sha0wnv

Sandbox Pedal Board

Oscar Kezirian

Altoids

Altoids Smalls

Dudy Putra Agung

Wave Audio

Demo by Luthfinizer

Demo by RDMUSICSTORE

DI-22 Active Direct Box

pol ice

JOYO's JP-05 power supply has 8 DC outputs and 1 standard USB output, one of the 8 outputs can be switched between 9V, 12V and 18V for the odd pedals in your collection that just want a little bit more voltage. The 5V USB output enables you to load your cell phone, iPad and other portable devices.

JOYO

Product Page

Review by MUSICNGEAR

Demo by Band On A Budget

Demo by Learning Curve

Review by Mark King, highontechnology.tech

Manual

Demo by Band On A Budged

Official Product Video

Power Supply 5

Rodrigo Meneses

ROCKTUNER by Warwick

PT 2 Black

Das GP-5 von Valeton führt die preisgünstige Multi-FX-Reihe in ihre bisher kompakteste Richtung. Dieses schicke kleine Pedal mit nur einem Fußschalter ist als All-in-One-Effektgerät sowie als „Neural Amp Modelling (NAM)“ oder IR-Loader konzipiert. Wählen Sie Ihre eigenen Effekte aus und passen Sie sie an, wählen Sie ein NAM-Preset oder laden Sie Ihre eigenen Impulsantworten, und schließen Sie es an jedes Rig mit einfacher Konnektivität und drahtloser Bearbeitung an. Mehr klangliche Funktionalität kann man sich von einem Pedal von der Größe eines Schokoriegels nicht wünschen!

Valeton’s GP-5 takes their affordable multi-FX line-up in their most compact direction yet. This nifty little single-footswitch pedal is designed as an all-in-one FX unit, as well as a ‘Neural Amp Modelling (NAM)’ or IR loader. Select & customize your own effects, choose a NAM preset or load in your own impulse responses, and hook it up to any rig with simple connectivity & wireless editing. You couldn’t ask for more tonal functionality out of a pedal the size of a chocolate bar!

Valeton

Official Website

Review by Stompbox Steals

Review by The Gear Forum

Review by The Gear Page

Demo by  Andertons Music Co

GP-5

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Rudi Raath

Tester

FORCEFIELD COMPRESSOR provides all the sweet vintage dynamics control that the legends of rock ‘n’ roll and country music were built on. From the subtle sustain enhancement that gently boosts a sweet, but softly played interlude or blues passage, to the full-on hard-knee compression that makes your guitar pop in the mix – you’ll find it all and more here in the FORCEFIELD COMPRESSOR.

TC Electronic

Review by Musiker-Board

Review by reddit /Bass

Quick Start Guide

Demo by

Demo by EytschPi42

Forcefield Compressor

Guillermo Guerrero

14 Jahre lang hat das populäre Boss FV-300 den Standard für Volumen-Pedale definiert. Diese Tradition wurde durch die FV-50-Serie fortgesetzt. Das FV-500H (high-impedance, hochohmiges Volume/Expression-Pedal) und FV-500L (low-impedance, niederohmiges Volume/Expression-Pedal) setzen jetzt noch höhere Maßstäbe. Diese stabilen, stylishen Pedale sind optimal auf die Bedürfnisse der User abgestimmt und absolut road-tauglich. Beide Modelle können als Expression-Pedal zusammen mit entsprechenden Verstärkern, Effektgeräten und Synthesizern genutzt werden.

For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with BOSS’s FV-500H (mono, high-impedance, inst. level) and FV-500L (stereo, low-impedance) pedals. These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.

BOSS

FV-500L

Ibanez

Demo by Desert Rock United 

BIGMINI

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Felix Veas

■ Portable midi pedal, small and exquisite.
■ Charging for 2.5 hours,can be used for 12 hours. 
■ The display screen can directly feedback the commands you issued , intuitive and clear.
■ WINDOWS, MAC, IOS, ANDROID and other platforms are all compatible.
■The built-in host interface allows for direct control of the effector
■Advanced customization mode with switchable bank
■Customization of keyboard combination keys

M-VAVE

Chotolate Plus

Axell Thirteen

Du willst deinen voll aufgedrehten Amp so richtig kreischen lassen? Vielleicht brauchst du auch nur eine warme sahnige Nuance für deinen cleanen Sound? Der Hammertone™ Overdrive kann beides. Und noch einiges mehr. Er gehört eigentlich in jedes Rig. In ihm steckt jede Menge Druck. Der Pre-Gain Mitten-Booster verleiht deinem Ton zusätzlich Biss und Schärfe, so setzt du dich im Mix gut durch. Die Ein- und Ausgänge sowie der Schalter für den True Bypass befinden sich oben, dadurch braucht der Overdrive wenig Platz im Pedalboard.

