Chris Miller

My rhthym guitar sound is based on the use of a 1995 Matchless Tube Pre-amp (original Hot Box before the labeling) running dual mono into a Marshall Valvestate VS232 and to a Peavey Decade, which isn't specifically depicted on the board schematics. 

To avoid any potential impedance issues with the Matchless Tube Preamp, I use a Vertex Interface buffer to assist my pedal chain as follows: running from the guitar to the Send input, from the Send out I go to the Matchless and then back into the Guitar Input of the Vertex. Then from the Guitar output (using a Vertex Y-cable), we go to both a Sonic Research Tuner ST-300 (in true bypass, on all all the time, no output use) and the split goes to a Stone Deaf PDF-1. 

I use a Lehle mono volume pedal after my gain stages to roll up or down the overall volume while maintaining the selected gain outputs (capabilities from the Matchless Preamp, a Stone Deaf PDF-1 and an MXR Fat Sugar).  From the PDF-1 we follow a basic right of passage, going from its non-expressive output to the Fat Sugar input, then out to a Subdecay custom Envelope Filter, then to the input of a GE-7 EQ (with XTS Mod).  

From the GE-7, we go to the Lehle mono volume, then on to a JHS Kill Switch input (because I love having a panic button).  From the Kill Switch we go out to a Thorpy’s CamoFlange with dual outs.  Here, using a Lehle Little Dual amp switcher to split my mono signals to one or both amps through the Vertex, we go from one flanger output to the AB input of the Little Dual and the other output of the flanger to the input of a Foxgear EchoSex Baby. The EchoSex runs out to the A input of the Little Dual. The Little Dual then feeds the two separate amplifier input channels on the Vertex interface from its respective A & B outputs, then using both separate outputs from the Vertex Interface Buffer to both my Marshall and Peavey for a mixed blend ultimately controlled by the Little Dual. 

I use a TrueTone 1Spot CS-12 to power everything except the Matchless, which has it's own built-in power cable/requirement.

1970 Les Paul Deluxe Gold Top

Matchless Preamp Rhythm Guitar Station

'65 Twin Reverb

JakobSlash

Das GE-7 Equalizer-Pedal bietet sieben EQ-Bänder im Bereich von 100Hz bis 6,4kHz, ideal für Gitarrensounds, mit einer Anhebung/Absenkung von +/- 15dB pro Band. Damit kannst du deinen Sound vollständig kontrollieren und unerwünschte Rückkopplungen eliminieren, insbesondere wenn du ihn nach einem Verzerrungseffekt anschließt.

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

BOSS

Official Website

Review by The Gear Check

Review by Audiofanzine

Review by Reddit /guitarpedals

Review by Guitar Gear

Manual

Demo by Law of the Riff

Demo by New Music Academy

Demo by Guitar Bonedo

Demo by Musicmaker

GE-7 Equalizer

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Filippo Rimondi

Truetone

Visual Sound 1 Spot Pro CS12

Stone Deaf Effects

Demo by Simon Smith

Demo by Pedal of the Day

Review by Premier Guitar

PDF-1

Tester

Sonic Research

Product Page

Demo by StrobeTuner

ST-300 Turbo Tuner

Sean Sheppard

Vertex Effects

Buffer Interface

David Litaba

Simpel, solide und nützlich. Der JHS Mute Switch ist genau der einfache Stummschalter den du schon immer gebraucht hast. Tritt drauf und alles, was du daran anschließt ist sofort 100 % still!

Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent.

Official Product Page

Demo by Pedal Empire

Mute Switch

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Das Foxgear Echosex Baby der noch relativ jungen italienischen Marke stellt eine handliche und vor allem geldbeutelschonende Variante einer analogen Echomaschine dar, die Musikgeschichte geschrieben hat, nämlich des Binson Echorecs. Dieses Gerät hatte seinen Ursprung bereits in den 60er Jahren ebenfalls in Italien und ist auf diversen Pink Floyd- und Led Zeppelin-Aufnahmen zu hören. Längst gilt das Original als begehrtes Sammlerobjekt, das horrende Preise auf dem Gebrauchtmarkt erzielt.

FOXGEAR Echosex Baby Delay compact effect pedal is the smaller version of Guru's award-winning Echosex. This is one of the best quality stompboxes you'll find at an entry-level price.
FOXGEAR is an italian company endorsed by some huge names like Steve Lukather (Toto), Adrian Belew (King Crimson) and Phil Campbell (Motorhead)

Foxgear

Review by Guitar Interactive Magazine 

Review by bonedo 

Demo by Guitar Interactive Magazine 

Demo by Guitar Bonedo 

Demo by Pete Thorn 

Echosex Baby

Michael McCarron

The CAMOFLANGE Flanger MKII is here and more than a visual change we have made some internal changes too. We have adjusted the internal voltage regime to offer higher voltage (18v) and use higher headroom BBDs. Crucially though, all the magic that was the original Camoflange is still present. Designed as a collaboration with DAN COGGINS (Former LOVETONE Pedal designer) as his second modulation pedal design since his Lovetone pedal days. This fully Analog Flanger was designed from the ground up to provide the most incredibly versatile flanger sounds with a level of versatility unsurpassed in analog effects so far.

ThorpyFX

Demo by collector//emitter

Demo by Noise Generator

Review by The Gear Page

Review by delicious audio

Review by reddit /guitarpedals

Camoflange MKII

Yamile Butler

Der LEHLE LITTLE DUAL II ist der Nachfolger des Lehle Little Dual und stellt einen Amp-Switcher für zwei Amps mit höchster Signaltreue dar. Mittels Soft-Touch-Schaltern kannst du zwischen zwei angeschlossenen Verstärkern brumm- und soundverlustfrei umschalten.
Dir stehen zwei verschiedene Betriebsmodi bereit. Du entscheidest, ob du jeden Ausgang einzeln aktivieren und deaktivieren willst oder klassisch hin- und herschalten möchtest und den jeweils anderen hinzufügen oder entfernen.

