Anthony Gachomo

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Praise 'n' Worship

James Morse

Das wurde aber auch Zeit! Universal Audio hat den äußerst beliebten „Ochsen“ in ein Pedal gepresst: Der UAFX OX Stomp Dynamic Speaker Emulator ist gelandet, inklusive des begehrten Room-Reglers, 6 Presets, Effekte und mehr.

Designed to act at the perfect companion for amp modelling systems in the studio or on stage, Universal Audio’s new OX Stomp Dynamic Speaker Emulator comes packed with authentic-sounding cabinet, microphone and room models, as well as offering a selection of built-in studio-quality effects.

Universal Audio

Product Page

Review by GEARNEWS 

Review by Sound On Sound 

Quick Start 

Demo by SweetWater 

Demo by Produce Like A Pro 

Ox Stomp

ch ray

NUX B-8 ist ein neu definiertes Drahtlossystem mit automatischer Einrichtung, störungsfreier 2,4-GHz-Rundfunkfrequenz und hochwertiger 24-Bit-48-kHz-Audioübertragung. Die Latenzzeit bei der Signalübertragung beträgt nur 2,5 ms bei bester Leistung. Die Betriebsreichweite beträgt bis zu 50 Meter (160 Fuß). 

Das drahtlose B-8-System eignet sich für alle Arten von E-Gitarren, E-Akustikgitarren, Bässe und verschiedene Instrumente mit elektronischen Tonabnehmern. Unabhängig davon, welches Instrument Sie spielen, können Sie die Bequemlichkeit mit B-8 Wireless genießen.

NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). 

B-8 wireless system fits all types of electric guitar, electric-acoustic guitar, bass guitar, and various instruments with electronic pickups. No matter what instrument you play, you can enjoy the convenience with B-8 wireless.

Review by AMAZONA

Review by gearnews

Review by reddit /guitarpedals

Manual

Demo by Scott Uhl

Demo by Andrew Siemon

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Josh Johnson

The MC3 is a fully programmable controller, capable of sending up to 16 different MIDI messages per switch.

Morningstar Engineering

Florian LE CORRE

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Pigtronix

Demo by Pigtronix

Review by

Cosmosis

Jackson Okun

Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

Review by musicradar

Review by bonedo

Demo by Chord of Orion

Official Product Video

Echolution 3

Die Philosopher’s Tone 2 hebt die bahnbrechende optische Kompression des Originals auf eine neue Ebene klanglicher Erleuchtung. Als erstklassiger Kompressor/Sustainer mit schaltbarem Grit bietet er mehr Vielseitigkeit denn je. Die weiterentwickelte Overdrive-Schaltung, erstmals in der limitierten Gold-Version zu hören, verleiht mit ihrem einzigartigen Germanium-Distortion-Schaltkreis einen geschmeidigen Hochtonbereich und einen satten Mitten-Antrieb, genau abgestimmt auf den optischen Sustainer. Neben den Reglern für Volume und Sustain verfügt die Philosopher’s Tone 2 über einen parallelen Clean Blend-Regler, mit dem Musiker ihren ursprünglichen Klang mit dem Kompressions-/Sustainer-Effekt mischen können, solange der Grit-Schaltkreis deaktiviert ist. Diese Technik stellt den natürlichen Anschlags-Attack wieder her und bewahrt Dynamik selbst bei extremem Sustain. Wenn der Grit-Schaltkreis aktiviert ist, umgeht der Blend-Regler automatisch die Kompromisse der Originaleinheit und verleiht deinem Sound eine farbenfrohe Verzerrung in Germanium- oder Silizium-Modus. Dieses nichtlineare Dioden-Clipping reicht von subtiler Overdrive bis zu überquellender Verzerrung – ganz ohne unerwünschtes Feedback. Ein Treble-Regler direkt vor dem Master Volume gewährt ±6 dB bei 2 kHz zur Feinabstimmung des Frequenzgangs. Mit True-Bypass-Schaltung und internen 18 V-Versorgungsrails bietet die Philosopher’s Tone 2 maximalen Clean-Headroom, ideal für heiße Pickups, aktive Bässe, Synths und andere Line-Level-Quellen. Läuft an 9 V DC.

