Jens Dotcom

Mainly for practicing at home and gigs with minimalistic setup. Powered by a Truetone OneSpot Pro CS6

Gigboard for Metal

Pedalboard Amp or Effect Return of an Amp 

Manuel K.

Der TC Electronic Ditto+ Looper ist ein kompakter digitaler Looper, der für eine einfache und intuitive Loop-Aufnahme entwickelt wurde. Er ermöglicht das Aufnehmen, Overdubben, Rückgängigmachen und Wiederherstellen von Loops über eine einzelne Fußtaste. Das Pedal verfügt über einen internen Speicher für mehrere Loops sowie über eine USB-Verbindung zum Sichern und Importieren von Audiodateien. Die hochwertige, unkomprimierte Audioverarbeitung erhält den Originalklang ohne Klangverfärbung. Der Ditto+ Looper richtet sich an Gitarristen, die eine unkomplizierte Loop-Lösung ohne komplexe Menüs suchen. Das robuste Metallgehäuse eignet sich ideal für den Einsatz auf dem Pedalboard.

The TC Electronic Ditto+ Looper is a compact digital looper pedal designed for simple and intuitive loop recording. It allows players to record, overdub, undo, and redo loops with a single footswitch interface. The pedal features internal loop storage that can hold multiple loops and enables transferring audio via USB for backup or import. Its high-quality uncompressed audio preserves the original signal without coloration. The Ditto+ Looper is designed for guitarists who want straightforward looping without complex menus. It is housed in a compact metal enclosure suitable for pedalboards.

TC Electronic

Review by Guitar World

Official Product Video

Demo by Andertons

Demo by Aaron Short Music

Product Page

Review by musicradar

Review by Looper Pedal Reviews

Quick Start Guide

Manual

DITTO+ LOOPER

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Tester

The Hotone Soul Press is a 3-in-1 pedal in a smart compact size. The unit features Wah, Volume, and Expression modes.

HOTONE

Demo by The Tone King

Review by Guitar Fella

Review by TDPRI

Review by Bassel Hallak, bonedo.de

Soul Press

Crank your stomp pedals to the extremes without the fear of any hiss or excess noise with the MXR Noise Clamp. By sensing your guitar's dry signal, The Noise Clamp reduces the noise level within the effect loop, coming down hard on even the noisiest signals. A single Trigger knob allows you to set the volume threshold at which the pedal is active, and a green LED shows whether the gate is on/off. This bad boy is capable of reducing Noise up to 26dB, maintaining riff definition at extreme gain levels.

Product Page 

User Manual 

MXR Noise Clamp: James

M195 Noise Clamp

David Litaba

Das Mooer E7 Polyphonic Guitar Synth Pedal kann deine Gitarre in einen typischen elektronischen Synthesizer verwandeln, ohne dass spezielle Tonabnehmer oder Modifikationen am Instrument erforderlich sind. Der Name basiert den sieben verschiedenen Synthesizer-Presets, die sich je nach Wunsch unabhängig voneinander editieren lassen. Die Presets umfassen Trompeten- und Orgel-ähnliche Sounds, Sinus- und Rechteck-LFOs, einen 8-bit Synth und ein Synth Pad. Jedes Preset verfügt über einen individuellen Arpeggiator, High und Low Frequency Cut, sowie Attack- und Speed-Funktion, mit der Gitarristen den Sound des Pedals leicht und intuitiv formen können - das E7 Polyphonic Guitar Synth bietet unzählige Möglichkeiten!

The Mooer E7 Polyphonic Guitar Synth pedal can transform your guitar into a typical electronic synthesizer without the need for special pickups or modifications to the instrument. The name is based on the seven different synthesizer presets, which can be edited independently of each other as desired. The presets include trumpet and organ-like sounds, sine and square LFOs, an 8-bit synth, and a synth pad. Each preset has its own Arpeggiator, High and Low Frequency Cut, as well as Attack and Speed, which allow guitarists to easily and intuitively shape the sound of the pedal - the E7 Polyphonic Guitar Synth offers endless possibilities!