Whether you're pushing your cranked amp into full-blown distortion or just adding some warmth, grit and character to your clean sound, the Hammertone™ Overdrive is an essential addition to your rig. This compact drive packs a big punch - the pre-gain mid boost adds the perfect edge for cutting through the mix, while the pedal board-friendly top-mounted in & out jacks and true bypass footswitch mean it will integrate seamlessly into your rig.

Fender

Review by gitarrebass.de

Review by mixdownmag.com

Review by premierguitar.com

Review by bonedo.de

Demo by Brett Kingman

Demo by Sweetwater

Demo by Andy Hillier Guitar Channel

Demo by TheGuitarGeek

hammertone overdrive

thuy nguyen

ACE of TONE is a dual overdrive pedal stacked with Tubeman MKII and Morning Star. Why? Because great guitarists love 2 overdrives to stack their tone.

In the left corner~ Tubeman with FAT mode. Tubeman offers way more clarity and gain than any classic Tubescreamer, and we modified the circuit with a useful secondary function by simply holding the foot switch~ FAT mode. It cranks way more bass response to enhance the low-end yet makes the tone warmer!

In the right corner~ Morning Star with SHINE mode. Morning Star is based on legendary Bluesbreaker circuit: very transparent, low gain drive. Like our Morning Star, it also features a simple FOOT SWITCH HOLD to engage the iconic SHINE mode. In SHINE mode, you can get way more treble sound to make your tone crystal-clear.

Demo by Tone Factory

Ace of Tone

Caline

Caline Pure Sky Overdrive Pedal Demo

CP-12 Pure Sky Overdrive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The LT DUAL offers the ultimate in distortion flexibility. Channel 1 lets you move from clean, to boost to overdrive. Channel 2 then takes you from super crunch right up to screaming lead. The unique switching operation will transform a single channel amp into a three channel tone machine.

Blackstar’s patented ISF (Infinite Shape Feature) circuit, giving you infinite adjustment over the characteristics of the tone control, will take you from the USA to the UK and anywhere in between, whilst the patent-applied-for clipping circuit delivers amazing valve-like tone and compression for a wide variety of playing styles.

Blackstar

Product Page 

Owner's Manual

LT Dual

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

LINE 6

Demo by Line 6

HX One

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

How do you get too much reverb? Trick question – kinda like, how much bacon is too much? There’s never too much! With a wealth of studio-quality algorithms on tap and 4 preset buttons that double as MASH expression switches, HALL OF FAME 2 X4 REVERB is the ultimate ambience powerhouse.

Review by mixdownmag

Review by bonedo

Demo by Jurren Mekking

Hall of Fame 2 X4

Nicolas Wilfer

Awesome delays are part of our DNA here at TC Electronic. It’s something we take very seriously. So, when it comes to making flagship delay pedals, you know we’re swinging for the fences. With the power of 4 FLASHBACK 2’s and an expanded interface that offers 3 MASH switches, tap tempo, 6 slots for storing artist or custom TonePrints in 2 banks with 3 presets each, FLASHBACK 2 X4 is our most powerful delay machine ever.

Demo by Mike Hermans 

FLASHBACK 2 X4 DELAY

CP-05

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Tobias Elliott

This is an attempt to put everything I'd need for that elevation worship guitar sound without relying on a traditional multiFX unit like an HX Stomp (I  h a t e  .
Everything was put together after meticulous research into what I want, whats "budget" and what's strictly needed into the smallest package possible.

Notes on each pedal (In signal path):

BOSS TU-3s:
It doesn't cost more than other box style tuners I found (mainly the "Korg Pitchblack XS"). I mainly wanted a small 'always-on' tuner to keep in the chain that I didn't have to tap-dance to use (I couldn't use the volume pedal's Tuner Out since it post dry FX). The regular TU-3 is a reliable standard so i chose this one, plus it acts as a buffer which is great for the beginning of a board.