Elevating the groundbreaking optical compression of the original Philosopher’s Tone to a new plane of tonal enlightenment, the Philosopher’s Tone 2 is a world-class compressor/sustainer with footswitchable Grit, allowing for more versatility than ever before. Featuring a refined implementation of the overdrive circuit first heard in the limited-edition Gold version of this iconic compressor pedal, the unique germanium distortion found in the Philosopher's Tone 2 delivers smooth top end and rich midrange response, tailored to perfectly match the characteristics of the optical sustainer driving it. In addition to Volume and Sustain controls, the Philosopher’s Tone 2 features a parallel clean Blend knob that allows musicians to mix their instrument’s original tone with the compressor/sustainer effect when the Grit circuit is bypassed. This mixing technique restores natural pick-attack and allows clean settings with extreme sustain to remain dynamic and musical. When the Grit circuit is engaged, the Blend knob is automatically bypassed, circumventing the compromises of the original unit and imparting a colorful distortion to your sound in both Germanium and Silicon modes. This nonlinear diode-clipping can range from subtle overdrive to overflowing distortion, all without unwanted feedback. A Treble control located just before the master Volume provides 6db of cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher’s Tone 2 features true-bypass switching and internal 18V power rails for maximum clean headroom that is ideal for use with hot pickups, active bass, synthesizers and other line-level sources. Runs on 9VDC

Demo by Juliana Wilson

Review by Music Radar

Review by Guitar World

Philosopher's Tone 2

Gas Giant ist ein High-Gain Analog-Fuzz-Pedal mit wählbaren Voicing-Optionen für die Tonregelung und einem integrierten Noise Gate. Inspiriert von den legendären transistorbasierten Fuzz-Pedalen, die Anfang der 1970er-Jahre in New York City gebaut wurden, verwendet der Gas Giant vierfach gematchte Transistorensätze, um sicherzustellen, dass jedes einzelne Pedal perfekt auf den schwer zu findenden "Sweet Spot" klassischer Vintage-Pedale abgestimmt ist.

Neben den Gain- und Volume-Reglern verfügt das Pedal über eine doppelt funktionale Tonregelung, die sowohl den typischen satten Bass, schneidende Höhen und den klassischen Mid-Scoop alter Fuzz-Pedale liefert als auch eine Pigtronix-eigene Midrange-Bump-Einstellung für mehr Präsenz im Mittenbereich. Diese zwei Voicing-Optionen verändern die Frequenzansprache der Tonregelung im gesamten Regelweg erheblich und bieten eine Vielzahl massiver Fuzz-Sounds im kompakten 3-Regler-Format.


Gas Giant is a high-gain analog jumbo fuzz pedal with switchable voicing options for the tone control and a built-in noise gate. Inspired by the iconic transistor-based fuzz pedals built in NYC in the early 1970’s, the Gas Giant uses quad-matched transistor sets to ensure that each and every unit is perfectly dialed in to the “sweet spot” that can be so elusive to find in vintage pedals.

In addition to the Gain and Volume knobs, there is also a dual-function Tone control that delivers the traditional heavy bass, searing top-end and midrange Scoop found in vintage pedals, as well as a signature Pigtronix midrange-forward Bump setting. These two voicing options drastically change the frequency response of the Tone control throughout its entire range, providing a bevy of gargantuan fuzz tones in a compact 3-knob stompbox.

Demo by R. J. Ronquillo

Review by Guitar Pedal X

Gas Giant

Hiu Fung Hui

The Hotone Tuner Press is not just your average tuner pedal; it's the epitome of versatility. Weighing in at a mere 600g, this pedal isn't just a tuner; it's a volume pedal, an expression pedal, and a buffer pedal all rolled into one. The footswitch provides tactile feedback, allowing you to seamlessly switch between expression and volume control. Elevating the pedal in volume mode activates silent tuning automatically. The HD LCD screen, complemented by the switching indicator, ensures an intuitive, accurate, and rapid user experience. Furthermore, the Hotone Tuner Press inherits the classic design of the popular Ampero Press series, seamlessly blending Hotone aesthetics with portability and practicality. 

HOTONE

Demo by Chris Ma的Dark Horse Lab

Tuner Press

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Caleb Harding

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. 

