Quincy Berman

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Q's Bass Board Wet Dream

Mattia Porcai

The Underground Accelerator is the successor to both Particle Accelerator and London Underground.

Neither were perfect, but both had strengths that the other didn’t so, Underground Accelerator takes the best of both into one glorious preamp. It follows the same general structure of the London Underground, letting it get a little more grit than Particle Accelerator, but still keeping the deep low end that London Underground lacked.

It sounds great as a clean boost or mild overdrive on guitar, but bass is where it really sings, providing the rich bottom end missing in so many bass pedals.

*The newest version of the Underground Accelerator has an EQ bypass switch. Note that the main purpose of the EQ Bypass is to boost the gain of the pedal, and bypassing the EQ will produce approximately +30dB more gain. Passive EQs like the one used in Underground Accelerator are inherently lossy, so the bypass was added for those that want more gain and don’t need the use of the EQ. If you simply want a flat response without the gain boost, you can set Treble and Bass to minimum and Mids to maximum.

sushiboxfx

Product Page

Undeground Accelerator

Robert Ossenkopp

More is More. It sounds big, warm, and punchy. It doesn’t have tone controls because it doesn’t need them, the single knob controls the overall output volume. It wasn’t designed to replace anything else, just to give you More. It’s hard to really describe the sound, because it wasn’t designed to have an overwhelming sound, but moreso to compliment the sound you already have. It wasn’t designed to be a great rig by itself, but it was designed to take your great rig and make it More.

Review by Talk Bass.com

Demo by  jbybj

More

Antony Douch

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

BOSS

Manual

Review by reddit /guitarpedals

Review by Six String Sensei

Review by Guitar World

Review by bonedo

Demo by  Pepe Music

Official Product Video

OC-5

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Matthew Peters

Finally is my basic take on a tube D.I. It takes your unbalanced guitar input and feeds it through a high-voltage tube preamp then out through a high-end DI transformer and out into a balanced XLR output. You also have a 1/4″ output up top, and you can switch between dry passthrough from the input or affected output from the preamp for the 1/4″ output.

Demo by Serek Basses

finally

Tester

Origin Effects

Cali76 STD

Kastle Abbott

Der RockBoard ISO Power Block V16 ist ein Multi-Netzteil für Effektgeräte und bietet 16 galvanisch getrennte, hochgradig gefilterte Stromanschlüsse zur getrennten Stromversorgung von bis zu 15 Effektpedalen ohne Nebengeräusche, sowie zum Laden von USB Geräten. Die fortschrittliche Filtertechnologie der Power Slots verhindert wirksam hochfrequente Nebengeräusche. Durch die separate Kurzschlusssicherung für die Power Slots werden die angeschlossenen Effektpedale im Falle eines Kurzschlusses vor Beschädigungen geschützt. Separate LEDs zeigen Kurzschlüsse für jeden Anschluss separat an. Kommt es zu einem Kurzschluss wird lediglich der betroffene Power Slot ausgeschaltet, so dass der reibungslose Betrieb des Effekt-Rigs weiterhin gewährleistet ist.

The RockBoard ISO Power Block V16 is a multi-power supply for effects pedals with 16 isolated transformers and highly filtered power slots, designed for powering up to 15 effects pedals simultaneously without any noise and charging USB devices. The advanced filtering technology used in each of the power slots prevents high frequency noise. Built with individual slot short circuit protection, connected effects pedals are protected in case of a short circuit. With a designated LED for each power slot indicating the slot is working correctly, you can quickly identify any problems without losing power to the rest of your rig.

RockBoard

Official Product Page

RockBoard - ISO Power Block V16 - Official video by RockBoard

Pedal Board Online Configurator

ISO Power Block V16

DITTO LOOPER is the looper you will try once and love for life – and you’ve gotta try it. We’ve built onto all that is good about the best loopers, trimmed all the nonessential, mood-killing tech hoopla, and designed a 5-minute looper that is intuitive, tons of fun, sounds great – and won’t break the bank!

TC Electronic

Review by Gustavo Pereira, guitarspace.org

Review by Mudskipper, bassic.de

Demo by Sweetwater

Demo by Aaron Short Music

Ditto Looper

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Giordano Rivolta

Electro-Harmonix

Pico Deep Freeze

PedalSafe Type L

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Der MXR Reverb liefert sechs verschiedene, High-End Reverb Styles in einer MXR-Stompbox in Standardgröße mit 3 Reglern. Dieses digitale Reverb bietet einen komplett analogen Hi-Fi Dry Path mit massiven 20 Volt Headroom dank der verbauten Constant Headroom Technology™. Jeder Reverb Style ist so detailreich wie in Top-Qualitäts-Rack Einheiten oder Plug-ins.
Der Reverb auch bietet einen 100% Wet Modus, stereo In- und Output und True Relay sowie Trails Bypass.
Drücke einfach den Tone Knob und wandere durch die entstehenden Reverb Landschaften.

