit occur, only the aﬀected power slot is switched oﬀ, leaving the rest of the eﬀects rig operational.

- multi-power supply for eﬀects pedals
- provides transformer isolated and highly filtered power slots
- fits in a MOD slot on RockBoard® pedalboards
- compatible with most other pedalboards
- detachable front plate for mounting on top or underneath pedalboards
- advanced filter technology prevents high frequency noise
- external mains transformer prevents low frequency interference
- input polarity protection
- individual status LEDs and short circuit protection for all power slots
- 2 x strain relief clamps for connected cables
- input power: 24 VDC / 1.5 A
- outputs: 8 x 9 VDC, 300 mA each / 1 x 9 VDC output, 500 mA / 1 x 5 VDC USB-C, 2000 mA
- incl. 1 x 24 VDC power adapter (1.5 mA) with exchangeable multi-regional plug adapters
- (EU, UK, US/CA, AU/NZ), input voltage 100-240V AC
- incl. 9 x RockBoard® Flat Power Cable, 60 cm (for connecting eﬀects pedals)
- dimensions (L x W x H): 175 x 85 x 47 mm / 6.9" x 3.34" x 1.85" (with front plate) / 160 x 85 x 33 mm / 6.3" x 3.34" x 1.3" (without front plate)
- weight: 500 g / 1.1 lbs

Multi-Netzteil für Effektpedale

Multi-Power Supply for effects pedals

Elod Bajrami

Altoids

Product Page

Official Product Video

Franko Teston

SMOOTH IMPACT is a genuine vacuum tube compressor that utilizes the gain variation resulting from fluctuations in Nutube’s power supply voltage. It marks the debut of a pedal-type vacuum tube compressor, offering a distinct, natural playing feel unlike compressors of other types. Instead of conventional VCA, optical, or FET methods, it harnesses the non-linear realm of tubes, featuring harmonics derived uniquely from vacuum tubes, setting it apart from clipping.

Review by guitarbomb

Review by Guitar World

Valvenergy Smooth Impact

Tester

Die Effektpedale der COOLTRON-Serie sind ganz klar Tretminen der besonderen Art. Schließlich enthalten sie eine echte 12AU7 Vorverstärkerröhre, die für Biss, Wärme und tonnenweise Fett steht, aber trotzdem kein Batteriefresser ist. Ein Netzteil ist im wahrsten Sinne des Wortes Sonderzubehör: Nett, aber nicht unentbehrlich.
Dein Amp klingt warm und seidig. Soll er auch – selbst wenn du mal richtig in den Rotbereich gehst! Wie ein echter Gentleman respektiert das Big Ben Overdrive deine Spieldynamik. Was aber nicht heißen soll, dass es nicht auch mächtig Dampf machen kann, wenn Schirm, Charme und Melone zeitweilig fehl am Platz sind. Mit dem GAIN-Regler kannst du die ganze Palette zwischen bluesiger Wärme und fetter Übersteuerung erkunden. Mit TONE regelst du die Klangfarbe. Wie die übrigen COOLTRON-Pedale huldigt auch das Big Ben der echten Bypass-Schaltung. Kein Effekt bedeutet dann folglich, dass Input gleich Output.

The effect pedals in the COOLTRON series are clearly pedal mines of a special kind. After all, they contain a genuine 12AU7 preamp tube, which stands for bite, warmth and tons of fat, but is still not a battery guzzler. A power supply unit is an optional extra in the truest sense of the word: nice, but not indispensable.
Your amp sounds warm and silky. And it should - even if you really go into the red zone! Like a true gentleman, the Big Ben Overdrive respects your playing dynamics. But that's not to say that it can't also turn up the heat when your umbrella, charm and bowler hat are temporarily out of place. With the GAIN control, you can explore the whole range between bluesy warmth and fat overdrive. Use TONE to adjust the tone color. Like the other COOLTRON pedals, the Big Ben also pays homage to the true bypass circuit. No effect therefore means that input equals output.

