Kuba Furman

Jazz Bass QMT Deluxe V

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Aguilars

Clock

Digital clock

Tester

Der MXR Bass Chorus Deluxe basiert auf reiner analoger Bucket-Brigade-Technologie, die schimmernde, flüssige Chorus- und rauschende, metallische Flanger-Effekte liefert und dabei den Punch und das Fundament deines Low Ends bewahrt.

Der Bass Chorus Deluxe verfügt über Flanger- und X-Over-Tasten auf der Oberseite mit LED-Statusanzeigen. Im X-Over-Modus wird die Modulation in den tiefen Frequenzen auf 100 Hz abgesenkt - perfekt für das Spielen von Akkorden, Melodien und Fills in den oberen Registern, während die tiefen Frequenzen in der richtigen Stimmung bleiben. Mit den Reglern für Bass und Treble können Sie die Tiefen und Höhen absenken oder anheben und den Klangcharakter des Effekts gestalten. Für einen breiten Stereosound können Sie über einen internen Schalter den TRS (Tip-Ring-Sleeve) Stereo Hardwire Bypass Mode wählen. In diesem Modus können Sie ein TRS-auf-TS-(Tip-Sleeve)-Y-Verteilerkabel verwenden, um das Effektsignal an zwei verschiedene Verstärker zu senden, so dass die Modulation von links nach rechts wandern kann.

The MXR Bass Chorus Deluxe is powered by pure analog bucket-brigade technology, serving up shimmering, liquid chorus and swooshing, metallic flanger effects while preserving the punch and fundamental of your low end.

The Bass Chorus Deluxe features top-mounted Flanger and X-Over buttons with LED status indicators. In X-Over Mode, modulation in low frequencies is decreased at 100Hz—perfect for playing upper register chords, melodies and fills while keeping the low end in tune. With Bass and Treble controls you can cut or boost lows and highs and shape the tonal character of the effect. For a wide stereo sound, select the TRS (tip-ring-sleeve) Stereo Hardwire Bypass Mode via an internal switch. In this mode, you can use a TRS to TS (tip-sleeve) Y-splitter cable to send the effect signal to two different amplifiers, allowing the modulation to move from left to right.

Official Product Video

Demo by The Bass Channel

Product Page

Review by Premier Guitar

Review by Basschat

Review by Talk Bass.com

Review by Bonedo

Manual

M83 Bass Chorus Deluxe

Philippe Kirsch

Our Future Impact v3  has a world class pitch tracking system that performs lightning fast even in the lowest octaves. Hard to imagine, hard to explain, easy to believe by listening. 

With its virtual analog sound engine, our Future Impact v3 makes your instrument sound as big as you could not imagine earlier. From Mini-style aggressive synth basses to acid bleeps, flutes and organs, synth leads, you will have reach for all the characteristic sounds of the electronic music history. You have four oscillators with extensive waveshaping plus two filters two perform a deep sound editing with the PC/Mac editor software supplied.

Built from aluminium, Future Impact v3 will be your lightest accessory on tour. And will last forever. 

pandaMidi

Review by Gearnews

Review by Amazona

Demo by

Future Impact v3

The SUPER SYNTH turns your bass into a synthesizer—with seriously cool sounds and no tracking delay! It also doubles as a digital octaver, with both octave up and octave down layers. The parameters of the pedal’s presets can be modified using the Markbass Pedal Controller software. Simply install the software, connect the pedal to your computer using a USB cable, modify the presets as desired, and then load them back onto the pedal. Like all our pedals, this unit features true bypass.

Markbass

Super Synth

The Cali76 Compact Bass is an all-analogue recreation of the legendary Urei® 1176® studio compressor, specifically engineered for bass guitar and low frequency instruments. This studio-grade FET compressor uses Class-A, low-noise circuitry and dedicated controls for side-chain filtering and parallel compression, bringing your favourite recorded bass tones to your pedalboard.