Verbinde den MXR Reverb mit einem Expression Pedal um zwischen zwei Settings zu blenden.

The MXR Reverb delivers six distinct high end reverb styles, each exquisitely crafted and tuned by the award-winning MXR design team. It all comes in a standard-sized MXR box with a simple three-knob setup and a hi-fi analog dry path with a massive 20 volts of headroom thanks to Constant Headroom Technology™. The Reverb includes 100% wet mode, stereo input and output capability, and true relay or trails bypass. Each reverb style is as richly detailed as any found in the highest-end rack units and plug-ins, and all you have to do to step through them is push the Tone knob.

Connect a Dunlop DVP series volume/expression pedal to the expression jack to toggle and blend between two different knob setting configurations.

Gitarre & Bass Review - DE

MXR M300 Reverb

MXR Reverb - Basic Sights & Sounds

MXR Reverb - Review

MXR M300 Reverb & Neunaber Immerse Reverberator Comparison Demo by That Pedal Show

Review by guitar.com

Demo by ProGuitarShopDemos

M300 Reverb

The Orbital Modulator is a super-compact, durable, and highly flexible multi-effects pedal with a dynamic collection of precision-engineered phaser, flanger, chorus, and tremolo effects. The Orbital's twelve effect types, nine adjustable parameters, plus internal or external modulation control were designed to send your tone into sonic orbit.

Source Audio

SOUNDBLOX 2 ORBITAL MODULATOR

User Manual 

Source Audio Orbital Modulator

Soundblox 2 Orbital Modulator

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Review by Premier Guitar

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Er ist ein zurückhaltender Zeitgenosse, der so gut wie nie Interviews gibt. Doch stille Wasser sind bekanntlich tief. Und wenn TOOL-Bassist Justin Chancellor seinen exklusiven Wal-Bass umschnallt und seine komplexen Basslines mit diesem einzigartigen Sound anstimmt, dann spricht er Bände.

This custom Cry Baby Wah combines three of Justin Chancellor's favorite ways to explore tones and craft soundscapes—filter, wah, and fuzz.

Dunlop

Review by GASS MAGAZINE

Review by GUITAR World 

Review by GEARNEWS 

Demo by BassTheWorld 

Demo by jimdunlopusa 

Demo by Nate Navarro

JCT95 Justin Chancellor Crybaby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Ciara Marshall

Discover 'The Pedal of Doom,' a meticulously crafted bass distortion pedal born from 18 months of passionate internal discussions and inspired by the legendary Geezer Butler. At its core, this pedal revolves around the power of EQ control. With an active 5-band EQ and the ability to shape your drive's pre-EQ, you have the freedom to sculpt two distinct tones, each with its individual character and harmonics.
 
Geezer Butler's influence is palpable in every detail, from the groove of 'Hand of Doom' to the transformative qualities of his music. 'The Pedal of Doom' allows you to capture that spirit, giving you the control to punch in those rich harmonics precisely when you need them. This pedal is your key to summoning the sound of doom at a moment's notice.

Ashdown

Geezer Butler Pedal of Doom

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Aven Sizemore

Aven's Pedal Board

scott delony

Pushing the boundaries of bass innovation, Anagram is our most powerful and versatile multi-effect unit yet. More than just an effects processor—it’s a revolution. With ultra-low latency, deep customization, and seamless integration into the Darkglass ecosystem, it empowers bassists like never before, from studio precision to stage power.

Designed for effortless creativity, Anagram delivers studio-quality sound, advanced signal chain editing, and the groundbreaking Neural Amp Modeler (NAM) technology—all within a compact footprint that accommodates any pedalboard. Fun to use, inspiring to explore, and limitless in sonic potential, Anagram doesn’t just shape tone—it unlocks new ways of assembling music.

Darkglass Electronics

Demo by Leo Gibson

Demo by The Bass Channel

Demo by Nate Navarro 

Anagram

Yoshi van Vroonhoven

Das Mini Mounting MOD DC ermöglicht einen bequemen Zugang zum Multinetzteil des Setups ohne aufwendige Verlegung des Stromversorgungskabels unter dem Pedalboard. Es passt perfekt in die Befestigungslöcher des RockBoard LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard Serie. Der zentrale Zugang zur Stromversorgung erfolgt durch eine DC 2,1 x 5,5 mm Durchgangsbuchse.