Keeley 4 Knob Compressor:
Not necessarily the compressor I wanted most, but i can get a knock off of it and it's cheap as chips. Solid and strong compressor that I like the sound of.

BOSS BD-2:
Its my favourite drive pedal. It creates that almost Marshally crunch with a lot of treble and a lot of sensitivity. The plan is to have this at a mid gain point, something good for when I need something a bit spicy or bluesy but not screamy.

Tallon Electric The Hog:
Initially I was planning on using a ProCo RAT 2 for a full on drive, something for those powerful rhythm and lead sections, but then I came across this. It has the ability to have that full fat boom a RAT while also being able to keep some of that note transparency. I probably could have gotten something similar from a Klon Centaur type drive (thats what all my mates use) but I think this one allows me to create a more unique sound and I think it just looks funny for a CCM board.

Mooer Pure Boost:
I just needed a boost, ideally to push my amp right onto the edge of breakup. Probably gonna be an always on thing except for those times i need to be really ambient.

Dunlop Volume (X) Mini:
Its compact, its reliable, and its a volume pedal. My only complaint is the price but no one else really is offering anything as good for cheaper so it is what it is

Valeton GP-5: 
A new NAMM 2025 pedal, something I have been waiting for ages for since MOD brought NAM modelling to pedalboards. This is basically a ToneX one that uses NAM models instead of ToneX models, which is fantastic because it either lets me capture my church's amps and keep them on my board, or use models captured by other people (or just capture my plugins). It also has access to some pre and post FX i may use on occasion (which i would have to manually change, though I should be able toggle the FX using the footswtich).

- in here is where I have an FX loop via the MOD 5. Mono out -> Stereo In. With my "limited" wet section, this allows me to insert and wet FX I may want to add for just that night, song, or jam.

Joyo Vision:
Modulation is an effect I use sparingly, but need it done right when i do. So this pedal is perfect. No menu diving, but 2 independent "channels" mean that I can have realistically what i need whenever I need it, it's a really good price, and it's stereo! I often use a light chorus so I'd probably keep channel one as that, but channel 2 can be there for the one or two songs i need a vibrato, phaser, or tremolo for (which i can always set do before the service).

Mooer Ocean Machine 2:
I cannot afford a Timeline and Big Sky so this will have to do. This is AMAZING for creating these really big and open soundscapes which are perfect for the ambient worship sound! And its still able to do you simple delay's and reverbs for when you don't need all that wetness. I just don't necessarily like all the menu diving and tap-dancing i may have to do, but the foot-switches are versatile so it may be easier to manage. I'm looking into if I could connect the Midi to the backing track computer for tempo management, it should be possible.

Rockboard Mod 5:
My main reasoning for using this is that its the cheapest DI I can get. My second reason is that its the cheapest stereo DI I can get. My third reason is that it has a headphone port which is actually really useful for quiet jamming or quick recording. I'm not using the cab sim stuff as the Valeton GP-5 takes care of all that.

(Power Supply) Valeton VPS-6:
Its hard finding a reasonably priced PSU for all this, especially one I can get locally. If you want something better, get a Canvas Power supply by Walrus Audio.
Im planning on drilling a hole for a female IEC port for the PSU so it's simple plug and play. There arent enough ports for each FX so im planning on having it like this.
1 - Mod 5
2 - Ocean Machine
3 - Vision
4 - VP-5
5 - TU-3s 
5.1 -  Connecting a daisy chain from the Thru on the TU3s to the entire dry section
6. To a "Mini Mounting MOD DC" for external pedals if and when I use them.





Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Small CCM Worship Board

Alle der 41.000+ Keeley 4 Knob Compressors wurden in den USA handgebaut. Er ist zuhause auf Bühnen, in Studios, ja auch in Kirchen Bars und im Schlafzimmer! Der Keeley C4 Compressor, premiert mit dem Editors Pick des Guitar Player’s Magazine, erhielt kürzlich auch den Readers Choice Award als Stomp Box.
Die originale Keeley Webseite sprach 2001: „Es ist ein echter audiophiler, Studio-Level Kompressor mit einer exotischen Rack-Mount Qualität in Stompbox Form. Der Sound wird deine Kreativität beflügeln.“
Der Keeley 4 Knob Guitar Compressor verfügt ausschließlich über sound-getestete Komponenten und eine True-Bypass Schaltung. 
So cleanen und unbehandelt im Bypass Modus, ist die Soundqualität des Keeley Comps, erstmal angeschalten, nie dagewesen im Stompbox Bereich und sonst nur bekannt von teuren High-End Rack-Mount Röhrenequipment.

