Miloslav Doležal

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

New Pedal Board

Tester

Mad Professor Sweet Honey Overdrive (SHOD) is a touch sensitive low gain overdrive pedal. It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Distortion level can be controlled by pick attack and pickup strength. Harder picking for overdrive and softer for a cleaner tone. With the unique Focus control, you can adjust the feel and dynamics of the pedal as well as overall EQ. Turning Focus CCW you need to play harder to get distortion and the tone is softer, great for jazz and blues. Focus turned CW gives a slight treble boost and earlier distortion great for classic rock.

Mad Professor Amplification

Review by musicradar

Review by bonedo

Product Page

Demo by Brett Kingman

Official Product Video

Manual

Sweet Honey Overdrive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Wampler

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Strymon

Review by Bonedo 

Review by Amazona 

Demo by Andertons Music 

Cloudburst Ambient Reverb

Die MIDI Solutions MultiVoltage Thru ist eine MIDI-Thru-Box mit 1 Eingang und 2 Ausgängen. Alle MIDI-Befehle, die am MIDI-Eingang eingehen, werden an beide MIDI-Thru-Ausgänge weitergeleitet. Eine aktive Schaltung bereinigt alle Verzerrungen der MIDI-Datenbits, die am Eingang aufgetreten sind, und gewährleistet so einen zuverlässigen Betrieb in Setups, die eine Verkettung oder lange Kabelwege erfordern.

The MIDI Solutions MultiVoltage Thru is a 1-in 2-out MIDI Thru Box. All MIDI messages appearing at the MIDI input are passed to both MIDI Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

MIDI Solutions

Thru

BOSS

DC-2W Dimension C (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Oscar Kezirian

Alle Funktionen des originalen Zuul®, jetzt im Mini-Format!

Der Threshold-Regler des Mini Zuul® steuert auch die Dynamik der Gate-Schaltung. Perfekt für Gitarre, Bass oder jede andere Signalquelle dank hochwertiger Studio-Spezifikationen.

Kann vor einem Verstärker oder in einem seriellen Effekt-Loop verwendet werden. Zwei-farbige LED zur visuellen Anzeige der Gate-Aktivität: Grün = Offen, Orange = Geschlossen, Aus = Bypass.

Das KEY-Eingangssignal kann direkt von deiner Gitarre kommen (z. B. per Split von Roach oder Spliff) oder von einer anderen Signalquelle. So kannst du von clean zu High-Gain wechseln, ohne den Threshold-Regler anpassen zu müssen. Dieses leistungsstarke Feature erlaubt es dir, das Gate mit einem anderen Signal zu steuern als dem, das durch die Ein- und Ausgänge des ZUUL® fließt. Seitlicher Schalter (bei frühen Versionen interner Jumper), um den Threshold-Bereich an unterschiedliche Eingangssignalpegel anzupassen. Branchenüblicher True-Bypass-Schalter.

All the same features as the original Zuul® but in mini-form factor!

The mini Zuul®'s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source because of the high quality studio specifications.

Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass.

The KEY input signal can be directly from your guitar (r.e. split from Roach or Spliff) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL®. Side switch (internal jumper on early versions) to change the threshold range to compensate for different input signal levels. Industry standard true bypass switching.

Fortin Amplification

Demo by Dr. Danny Mann

Mini Zuul

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Mario Lima

No gimmicks, no wasted real estate, just a tiny, bright HD LED pedal tuner with lightning-fast and accurate note tracking making the C10  the best pedal guitar and bass tuner of 2021.

This chromatic tuner can also be used for a variety of other instruments such as lap steel, acoustic electric, electric ukulele, electric violin and is an awesome bench tuner for setting intonation on your instruments.

Features an adjustable A4 ranging from 430 to 449hz.

Swiff Audio

Demo by KatReg Reviews

Demo by OGW Studios

Review by reddit /guitarpedals

C20 Pedal Tuner

Multi-Voice Intelligent Pitch Shifting from the company that invented it! Ten Pitch and Harmonizer algorithms that cover all the bases. All the way from the original H910 to Quadravox 4-voice harmonizer to Octave and PitchFlex effects. Also included is Harpeggiator which creates arpeggios with selectable rhythm patterns and fuzz effects. Synthonizer for unique synth FX for any instrument. And, of course, MicroPitch and Crystals — go-to sounds for inspiration.