Manual

Review by Musiker-Board

Review by Reddit /guitarpedals

Review by Guitartest

Demo by SPI channel

Demo by Guitar Mania

Demo by UD Music Channel

Demo by ProGuitarShopDemos

Review by Amazona

Big Ben Overdrive

10bson

Ein grafischer Equalizer, mit dem Sie den Frequenzbereich und die Q-Breite für die Klangformung von Gitarren einstellen können. Mit Nutube in der Vorverstärkersektion werden durch Anheben des Pegels charakteristische Röhrenobertöne und Kompression hinzugefügt. Wählen Sie Frequenzbänder von 100Hz/250Hz/570Hz/800Hz/2,2kHz/5,6kHz, die für eine intuitive Klangformung ausgelegt sind. Zur Erleichterung der aktiven Klangformung sind die Frequenzbänder so eingestellt, dass sie durch Verbreiterung der Q-Breite effektiver sind als bei einem typischen grafischen Equalizer. Es ist einfach, zwischen Backing und Solo zu wechseln sowie allgemeine Einstellungen vorzunehmen. Der Einsatz von Nutube im Vorverstärker sorgt für eine musikalische Verzerrung, wenn der Pegel erhöht wird. Das Fehlen eines Mittenklicks wurde absichtlich für einfache und feine Einstellungen konzipiert.

A graphic equalizer that allows you to set the frequency range and Q width tailored for guitar tone shaping. With Nutube in the preamp section, raising the level adds distinctive tube harmonics and compression. Choose frequency bands of 100Hz/250Hz/570Hz/800Hz/2.2kHz/5.6kHz, designed for intuitive tone shaping. To facilitate active tone shaping, the frequency bands are set to be more effective by widening the Q width compared to a typical graphic equalizer. It’s easy to use for switching between backing and solo, as well as for overall adjustments. The inclusion of Nutube in the preamp provides a musical distortion when the level is increased. The absence of a center click is intentionally designed for easy and fine adjustments.

Demo by  shadow's toy box

Demo by 楽器好きにはたまらない! フーチーズ 渋谷店 

Review by AMAZONA

Review by bonedo

Valvenergy Tone Sculptor

pascal capuano

Evermore Studio Reverb gives you the grainy ambient tails and mesmerizing modulations of the iconic late-’70s early-digital device, in a compact, elegantly crafted stompbox.

Built upon the award-winning Hall 224 algorithms found in our flagship Golden Reverberator, Evermore Studio Reverb gives you the stunning ambient effects of the classic hardware used on decades of iconic guitar sounds, right on your pedalboard.

Universal Audio

Review by Guitar.com

Review by musicradar

Demo by EytschPi42

EVERMORE

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

1176 Studio Compressor Pedal

Robin Boyd

Galaxy '74 Tape Echo & Reverb basiert auf der preisgekrönten UAFX Dual-Engine Verarbeitung und einem unstillbaren Durst nach klanglicher Authentizität. Es fängt die warmen, verbogenen, unerbittlich analogen Effekte der legendären Roland Space Echo*-Hardware aus der Mitte der 70er Jahre ein, für eine Palette voller üppiger Texturen, direkt zu Deinen Füßen

UAFX Galaxy 74 is a stereo delay pedal with classic mid-'70s analog echo effects and spring reverb, tap tempo, and adjustable realtime effects and oscillation sounds via the UAFX Control app.

Review by bonedo 

Review by AMAZONA 

Demo by Pete Thorn 

Demo by Pedal of the Day 

Galaxy '74 Tape Echo & Reverb

Stefan Penev

Bassman® Pedale veredeln jeden Tieftöner. Bei der Entwicklung dieser Pedalserie haben wir uns von den Röhrenverstärkern aus den Anfangsjahren der Fender Subsonic-Signalbearbeitung inspirieren lassen. In den Bassman Pedalen stecken ausgeklügelte analoge und digitale Schaltkreise, mit denen sich der Bassklang unkompliziert variieren lässt. Mit jeweils drei Reglern, zwei Schiebeschaltern, einem Fußschalter sowie oben platzierten Anschlüssen sind die Pedale äußerst bedienfreundlich und brauchen wenig Platz im Pedalboard.

Von flauschig bis kratzig, von Wollmütze bis Schotterpiste: Hier stecken die schönsten Fuzz-Sounds der letzten Jahrzehnte drin. Das Bassman Fuzz Pedal bietet zwei Basis-Klangfarben und die passenden Regler zum Abstimmen des Effekts. Abgesehen vom klassisch-kernigen Gain-Fuzz kannst du diesen Buffer-freundlichen Effekt variieren und dem cleanen Basston zumischen. Dafür gibt's die drei Positionen des Focus-Schalters und einen Blend-Regler. Wo soll der Fuzz im Mix sitzen? Du hast drei Fokus-Varianten: volles Frequenzband, nur Mitten und Höhen, oder nur Höhen. Jede Einstellung lässt genug Raum fürs Einblenden des cleanen Signals unter dem Fuzz.

