Ben Zecker

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Studio Pedalboard 2024

Chris Corrado

Das Pedal, das kompakte Reverb-Pedale revolutioniert hat, hat sich weiterentwickelt. Mit blueSky erhalten Sie den üppigsten, majestätischsten Hall, den man sich vorstellen kann. Verwandeln Sie eine einzelne Note oder einen Akkord in eine riesige Klangatmosphäre mit unfassbar schönen, unglaublich langen Hallfahnen. Hören Sie das inspirierende Plätschern eines verbesserten Federhall-Algorithmus, der vor Vintage-Vibe nur so trieft. Verlieren Sie Zeit und Raum aus den Augen, während Sie mit tiefen und weitläufigen neuen Shimmer-Sounds interagieren, die Sie noch nie zuvor gehört haben.

The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.

Strymon

Strymon blueSky V.2 – Reverberator – Intro

New blueSky Audio Examples | Strymon

Product Page

Review by delicious audio

Review by reddit /guitarpedals

Manual

blueSky V2

Tester

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Wampler

Review by bonedo

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

MFer

The Saturnworks ABY pedal takes a single input and switches it A/B style to one of two outputs (A or B), or, with a second switch, to both outputs at the same time (Y). With Active Phase Inversion

Saturnworks Pedals

A/B/Y

Der Keeley Compressor Pro wurde designt für zuhause, wie für‘s Studio um voll klingende Aufnahmen eines jeden Instruments zu ermöglichen.
Im Live-Betrieb kann der Compressor Pro dazu dienen, um eben diesen vollen Sound und, exzellente Performance zu erreichen, jedoch gleichzeitig den Amp und die Speaker vor Overload zu schützen.
Der Comp Pro wurde entwickelt um perfekt mit jedem Instrument, von Gesang bis Gitarre und Keyboard, Bass oder Drums zu arbeiten. Verwende ihn für deinen Podcast oder Youtube Videos um professionelles Leistungsniveau zu erreichen. Nutze ihn zuhause um ein Mörder-Sustain bei niedrigen Volume- oder Gain-Settings zu erreichen.
Der Compressor Pro ist auch der perfekte Booster oder Driver für’s Rig. Einfach RATIO auf 1:1 gestellt (= keine Kompression) und mit dem Gain Knob Amp, Pedals oder Speaker in die Sättigung getrieben (und den „anderen Typen“ aus dem Weg geblasen) 
Einmal gelernt den Comp Pro zu benutzen, wirst du nie einen Grund finden ihn nicht einzusetzen!

The Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument.  In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload.  The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums.  Use it when creating a podcast or YouTube videos to maintain professional performance levels.  Use it around the home to create tons of sustain while at low volumes or low gain settings!

Keeley Electronics

Official Product Page

Keeley Compressor Pro - Bass Demo Video - shnobel

Keeley Compressor Pro - Review by Bonedo [DE]

Keeley Compressor Pro - Review by Tone Report [EN]

Demo by Mike Hermans

Compressor Pro

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Das TC Electronic Sentry nimmt sich als Noisegate-Pedal den Problemen an, von denen vor allem Singlecoil-Spieler sowie Hard- und Heavy-Gitarristen ein Lied singen können. Die Rede ist natürlich von unerwünschten Nebengeräuschen, die gern in Form von Einstreuungen oder stärkerem Rauschen auftreten und uns das Leben schwer machen.

The TC Electronic Sentry is a noisegate pedal that addresses the problems that single-coil players and hard and heavy guitarists in particular can tell you a thing or two about. Of course, we're talking about unwanted noise, which often occurs in the form of interference or stronger noise and makes life difficult for us.

TC Electronic

Review by Gitarre & Bass

Review by Bonedo 

Demo by Science of Loud

Official Product Video

Sentry Noise Gate

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Der Keeley Fuzz Bender ist ein modernes 5-Regler-3-Transistor-Fuzz mit einer Kombination aus High-Gain-Silizium und seidigem, glattem Germanium Fuzz. Was macht Fuzz besser? Aktiver EQ. Mit zwei Gyratoren als aktivem EQ hast du die Möglichkeit massive Fuzz-Töne zu erzeugen, die mit typischen Squarewave Fuzzes nicht möglich sind. Bring deinen Verstärker mit bis zu 20 dB Boost / Cut bei 100 Hz und 10 kHz zum glühen. Der Fuzz Bender wurde um japanisches Vintage Germanium Transistoren herum aufgebaut, um seine monumentalen Fuzz-Töne zu erzeugen. Mit der neuen Bias-Steuerung regelst du das Attack und Decay deiner Noten. Der Bias Regler macht alles von fettem Squarwave Fuzz über Angular Fuzz bis zu glitchendem Velcro-Attack möglich. Die fünf Knöpfe des Fuzz Benders zeugen davon, dass für episches Fuzz schlicht die Größe ausschlaggebend ist.