JET Pedals

Review by delicious audio

Review by Worship Guitar Skills

Demo by gearfever

Demo by Hey Worship Leader

Demo by Ambient Endeavors

Demo by Nobes Music

Demo by Home Studio Simplified

LAMB

Tyson Edwards

Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

Manuals Page

Lion Distortion (In black)

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

GREGORY GUENEAU

Mako Series M1 MKII

Franko Teston

Der [ACS1]™ ist ein Verstärker- und Lautsprecherbox-Simulator, der den Klang und das Gefühl von Weltklasse-Verstärkern, ergänzende Lautsprecherbox-IRs von Tone Factor und York Audio sowie eine steuerbare Raumgröße liefert. Mit dem ACS1 haben Spieler umfassende Möglichkeiten, ihren Sound auf der Bühne, im Studio oder beim Üben zu Hause zu liefern. Einfache Bedienelemente, Stereo-Ein- und -Ausgang, integrierte Voreinstellungen und MIDI-Unterstützung machen den ACS1 zu einem unverzichtbaren Werkzeug im Arsenal eines Gitarristen. Spieler können auch ihre eigenen IRs laden und die Firmware auf walrusaudio.io aktualisieren.

The [ACS1]™ is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware at walrusaudio.io.

Review by Guitar Bomb

Demo by Andertons

Demo by The Studio Rats

Mako MKII ACS1

Caline

CP-207

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

P&W Rig 6.0

pascal capuano

Evermore Studio Reverb gives you the grainy ambient tails and mesmerizing modulations of the iconic late-’70s early-digital device, in a compact, elegantly crafted stompbox.

Built upon the award-winning Hall 224 algorithms found in our flagship Golden Reverberator, Evermore Studio Reverb gives you the stunning ambient effects of the classic hardware used on decades of iconic guitar sounds, right on your pedalboard.

Review by Guitar.com

Demo by EytschPi42

EVERMORE

The Highline Stereo is a full-featured line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features premium Jensen 1:1 transformers, which retain the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced outputs of the Highline Stereo allow for long cable runs to the PA, and the device also blocks phantom power so it never reaches the pedalboard. The Highline Stereo can be easily reconfigured for multiple setups with the use of two summing switches: these allow you to connect to the PA or your stage monitors in either stereo or mono.

Radial Engineering

Demo by Premier Guitar

Highline Stereo

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Andertons Music Co

H90 Harmonizer®

Simon Lo

Das Nero-Pedal kombiniert einen einzigartigen Fuzz-Schaltkreis mit einem eingebauten Gladio SC, der beide Schaltkreise gleichzeitig aktiviert und so einen gestapelten Drive-Effekt erzeugt. Es verfügt über einen „Comp“-Regler für das Kompressionsmanagement, der die Gesamtkompression verändert, und zwei unabhängige Bias-Regler („Voices“) für eine Reihe von Fuzz- und Overdrive-Sounds. Nero bietet eine flexible Gain-Regelung, eine hohe Eingangsimpedanz für die Vielseitigkeit auf dem Pedalboard, eine konstante Kompressionseinstellung und nahtlose Übergänge zwischen körnigem Fuzz und vollem Overdrive mit einem Fußschalter. Unter bestimmten Bedingungen lassen sich auch Gated Fuzz und schöne Cleanup-Effekte erzielen.

The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions.

Cornerstone Music Gear 

Review by guitar pedal X

Demo by  Michael W. Westbrook

Nero

Tester

Der Philosopher’s Tone von Pigtronix, eine Kombination aus Sustainer/Compressor und Distortion, wird seit einiger Zeit nicht mehr hergestellt. Nun bringt der Hersteller aus Long Island, New York, mit dem Philosopher’s Tone Micro eine abgespeckte Version des Pedals, das zum einen in einem kleinere Gehäuse steckt und zum anderen auf den Distortion verzichtet.

Famous for its noiseless clean sustain, the Philosopher’s Tone has staked its claim in the crowded world of compressor pedals. In addition to Volume and Sustain controls, the Philosopher’s Tone features a parallel Blend knob that allows the musician to mix their instrument’s original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The Treble control provides up to a 6db cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher’s Tone features true-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Review by Bonedo 

Pigtronix Philosopher's Tone Demo 

Product Page 

Philosopher’s Tone Micro

Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig.
Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented
response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz
and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control
combines with exceptional headroom to deliver smooth transient response previously available only
in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the
user to control how long it takes gate to slam closed.

