Whether you’re a MIDI-meister or amongst the MIDI-mindless, the MIDI Moose is a super simple, stage-friendly alternative to access 128 patches. Tech 21’s intuitive engineering eliminates the intimidation of trying to decipher an encyclopedia-sized manual just so you can change a darn program. Like its MIDI Mouse cousin, the MIDI Moose is also battery operable and provides a minimum of 200 hours usage. Its sophisticated battery-saving feature turns off the numerical display after 5 seconds. What if you forget where you were? Just hit the footswitch of the individual patch LED that has remained lit, and it will wake up the display without making any program changes.

Housed in a sleek aluminum chassis,there are Up and Down footswitches to select groupings of five preset programs. Individual silent-switching, custom actuators instantly engage each program change directly within the selected grouping.

Operable with standard 9V alkaline battery (not included), optional power supply (Tech 21 Model #DC4-A) or phantom power via the MIDI cable.

Tech 21

Product Page

Manual

Midi Moose

Frank Bello ist dafür bekannt, dass er Anthrax seinen eigenen Stil und seine energiegeladene Leidenschaft einbringt. Er schafft es irgendwie, komplexe melodische Riffs, die in diesem Genre normalerweise nicht vorkommen, mit schwindelerregender Geschwindigkeit und Genauigkeit zu verschmelzen – und das alles, während er headbangt, auf der Bühne herumtollt und ans Mikrofon stürmt, um Harmonien zu singen.

Zusätzlich zu den spezifischen Tönen, die Frank wollte, lag die Hauptpriorität darin, den Street Driver 48 einfach zu bedienen. Er wollte keine Unmengen von Knöpfen, Schaltern oder unnötigen Schnickschnack. Er wollte, dass Spieler direkt nach dem Auspacken einen großartigen Sound bekommen, egal ob es sich um Metal, R&B oder Prog-Rock handelt, ob Anfänger oder Experte, ob jung oder schon fortgeschritten. 

Frank Bello is known for bringing his own distinct style and energetic passion to Anthrax. He somehow manages to merge complex melodic riffs, not typically associated within that genre, with dizzying speed and accuracy —all while headbanging, romping around the stage, and dashing up to the mic to sing harmonies.

In addition to the specific tones Frank wanted, a major priority was to make the Street Driver 48 simple to operate. He didn’t want a zillion knobs, switches, or gratuitous bells & whistles. He wanted players to be able to get a great sound right out of the box, whether it’s for metal or R&B or prog rock, whether novice or expert, whether young or advanced in years. 

Review by Talk Bass.com

Review by Premier Guitar

Demo by Rodney McG

Official Product Video

Street Driver 48 -  FB48

Der SansAmp Bass Driver DI ist ein vielseitiges Gerät, das weit mehr als eine einfache Direct Box ist. Es ermöglicht das Erzeugen von beeindruckenden Vintage-Röhrenklängen, modernen, klaren Slap-Sounds, knorrigen Verzerrungen und alles, was dazwischen liegt. Mit drei verschiedenen Ausgängen können Endstufen, Aufnahmepulte, PA-Mischpulte oder das aktuelle Rig gesteuert werden und verbessern somit den Sound jeder Musik. Die Regler umfassen Presence zur Definition und Anhebung der oberen Obertöne, Blend zur Kombination des Direktsignals und der SansAmp-Schaltung sowie einen aktiven EQ, der speziell für den Bass mit einer 12 dB Absenkung oder Anhebung abgestimmt ist.

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

Demo by Tech21nyc

SansAmp Bass Driver DI

A super-compact adaptation of his Tech 21 Ultra Bass 1000 Signature head, the DP-3X also recreates the sound dUg originally developed way back in the ‘80s, merging high-end distortion with low-end bass. Prior to his signature head, this involved running a guitar amp and a bass amp together, along with rack full of effects. Wanting to further streamline his gear for occasions when his full Tech 21 rig simply isn’t practical, dUg collaborated on the all-analog DP-3X pedal. Personally beta-testing the DP-3X on a European tour, dUg encountered a different backline in each and every venue. But no matter which amp was on stage, dUg was able to nail his immense tone each and every night.

In addition to achieving dUg’s unique tone, the DP-3X has the flexibility to provide traditional bass amp sounds as well. Mix mode engages Drive to bring in distortion and Chunk for upper harmonics. A Gain button provides additional distortion and compression. In clean/full-range mode, Drive and Chunk disengage, while Comp and Gain remain active. Other controls include 3-band active EQ with switchable Mid and a master Volume. Features include chromatic tuner, headphone capability, and an XLR Output to go direct to the PA desk or studio board without compromising detail, warmth or responsiveness.

dUg DP3X

„Unplugged“ kann jetzt so einfach sein, wie es gedacht war. Verleihen Sie Ihrer Akustik eine natürliche Wärme und Präsenz, als ob Sie sie über einen Röhrenvorverstärker abnehmen würden. Wischbare, semiparametrische EQ-Regler entfernen unerwünschte Rückkopplungen, und unsere Röhren-/Mikrofon-Emulationsschaltung eliminiert die rauen, unnatürlichen Obertöne von Piezos. Der 1/4"-Eingang mit Instrumentenpegel hat eine sehr hohe Impedanz von 4,7 Mio. Ohm, um maximale Leistung und Dynamik zu gewährleisten. Weitere Merkmale sind eine Effektschleife und aktive Klangregler mit 12 dB Absenkung oder Anhebung.

“Unplugged” can now be as simple as it was meant to be. Give your acoustic a natural warmth and presence, as if you were miking it through a tube pre-amp. Sweepable, semi-parametric EQ controls remove unwanted feedback and our tube/microphone emulation circuitry eliminates the harsh unnatural harmonics of piezos. The instrument level 1/4” input has a very high impedance of 4.7megOhm to provide maximum output and dynamics. Other features include an effect loop and active tone controls with 12dB of cut or boost.

Acoustic DI