The Keeley Fuzz Bender is a 5 knob - 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender’s five knobs confirm size matters when creating a new and epic world of fuzz.

Keeley Fuzz Bender - Official Demo Video

Keeley Fuzz Bender - Demo / Review Video - SeanPierceJohnson

MXR Octavio & Keeley Fuzz Bender - Review by Musikmaker [NL], [07-2020]

Keeley Fuzz Bender - Review by Gitarist [NL], [08-2020]

Keeley Fuzz Bender - Review by GuitarWorld [EN], [01-2020]

Keeley Fuzz Bender - Review by TopGuitar [PL], [12-2019]

Keeley Fuzz Bender - Review by Muzikus [CZ], [11-2019]

Keeley Fuzz Bender - Review by Gitarre&Bass [DE], [10-2019]

Keeley Fuzz Bender - Review by Gitarzysta [PL], [08-2019]

Fuzz Bender

David Litaba

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Dunlop

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

Review by musicradar

VOLUME (X) PEDAL DVP3

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der EQD Tone Job ist ein üppig ausgestattetes Tonverbesserungs-Tool mit EQ und Booster, geeignet für Gitarre, Bass, Synthesizer und mehr. Das Tone Job Pedal ist mit Reglern für Level, Treble, Mid und Bass ausgestattet, wobei Treble, Mid, Bass aktiv arbeiten, mit je +-20dB Regelbereich. Der Level-Regler liegt hinter dem EQ und kann den Pegel um bis zu dem fünffachen anheben. Das EQD Tone Job eignet sich beispielsweise vorzüglich für ein Feintuning des Sounds am Ende einer Effektpedalkette. Der Tone Job V2 verfügt über einen geräuschlosen, relais-basierten Soft-Touch Fußschalter. Audiosignale haben keinen Durchgang, wenn das Gerät nicht mit Strom versorgt wird.

The Tone Job is a complete tone enhancement tool with EQ and Booster suitable for guitar, bass, synthesizer and more. The Tone Job is equipped with controls for Level, Treble, Mid and Bass, where the last three will cut or boost up to 20db. The level control will boost the signal (post EQ) up to 5 times the input depending on where the dial is set. The EQD Tone Job can be used for example at the end of the effect chain for tone fine tuning. The Tone Job V2 uses silent relay-based soft touch switching. Audio will not pass without power.

EarthQuaker Devices

EarthQuaker Devices Tone Job V2 - Official Demo

Tone Job

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

The FX25B is the reincarnation of our original envelope filter. You still get that great automatic wah sound, but we've taken it one step further by adding a blend control making the FX25 equally responsive to both the guitar and bass guitar.

Demo by gearwire

Demo by Jemmy Kusnadi

Review by Talk Bass.com

Review by Musiker-Board

Official Website

FX25B Envelope Filter

Das Dispatch Master V3 ist ein Delay und Reverb Pedal, desen Effekte unabhängig oder gleichzeitig verwendet werden können. Es hat eine Verzögerungszeit von 1,5 Sekunden und einen dynamischen Nachhall, der von natürlich, geräumig bis tief und höhlenhaft geht. Es verfügt über Regler für Time, Repeats, Reverb und Mix und ist True Bypass. Die Version 3 ist mit der neuen Flexi-Switch™ -Technologie ausgestattet, die den Fußschalter sowohl als Momentary- als auch Latching-Schalter nutzbar macht und basiert auf einer geräuschlosen, relais-basierter Soft-Touch-Schaltung! Der Flexi Switch Momentary Modus wird aktiviert, indem du den Fußschalter so lange gedrückt hältst, wie du den Effekt verwenden willst. Lasse ihn los und dein Signal ist wieder dry. Um das Dispatch Master als normales Pedal zu verwenden, drücke den Schalter einfach einmal, um es zu aktivieren, und erneut, um es in Bypass zu schalten. Das Dispatch Master V3 wird in Ohio, USA handgefertigt.