The Mini Mounting MOD DC allows convenient access to the setup's multi power supply without the need for time-consuming routing of the power supply cable under the pedalboard. It fits perfectly into the mounting holes of the RockBoard LED light and is a versatile, clean mounting solution on all pedalboards in the RockBoard series. Central access to the power supply is provided by a DC 2.1 x 5.5 mm feed-through socket.

MiniMod DC

Das Mini Mounting MOD TRS ermöglicht einen bequemen Zugang zur Signalversorgung der Pedale auf dem Board. Es passt perfekt in die Befestigungslöcher des RockBoard® LED-Lights und ist eine vielseitig einsetzbare, saubere Montage-Lösung auf allen Pedalboards der RockBoard® Serie. Der zentrale Zugang zur Signalversorgung erfolgt durch eine TRS 6,3 mm Stereoklinkenbuchse. Da es sich bei den Klinkenbuchsen um Durchgangsbuchsen handelt, ist auch in umgekehrter Richtung eine Weiterleitung von Signalen an externe Pedale, wie z.B. Wah, möglich. Auch sind, durch die Verwendung von TRS-Stereo-Buchsen, „Send/Return“-Anwendungen (A- = Tip und B- = Ring) einfach realisierbar.

The Mini Mounting MOD TRS provides convenient access to the signal supply of the pedals on the board. It fits perfectly into the RockBoard® LED Light mounting holes and is a versatile, clean mounting solution on all RockBoard® series pedalboards. Central access to the signal supply is provided by a TRS 6.3 mm stereo jack socket. Since the Mini Mounting MOD TRS uses through-connections between the inner and outer jacks, it is also possible to pass signals in the reverse direction to external pedals, such as Wah. Also, by using TRS stereo jacks, „send/return“ applications (A- = tip and B- = ring) are easy to realize.

MiniMod TRS

Patrick Brogan

Der bisher kleinste und leistungsstärkste kompakte polyphone Oktavgenerator von EHX. Der Pico POG vereint die schnittige Einfachheit der Micro- und Nano-POGs in einem ultrakompakten Gehäuse und verfügt über eine leistungsstarke Klangregelung. Der kompakteste Oktaveffekt passt jetzt auch auf kleinste Pedalboards.

Der EHX Pico POG bietet ein blitzschnelles Spielgefühl, das jede gespielte Note und jeden Akkord präzise verfolgt. Drehen Sie „Sub Octave“ für stolperndes Grollen oder monströsen Donner. Drehen Sie „Octave Up“ für ätherischen Sound oder treiben Sie mit „Maximum“ in eine andere Galaxie. Mischen Sie dreistimmige Klänge perfekt für fetten Synthie-Wahnsinn. Mit der dreistufigen Klangregelung können Sie Ihren Sound so anpassen, dass er in jede Tasche passt, egal wie groß oder klein sie ist.

Zu den Bedienelementen des Pico POG gehören dedizierte Lautstärkeregler für die Stimmen „SUB OCTAVE“, „OCTAVE UP“ und „DRY“. Diese drei Regler fungieren als Mixer für unendlich viele mögliche Stimmenmischungen. Der TONE-Regler verfügt über drei Modi, die über die FILTER-Taste gesteuert werden. Im Tonmodus fungiert der Regler als Tilt-EQ mit flachem Frequenzgang in der Mitte, mehr Höhen und weniger Bässen beim Drehen im Uhrzeigersinn und weniger Höhen und mehr Bässen beim Drehen gegen den Uhrzeigersinn. In diesem Modus wird der EQ auf alle drei Stimmen angewendet. Im Tiefpassfiltermodus schneidet der Regler die Höhen in den Sub- und Octave-Up-Stimmen ab, während der Hochpassfiltermodus die Tiefen in den Sub- und Octave-Up-Stimmen abschneidet.

EHX’s smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

Demo by Andertons

Review by delicious audio

Pico POG

Der MXR Bass Chorus Deluxe basiert auf reiner analoger Bucket-Brigade-Technologie, die schimmernde, flüssige Chorus- und rauschende, metallische Flanger-Effekte liefert und dabei den Punch und das Fundament deines Low Ends bewahrt.