With huge low-end clarity with a control set designed with bass guitarists in mind, the Cali76 Compact Bass gives you the transparency and feel of a world-class compressor, with enough precision and dynamic control to honour its studio heritage.

Origin Effects

Demo by BassTheWorld.com

Demo by IvanBassist

Demo by Andertons

Demo by Sweetwater

Cali76 Compact Bass

The Microtubes X7 series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Darkglass Electronics

Review by TalkBass.com

Review by Trey Xavier, geargods.net

Review by Rainer Wind, bonedo.de

Demo by  Trey Xavier


Microtubes X7: Multiband Distortion

Demo by Trey Xavier

Microtubes X7

The Octamizer ® is an analog octave divider that creates a wide range of musical sounds an octave below your original note.
The Octamizer ® features independent volume controls for both the Clean and Octave sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.

Aguilar

Demo by Gregor Fris

Review by Amazona 

Review by Bass Gear Mag

OCTAMIZER v2

Der Filter Twin® verwendet zwei identische Filter, die in entgegengesetzte Richtungen arbeiten. Einer für die unteren Frequenzen und der andere für den oberen Frequenzbereich, um klassische 70s-inspirierte Funk-Sounds oder völlig neue und einzigartige Filter-Töne zu erzeugen. Zwei Filter, die zur gleichen Zeit arbeiten, liefern organischere, vokale Sounds und erlauben es so ausdrucksstarke neue Klänge zu formen.
Der Filter Twin® bietet einzigartige Filtereffekte und lässt sich sich über ein intuitives Vier-Knopf-Layout bedienen. Mit der ‚Blend‘-regelung können Sie die Mischung zwischen den Filtern einstellen. Die ‚Threshold‘-regelung bestimmt, wie empfindlich das Pedal auf unterschiedliche Spielstile reagiert. Die ‚Velocity‘-regler bestimmen die Geschwindigkeit jedes einzelnen Filters.

Iconic Aguilar circuitry gets a fresh new look!

The Filter Twin®  uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70’s-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can’t get from other pedals.

The Filter Twin®  offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

Review by Just Music 

Demo by Aguilar Amplification 

Filter Twin II

The TLC Compressor ® is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and onstage. Our proprietary Trans Linear Control (TLC) circuit enables us to achieve unprecedented levels of performance, usually found only in expensive studio compressors.

Review by bonedo 

Demo by Strings Shop

TLC Compressor

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Niclas Wego

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

BOSS

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Demo by GUITARGUITAR

ES-5 Effects Switching System

Das MXR M287 Sub Octave Bass Fuzz ist ein wahrer Koloss unter den Bass-Effektgeräten und überzeugt mit einem markerschütternden Sound, der die Wände zum erzittern bringt. Hierbei addiert der Octaver, dessen Schaltung auf der Growl-Sektion des beliebten MCR Bass Octave Deluxe basiert, eine Oktave unterhalb des gespielten Tons für einen mächtigen Low End Punch. Darüber hinaus bietet das integrierte Fuzz nicht nur eine 2-Band Klangregelung für Bässe und Höhen, sondern auch zwei Voices. Während das erste Voicing einen warmen, sanft komprimierenden Sound liefert, überzeugt das zweite mit seiner helleren und aggressiveren Klangentfaltung. Damit der natürliche Charakter des verwendeten Basses und die Definition des Tons nicht verloren gehen, kann außerdem das trockene Signal stufenlos hinzugemischt werden, wobei der separate Mittenregler bei Bedarf für einen gesteigerten Punch sorgt.

The MXR M287 Sub Octave Bass Fuzz is a true colossus among bass effect units and impresses with a bloodcurdling sound that makes the walls tremble. The octaver, whose circuit is based on the growl section of the popular MCR Bass Octave Deluxe, adds an octave below the played tone for a powerful low-end punch. In addition, the integrated fuzz not only offers a 2-band tone control for bass and treble, but also two voices. While the first voicing delivers a warm, gently compressive sound, the second is convincing with its brighter and more aggressive sound development. To ensure that the natural character of the bass used and the definition of the tone are not lost, the dry signal can also be mixed in continuously, with the separate mid-range control providing an increased punch if required.