Review by GUITAR WORLD 

Demo by WMusicDistribution 

Gatekeeper Micro

Freeway is the DI guitar amplifier, speaker modeler and recording interface that lets you play live shows, rehearsals or record your ideas anywhere, always with warm, analog and dynamic tones.
A tool in the size of a pedal, with full stereo capability and open signal path. It is specially designed to integrate all your effects, overdrives, modulations and preamps in a single all-road pedalboard.

Freeway is an amplifier and also studio interface. You can record or play over backing tracks using your computer or phone thanks to its USB compatibility with PC, iOS and Android.
Create complex atmospheres thanks to its eight stereo reverbs. Use your preamplifiers as a second channel through its preamp loop. Get the most out of your effects thanks to its stereo effects loop.

Thermion

Demo by TheGuitarGeek

Freeway

Robert Ossenkopp

Clean began its life as a question: Can clean be as fun as dirty?

Developed slowly and through a variety of experiments, Clean explores the wild side of compression and brings the interactivity of distortion circuits to a clean signal. 

Clean is a studio-grade compressor you can turn on its head and push beyond the expected.

It was built to bring the exploratory energy of distortion to the clean performer, from the touch sensitivity of an overdrive to the unwieldy response of a fuzz. Tasteful, musical nuance, tied to your hands.

Chase Bliss

Clean

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Review by Sound on Sound

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Review by Gearnews

Quick Start Guide

Brigade Chorus & Vibrato

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Manual Page

Orion Tape Echo

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

1176 Studio Compressor Pedal

Geir Arne Hagby

The LANEY IRONHEART FOUNDRY series LOUDPEDAL is a powerhouse 60-Watt twin channel amplifier in a pedal format. You are now part of our crusade to deliver crushingly powerful amplification. A journey that began in 1967 in The Black Country, in the heart of England.

Laney Amplification

Demo by Andertons Music

Ironheart Foundry Loudpedal

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Praise 'n' Worship 5.0

Reverb + Reverb, Delay + Delay, oder Delay + Reverb, in beliebiger Reihenfolge
Solis Ventus ist ein Dual-Engine Delay- und Reverb-Pedal, das zwei Algorithmen gleichzeitig ausführen kann, mit beliebigen Paarungen, Reihenfolgen und Routings.

Ein spezieller 'Stompbox Mode' widmet einen Fußschalter der Steuerung des On/Off-Status jeder Engine und verwandelt den Solis Ventus so in ein schnelles und schmutziges Zwei-Stompbox-Setup.

Und wie immer können externe Steuergeräte verwendet werden, um noch mehr interaktive Möglichkeiten zu erschließen.

Übersetzt mit DeepL.com (kostenlose Version)

Reverb + Reverb, Delay + Delay, or Delay + Reverb, in any order
Solis Ventus is a dual‐engine Delay and Reverb pedal, able to run two algorithms at once, with arbitrary pairings, ordering, and routings.

A special 'Stompbox Mode' dedicates one footswitch to control the on/off state of each engine, effectively turning the Solis Ventus into a quick and dirty two-stompbox setup.

And as always, external control devices may be used to open up even more interactive possibilities.

GFI SYSTEM

Demo by collector//emitter

Review by The Gear Page

Review by Elektronauts

Solis Ventus

Edrich Andrews Dela Cruz

NUX NMP-2 is a universal dual switch controller with OPEN, CLOSE and LATCH modes, and it's a combination of momentary and latch type controllers, you can use it in both ways.

NMP-2 Footswitch

Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

BOSS

Demo by  Bernd Kiltz - Gitarrenvideos

GT-1000 CORE

Mirco Mennonna

Inspired by the rich tones of the Bell and Howell Filmosound 385 projector, the reimagined 385 MKII Overdrive offers dynamic, responsive, tube-like drive with simple but effective controls. The MKII adds an A/B switch to toggle between two sets of volume and gain knobs as well as a 385+ switch that slams the front end of the circuit for added high-gain saturation.

Review by PremierGuitar

Demo by walrusaudioeffects

385 Overdrive MKII Black

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

AZRAEL

This is a work in-progress board and might change depending on the target sound. (AMBIENT - SHOEGAZE - POST ROCK

NOT YET ON THE ACTUAL BOARD
WALRUS JULI
DBA ROOMS
DBA OCTAVE CLANG
DBA DREAMSTATION
WALRUS CANVAS D.I/L.I STEREO
WALRUS CANVAS TUNER



