Shane  Moore

Playing With Karma

TriAmp Mark 3

Tester

The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

Electro-Harmonix

Official Product Video

Product Page

Manual

Oceans 11

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.

LINE 6

Review by AMAZONA

Review by bonedo

Review by Gitarre & Bass

Demo by  Bernd Kiltz - Gitarrenvideos

DL4 MkII

he LFO on the Voyager 1 offers a wide range of speed and depth, via the Frequency and Strength controls. A switch to select between Triangle or Square wave shapes allows you to dial in a smooth or choppier feel. The all analog, light-based (optical) design of the Voyager 1 gives it vintage tone and feel, while its control options set it apart from the old standards.

The Voyager 1 features an optional envelope control section that changes parameters based on your playing dynamics. Sensitivity is dialed to perfection with the Envelope control, and a selector switch chooses between two envelope control options. The Freq setting allows the LFO speed to increase with louder dynamics and slow back down when playing with a lighter touch. In the Fade position, a heavy hand will fade out the tremolo effect; with tremolo fading back in with light playing or sustained phrases.

Spaceman Effects

Review by reddit /guitarpedals

Review by The Gear Page

Demo by Knobs

Demo by Tri Pedal Reviews

Voyager I

The Apollo VII is a rich, medium-gain overdrive with an intuitive layout and diverse sound palette. Take it from smooth and classic soft clipping to open and gritty at the flip of a switch or kick it on to push your amp right over the edge. With an array of tone-shaping options to explore and inspire, let it propel your creativity into orbit.

Review by delicious audio

Quick Start Guide

Demo by Musicmaker

Demo by Noise Generator

Apollo VII

ch ray

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Review by guitar pedal X

Review by Premier Guitar

Demo by BOB BRADLEY

Third Man Triplegraph

BOSS

PH-3 Phase Shifter

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

nathan Guzman

Ibanez

Echo Shifter

Jonathan James

Demo by 

BOSS TU-3 Chromatic Tuner

Dunlop

DB01 Dime Crybaby from Hell

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

PS-6 Harmonist

Von den Beatles über Jeff Beck bis hin zu Santana, Steve Ray und anderen haben viele Star-Gitarristen den Rotary Speaker-Sound auf der Bühne und im Studio eingesetzt. BOSS stellt ein neues Mitglied seiner Twin Pedal-Serie vor: Den RT-20 Rotary Sound Processor.

Unter Verwendung der Roland-exklusiven COSM-Technologie reproduziert der RT-20 klassische Rotary-Sounds mit höchster Präzision. Er bietet einstellbare Beschleunigung sowie separate Geschwindigkeits-Regelung für Horn- und Basslautsprecher. Overdrive ist natürlich ebenfalls vorhanden.

Aber das ist noch nicht alles! Zusätzlich zu klassischen Rotary-Sounds können mit dem RT-20 einzigartige Overdrive- und pulsierende Effekte erzeugt werden. Dieses Pedal klingt nicht nur hervorragend sondern bietet zusätzlich noch eine erstaunliche grafische Darstellung der virtuellen Rotoren auf seinem Display.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

Review by Paul White, soundonsound.com

Review by a.jungkunst, amazona.de

Demo by The Soundcheck Sessions

RT-20 Rotary Processor

robinson ruiz rios

The Noise is a violently destructive pitch shifter designed in collaboration with Scottie Simpson and Sabian Lynch of ALPHA WOLF.

Tallon Electric 

Demo by Andrew Baena

Review by Guitar World

The Noise

OD Glove

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The EHX Small Clone Chorus is a reissue of the classic analog chorus pedal popularized by Kurt Cobain. Depth and Rate controls create the finest sounds, from clear, rich and dimensional to warm pulsating warbles.

Demo by Dressed In Black

Review by Catalin Bread

Small Clone

Nicole Burgess-Orlov

Horizon Devices

Precision Drive

Voodoo Lab

Pedal Power x8

Der Explorer Deluxe, benannt nach dem ersten US‑Satelliten und mit kosmischem Strahlendetektor, ist ein lichtgesteuerter Sechs‑Stufen‑Optik‑Phaser aus einer anderen Dimension.
Mit Level‑ und Mix‑Reglern lässt sich Pegel und Effektanteil von dezentem Wirbeln bis hin zu vollem Raumteppich einstellen, wobei Mix bei 100 % Wet als Pitch‑Modulator fungiert.
Speed, Resonance und Range erlauben von ultralangsam bis ultraschnell jede Modulationsgeschwindigkeit sowie erweiterte Bass‑Phasen für tiefere Klangwelten.
Der fünffache Shape‑Schalter bietet Sinus, Dreieck, Rechteck, ansteigendes und abfallendes Sägezahn‑LFO oder im Manual‑Modus frierst du den Sweep ein und steuerst ihn per Hand.
Expression-/CV‑Eingang ermöglicht wah‑ähnliche Steuerung von Tempo oder Sweep‑Position – perfekt für freihändiges Modulieren.
Handverdrahtet in Portland, mit True‑Bypass und Switchcraft‑Buchsen, ist er eine handwerkliche Inspirationsquelle für Entdeckerklänge.