MOOER

Official Product Page

Mooer E7 Polyphonic Guitar Synth - Official Demo Video

Mooer E7 Polyphonic Guitar Synth - Demo Video (No Talking) - Guitar Bonedo

Mooer E7 Polyphonic Guitar Synth - Demo Video - Mike Hermans

Mooer E7 Polyphonic Guitar Synth - Demo / Review Video - Brett Kingman

Mooer E7 Polyphonic Guitar Synth - Review by Gitarre&Bass [DE], [05-2021]

Mooer E7, D7 & A7 - Review by Musicmaker [NL], [04-2020]

Mooer E7 Polyphonic Guitar Synth - Review by Muzikus [CZ], [05-2020]

Mooer E7 Polyphonic Guitar Synth - Review by Gitarist [NL], [04-2020]

Mooer E7 Polyphonic Guitar Synth - Review by TopGuitar [PL], [02-2020]

Review by Guitar Interactive Magazine

Review by Michael Behm, bonedo.de

E7 Polyphonic Guitar Synth

PedalSafe Type K1

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

Das Tone City Angel Wing ist ein komplett analoges Chorus Effektpedal basierend auf BBD-Chips. Der warme, sanfte Effekt ändert den Klang Ihres Original-Signals nicht und das Pedal funktioniert mit allen verschiedenen Arten von Gitarren, Tonabnehmern und Elektronik gleichermaßen gut. Höhere Einstellungen für Rate und Depth erzeugen schöne Vintage Vibe-Sounds.

The Tone City Angel Wing is an all analog chorus effects pedal based on BBD chips. The warm, smooth effect won't change the tone of your original signal and the pedal works equally well with all different types of guitars, pickups and electronics. Higher Rate and Depth settings will create vintage Vibe tones.

Tone City

Tone City Angel Wing - Demo Video - W-Music Distribution

Tasty Tunes on a Budget | Tone City V3 Review & First Impressions

Tone City Angel Wing - Demo Video - Andertons Music Co

Tone City Angel Wing - Demo Video - Ryan Lutton

Tone City Angel Wing - Demo / Review Video - The Tone King

Tone City Angel Wing - Demo / Review Video - gearmanndude

Tone City Angel Wing - Demo Video - Budget Pedal Demos

Angel Wing

If you’ve ever needed a Classic Analog High Gain Distortion Pedal but been unable to find one with enough versatility to suit any scenario, the MAGUS PRO will be a very welcome surprise for you. Its slow slew rate, treble filter control and three different modes of operation provide more than enough variance in approach and tone to compliment any playing style.

Review by bonedo

Review by Pedal des Tages 

Review by Kohle Audio Kult

Demo by TheGuitarGeek

Magus Pro

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

The original Fly Rig, introduced in 2014, was a true game-changer for players in all categories, from touring pros to bedroom hobbyists. At a time when pedalboards were expanding and backs were breaking, the innovative Fly Rig enabled players to slim down without sacrificing great tone, and travel without fear of baggage surcharges and dreaded mystery backlines. Going beyond being just a multi-effects unit, the all-analog SansAmp technology enables any Tech 21 Fly Rig to be an actual “rig.” You can run directly into mixers of recording desks and PA systems, as well as augment your existing amplifier set-up. Always seeking to improve our offerings and listening to customer feedback, we’ve incorporated some new features to follow the same form factor as later Fly Rigs, such as the Bass, Acoustic, and Paul Landers Signature PL1. The Fly Rig 5 v2 retains the same SansAmp heart, Plexi/Cali distortion and Delay, but adds a few twists and turns within these sections. New features include an independent reverb with choice of room size, an effect loop, a tuner, and an XLR Output.

Tech 21

Demo by Vince Genella

Fly Rig 5 v2

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

lorenzo allora

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

New Pedal Board

Adrian Zumbrunn

Das Ernie Ball VP Jr 250k kommt mit den gleichen großartigen Eigenschaften wie unser original Lautstärkepedal, allerdings um 22% kleiner. Das im kompakten, robusten und nahezu unzerstörbaren Aluminiumgehäuse untergebrachte Pedal ist perfekt auf passive Audiosignale abgestimmt. Direkt hinter der Eingangsbuchse unterhalb der Wippe wartet ein Micro-Schalter, der die Wahl zwischen zwei voreingestellten Lautstärke-Raten bietet.

The Ernie Ball VP Jr 250k provides all the same great features as our original volume pedal while reducing your footprint by 22%. The VP 250k Jr is perfectly voiced for passive signals and features a compact, rugged design consisting of aircraft grade aluminum housing that is virtually indestructible. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates.

Ernie Ball

Demo by Austin Lindsay

Demo by Long & McQuade 

Review by Talk Bass.com

Review by audiofanzine

Review by Ernie Ball Forum

Review by Guitar Space

Volume Pedal Jr. 250K

Dieses Wah-Pedal im klassischen Stil basiert auf den technischen Spezifikationen des ursprünglichen Wah-Effekts, den VOX in den 1960er Jahren entwickelte. Es verfügt über eine vollständig analoge Schaltung, die in einem robusten, leichten, komplett schwarzen Gehäuse untergebracht ist, das auf Portabilität und Langlebigkeit ausgelegt ist. Das Gerät bietet den legendären, vokalähnlichen Sweep, der für frühe britische Rock- und Funk-Aufnahmen charakteristisch ist. Um das ursprüngliche Design zu modernisieren, verfügt es über eine integrierte Netzbuchse, die den Betrieb ohne Batterien ermöglicht. Das Pedal wurde entwickelt, um einen authentischen Vintage-Sound zu bieten und gleichzeitig für Spieler aller Niveaus sehr erschwinglich zu sein. Es dient als unkomplizierter „Workhorse“-Effekt ohne zusätzliche komplexe Funktionen.

