Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Official Product Page

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Sweetwater

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Mike Hermans

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video (Stacking Delays)

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - AndyDemos

Source Audio Collider Stereo Delay/Reverb Pedal Demo - The Pedal Zone

Manual

Source Audio Collider - Review by Gitarre&Bass [DE], [04-2020]

Source Audio Collider - Review by Muzikus [CZ], [03-2020]

Source Audio Collider - Review by Gitarzysta [PL], [02-2020]

Source Audio Collider - Review by GrandGtrs [DE], [01-2020]

SA 263 Collider Delay+Reverb

Synchronisiere deine Modulations Rate per Knopfdruck mit dem Source Audio Toolbox External Tap Tempo Switch. Der Tap Tempo Switch ist kompatibel mit allen Source Audio One Series Modulations Pedalen. Nutze ihn um die LFO Geschwindigkeit des Vertigo Tremolo, Lunar Phaser, Gemini Chorus und Mercury Flanger auszutappen. Der SPEED Regler auf diesen Pedalen setzt dann die Unterteilung in Viertel-, Achtel-, Sechzehntelnoten oder Achtel-Triolen. Von 7-9 Uhr auf dem SPEED Regler der One Series Pedals gibt dir Viertel-Unterteilungen, 9-12 Uhr Einstellungen Achtelnoten, 12-3 Uhr Achteltriolen und bei 3-5 Uhr bekommst du Sechzehntel Unterteilungen des getappten Beats. Der Tap Tempo Switch kann außerdem auf dem One Series Nemesis Delay die Delay Time setzen und Presets schalten. Darüber hinaus verfügt der Tap Tempo Switch über einen Standard 6,3 mm TRS-Klinkenausgang und lässt sich somit auch mit kompatiblen Produkten (normally open [NO], single pull/single throw (SPST)) verschiedener Drittanbieter nutzen

Sync your modulation rate on-the-fly with the Source Audio Toolbox External Tap Tempo Switch. The Tap Tempo Switch is compatible with all Source Audio One Series modulation pedals. Use it to tap out the LFO speed of the Vertigo Tremolo, Lunar Phaser, Gemini Chorus, and Mercury Flanger. The Speed knob on each pedal sets the beat division to quarter, eighth, triplets, or 16th notes. 
South of 9 o’clock on the SPEED knob of Source Audio One Series Pedals will give you quarter note beat divisions, 9 to 12 o’clock gives you eighth notes, 12 to 3 gives you triplets, and 3 to 5 gives you 16th notes. 
The Tap Tempo Switch will also set the Delay Time or externally recall presets on the One Series Nemesis Delay. In addition, the Switch has a standard 1/4" output for use with compatible third-party products (normally open [NO], single pull/single throw (SPST)).

SA 167 Tap Tempo Footswitch

Three Distinct Spring Reverb and Tremolo Effects.
Two Modes of Operation – Use the pedal in Standard Mode for a classic (non-preset) stompbox experience or turn on Preset Mode and save a user preset (including reverb/tremolo effects and knob positions) to each of the three toggle switch positions. 
Flexible Stereo Routing – The True Spring is equally at home in a mono or stereo rig. The pedal’s stereo inputs and outputs offer a variety of routing options such as Stereo to Stereo, Mono to Mono, Mono-to-Stereo, Stereo Sum-to-Mono and External Loop Mode. 
Universal Bypass — Select Active Analog (Buffered) or True Bypass.
Secondary Tremolo Controls - Press and hold the CONTROL INPUT button to access the True Spring's tremolo effects (DWELL knob controls tremolo DEPTH / TONE knob controls tremolo RATE / toggle switch selects tremolo type).
Expression Control — Compatible with Source Audio expression pedals and the Hot Hand 3 Universal Wireless Effects Controller. Assign up to three simultaneous parameters with editable depth and direction.
External Tap Tempo – Use the Source Audio Tap Switch to tap in the tremolo rate with a choice of four different beat divisions (quarter, eighth, triplet, and sixteenth).
External Tremolo Engage and Bypass – Use the Source Audio Tap Switch to engage or disengage the tremolo effects on top of an active spring reverb.


TRUE SPRING REVERB

True Spring Reverb
User Guide

True Spring Reverb

The Soundblox Pro Multiwave Distortion caters to the sonic explorer, those musicians searching for unheard sounds. The Multiwave offers 23 different distortion tones ranging from classic sounds to extremely unique and aggressive synth-like distortions. It features a 7-band graphic EQ, six programmable user presets, a MIDI input, and an expression pedal input that allows users to seamlessly morph from one preset to another. Flexibility, programmability and a bold sense of adventure make the Multiwave Distortion a powerful tool for both studio and stage.

The Multiwave Pro’s effect types are divided in two categories: Multi Band and Single Band processing. Each processing category is also broken into three more subcategories: Normal, Foldback, and Octave.

Multi Band processing is an extraordinarily unique procedure that splits the input signal into 10 distinct frequencies, distorts each one separately then recombines them. The process produces a hugely diverse set of tone possibilities. Multi-band Normal offers a crisp distortion with sturdy attack, and heightened note articulation. Multi-band Foldback produces wild synth-like distortions nasty enough to please extreme fuzz fanatics. Multi Band Octave creates octave-up distortion tones unlike any harmonizing box on the market today.

The Multiwave Pro also offers Single Band processing which employs a more conventional approach by applying distortion to the entire signal. The result is a slightly more traditional, but equally diverse and expressive set of guitar tones.
​
The onboard 7-band graphic equalizer with a plus or minus 12 dB adjustment range provides serious tone manipulation capabilities. Customized tones can be saved in the 6 programmable user presets, available for speedy recall via three footswitches. Connect an expression pedal to the Multiwave Pro and gradually morph from one preset to the next, or leave the pedal in the middle of two presets and create a one-of-a-kind hybrid tone. Also, the Pro includes a MIDI input allowing external access to presets and parameters. 

SOUNDBLOX PRO MULTIWAVE DISTORTION

Soundblox Pro  Multiwave Distortion

The Hot Hand 3® Universal Wireless Effects Controller introduce an unprecedented level of expressive capability. Hot Hand translates motion into a dynamic and precise expression output, which can be applied to a range of Source Audio pedals, third-party effects pedals, rack systems. Control filter sweeps, drive levels, modulation, bit crushing, and much more.

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