The LEHLE LITTLE DUAL is the LEHLE DUAL SGOS's little sister, a maximum signal-fidelity amp switcher for two amps. Both amps are activated simultaneously using the left footswitch, while the right is used to switch back and forth between them. High-intensity LEDs make it easy to read off switching state A or B, or A and B, even under high-power spots.

LEHLE

Official Product Video

Review by Samuel Roberts, guitar.com 

Little Dual II

The MXR Fat Sugar Drive brings the Sugar Drive’s diverse range of clear and transparent overdrive tones to MXR’s classic housing for players who prefer its footprint over that of the mini.

This pedal’s versatility comes from its unique Drive control—which replicates an amp’s transition from clean to dirty by blending your clean signal at the start of the sweep—and a little something called a voltage doubler, which increases overall headroom and opens up the sound of the pedal. Together, these elements allow you to serve up everything from a sauced-up boost to full-on blow-tube distortion.

The Fat Sugar Drive is set for true bypass by default, but for the tonal purists who want buffered bypass instead, just remove the bottom plate and flick the internal Buffer switch, close it up, and get to playing. This special edition comes with a custom pink sparkle finish.

Review by HOMETONEBLOG

Demo by The Music Addict

Demo by The Pedal Picassos

M94SE Fat Sugar Drive

The Gurgle and Moan is an envelope filter effect. This is a prototype pedal, and it does have some quirks and rough edges. On a few of them that we have built they oscillate with the resonance knob cranked. Also there is a bit of a "gurgle" in the background due to some crosstalk issues with the control voltage circuitry. I thought it sounded cool, although it may not be what everyone wants in a filter. 

This is a prototype pedal, and has no artwork, or labeling on the face of the pedal. There is a sticker on the back with a brief explanation of what the knobs do.

Controls
Lower right knob: Shape - Varies the shape of the filter from band pass or low pass.
Lower left knob: Resonance - Accents the cut off frequency of the filter. (At max setting it may oscillate)
Upper right knob: Depth- Varies how far your playing dynamics will modulate the filter cutoff frequency.
Upper left knob: Frequency - Varies the cut off frequency of the filter

Warranty: If it ever breaks send it back to us and we will fix it, unfortunately we no longer cover polar bear attacks, alien abduction, willfully destroyed pedals, or any claims involving time travel or toaster repair.

This pedal can be powered by a 9V battery or a standard boss style barrel plug adaptor. Has an LED, True bypass, and a powder coated finish for durability.

Subdecay

Review by Talk Bass.com

Gurgle & Moan

Matchless Pre-amp 2 channel Clean and Gain

Matchless

Demo by PedalSoundMafia

Demo by funk ojisan

Review by Les Paul Forum

Review by guitartest

Schematic

Hot Box

Wenn Burkhard Lehle etwas baut, dann richtig und ohne Kompromisse. Mit seinem Mono Volume Pedal hat er ein High End Pedal ohne die sonst bei Volumenpedalen auftretenden Nachteile konstruiert. Es wird kein mechanisches Poti verwendet - das Mono Volume arbeitet mit einem Magnet Sensor der ein hochwertiges VCA steuert. Dadurch ist der gesammte Regelbereich gleichmäßig und ohne Klangverlust, Verschleiß und Potikratzen gehören der Vergangenheit an. Desweiteren besteht die Möglichkeit, das Ausgangssignal um bis zu 10 dB zu boosten. Das Pedal läuft sehr gleichmäßig und ruhig, da die Pedalwippe in Low Friction Polymer Gleitlagern läuft. Zusätzlich steht ein gebufferter Direkt Out zur Verfügung der als Tuner Out oder zur Weiterleitung an weiteres Equipment genutzt werden kann. Das Pedal läßt sich durch den niederohmigen Ausgang auch in einem seriellen FX Loops eines Amps betreiben.

When Burkhard Lehle builds something, he does it properly and without compromise. With his Mono Volume Pedal, he has constructed a high-end pedal without the disadvantages that usually occur with volume pedals. No mechanical potentiometer is used - the Mono Volume works with a magnetic sensor that controls a high-quality VCA. This means that the entire control range is even and without loss of sound, wear and potentiometer scratching are a thing of the past. There is also the option of boosting the output signal by up to 10 dB. The pedal runs very evenly and quietly because the pedal rocker runs on low friction polymer plain bearings. There is also a buffered direct out that can be used as a tuner out or for forwarding to other equipment. The pedal can also be operated in a serial FX loop of an amp thanks to the low-impedance output.

Demo by shnobel

Review by Michael Behm

Mono Volume

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

Vorverstärkerpedal mit 11 vollständig analogen Verzerrungsmodi, digitaler Umschaltung und 9-Volt- oder 18-Volt-Eingang für die Headroom-Steuerung.

Preamp pedal with 11 fully analog distortion modes, digital switching, and 9 volt or 18 volt input for headroom control.

Demo by Premier Guitar

Demo by Brett Kingman

Review by Delicious Audio

Vector

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Demo by  SpiralCasterPlaysPedals

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

Review by Gearspace

Quick Start Guide

Pixelwave Phase Distortion Synthesizer

The Starlight MKIII brings back some favorite features of the Starlight DLX and introduces exciting new ones, including through-zero flanging, MIDI control, and savable presets. With an ultra-wide sweep range (0-21ms), the Starlight MKIII offers unparalleled versatility, allowing you to dial in everything from smooth, classic flanging to boldly experimental.

Starlight Flanger MKIII

Gurgle & Moan by Subdecay