All of the 41,000+ of the Keeley 4 Knob Compressors have been hand built in the USA.  It’s been at home on stages, the studio, churches, as well as bars and bedrooms!  The Keeley Compressor was given the Editor’s Pick Award from Guitar Player’s Magazine and recently awarded Reader’s Choice for Stomp Box.

From my original website in 2001… “It is a true audiophile and studio grade compressor with an exotic rack mount quality in a stomp box form. The sound will inspire your creativity.

The Keeley 4 Knob Guitar Compressor has nothing but tone tested components and true bypass switching and the effect switching incorporates a triple pole-double throw switch! The user will marvel at the clean unaffected sound when in the bypass mode and the compressor has an LED for effect indication.

The sound quality of the Keeley comp is unheard of in the stomp-box arena and is only seen in the high-end, very expensive rack-mount or tube equipment.”

Keeley Electronics

Official Product Page

Keeley 4 Knob Compressor Pedal Review by Sweetwater

4 Knob Compressor

The VPS-6's dual-isolation power supply guarantees that each output is independent and crystal clear. With seven isolated outputs utilizing solid-state capacitors and common-mode inductance filtering, you'll experience outstanding noise reduction—leaving you with nothing but the sound of your playing. Four isolated, independent 9V/500mA outputs easily power multiple devices at once. Plus, two switchable outputs (9V/500mA, 12V/375mA, 18V/250mA) effortlessly cater to various equipment power needs. Have too many pedals and not enough power outlets? Simply connect additional 24V power supplies to the VPS-6's 24V output, unlocking even more possibilities and saying goodbye to power worries. 

New Pedal

Demo by Pair of Pandas

VPS6

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

Review by reddit /guitarpedals

BD-2 Blues Driver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Louis Springer

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

Transparenter Booster mit bis zu +20db Clean Boost und ±15db 2 Band EQ Regler. Extrem vielseitiges Pedal, das in jedem Gitarristen Werkzeugkasten sein sollte.

20db+ clean boost with ±15db 2 band EQ, nice embellishing of original tone
Full metal shell
Very small and exquisite

MOOER

Review by seymourduncan.com

Demo by intheblues

Review by Talk Bass.com

Pure Boost

PedalSafe Type K1

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

TU-3S Tuner

ch ray

Die Ocean Machine II von MOOER ist die zweite Zusammenarbeit mit Devin Townsend und bietet eine aktualisierte Version des spezialisierten Dual-Delay-, Reverb- und Looper-Pedals. Die neue Edition bietet optimierte Ambient-Algorithmen, neun Delay- und Reverb-Effekttypen, einen erweiterten 120-Sekunden-Looper und eine benutzerfreundliche Oberfläche. Stereo-Ein- und Ausgänge, MIDI-Steuerung, Expression-Pedal-Eingang und Kompatibilität mit drahtlosen Fußschaltern sind in das Gerät integriert, die programmierbare Effektkette und die einstellbaren globalen EQ-Einstellungen machen es anpassungsfähig an jedes Audio-Setup. Letztendlich bietet das Gerät ein beeindruckendes Upgrade für Benutzer der ursprünglichen Ocean Machine, insbesondere in Bezug auf Klangqualität und Konnektivität.

MOOER’s Ocean Machine II marks its second collaboration with Devin Townsend, offering an updated take on the specialized dual delay, reverb, and looper pedal. The new edition features optimized ambient algorithms, nine delay and reverb effects types, an augmented 120-second looper, and a user-friendly interface. Stereo inputs and outputs, MIDI control, expression pedal input, and wireless footswitch compatibility are all packed into the device, with its programmable effect chain and adjustable global EQ settings make it adaptable to any audio setup. Ultimately, the device offers an impressive upgrade for users of the original Ocean Machine, particularly in terms of sound quality and connectivity.