This classic-style wah pedal is based on the technical specifications of the original wah effect developed by VOX in the 1960s. It features an all-analog circuit housed in a rugged, lightweight, all-black chassis designed for portability and durability. The unit provides the legendary, vocal-like sweep characteristic of early British rock and funk recordings. To modernize the original design, it includes an integrated AC power jack to allow for use without batteries. The pedal is engineered to offer authentic vintage tone while remaining highly affordable for players of all levels. It serves as a straightforward "workhorse" effect without extra complex features.

V845 WAH PEDAL

WangKi Cheung

Eras is a no apologies, high-gain distortion that’s ready to chug, shred, and palm mute with tight response and multiple clipping options. Use the Blend knob at max for a full distortion onslaught or roll back the Blend knob to creatively stack and mix other dirt pedals placed in front of Eras. Great for bassists that want to blend in their dry signal as well. Anywhere you set it, the Eras is ready to deliver a diverse world of speaker ripping sounds.

Walrus Audio

Demo by Rabea Masaad

Review by Premier Guitar

Eras

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Der TS9 Tube Screamer Reissue belebt das legendäre Overdrive‑Pedal der 1980er neu, das zahllose Gitarrentöne prägte.
Sein charakteristischer Mitten‑Boost und das warme Clipping verleihen sanften Biss, ohne die Klarheit jeder Note zu opfern.
Drei einfache Regler—Drive, Tone und Level—formen den Sound von dezentem Boost bis zu sattem Overdrive.
Buffered Bypass sichert Ihr Signal auf dem Pedalboard, ob aktiv oder ausgeschaltet.
Kompakt und robust in seinem typisch grünen Gehäuse ist es sowohl bei Profis als auch Hobbyisten unverzichtbar.
Ob SRV‑Sparkle oder moderner Crunch—der TS9 liefert den unverwechselbaren Klassiker‑Sound.

The TS9 Tube Screamer reissue faithfully revives the classic 1980s overdrive that defined countless guitar tones.
Its signature mid‑hump and warm clipping add smooth grit while preserving note clarity and amp feel.
Three simple knobs—Drive, Tone, and Level—let you shape everything from a gentle boost to full‑bodied overdrive.
Buffered bypass ensures your signal stays strong on‑ or off‑board, with true pedalboard reliability.
Compact and rugged, its familiar green enclosure has been a staple on pros’ and hobbyists’ rigs alike.
Whether you’re chasing SRV sparkle or modern crunch, the TS9 delivers instantly recognizable tone.

Ibanez

Review by The Gear Page

Review by Reddit /guitarpedals

Demo by intheblues

TS9 Tube Screamer

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

BOSS

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by Musiker-Board

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Der DD-8 ist das vielseitigste und funktionsreichste Delay-Pedal der BOSS-Compact-Serie. Dieses leistungsstarke Pedal bietet mehr von allem – mehr großartige Sounds, mehr Delay-Zeit, mehr Steuerungsoptionen und mehr Anschlussmöglichkeiten. Und das alles in einem klassischen BOSS-Gehäuse, das sich problemlos in jedes Mono- oder Stereo-Setup einfügt. Elf Modi bieten Delays von klassisch bis exotisch sowie einen Looper mit unbegrenzter Overdub-Funktion und Unterstützung für externe Steuerung. Für maximale Vielseitigkeit auf kleinstem Raum gibt es kein besseres Delay-Pedal als den DD-8.

Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything—more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colors from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there’s no better delay stomp than the DD-8.

Review by Equip Board

Review by TonePedia

DD-8 Digital Delay

ch ray

Line 6 HX Stomp ist ein professioneller Gitarrenprozessor, der den Klang von Helix-Verstärkern, -Boxen und -Effekten in einem ultrakompakten Pedal liefert. Egal, ob Sie lieber ein traditionelles Amp-and-Pedal-Setup spielen oder direkt auf die Bühne oder ins Studio gehen, HX Stomp lässt sich nahtlos in eine Vielzahl von Umgebungen und Anwendungen integrieren. Das HX Stomp-Gitarrenpedal verwendet dieselbe DSP- und HX-Modellierungstechnologie wie seine größeren Helix-Brüder und passt dennoch problemlos auf Ihr Pedalboard oder sogar in die Tasche Ihres Gigbags. Es gibt über 300 Ampere, Kabinen und Effekte – einschließlich eines Loopers. HX Stomp enthält dieselben HX-Modelle wie die Produkte der Helix-Familie sowie die Legacy-Effektbibliothek der Line 6 M-Series-Pedale und Stompbox-Modellierer wie den DL4. Verwenden Sie es als "Super-Stompbox", als Backup- oder Travel-Rig, als zusätzlichen Tonexpander in Kombination mit anderen Modellierern, als Audio-Interface - oder sogar als komplettes Gitarren- oder Bass-Rig.