Der Bass Chorus Deluxe verfügt über Flanger- und X-Over-Tasten auf der Oberseite mit LED-Statusanzeigen. Im X-Over-Modus wird die Modulation in den tiefen Frequenzen auf 100 Hz abgesenkt - perfekt für das Spielen von Akkorden, Melodien und Fills in den oberen Registern, während die tiefen Frequenzen in der richtigen Stimmung bleiben. Mit den Reglern für Bass und Treble können Sie die Tiefen und Höhen absenken oder anheben und den Klangcharakter des Effekts gestalten. Für einen breiten Stereosound können Sie über einen internen Schalter den TRS (Tip-Ring-Sleeve) Stereo Hardwire Bypass Mode wählen. In diesem Modus können Sie ein TRS-auf-TS-(Tip-Sleeve)-Y-Verteilerkabel verwenden, um das Effektsignal an zwei verschiedene Verstärker zu senden, so dass die Modulation von links nach rechts wandern kann.

The MXR Bass Chorus Deluxe is powered by pure analog bucket-brigade technology, serving up shimmering, liquid chorus and swooshing, metallic flanger effects while preserving the punch and fundamental of your low end.

The Bass Chorus Deluxe features top-mounted Flanger and X-Over buttons with LED status indicators. In X-Over Mode, modulation in low frequencies is decreased at 100Hz—perfect for playing upper register chords, melodies and fills while keeping the low end in tune. With Bass and Treble controls you can cut or boost lows and highs and shape the tonal character of the effect. For a wide stereo sound, select the TRS (tip-ring-sleeve) Stereo Hardwire Bypass Mode via an internal switch. In this mode, you can use a TRS to TS (tip-sleeve) Y-splitter cable to send the effect signal to two different amplifiers, allowing the modulation to move from left to right.

Review by Basschat

Review by Bonedo

M83 Bass Chorus Deluxe

Big Booty Judy ist ein Zerrpedal von Backburner. BBJ basiert auf deinen Lieblings-Rodent-Schaltungen. Es wurde speziell für Bass entwickelt.

Big Booty Judy is a dirt pedal from Backburner.
BBJ is based off of your favorite rodent circuits. 
It is made specifically for bass. 

Backburner Noise

Demo by Patrick Hunter

Big Booty Judy

Andrix B

Stone Deaf Effects

Review by Sound on Sound

Demo by Pedal Experiments

Rise And Shine

PDF-2

ch ray

Wir stellen die Fig Fumb Black Edition vor, die aufgrund von Kundenfeedback und Komponentenmangel während der Pandemie entstanden ist. Dieser limitierte Fuzz im Muff-Stil bietet ein einzigartiges Bellen, straffere Bässe, ein weicheres Noise Gate und eine verbesserte EQ-Vielseitigkeit. Nahtloser Übergang von Distortion zu Fuzz unter Beibehaltung des Dynamikbereichs. Perfekt für Blues-, Doom-, Metal- oder Grunge-Enthusiasten und kompatibel mit verschiedenen Instrumenten und Bearbeitungsanwendungen.

Introducing the Fig Fumb Black Edition, born from customer feedback and component shortages during the pandemic. This limited edition muff-style fuzz offers a unique bark, tighter bass, smoother noise gate, and enhanced EQ versatility. Transition seamlessly from distortion to fuzz while maintaining dynamic range. Perfect for blues, doom, metal, or grunge enthusiasts, and compatible with various instruments and processing applications.

Review by Gearnews

Review by guitar pedal X

Fig Fumb Black Edition

David Litaba

Der EHX TriParallel Mixer ist ein leistungsstarker Hub für die Erstellung und Mischung von Effekten mit drei separaten Effektschleifen und flexiblen Bedienelementen für vielfältige Konfigurationen.

Der TriParallel Mixer ist angesichts seines Funktionsumfangs überraschend kompakt und dank seiner intuitiven Bedienelemente und Ein-/Ausgänge einfach zu bedienen.

Verwenden Sie ihn, um zwischen bis zu drei separaten Effektschleifen zu wechseln oder sie zu mischen. Senden Sie den Ausgang einer Gitarre oder eines anderen Instruments an drei separate Verstärker oder geben Sie drei separate Instrumente ein, um zwischen ihnen zu wechseln oder sie auf einen einzigen Ausgang zu mischen. Mischen Sie Effekte parallel, um Klänge zu erzeugen und Optionen zu nutzen, die bei der seriellen Verwendung von Effekten (nacheinander) nicht möglich sind.

The EHX TriParallel Mixer is a powerful effects creation and mixing hub with three separate FX loops and flexible controls allow for multiple configurations.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate.