MOOER Ocean Machine II Official Demo Video - MooerAudio

Tutorial | MOOER Pedal Firmware Update & Trouble Shooting | + Fixing the 'Black Screen' Issue - W-Music Distribution

Ocean Machine II - Devin Townsend Signature

Francisco Ferreira

VISION is a dual channel modulation pedal, supporting stereo input and output. Both of the two effects have independent SPEED/RATE, CONTROL, and DEPTH/MIX knobs. In the middle of the panel, a 3-position toggle switch is used for choosing the sequence of the two effects’ output. Besides, each channel features 9 effects, you can adjust various tones with the independent Tap Tempo control.

Review by Pedal of the Day

Review by Premier Guitar

Demo by Superdanger Studios

R-09 Vision

Tobias Dreier

"Fueled by a burning desire to provide pure tone to the masses, Bilmuri set out on a quest with Tallon Electric. The objective? Package the band's famous guitar sound into a device that can be safely engaged with a human foot."

Tallon Electric 

Demo by  Iga Massardi

Demo by Tallon Electric

The Hog

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

Robert Torrens

King of Tones

Chad Penfold

Ampero Press ist ein kompaktes, passives Lautstärke-/Expression-2-in-1-Pedal, das nicht nur zur Steuerung von Multieffekten der Ampero-Serie, sondern auch zur Steuerung anderer Musikgeräte (mit externen EXP-Pedalanschlüssen) oder zur Verwendung als passives Lautstärkepedal entwickelt wurde. Ampero Press verfügt über die DNA der Hotone Ampero-Linie: klassische schwarz-goldene Kleidung mit einem hochwertigen strukturierten Finish. Es verfügt über ein solides Gehäuse aus Aluminiumlegierung und bietet ein reibungsloses und komfortables Benutzererlebnis.

Ampero Press is a compact, passive volume/expression 2 in 1 pedal designed not only for controlling Ampero series multi-effects, but also for controlling other musical devices (with external EXP pedal jacks) or being used as a passive volume pedal. Ampero Press boasts the DNA of the Hotone Ampero line: classic black and gold attire with a high-end textured finish. It has solid aluminum alloy casing, smooth and comfortable user experience.

HOTONE

Demo by  Aaron Sopungco

Ampero Press

Patrick Dougherty

Das XSonic XTone Pro ist ein professionelles, multi-funktionales, mobiles Audio Interface, das für die nächste Generation von Gitarrensoftware und Effekt-Apps wie BIAS Amp, BIAS FX, JamUp, Revalver oder GE Labs entwickelt wurde. Die hervorragende Audio Performance des XTone Pro Interface bietet eine Sampling Rate von bis zu 192 kHz, 24 Bit Sampling Depth und einen Dynamikbereich von 114 dB und ermöglicht so das beste Ergebnis bei der Verwendung dieser Apps. Das XTone Pro verfügt über zwei Audio-Kanäle, einen für Gitarre oder Bass (linker Kanal, INL) und einen für ein Mikrofon (rechter Kanal, INR). Der Mikrofon-Kanal bietet eine regelbare Vorverstärkung von bis zu 50 dB und eine schaltbare Phantomspeisung von 48V. Durch die parallele Verarbeitung können Musiker gleichzeitig singen und spielen! Mit sechs separaten Fußschaltern, einem MIDI Ein- und Ausgang und einem Expression Pedal Eingang bietet das Interface die volle Kontrolle über das Spiel. Das XTone Pro Pedal kann entweder über den USB-Anschluss oder ein optionales 9V DC Netzteil mit Strom versorgt werden, wodurch das Interface problemlos in jedes mögliche Setup integriert werden kann. Die professionelle 'XSpeed' Beschleunigungs-Technologie bietet außerdem die geringstmögliche Latenz auf dem Markt.

XTONE Pro is a professional and multi-purpose smart audio interface for guitar, bass, and vocals.

Put it on the floor, it is a flagship multi-effects, that meets your daily practice, professional rehearsal and performance needs. Like XTONE, XTONE Pro is designed for the software effects and has an ultra-high sampling rate of 192KHz. For a better experience with software effects, Pro is optimized for latency and dynamic range compared to traditional audio interfaces. Pro has a higher dynamic range, clearer tone, and ultra-low latency.