Line 6 have been at the forefront of the digital modelling world for over 20 years now, pushing the boundaries of guitar technology is nothing new for them and their flagship product, the Helix, has taken the guitar world by storm. With the scaled down Helix, the HX, becoming a go to for players, its latest version, the HX Stomp is sure to generate loads of interest!

The HX Stomp is the ultimate streamlined version of this superstar pedal. Constructed as a 3 pedal unit, the HX Stomp features the same processor as the Helix, meaning you get over 300 effects including legacy lines from the M Series, 8 simultaneous amp, cab and effects blocks, TRS dual expression pedal inputs and a stereo effects loop, it's a serious pedal!

It's super comprehensive but really user intuitive. Built with the working player in mind, it has a solid aluminium construction that can take the rigours of the road, perfect on stage or in the studio, the Helix is the future of multi effects.

LINE 6

Review by Gitarre & Bass

Demo by Guitar Bonedo

Demo by Bernd Kiltz - Gitarrenvideos

HX Stomp Black

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Demo by Reverb

M101 Phase 90

Everyone knows that it was the MXR Flanger that powered the timeless Van Halen tunes "Unchained" and "And The Cradle Will Rock." Now you can grab a piece of that world-class tone with the MXR EVH117 Flanger. This amazing stompbox features the same bucket-brigade technology that provided the sweeping, whooshing magic of the original. But we didn't stop there. We've also added the EVH Switch, which instantly calls up Eddie's "Unchained" sound with the exact same Manual, Width, Speed and Regeneration settings that he used to get one of the greatest guitar tones of all time. If that's not cool enough, we painted the EVH Flanger with the rocking striped graphics that started a revolution. Get the MXR EVH117 Flanger and hit the ground running.

EVH Flanger Test

Product Demo 

EVH117 EVH Flanger

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

cuulguit@r

Home made two storey board.
Originally inspired by the 60 Cycle hum's Afford-A-Board series, but developed into a seriously usable pedalboard amplifier after some .
Note: the ultimate drive is not "Yuer" but "Kmise". I suppose they're the same.

Far East Pagoda D-Lite

Flavio Salcuni

This compact reverb pedal crams seven distinct digital reverb effects in to a sturdy, metal shell and several control features. The various reverb effects aim to simulate different environments from a small room to large, open cave. More niche effects are also included such as studio-style plate reverb, classic spring reverb effect, and the more far-out modulation reverb effect. Each effect can be modified with the Hi-Cut, Lo-Cut, Decay, and Pre-Delay knobs and then saved to their own save slot. An effect trail feature can be toggled on and off to have each effect fade out naturally after being switched off.

Flamma

Demo by Flamma 

Demo by Mike Hermans 

Review by GUITAR GEAR FINDER

Review by Rock Guitar Universe 

FS02 Reverb

Giorgio Pollicita

Featuring 6 delay effects and a built-in looper with an 80 second capacity, The FS03 is designed to be a delay effect experimentation station in a compact, affordable package. Two “Tweak” knobs let you control different parameters which are unique to the selected effect. Combined with time, feedback, mix, and tap tempo controls, each delay selection provides for a staggering amount of effects in such a tiny pedal. Each effect’s parameters can also be saved to their own preset save slot to be summoned later.

Review by Stomp Box Steals

Review by delicious audio

Demo by Perry Frank

FS03 Delay

Hugo Sept

The FS05 Multi Modulation Pedal from Flamma Innovation brings the most variety to date while keeping the same body size as other pedals in the Flamma arsenal. 

Chorus, Flanger, Tremolo, Phase, Vibrato, Rotary, Liquid, Auto Wah, Stutter, Ring, Low Bit

Bang for the buck is the name of the game with the FS05, offering 11 different modulation effects that every guitarist needs (ok, maybe not the ring mod). This bright-yellow pedal is great for building a space-conscious pedalboard without sacrificing stereo functionality and tone quality. Each of the eleven effects include a save slot and custom ctrl knobs that adjust different parameters depending on the effect. Rate and Depth knobs in each corner allow the user to make customized adjustments for all included effects. Buffer bypass is also included so your pedalboards new best friend doesn’t make any unwanted noise.

Review by Pedal of the Day

Review by Guitar Gear Finder

FS05 Multi Mod

Angel Wing by Tone City