Named after America’s first satellite and sporting its own onboard cosmic ray detector, the Explorer Deluxe is a photocell‑driven, six‑stage optical phaser that sounds out of this world.
Level and Mix knobs let you dial in perfect volume and blend for everything from subtle swoosh to full‑on wash, with Mix doubling as pitch modulation at 100 % wet.
Speed, Resonance, and Range controls deliver everything from molasses‑slow spirals to razor‑sharp sweeps, plus low‑end extension for deeper, dreamier tones.
A five‑position Shape switch offers Sine, Triangle, Square, Saw‑Up, and Saw‑Down waves—or Manual mode to freeze and manually sweep your phase.
Expression/CV input brings wah‑style control over speed or sweep position, unlocking hands‑free modulation magic.
Hand‑soldered in Portland with true bypass and Switchcraft jacks, it’s artisan built to inspire sonic exploration.

Demo by Bass Stuff

Demo by Mike Hermans

Explorer Deluxe

Von transparentem, amp‑ähnlichem Overdrive bis hin zu einer satten Wand aus Sustain‑Fuzz bietet der Rumblefuzz II eine riesige Bandbreite an harmonischer Verzerrung.
Als echtes Instrument‑Extension reagiert er dynamisch auf dein Spielgefühl und die Regler deiner Gitarre.
Mit vollmundigen Tiefen und markantem Biss glänzt er ebenso an Bass und Bariton wie an der Gitarre.
Zur Feier von Spaceman Effects’ 15 Jahren erhält er +10 dB Ausgang, eine dritte Schaltstellung und größere Klangvielfalt.
Das klare Bedienfeld steuert Bass‑Rumble, Gain‑Bite und Lautstärke‑Fuzz mit intuitiven Reglern.
In Portland handverdrahtet mit BC108‑Transistoren, True Bypass und Schmuck‑LED – gebaut für die Ewigkeit.

From transparent, amp‑like overdrive to a thick, sustain‑laden wall of fuzz, the Rumblefuzz II offers a vast palette of harmonic distortion.
Designed as a true extension of your instrument, it responds dynamically to your playing and guitar controls.
With full, round lows and a distinctive bite, it excels on bass, baritone, and guitar alike.
Celebrating Spaceman’s 15th anniversary, it adds 10 dB of output, a third toggle‑switch voicing, and expanded tonal range.
A simple, focused panel gives Rumble control over bass response, Bite for gain stages, and Fuzz for output volume.
Hand‑wired with BC108 transistors, true bypass, and a jewel indicator light, it’s built to last in small Portland batches. 

Demo by MAS Distro

Demo by Demos In The Dark

Review by Guitar Pedal X

Rumblefuzz II

Der Atlas IV ist eine diskrete FET‑Preamp‑Booster, der bis zu 15 dB sauberen Boost und zwei Stufen harmonischer Anreicherung liefert – für röhrenähnlichen Glanz.
Mit dem Thrust‑Schalter fügst du mehr harmonische Sättigung und leicht weniger Headroom hinzu, während Axis für einen höhenbetonten Klang sorgt, der sich im Mix durchsetzt.
Der einzelne Boost‑Regler und der lautlose Soft‑Click‑Fußschalter eignen sich gleichermaßen für dezenten Lautstärkegewinn und kraftvolle Amp‑Crunch‑Slam‑Momente.
Verwende ihn, um deinen Röhrenverstärker in herrlichen Overdrive zu treiben, Soli zu beleben oder anderen Verzerrern neue harmonische Texturen zu verleihen.
Handverdrahtet in Portland, sorgen True Bypass, Schmuck‑LED und robustes Aluminiumgehäuse für kompromisslose Zuverlässigkeit.
Die limitierten Farbvarianten (Grau, Schwarz und Weiß) sind nummeriert und bieten exklusive Zugang zu dynamischeren Klangwelten.

The Atlas IV is a discrete FET preamp booster that adds up to 15 dB of clean boost and two levels of harmonic enhancement, enriching your tone with tube‑like sparkle. 
Spaceman Effects

Flip the Thrust switch for extra harmonic saturation and a slight headroom drop, or engage Axis for a treble‑focused voice that cuts through the mix. 
Guitar Pedal X

Its single Boost knob and silent soft‑click footswitch make it perfect for both subtle lift and amp‑crunch slams.
Use it to push a tube amp into glorious overdrive, enliven solos, or spice up other dirt pedals with fresh harmonic textures.
Hand‑wired in Portland, its true bypass, jewel‑indicator light, and rugged aluminum chassis ensure rock‑solid reliability.
Limited‑edition Grey, Black, and White versions each carry a unique serial number—your passport to a richer, more dynamic sound.

Demo by  Lounging Guitars

Atlas IV

The Ixion is an extremely smooth, clean, and low-noise optical compressor that gives you an astronomical amount of variation, depth and dimension. It features an ultra-wide tonal palette, comprehensive controls, and an exceptional signal-to-noise ratio. You get the gain-reduction power of an optical photocell, a parallel-compression mix control, and Spaceman's signature discrete FET stages.

The Ixion also provides numerous sidechain features like an equal-loudness filter, an external input jack for signal processing or use with an external expression pedal. There’s also harmonically rich make-up gain, a treble-centric tone control, and the ability to accept up to 18V for higher headroom. Regardless of your configuration, the Ixion always offers the fattest, juiciest tone with a warm, vintage appeal. Use it on guitar, bass or your tabletop and push beyond boundaries into uncharted realms of sonic possibility.

Demo by Mark Johnston

Review by Compressor Pedal Reviews

Ixion Optical Compressor (yellow edition)

Voyager I by Spaceman Effects