Eventide

Users Manual 

Eventide Artist Profile: Hank & Cupcakes

Phil Short In Studio Perfomance | Eventide ModFactor, TimeFactor and Space

Eventide Pitchfactor Overview & Demo

PitchFactor

ALBERTO DE LA VARA

FV-30L sind zwei neu designte, kompakte Volume-Pedals in gewohnter BOSS-Qualität. Speziell entwickelt, um mehr Platz auf dem Pedalboard zu schaffen, ohne dabei Kompromisse in Sachen Sound-Qualität, Zuverlässigkeit und Haltbarkeit einzugehen. Die Pedale in Profiqualität sind aus Aluminiumdruckguss hergestellt und haben einen sehr ausgeglichenen, weichen Pedalwiderstand, der feinste Lautstärkeabstufungen ermöglicht. Dank ihrer äußerst kleinen Abmessungen sind sie ideale Begleiter für Musiker, die viel auf Reisen sind und den Platz auf dem Pedalboard optimal ausnutzen möchten.

The Boss FV-30L is the newly designed, compact volume pedal in the usual BOSS quality. Specially designed to create more space on the pedalboard without sacrificing sound quality, reliability and durability. The pedal is made of die-cast aluminum and has a very balanced, soft pedal resistance, which allows for finest volume gradations. Thanks to the extremely small dimensions, the Boss FV-30L Volume Pedal is the ideal companion for musicians who travel a lot and want to make the most of the space on the pedalboard. The FV-30L-A with low impedance and stereo input/output for stompbox, keyboard and other electronic musical instruments.

Review by Charles Saufley, premierguitar.com

Demo by Juca Nery

EV 30

Mark Boton

Envelop your music in vibrant rhythmic energy with the SL-2 Slicer, an inspiring creative tool filled with colorful sonic grooves. This BOSS original chops your sound into unique percussive patterns—including many processed with internal filters and effects—and provides multiple output options that bring grooves to life across the stereo field.

Evolved from the legacy SL-20 Slicer, the SL-2 offers expanded capabilities while shrinking the size to the pedalboard-friendly BOSS compact format. Instantly elevate performances with 88 onboard patterns and tap into more via the BOSS Tone Studio app. Grab the knobs to tweak audio slices on the fly and sync to songs with tap tempo and MIDI. Fun and easy to use, the SL-2 brings fresh musical power to all types of creators, from guitarists and keyboardists to loop performers, DJs, beatmakers, and beyond.

Review by guitar pedal X

Review by The Gear Page

Review by MusicTech

Manual Pages

Demo by McRocklin

SL-2 Slicer

Muldee

Das Dunlop CBJ95 Cry Baby Junior Wah wurde speziell für den Einsatz auf Pedalboards entwickelt. Die Anschlüsse für Input, Output und die Stromversorgen befinden sich auf der Stirnseite des Pedals und ermöglichen so eine engere Konfiguration der Pedale und schaffen Platz an den Seiten, der normalerweise von den Kabeln eingenommen wird. Das kompakte Gehäuse mit ca. 20 cm Länge passt perfekt auf eine Vielzahl von Boards und ermöglicht eine schöne, saubere Anordnung der Kabel. Das Cry Baby Junior Wah überzeugt neben dem kompakten Design vor allem durch die vielfältigen Sounds. An der Seite des Pedals befindet sich ein Schalter, mit dem sich drei unterschiedliche Voicings und Sweep-Bereiche auswählen lassen: Das H-Setting bietet den aggressiven, modernen Klang des GCB95, das M-Setting liefert den satten Midrange-Growl alter Vintage Wahs und das L-Setting überzeugt mit einem dunklen und satten Sound.

The Cry Baby Junior Wah is purpose-built for pedalboards. Designed in collaboration with Pedaltrain, this wah has been carefully crafted for maximum layout efficiency on the world's most popular boards. Front-mounted input, output, and power jacks allow for a tighter configuration of pedals, freeing up space on the sides that would normally be taken up by cable ends. And speaking of cables, the Cry Baby Junior Wah's 8" housing length lines up perfectly with the routing spaces on boards such as those from Pedaltrain's Metro Series, in particular—as well as those from the Classic, Novo, and Terra Series—making for a nice, clean arrangement of cords.

The Cry Baby Junior Wah allows for just as much versatility in tone as it does for your pedalboard layout. On the side of the pedal is a convenient and accessible three-position switch that allows you to choose one of our three most popular Cry Baby Wah voices, covering the full frequency spectrum. The H setting gives you the aggressive modern sound of the GCB95, M provides the midrange growl of vintage wah pedals, and L provides a sound that's dark and rich. 

Dunlop

Demo by  Leigh Fuge

CBJ95 Cry Baby Junior Wah

First there was the Plexi-Drive. Then there was the Plexi-Drive Deluxe. Now Wampler Pedals brings you the all new Plexi-Drive Mini. Brian has managed to cram an improved version of the original Plexi-Drive circuit into a miniature housing and even added some new features.