Bassman® pedals have all your basses covered. Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. With three controls, two slide switches, a footswitch and top-mounted connections, the pedals are extremely user-friendly and take up little space on the pedalboard.

Thick and woolly bass fuzz for the ages: cramming decades of bass fuzz tones into a small footprint, the Bassman Fuzz pedal offers two voices of speaker-pumping grit and all the right controls to keep your low end solid. Beyond offering fur drenched, riff-ready gain, this buffer-friendly fuzz can be tamed to balance with your clean lows using the three-position focus switch and blend knob. Select where the fuzz sits in the mix from three focus frequencies: full frequency band, just the mid and high frequencies, or high frequencies only – with each setting leaving plenty of room to blend in the right amount of your clean signal underneath the fuzz.

Fender

Demo by  Andertons Music Co

Demo by  Klangfarbe “Musikhaus Klangfarbe”

Review by No Treble

Review by Talk Bass.com

Review by The Gear Page

Manual download

Bassman Fuzz

Paulo Damasceno Nepomuceno

Das 2017 erstmals vorgestellte F-Octave kehrt mit seinem charakteristischen High-Gain-Silizium-Fuzz zurück, der als Hommage an die legendäre Foxx Tone Machine entwickelt wurde. Dieses Kultpedal, das Anfang der 70er-Jahre erstmals zu hören war, sicherte sich mit seiner bissigen Sättigung, dem satten Sustain und dem unverwechselbaren Oktav-Grind einen festen Platz in der Fuzz-Hall-of-Fame. Das F-Octave führt diese Tradition fort und liefert rohe, ausdrucksstarke Sounds mit ganz eigenem Charakter.

Im Herzen des Pedals arbeitet eine fein abgestimmte, diskrete analoge Fuzz-Schaltung, die für einen reichen Obertongehalt und dynamisches Ansprechverhalten sorgt. Das Layout ist einfach und intuitiv und bleibt dem Geist klassischer Stompboxen treu, bietet aber gleichzeitig mehr Flexibilität bei der Klangformung. Im Oktavmodus entfesseln sich schneidende Obertöne im oberen Register, die sich mit Vintage-Attitüde und synthartiger Textur in jedem Mix durchsetzen. Schaltet man ihn aus, erwartet einen ein warmer, fetter Fuzz-Sound – voll von weichen Mitten und sanfter Kompression, perfekt für Soli, Akkorde oder riffbetonte Grooves.

So klang Fuzz früher: kraftvoll, unberechenbar und einfach unglaublich spaßig. Einstecken, Oktave aktivieren und neu entdecken, warum Fuzz nie aus der Mode gekommen ist.

Originally launched in 2017, the F-Octave returns to the lineup with its signature high-gain silicon fuzz, crafted in tribute to the legendary Foxx Tone Machine. First heard in the early '70s, that iconic pedal earned its place in the fuzz hall of fame with its biting saturation, chewy sustain, and unmistakable octave-up grind. The F-Octave picks up where that legacy left off—delivering raw, expressive tones with a character all its own.

At its heart is a finely tuned, discrete analog fuzz circuit designed for rich harmonic content and dynamic response. The layout is simple and intuitive, staying true to the spirit of classic stompboxes, but with added flexibility to shape your sound. Engage the octave mode to unlock searing, upper-register harmonics that cut through any mix with vintage attitude and synth-like texture. Switch it off, and you're greeted with a warm, fat fuzz—full of wooly midrange and smooth compression, perfect for leads, chords, or riff-driven grooves.

This is fuzz the way it used to be: bold, unpredictable, and endlessly fun. Plug in, switch on the octave, and rediscover why fuzz never went out of style.