The Dispatch Master V3 is a delay and reverb pedal, whose effects can be used independently or simultaneously. It has 1.5 seconds of delay time and a dynamic reverb that goes from natural and roomy to cavernous and deep. It features controls for Time, Repeats, Reverb and Mix and it's true bypass. The V3 version features the new Flexi-Switch™ Technology, which allows you to simultaneously use momentary and latching-style switching. It's based on the silent relay-based soft touch switching! It works by pressing and holding the footswitch for as long as the effect it's been used, releasing it, and resuming for dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass. The Dispatch Master V3 is hand made in Ohio, USA.

EarthQuaker Devices Dispatch Master Delay & Reverb Demo - EarthQuakerDevices

Dispatch Master Digital Delay and Reverb Video Manual - EarthQuaker Devices

EarthQuaker Devices & Juan Alderete Present: Dispatch Master on Bass - EarthQuakerDevices

EarthQuaker Devices Dispatch Master V3 - Demo Video - Musiker TV

Dispatch Master V3

ome might say we’re driven. When our engineers lock themselves in our sound design labs for months on end, you might say we’re obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard.

It was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn’t stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.

Review by permierguitar

Quick Start Guide 

Demo by stymon

Mobius

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Als wir uns entschieden, ein Stereo-Delay-Effektpedal in Studioqualität zu entwickeln, wussten wir, dass wir weit über das bisher Erreichte hinausgehen mussten – in Sachen Klangqualität, klanglicher Flexibilität, Hardware-Design und Verarbeitungsleistung. Wir verbrachten Monate in den Sounddesign-Laboren von Strymon und träumten von den geräumigsten, üppigsten, kreativsten und anpassbarsten Delay-Effekten, die man je gehört hat. Es war eine monumentale Aufgabe – ein unermüdliches Studium von Delays und ihren Nuancen und ein kontinuierliches Streben nach innovativen und musikalisch inspirierenden Klängen. Durch die Verwendung eines unglaublich leistungsstarken SHARC DSP wird jedes bisschen Verarbeitungsleistung genutzt.

TimeLine bietet Ihnen zwölf einzigartige Delay-Maschinen, jede mit umfassender Kontrolle über Klangcharakter und -gefühl. Gehen Sie von knackigen und klaren digitalen Delays in Studioqualität bis hin zu den gesättigten und schwankenden Klängen von Band-Delay-Maschinen. Erhalten Sie warme und unscharfe Wiederholungen im analogen Stil bis hin zu schimmernden, funkelnden und kristallinen Eis-Delays.

Optimieren Sie nach Herzenslust und speichern Sie bis zu 200 Voreinstellungen Ihrer Lieblingssounds. Krönen Sie das Ganze mit einer vollständigen MIDI-Implementierung und einem routingfähigen 30-Sekunden-Stereo-Looper und schon sind Sie auf dem Weg zum Delay-Glück.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.

TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays.

Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.

Demo by shnobel

Demo by Mike Hermans 

Review by Amazona 

Timeline

ch ray

Dem beliebten MXR Ten Band EQ hat der amerikanische Hersteller ein Facelift verpasst und präsentiert ihn unter der Modellnummer M108S in einem neuen, leichteren Gehäuse mit True-Bypass-Schaltung, einer effektiveren Rauschunterdrückung und zwei Ausgängen. Geblieben sind das große Frequenzspektrum von 31,25 Hz bis 16 kHz, getrennte In- und Output-Levels sowie der Betrieb mit 18 Volt für mehr Headroom.
Da der MXR Ten Band EQ auch Frequenzbereiche unterstützt, die von einem Gitarrenlautsprecher eigentlich nicht mehr übertragen werden, empfiehlt er sich ebenso für den Betrieb am E-Bass, für Fullrange-Anwendungen oder fürs Direct-Recording. Nicht wenige Gitarristen schätzen den grafischen Equalizer

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard. 

Review by awkwardsound 

Review by bonedo 

Demo by Ryan Lutton

Demo by PMTVUK

Review by HOMETONEBLOG

M108S Ten Band EQ

Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion great for classic rock.