Use it to switch between or mix up to three separate effects loops. Send a guitar or other instrument out to three separate amplifiers, or input three separate instruments to switch between or mix to a single output. Mix effects in parallel to create sounds and allow for options not possible when using effects in series (one after another).

Demo by Gaving Forbes Music

Review by Guitar Player

Review by Gear News

TRI PARALLEL MIXER

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Paulo Damasceno Nepomuceno

Tuning used to be a necessary evil. The last barrier before you could get truly rocking. But now, tuning is ready to get blasted into the 21st century with PolyTune, the stomp-box sized tuning miracle from TC Electronic!

With PolyTune, you simply strum all strings on your guitar or bass at once, and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock, and this quantum leap forward allows you to get in tune fast, and back to doing what you love: playing!

Review by musicradar

Demo by ams.guitar

Polytune

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Neptunium is, as its name implies, based on the Nobelium preamp, which is in turn based on the incredible Noble preamp. The key feature of Nobelium is the XLR D.I. output, which only uses one tube, so I was asked if it would be possible to squeeze just that part into a much smaller enclosure. The result is Neptunium.

Neptunium is a great-sounding, simple to use tube preamp with a D.I. output for going straight to front of house or a recording interface. It features a two-band tonestack based on the classic Fender/Marshall/Vox tonestack. Both controls are boost-only, so a “flat” response is achieved with both controls all the way off.

One way in which Neptunium differs from the Noble preamp is in volume controls; the volume control on the face affects the 1/4″ output, but rather than make the XLR output a fixed level, a separate volume control affecting the XLR output was added to the side of the pedal next to the XLR jack above the ground lift switch.

Review by reddit /basspedals

Neptunium

Greenhouse ist ein cleveres Pedal, das ich entwickelt habe, um eine einfache Aufgabe zu erfüllen – nämlich eine röhrengepufferte FX-Loop bereitzustellen –, aber ich habe festgestellt, dass es noch viel mehr kann. Ohne ein Effektgerät in der Schleife wirkt Greenhouse allein bereits als eine Art „Tone Sweetener“ oder Clean Boost mit Röhrensound. Ausgestattet mit einer 12AT7-Röhre, die mit hoher Spannung betrieben wird, kannst du deutlich über Unity Gain hinausgehen, um deinen Verstärker anzutreiben oder Greenhouse mit einem anderen Pedal zu kombinieren und ordentlich Dreck ins Signal zu bringen.

Ich wollte dieses Pedal ursprünglich hauptsächlich für Modulationseffekte verwenden – Geräte, deren Bedienung ich liebte, denen aber oft etwas Wärme fehlte. Greenhouse liefert diese Wärme im Überfluss. Eine weitere schöne Anwendung, die ich entdeckt habe, ist der Einsatz mit Overdrive- oder Distortion-Pedalen. Mit einem Zerrpedal im FX-Loop von Greenhouse kannst du die Lautstärke aufdrehen und die Greenhouse-Röhre in die Sättigung treiben, um das Maximum aus deinem Zerrsound herauszuholen. Anschließend kannst du die Lautstärke über den Greenhouse-Volume-Regler wieder auf ein praxisgerechtes Level herunterdrehen – ohne den Charakter des übersteuerten Sounds zu verlieren.

Greenhouse is a neat pedal that I designed to do a simple task, namely a tube-buffered FX loop, but I’ve found it can do a lot more than that. With nothing in the loop, Greenhouse by itself acts as a rich tube “tone sweetener” or clean boost. Equipped with a 12AT7 running at high voltage, you’re able to get well above unity gain to push your amplifier or stack with another pedal to push some dirt around.

I personally wanted this pedal mostly to use with modulation pedals, things that I loved the operation of but wanted more warmth from. And while Greenhouse delivers that in spades, another beautiful use I’ve found for it is with drive/distortion pedals. With a dirt pedal in Greenhouse’s FX loop you’re able to crank the volume and push Greenhouse’s tube into overdrive, getting the most out of your dirt pedal, then use Greenhouse’s volume control to dial the volume back to a usable level without losing any tone from your overdriven sound.

Greenhouse

Sushi Box FX is thrilled to release the “With Bass In Mind” special edition Finally v2 in cooperation with award-winning music educator, journalist, author and session musician Philip Mann. Described as “one of my top five instructors on the planet” by Jeff Berlin, Philip’s performance credits include Grammy Award winners, Grammy nominees, and Rock & Roll Hall of Fame Inductees, as well as a formidable list of other award-winning and notable artists. Philip is a seasoned columnist for Bass Player Magazine with over one-hundred publications, contributor to scottsbasslessons.com and recognized scholar of The Players School of Music.