Demo by Low End University

Demo by Stompbox Breakdown 

Demo by Premier Guitar

M287 Sub Octave Bass Fuzz

Der EHX Bass Micro Synthesizer ist ein reiner Bassgitarren-Synthesizer mit vollständig analoger Schaltung. Einstellbare Synthesizer-Parameter erzeugen satte, kraftvolle Klänge aus einer anderen Welt.  

Die Voice-Mix-Sektion ermöglicht die Mischung aus vier verschiedenen Stimmen: Sub-Octave, Guitar, Octave und Square Wave. Besonders die Square Wave sorgt für den charakteristischen, fuzzigen Klang des Bass Micro Synthesizers, der an den kosmischen Sound der 70er Jahre erinnert.  

Mit der Attack-Decay-Steuerung lassen sich gestrichene Effekte oder bedrohliche Lautstärkeschwankungen erzeugen, während die Filter-Sweep-Sektion das gesamte Frequenzspektrum durchläuft – von schnellen, präzisen Schnitten von Hoch nach Tief bis hin zu langsamen, fließenden Anstiegen von Tief nach Hoch.

The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world.

Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Snythesizer its signature, fuzzy growl that calls back to the cosmic ’70s .

An Attack Decay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms.

Electro-Harmonix

Review by Pedals & Effects

Review by Bass Gear Reviews

Demo by Bassic Gear Reviews

Bass Micro Synth

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Der SansAmp Bass Driver DI ist viel mehr als nur eine Direktbox. Er kann große Vintage-Röhrensounds, helle moderne Slap-Sounds, knorrige Verzerrungen und alles dazwischen erzeugen. Drei verschiedene Ausgänge zum Ansteuern von Endstufen, Aufnahmepulten, PA-Mischpulten oder einfach zum Verbessern Ihres aktuellen Rigs. Zu den Reglern gehören Presence für die Definition und den oberen Obertongehalt, Blend, um das Verhältnis von Direktsignal und SansAmp-Schaltung zu kombinieren, und ein aktiver EQ, der mit 12 dB Absenkung oder Anhebung speziell auf den Bass abgestimmt ist.

Da die Popularität von 5- und 6-saitigen Bässen den Status einer Modeerscheinung überschritten hat und zum Mainstream geworden ist, haben wir einen Schalter hinzugefügt, mit dem die Bassfrequenz so eingestellt werden kann, dass sie auch in die tieferen Lagen reicht. Außerdem haben wir einen Regler für die Mitten und einen Schalter zur Einstellung ihrer Frequenz hinzugefügt. Der Kern des SansAmp Bass Driver und alle seine Töne bleiben dem ursprünglichen Design treu.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by bondeo

Demo by Philip Brennan

SansAmp BDDI V2

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

I own Sansamp, Boss ES-5, OC-2, MXR envelope filter, Darkglass x7 and Peterson tuner. I am still considering HX stomp or Future impact and Sub Octave fuzz. Also, this compressor is so tempting although I still have EBS multicomp which is doing just fine.

Jazz Bass Deluxe V QMT

ULTIMATE BASSBOARD 2023

Christian Wistl

Bass is the bedrock of your band, and the Two Notes ReVolt Bass's all-analog signal path, complete with a 12AX7 preamp tube — run at a healthy 200V — ensures a stand-out sound in any application. The ReVolt Bass's three channels deliver the full gamut of tones, from high-headroom cleans to old-school dirt to modern drive. You also get an integrated Dry/Wet blend for extra tone-shaping power. An analog speaker simulation ensures a polished, miked-cab sound, both onstage and in the studio. Integrating the ReVolt Bass with the rest of your rig is a cinch, thanks to a 4-cable mode, an FX loop, and MIDI I/O. This bass preamp pedal also includes a collection of ten DynIRs for situations where you need more DI flexibility. Bassists searching for a robust, made-to-move solution for their pedalboards and fly rigs will get tons of mileage out of the Two Notes ReVolt Bass.