Review by delicious audio

Demo by TheToneGeek

Plexi-Drive mini

Basierend auf dem unglaublichen Erfolg des originalen Ego, aber mit Schaltern für Ton (dunkel und hell) und Attack (langsam und schnell), kannst du deinen Ton auf den Standard eines doppelt so großen Pedals bringen. Durch die Beibehaltung der sauberen Mischung des Originals wird das Originalsignal eingemischt, so dass du alle Vorteile eines großartigen Kompressors nutzen kannst (Aufheben der weniger starken Noten und Erhöhung des Sustains), aber du hast die Möglichkeit, den Squash an der Front zu entfernen, indem du das umgangene Signal einfügst. Mit diesem Regler kannst du den vollen Country-Squash oder eine offene parallele Kompression auf Studioniveau nutzen. Mit dem Mini Ego hast du im Grunde die vollständige Kontrolle über jeden Aspekt deiner Kompression.

Based on the incredible success of the original Ego but featuring switches for tone (dark and bright) and attack (slow and fast) you can tweak your tone to a standard of a pedal twice its size. By keeping the clean blend of the original, your original signal to be blended in so you can get all the benefits of a great compressor (picking up the notes that aren’t as strong and increasing sustain) but you have the option to remove the squash at the front by bringing the bypassed signal in. With this control, you can have full country squash or open studio level parallel compression. Basically, the Mini Ego gives you complete control of every aspect of your compression.

Review by zzounds.com

Review by bonedo.de

Review by premierguitar.com

Review by reddit.com/r/guitarpedals

Demo by Tom Quayle

Demo by EytschPi42

Demo by  ProGuitarShopDemos

Mini Ego Compressor

Fabian Förster

Mit dem SDE-3000D erhältst du nicht nur eine, sondern gleich zwei authentische Nachbildungen des begehrten Vorbilds im kompakten Format eines Bodentreter-Pedals. Neben seinen vollständig unabhängigen Delays bieten die flexiblen internen Routing-Möglichkeiten und die erweiterten Ein- und Ausgangsoptionen jede Menge Vielseitigkeit für alle Arten von modernen Mono- und Stereo-Rigs. Auch die Möglichkeiten der Modulation und Klangformung wurden weiterentwickelt. Darüber hinaus stehen 100 Speicherplätze zum Ablegen favorisierter Setups zur Verfügung. Gleichzeitig lässt sich das SDE-3000D mit seinen inspirierenden Vintage-Sounds dank vielfältiger interner und externer Steuerungsoptionen, inklusive MIDI, problemlos in jedes Live- und Studiosetup einbinden.

The SDE-3000D brings you not one but two authentic reproductions of the much-loved SDE-3000 in a floor-based pedal. Fully independent delays, flexible internal routing, and expanded I/O offer modern versatility for all types of mono and stereo rigs. Modulation and tone-shaping capabilities have also been enhanced, and there are 100 memories for storing favorite setups. And with a wealth of onboard and external control options—including deep MIDI support—you can integrate this inspiring vintage voice with any stage or studio setup.

Demo by  Guitar Bonedo

Review by Sound on Sound

Review by Gigs and Guitars

Review by Amazona

Review by Bonedo

SDE-3000D

Der BOSS ES-8 ist ein 8-fach Effekt-Loop-Switcher. Für Gitarristen mit vielen Einzel-Effektpedalen und einem umfangreichen Pedalboardsystem wird das Leben nun viel leichter. Alleine die Tatsache, dass man seine Effekte mit dem ES-8 sowohl einzeln als auch in Gruppen schalten und auf vielen Speicherplätzen verwalten kann, ist eine wahre Wohltat. Das können andere Loopswitcher auch! Der ES-8 geht jedoch noch viele Schritte weiter. Durch das komplett analog aufgebaute Schaltungsdesign erreicht der Signalfluss eine Qualität, die sich alle Gitarristen wünschen. Zu den 8 Effektloops, von denen einige sogar mit Stereo-Return ausgestattet sind, gesellen sich zusätzlich 3 Control-Switches welche die Umschaltung von externem Equipment, wie z.B. mehrkanalige Verstärker, problemlos ermöglicht. Natürlich ist auch eine umfangreiche MIDI-Schnittstelle vorhanden die ausgefuchste, moderne Setups unterstützt. Der zusätzliche Anschluss von 2 externen Expressionpedalen macht den ES-8 endgültig zur ultimativen Zentrale deines Pedalboards.