Diamond Pedals

F-Octave

Nicolas Wilfer

Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Walrus Audio

Video Manual

Official Product Video 

Canvas Tuner

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Sean Sheppard

Analogman

Bi-Chorus (Top Jacks/Mono)

PedalSafe Type C2

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Schutzabdeckung & universelle Montageplatte Für WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive Pedale

Protective Cover & Universal Mounting Plate For WALRUS EB-10, WAMPLER TapeEcho & PlexiDrive pedals

Lee Atkin

Der Hammertone Boost verfügt über wählbare, extrem saubere Operationsverstärker- oder harmonisch reichhaltige JFET-Boost-Schaltungen. Damit können Sie wählen, ob Sie Ihr Signal völlig unverfälscht verstärken oder Kompression und Charakter hinzufügen möchten. Die Hammertone-Serie bietet roadtaugliche Qualität zu attraktiven Preisen.

The Hammertone Boost features selectable ultra-clean op-amp or harmonically rich JFET boost circuits. This lets you choose between boosting your signal completely uncolored or adding compression and character. The Hammertone series offers roadworthy quality at attractive prices. 

Review by Music Radar

HAMMERTONE Boost

From the ringing faux sitar sound to the rise and fall of jet plane sweep, flangers fire up very specific neurons in our brains, reminding us of certain music genres and eras often to the point of being cliché. Far more interesting to us is the way flanging and “flanger like” effects are used in mixdown or soundtracks to create a sense of focus, tension or space. How does this translate to a guitar effect? This really goes beyond the scope of most simple stompboxes. The Starlight DLX lets you make new sounds that conjure up imagery and emotion.  We hope you’ll find sounds which even we couldn’t have imagined.

Subdecay

Review by guitar pedal X

Review by Reverb.com

Demo by Prymaxe

Starlight DLX

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

Official Product Page

JHS Colour Box V2 - Official Demo Video

JHS Colour Box V2 - Demo / Review Video - The Bass Channel

JHS Colour Box V2 - Demo Video (No Talking) - Guitar Bonedo

JHS Colour Box V2 - Demo / Review Video - Reverb

JHS Colour Box V2 - Demo Video - Living Room Gear Demos

JHS Colour Box V2 - Demo Video - Sweetwater

Review by delicious audio

Colour Box V2

PedalSafe Type C

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

Alex Thomas

The Niisoo Harmonic Equalizer is a versatile tone-shaping tool designed to provide a diverse set of interactive analog filter options. Its dynamic interface allows for instant or timed recall of two user-defined frequency points, adjustable from 0 to 20 seconds. Niisoo employs advanced fourth-order filtering with resonance control, offering a fresh take on classic analog synth technology. With a rich palette of sounds—including lo-fi textures, filtered tremolo, classic wah, frequency shifting, and powerful equalization—Niisoo is perfect for both live performances and post-production use.

Native Audio

Niisoo Harmonic Equalizer

Jonathan Brashler

The Ascension Reverb was designed to assist users in the creation of inspiring layers of ambiance in a simplistic, yet distinct manner. The Ascension reverb contains three modes: Hall, Modulated Hall, & Shimmer. It also has the added capability to layer-in ambient octaves under the guitar signal to enrich the sound and smooth live performance song transitions via the onboard pad volume roller knob. 

The Reverb unit offers three controls: Height, Ethos, and Mix. On all modes Height adjusts the decay time and mix adjusts the reverb signal while the ethos knob adjusts the Tone, Modulation Rate, or Shimmer Amount based on the respective mode that is activated. The Ascension Reverb has three footswitches: master bypass, one switch to toggle on/off the underlying pad signal and a third switch to designate what key the underlying pad signal should be in (A, Bb, B, C, Db, etc…). An effects loop exists for the pad signal, this allows users to route the pad to an external mixing desk to be controlled externally or to route the pad through modulation pedals such as chorus, pitch shift, or tremolo for even more textural depth.

Eppigaze Audio

Demo by Eric Merrow

Review by reddit /guitarpedals

Ascension Reverb

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Quick Start Manual

Demo by Mark Johnston

Chroma Console

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

All you need

David Litaba

Die British Pedal Company Compact Series BPC Rush Pepbox ist eine kompakte, moderne Nachbildung der Original Pepbox, die 1965 von Pepe Rush für WEM entwickelt wurde. Das Original-Pedal wurde von John Lennon in den Abbey Road Studios während der Revolver Sessions verwendet und ist auf vielen Fotografien aus der Zeit zu sehen. Die Compact Series BPC Rush Pepbox verfügt wie das Original über 2 Germanium ACY41-Transistoren.