Mad Professor

Demo by Brett Kingman

Sweet Honey Overdrive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Dave Friedmans Vollröhren-Verstärker Small Box ist bekannt dafür, einer der flexibelsten und anschlagdynamischsten Verstärker auf dem Markt zu sein.  Die gleiche klangliche Vielseitigkeit, Empfindlichkeit und harmonische Übersteuerung wie bei diesem legendären Verstärker kannst du jetzt mit Friedmans neuem Small Box Overdrive-Pedal erreichen.  Das Small Box-Pedal verfügt über die gleichen intuitiven Regler wie der Verstärker, mit denen du deinen perfekten Rock-Sound einstellen kannst - von Vintage-Plexi bis hin zu High-Gain-Wahnsinn.  Egal, ob du einen cleanen Ton mit hohem Output willst, um deinen Verstärker hart zu pushen, oder einen dicken, körnigen Drive, der in jeder klassischen bis modernen Rockband gut ankommt, ein Dreh am Gain-Regler bringt dich schnell ans Ziel. Wenn du den Gain noch mehr zügeln willst, legst du einfach den seitlich angebrachten Gain-Schalter um und simulierst damit den Plexi-Kanal des Small Box-Verstärkers.  Um den akkreditierten Friedman-Ton der Small Box zu erleben, solltest du dieses Overdrive-Pedal noch heute auf dein Board stellen.

Dave Friedman’s Small Box all-tube amplifier is well known for being one of the most flexible and touch-responsive amplifiers on the market today.  You can now get the same tonal versatility, sensitivity and harmonically rich overdrive as this legendary amp with Friedman’s new Small Box overdrive pedal.  The Small Box pedal packs the same intuitive control set as the amplifier, allowing you to dial in your perfect shade of rock, from vintage Plexi goodness to high gain madness.  Whether you want a high-output cleaner tone for pushing your amp hard, or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets you there. If you want to reign in the gain some more, simply flip the side mounted gain switch and it will simulate the Plexi-Channel of the Small Box amplifier.  To experience the Small Box’s accolade-garnering Friedman tone, put this overdrive pedal on your board today.

Friedman

Review by Guitar Pedal X

Review by Z-Talk

Review by The Gear Page

Review by Premier Guitar

Demo by Guitar Bonedo

Demo by Premier Guitar

Demo by Official Edi Roque

Small Box Overdrive

In den letzten Jahrzehnten entschieden sich viele international bekannte Topmusiker für den ODR-1 Natural Overdrive, von Jerry Donahue bis zu Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody und vielen anderen. Alle Single-Coil Gitarristen, die meisten Humbucker Nutzer und sogar Bassisten lieben die Klarheit und Vielseitigkeit des vollen Sounds des ODR-1. Einige Heavy-Humbucker Spieler baten aber um die Möglichkeit, den Sub-Bass etwas abschwächen zu können. Und diesem Wunsch sind wir gefolgt!

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

Nobels

Demo by The Pedal Zone

ODR-1 Overdrive

Der DigiTech Whammy bietet Ihnen dieselben haarsträubenden „Dive Bomb“-Effekte, packenden Pitch Bends und blitzschnellen Harmoniewechseln, die Sie suchen, sowie einige neue Überraschungen. Verändern Sie ganze Akkorde mit der neuen Einstellung für die Tonhöhenverschiebung von Akkorden und führen Sie klassische Single-Note-Bends aus.

The DigiTech Whammy brings you the same hair-raising “dive bomb” effects, gripping pitch bends and lightning harmony shifts you are looking for plus a few new twists. Bend entire chords with the new chordal pitch shifting setting, and execute classic single note bends.

DigiTech

Review by HORN FX

Demo by S19NAL C14AIN

Demo by Leduc's Own Music Shop

Sweetwater Exclusive Product Page

Whammy V

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by BUZZBEE TV

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

BOSS

TU-3S Tuner

RockBoard

ISO Power Block V9 IEC

ISO Power Block V12 IEC

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

NIck Costa

A smaller option to my large pedal board. 
Omits a few non-essential pedals: Harmonist, Tap. 
WAH is offboard.
Polytune switched to Polytune mini.

 can be toggle between wet/dry/wet, stereo, or mono using an ABY switch installed under the board. 