Two Notes Audio Engineering

Review by Sound on Sound

Review by bonedo

ReVolt Bass

Badger

Das BLACKHEATH ist ein handgefertigtes Bassverzerrer-Pedal mit drei Modi, das dem Bassisten alle tonalen Verzerrungen bietet, die er in einem einzigen Pedal sucht. Mit 2 verschiedenen Distortion-Modi und einem Overdrive liefert der Blackheath die klassische Verzerrung, die du willst, von aggressiver Verzerrung über röhrenartige Verzerrung bis hin zu subtilen Verzerrungen, die cleanen Sounds Charakter verleihen.

The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds.

Black Country Customs

Review by Reddit /BassGuitar

Demo by Laney Amplification

Blackheath bass distortion

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Bass Compressor Blue Sparkle

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Andreacore

New Pedal Board

DigiTech

Bass Whammy (Blue)

Der Lunar Phaser ist ein wahres Modulations-Arbeitstier. Drei Presets - Vibe, klassischer 4-Stage Phaser und Uni-vibe - Stereo Ein- und Ausgänge, alle gängigen Regelmöglichkeiten und MIDI Kompatibilität in einem beachtlich kleinen Gehäuse werden noch erweitert durch die Möglichkeiten, die sich eröffnen, wird der Lunar Phaser erst an das Smartphone angeschlossen. Einmal verbunden mit der Neuro App hat man Zugriff auf eine Menge mehr Parameter, EQ Settings, zusätzliche Modulationseffekte und eine ganze Bibliothek an weiteren Algorithmen, die sich in den drei Presets speichern und per Kippschalter abrufen lassen. Ein Modulationspedal, das das Herz eines jeden Effekt-Tweakers höher schlagen lassen wird.

The Lunar Phaser is a sheer modulation power horse. Three Presets – vibe, classical 4-stage phasing and uni-vibe – stereo routing, all the usual controls, and MIDI compatibility in an astoundingly small enclosure are even enhanced by the possibilities that open up if the Lunar Phaser is connected to a smartphone. Using the Neuro App one gets access to a lot of parameters, EQ settings, additional modulation effects and a whole library of further effects algorithms that can be saved to one of the three preset slots. This is a modulation pedal that will bring tears of joy to the eyes of any effects tweaker.

Source Audio

Official Product Page

Source Audio SA 241 Lunar Phaser - Official Demo

Source Audio Lunar Phaser Bass Demo

Source Audio SA 241 Lunar Phaser - Review by Gitarre&Bass DE

Source Audio SA 241 Lunar Phaser - Review by Muzikus CZ

Source Audio SA 241 Lunar Phaser - Demo Video by JustNickMusic

Lunar Phaser

Für den Sub ‘N’ Up Octaver hat sich TC Electronic erneut mit dem legendären Effekt auseinandergesetzt und seinem neuen Schützling gleich drei zusätzliche Oktavlagen spendiert, die sich auch im polyphonen Spiel zum Signal hinzuaddieren lassen. Ursprünglich von Roger Mayer entwickelt und durch niemand geringeren als Jimi Hendrix berühmt gemacht, tauchte der Octaver als Effektgerät über die Jahrzehnte immer wieder im Sortiment verschiedener Hersteller auf.

SUB ‘N’ UP OCTAVER is the new leader of the pitch-pack. Featuring our superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, SUB ‘N’ UP is set to deliver flawless octave tones whether you’re playing complex chords or groovy single-note lines

TC Electronic

Review by Bonedo 

Demo by Mike Hermans 

Demo by Pro Guitar Shop Demos 

Sub 'N' Up Octaver

Mark Dodgeon

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Octave OC-5

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Gonçalo Santos

Official Website

Review by audiofanzine

Demo by g3zar

Demo by Juanka Trujillo

Synth Wah

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

SA 263 Collider Delay+Reverb

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