The British Pedal Company Compact Series BPC Rush Pepbox is a compact, modern replica of the original unit designed by Pepe Rush for WEM in 1965. The original pedal was most famously used by John Lennon at Abbey Road Studios during the Revolver Sessions and can be seen on many photographs from the period. The Compact Series BPC Rush Pepbox features 2 Germanium ACY41 transistors as per the original unit.

British Pedal Company

British Pedal Company - Rush Pepbox Vintage Series & Rush Pepbox Compact Series - Deutsch -  W-Music Distribution

British Pedal Company - Rush Pepbox Vintage Series & Rush Pepbox Compact Series - English - W-Music Distribution

Compact Series BPC Rush Pepbox

Meet Maude
Analogue Delay

Imparting a dark and tape-like quality to your sound, this analogue delay offers a rich and distinct character for you to wallow in luxury, self-righteousness and filth.  

Using the tone and feedback controls, you can shape your repeats to be much more than simple reproductions of the input. Play right on the threshold of feedback, which you can mold as a low thundering growl or screeching wail, or let your echo slowly die out as the dynamic output filter gets darker every repeat.

A random delay time modulation adds a true tape feel to the delay, like a reel-to-reel motor spinning not quite perfectly. Full CV capabilities allow you to control delay time and/or feedback with any external source, like an expression pedal.

Fairfield Circuitry

Review by Waveform Magazine

Demo by collector//emitter

Meet Maude

Gilles Peynet

For everyone out there who nevers turns off their Barbershop, this is for you. The same circuit in a tiny box, no bypass switch, no light. You can select between two tone options via a jumper inside the pedal.

Modèle B

GREGORY GUENEAU

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Review by Sound on Sound

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Review by Gearnews

Quick Start Guide

Brigade Chorus & Vibrato

Den 'perfekten' Sound einzustellen sollte keine entmutigende Aufgabe sein. Der Neunaber Wet Reverb V5 wurde spezielle für eine kompakte Flexibilität entwickelt und bietet Musikern die Möglichkeit, den Reverb Effekt mit drei einfachen, intuitiven Regelmöglichkeiten zu gestalten. Egal, ob man nach einem riesigen und endlosen Hall sucht, der warm und organisch sein kann oder einfach nur ein dezentes Funkeln im Sound ergänzen möchte, der Wet Reverb bietet Musikern dafür alle Möglichkeiten und genügt mit einem Studio-tauglichen Sound selbst allerhöchsten Ansprüchen. Der Wet Reverb V5 ist ein Update des bekannten und beliebten Neunaber Wet Reverb, der alles bietet, was so viele Musiker an den Vorgänger-Versionen liebten - und ein bisschen mehr!

Dialing in a great tone shouldn't be a daunting task. Designed for compact flexibility, the Neunaber Wet Reverb V5 gives you the power to craft your reverb sound with three straightforward controls. You want a reverb that can be huge and endless, warm and organic, or simply add a subtle sparkle? You set high standards for yourself and your tone, so add something special to your sound that doesn't get in the way. Introducing the Wet Reverb V5 - an update to the fan-favorite reverb pedal. The new Wet Reverb has everything so many musicians loved about its predecessor, plus a little more.

Neunaber

Neunaber Wet Reverb V5 - Official Demo Video

Neunaber Wet Reverb V5 - Demo / Review Video - Music Bliss Malaysia

Neunaber Wet Reverb V5 - Demo Video - Ponderer Sounds

Wet Reverb V5

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

FUEL INJECTOR offers a distinctive overdrive with clean characteristics, rich harmonics, and a natural sense of compression and bite. Developed by amp manufacturer VOX, this overdrive pedal stands out for its amp-like distortion, in contrast to typical pedal distortions. Unlike effects that color the tone like preamp-style pedals, FUEL INJECTOR preserves its natural characteristics while distorting through Nutube, providing a tone that sounds as if your connected amp is pushed into even more distortion. Compared to many drive pedals, including TS-style ones, it features overwhelming harmonic components and a pronounced compression characteristic reminiscent of a tube amp. The harmonic richness created by distorting Nutube in multiple stages, along with the bias variations unique to tubes, produces a resonant tone, capturing the essence of an amp-like sound.

Demo by  THE AMP SHOP西田製作所 

Review by Guitar Bomb

Valvenergy Fuel Injector

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics. The Real McCoy Limited wah pedal is also available in a stunning chrome finish.