The ES-8 Effects Switching System begins life with a sharp and clear mission: to provide pro and high-end users with cool and creative solutions. The new and innovative ES-8 is a system that represents a major leap “out of the box” from the standard individual stomp box utility. It is a whole new way of providing unprecedented capability without sacrificing sound quality. The ES-8 combines far-reaching flexibility with total freedom of expression. All this, in one cool device.

Not just another utility tool, the ES-8 kicks down the door to unlimited possibilities in the universe of musical expression. From this day on, the use of stomp boxes will never be the same. Using BOSS’ advanced technology the ES-8 is designed for spontaneity on the stage. So, go ahead. Jump out of the box. Take the plunge into a whole new world of musical expression. Celebrate the birth of the cool at BOSS with the hot new ES-8 Effects Switching System. It’s a total game changer that will take you to places no musician has ever gone before.

Demo by Omilion Audio

Review by Musiker-Board

ES-8 Effects Switching System

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

“This is a hard working pedal crafted for one of the hardest working musicians on the planet for use by all guitarists as the backbone for a fantastic tone”
Brent Mason: Hot Wired v2 Pedal

ntroducing the all-new Wampler Brent Mason ReWired—an ultra-versatile, 2-channel Overdrive and Distortion pedal that delivers an incredible range of essential tones for every guitarist.

Demo by R.J. Ronquillo

ReWired

Introducing the Limited Edition Wampler Germanium Tumnus Deluxe. It's a Tumnus, it’s a deluxe, and it's loaded with the same style of hyper-rare germanium diodes as the elusive Klon Centaur and the sold-out Germanium Tumnus. This is my shot at the ultimate Klon-style overdrive.

You all sure love the Germanium Tumnus! It was almost sold out before it even shipped. The Ltd. Germanium Tumnus Deluxe is the quintessential blend of that same authentic tone and added versatility. With a 3-band EQ, buffer bypass switch, controls for level and gain, and a hot switch for increased gain, you can think of it as an upgraded Germanium Tumnus, an even more versatile Klon, or a killer overdrive/boost pedal in its own right. However you see it—or use it—you'll love it.

Demo by Fmaj13

Review by TDPRI

Germanium Tumnus Deluxe

Der Wampler Mofetta Overdrive/Distortion ist meine Hommage an die MOSFET-gesteuerte Magie eines Klassikers der 1990er Jahre - des MT10 MOSTORTIONtm. Der Mofetta, eine Hauptstütze unzähliger Top-Session-Spieler, ehrt die Seele dieses schwer fassbaren und doch klassischen Schaltkreises, während er sein ungenutztes Potenzial offenbart.

Stell dir den Mofetta als einen aufgeladenen MOSTORTIONtm vor, wiedergeboren und verstärkt. Ich habe dafür gesorgt, dass er den klassischen, verstärkerähnlichen Overdrive, massiven Headroom und den vielseitigen 3-Band-EQ bietet, der das Original so berühmt gemacht hat. Aber ich wollte noch mehr und habe einen Texture-Schalter hinzugefügt, der echte MOSFETs in die Overdrive-Sektion des Pedals einfügt und so einen fetteren, artikulierteren Ton erzeugt. Das Mofetta bewahrt alles, was du an der Legende aus den frühen 90ern liebst, mit einer kraftvollen neuen Dimension.

The Wampler Mofetta Overdrive/Distortion is my tribute to the MOSFET-driven magic of a 1990s classic — the MT10 MOSTORTIONtm. A mainstay of countless top session players, the Mofetta honors the soul of that elusive yet classic circuit while revealing its untapped potential.

Think of the Mofetta as a supercharged MOSTORTIONtm, reborn and amplified. I made sure that it delivered the classic, amp-like overdrive, massive headroom, and versatile 3-band EQ that made the original so famous. But I also wanted more and added a Texture Switch that introduces actual MOSFETs into the pedal's overdrive section for a bolder, more articulate tone. The Mofetta preserves everything you love about the early '90s legend with a powerful new dimension.

Demo by The Tone Lounge

Demo by  R.J. Ronquillo

Demo by Mike Hermans

Review by guitarchalk.com

Review by guitarpedalx.com

Review by guitarworld.com

Mofetta

Coveted by blues, country, and rock players alike – tweed-style amplifiers have been staples in famous musicians’ live and studio setups since their introduction. With their warm and woolly sound and pushed volume tube break-up, the tone of tweed amps have found their way on to numerous historic recordings of some legendary artists such as Keith Richards, Eric Clapton, Neil Young, Billy Gibbons, and Joe Bonamassa.