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Afterneath V3

CRY BABY STANDARD WAH (GCB95)

CS-3 Compression Sustainer

Pitch Fork

DD-3T Digital Delay

Special Cranker

Polytune 3 Mini

M101 Phase 90 

SWOLLEN PICKLE JUMBO FUZZ MKIIS

Blue Hippo MkIII (smalls)

Section 8 Band  Pedalboard 

Hardwire HT-2

HYDRA Stereo Reverb & Tremolo

Stereo Electric Mistress

BE-OD

TS9 Tube Screamer

JIMI HENDRIX CRY BABY WAH

M169 Carbon Copy Analog Delay

CSP102SL Script Dyna Comp

Duotime Dual Delay

The EHX OD Glove provides a rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

Versatile MOSFET overdrive/distortion
Tone Shift switch
Selectable 9V or 18V internal voltage
True bypass
Tough, compact die-cast chassis
9V battery included

Product Page 

Review by Paul White, soundonsound.com

Review by Trevor Curwen, musicradar.com

Manual

OD Glove

The EHX Platform Stereo Compressor/Limiter presents you with a versatile and powerful studio-quality compressor enclosed in a stompbox-sized package. Use the Platform’s compressor/limiter on any instrument—such as guitar, bass or keyboards—for precise and powerful control of your signal’s volume. Engage the Drive and Swell functions to further tailor and enhance your sound. Whether you’re on stage, in the studio, putting together a podcast or creating your next YouTube masterpiece, the Platform will help you get the job done.

Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation.
The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter
Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery
Adjustable Swell function creates bowed, fade in and reverse effects
True stereo operation, can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out
Features a three color, eight LED compression meter that displays the compressor’s actual gain reduction in real-time
Stereo buffered bypass that’s great for keeping your signal pristine with multiple pedal setups and long cable runs
Power adapter included

Review by claudius, gearnews.de

Platform Stereo Compressor

The EHX Mod Rex is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

The heart of the pedal are its four, independent modulation sections synced in time, they are:

1. MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

2. TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

3. PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

4. FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cutoff point are cut. In HPF (high pass filter) frequencies below a modulated cutoff point are cut, and in BPF (band pass filter) frequencies above and below a modulated center point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX’s tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

The pedal’s robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Up to four simultaneous modulation sections synced in time
MOD section offers a choice of Vibrato, Flanger, Chorus or Phaser
Standalone Tremolo, Modulated Panning and Modulated Filter sections
9 tempo subdivision options for each modulation section.
4 LFO shape options for each modulation section
100 storable presets
Full stereo input and output
Tap Tempo and Tempo Sync to an external device with MIDI Clock or an external pulse clock
Full MIDI control of all parameters and recalling of presets
External expression pedal input
External foot controller input to bank presets up and down
Power adapter included

Review by Robbie Stamp, musicradar.com

Review by Bassel Hallak, bonedo.de

Review by Dimitri, amazona.de

Demo by gearmanndude

Official Product Video

Mod Rex

The J Mascis Ram’s Head Big Muff Pi fuzz pedal pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish.

“That’s my sound. The Muff is always on,” J says. “All distorted sounds begin with the Muff. That’s what I grew up playing so it’s kind of amazing to have my own signature one.”

Based on the highly coveted 1973 Electro-Harmonix V2 Violet Ram’s Head Big Muff, J’s signature Big Muff produces the indulgent fuzz and exceptional sustain used as his sonic center for decades.

The fuzz is sonically more articulate than other Big Muffs with excellent string separation and dynamics, which make it one of the most versatile Big Muffs. The pedal’s response feels smooth and aggressive making your leads scream and chords thunder.

Feel the fuzz of a guitar giant: the J Mascis Ram’s Head Big Muff Pi fuzz pedal from Electro-Harmonix.

Authentic V2 Violet Ram’s Head Big Muff in a nano-sized chassis
Special-edition artist graphics
True bypass
9V battery included

Product Page

J MASCIS RAM’S HEAD BIG MUFF PI

Die Pitch Fork von Electro Harmonix in unserem aktuellen bonedo-Test beweist einmal mehr, dass auch Pitch-Shifter Effektpedale inzwischen für jedes Budget erschwinglich sind. Dieser Effekt, der in den Achtzigern in einigen berühmten Gitarrenaufnahmen auftauchte, war damals für uns “normale” Musiker kaum erschwinglich. Aber diese Zeiten haben sich glücklicherweise geändert. Pitch-Effekte sind inzwischen im Effektangebot vieler Hersteller zu recht günstigen Kursen zu finden.

The EHX Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

Review by musicradar 

Review by bonedo 

Pitch-Fork by electro-harmonix

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Section 8 Band Pedalboard

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OD Glove

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Platform Stereo Compressor

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Mod Rex

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J MASCIS RAM’S HEAD BIG MUFF PI

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