The loop switcher controls 2nd row pedals: POG. AC, TS9, OCD, 1981, and the Strymon pedals using MIDI.

PATCHBAY MOD 1: 
1) Guitar Input
2) Amplifier out.
3) Wet Fx out left  
4) Wet Fx out right (or use for stereo out)
5) expression pedal input TRS 

Recording: Outputs 3 & 4 (Wet L and Wet R) into PC. Output 2 (amp) into miked amp or amp sim, into PC.

LIve: 3&4 direct to mixer for full wet/dry/wet, or set to stereo for two amps or mono for one amp (mono sum switch on Iridium). 

Pedal board also has a LED strip installed underneath (cool blue) and a Rockboard LED light on the left. 

Powered by a Zuma with 2 Ojai RC 30s (19 outputs used). 12v output used for LED strip, 18V output used for OCD.

Nick Costa & The Stray Crows - Medium Board

Was haben die Sounds berühmter Gitarristen wie Page, EVH und Johnson gemeinsam? Sie alle nutzten die legendäre Echo-Maschine EP-3 als Vorverstärker. Wir haben diese Magie in einem neuen Xotic Effects-Pedal eingefangen: dem EP Booster. Wir haben die hochwertigsten verfügbaren Bauteile verwendet. Mit einem diskreten FET-Design und einem Ausgang mit niedriger Impedanz liefert der EP Booster bis zu +20 dB unverfälschten Boost mit multidimensionalen, schimmernden Höhen und Tiefen, ohne das Gehör zu ermüden. Über die internen DIP-Schalter können Sie die Boost-Frequenzen und EQ-Einstellungen wählen. Ein einfacher, reiner Boost, der dem magischen EP-3 Tribut zollt und die gefeierten Sounds der berühmtesten Spieler der Welt einfängt. Der EP-Booster – großartiger Sound beginnt hier!

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!

Xotic

EP Booster

Isen Ritchie

The Y-Not MIDI enabled A/B/Y switch is designed to be an all-in-one solution for switching one audio signal to two outputs.

Use the Y-Not to switch between two amps (for example, a clean amp and a dirty amp), or use it to switch between the inputs of a two input amp. The Y-Not is able to do this cleanly and transparently, without any of the problems associated with traditional A/B boxes.

The new Y-Not version 2.0 includes some very useful new features. One is programmable phase inversion on the B output. This allows you to run two channel switching amps simultaneously and adjust the phase on the fly so that every combination of channels is in phase. This was previously only available as a mod, but is now a standard feature.

Also new for version 2.0 is a “TRS In” switch that, when engaged, allows you to use a piezo-equipped guitar or other 1/4-inch TRS audio source. The tip of the TRS jack will be sent to the A output, and the ring of the TRS jack will be sent to the B output. This allows you to have automated switching between magnetic and piezo signals from your guitar, sending each signal to its own amp.

RJM Music Technology

Y-Not

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

Review by AMAZONA 

Review by GUITAR World 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

thuy nguyen

A uniquely designed steel enclosure made with quality components throughout. My goal was to spare no expense. I realize that sometimes in the world of guitar gear, there isn’t always one answer in choosing the best components and designs, so I just picked my favorites. This includes Switchcraft 11 open frame jacks, and a super quiet soft touch switching system via an internal relay.

I have been working on this project for the better part of three years, as a collaboration and with engineering by Jon Ashley of Bondi Effects. I feel that the pedal is unique in design and sonically unlike anything I have ever heard, especially in the lower gain and boost settings. There is a subtlety that feels more like a vintage pedal than a modification of a classic. There are two circuits present in the pedal, one distortion and one preamp boost, running at 18v via an internal voltage regulator. I made this pedal with the idea to create a distinction for my own sound, and what I found is that it is an extremely useful tool for capturing a lot of different types of sounds. I am most proud of the lower gain side, as I feel it is the most unique section of the pedal, but I must also include that the gain section is extremely sweet sounding throughout, especially for heavy and complex chords. There is a midrange punch that I love and a warmth and thickness that reminds me a bit of a ribbon mic. When the development of this pedal turned into something new and unique, it became the catalyst to starting 1981 Inventions, so I decided to make this the first official release.

1981 Inventions

DRV - White

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.