steven wilson

Bass madness board to amp and IEM. 
Midi control and switching to set of Roland PK5 synth pedals for more Bass madness 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

New Pedal Board-copy

David Litaba

Wenn Sie wie die meisten Gitarristen sind, verbringen Sie viel Zeit damit, die richtigen Verstärker und Pedale auszuwählen, um Ihren ganz persönlichen Sound zu entwickeln. Wenn Sie aber auch in Ihrer Band singen, war es nicht immer so einfach, Ihren Vocal-Sounds die gleiche Liebe zum Detail zu geben - bis jetzt. Der fortschrittliche VE-500 Vocal Performer bietet alles, was Sie brauchen, um auf der Bühne beeindruckende Gesangsharmonien und -effekte zu erzielen, und das alles in einer schlanken Stompbox, die sich nahtlos in die regulären Gitarreneffekte auf Ihrem Pedalboard integrieren lässt.

Der VE-500 bietet professionelle Klangqualität und leistungsstarke BOSS DSP-Funktionen. Er verfügt über ausgefeilte Harmonie- und Tonhöhenkorrekturfunktionen, die automatisch die Akkorde nachbilden, die Sie auf Ihrer Gitarre spielen. Darüber hinaus enthält er einen leistungsstarken Vocoder und die wichtigsten Tools zur Klangverbesserung sowie erstklassige Reverb-, Delay- und Modulationssounds und Spezialeffekte wie Verzerrung, Filterung und viele andere. Und dank der programmierbaren Speicher können Sie Ihre Lieblings-Setups für jeden Song oder Stil sofort abrufen. Der VE-500 ist die perfekte Ergänzung für das Pedalboard eines jeden singenden Gitarristen und bietet erstklassige Vocal-Bearbeitung, die direkt neben den Standard-Gitarreneffekten eingesetzt werden kann.

If you’re like most guitarists, you spend a lot of time choosing the right amps and pedals to craft your own personalized sound. But if you sing in your band as well, it hasn’t always been so easy to give your vocal sounds that same attention to detail—until now. The advanced VE-500 Vocal Performer provides everything you need to achieve impressive vocal harmonies and effects on stage, and all in streamlined stompbox that integrates seamlessly with the regular guitar effects on your pedalboard.

Packing professional sound quality and serious BOSS DSP muscle, the VE-500 delivers sophisticated harmony and pitch correction functions that automatically track the chords you play on your guitar. It also includes a powerful vocoder and core sound-enhancement tools, plus world-class reverb, delay, and modulation sounds and specialty effects like distortion, filtering, and many others. And with programmable memories, you can instantly recall favorite setups for any song or style. The VE-500 is the perfect addition to the pedalboard of any singing guitarist, providing top-flight vocal processing that fits right alongside your standard guitar effects.

BOSS

Official Product Video

Demo by The Pedal Picassos

Product Page

Review by Sound on Sound

Review by Musiker-Board

Review by reddit /livesound

Review by bonedo

Manual

VE-500 Vocal Performer

PedalSafe Type J1.1

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 Pedale

Protective Cover & RockBoard Mounting Plate For BOSS DD-500, MD-500, RC-500 & RV-500 pedals

Schutzabdeckung & universelle Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 Pedale

Protective Cover & Universal Mounting Plate For BOSS DD-500, MD-500, RC-500 & RV-500 pedals

Tester

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural Dsp Technologies

Review by guitarguitar

Review by wired

Review by Fractal Audio Forum

Review by The Gear Page

Demo by EytschPi42

Quad Cortex 2.0 manual

Demo by Neural DSP

Quad Cortex Ltd. Edition

Bruce Sadownick

With a unique angled design for comfortable performance, the Footswitch+ balances sleekness and functionality. Momentary foot switches provide a more custom operation than latching switches, giving you the edge during live performances.

Designed to be the perfect companion, you can use Footswitch+ with the BeatBuddy or BeatBuddy MINI 2 to add accent hits, pause/unpause the beat, choose song, genre and BPM hands-free.

The Footswitch+ is the best multi purpose 2 button foot switch on the market. Comfort, strength, and versatility combine to boost your music, on-stage or in the studio.

Singular Sound

Demo by The Pedal Guy

Demo by Singular Sound

Footswitch+

The new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.

Shure

Review by Premier Guitar

Review by Guitar World

Demo by Basscoach Denis Busch

GLXD16+

Shane Werley

The pedal connects to the EXP inputs on the Quad Cortex. The linear potentiometer is matched exactly for a precise and natural response. The toe switch can be used turn effects on and off without requiring a separate footswitch.

Mission Engineering

Review by Neural DSP Forum

Demo by Ian Marshall

SP1-ND

chris gates

The MIDI Maestro foot controller is equipped with built-in screens and a mobile app for on-the-go customization. A streamlined, compact construction and ergonomic buttons deliver an incredible performance experience. Control your pedals all in one place, switch presets and FX with ease, and take command of your next gig or studio session. 


MIDI Maestro is engineered with built-in modes for the BeatBuddy and Aeros Loop Studio. Utilize hands-free song control over the Aeros, one-touch undo/redo mute/unmute commands, and the change the order of your song parts. Adjust BeatBuddy's tempo, double and half time your beats, add accent hits and more on-demand.

Midi Maestro

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

RockBoard

ISO Power Block V16

CIOKS

Crux

DC 7

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Greg Hitt

Studio Board

Nuujets

Custom

Nuujets Custom Para EQ

Die nächsten Folgen dieser Kolumne basieren auf einer Frage von G&B-Leser Ralph Müller-Domke. Ralph berichtet, dass er seinen MXR Dyna Comp zwar sehr schätzt, aber die Nebengeräusche v. a. im Vergleich zum Dyna-Comp-Bausatz von uk-electronic sehr störend findet.

The Dyna Comp Compressor is one of the most popular compressors of all time. Whether you want to tighten up your signal, add rich sustain, or create the percussive and clicky sound heard on numerous hit records, this pedal is straightforward and easy to use. For these reasons, the Dyna Comp Compressor has been the secret weapon on countless pedalboards for years.

Review by GUITAR WORLD 

Review by Gitarre & Bass 

Demo by jimdunlopusa

Demo by SweetWater

Dyna Comp

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

ALBERTO DE LA VARA

FV-30L sind zwei neu designte, kompakte Volume-Pedals in gewohnter BOSS-Qualität. Speziell entwickelt, um mehr Platz auf dem Pedalboard zu schaffen, ohne dabei Kompromisse in Sachen Sound-Qualität, Zuverlässigkeit und Haltbarkeit einzugehen. Die Pedale in Profiqualität sind aus Aluminiumdruckguss hergestellt und haben einen sehr ausgeglichenen, weichen Pedalwiderstand, der feinste Lautstärkeabstufungen ermöglicht. Dank ihrer äußerst kleinen Abmessungen sind sie ideale Begleiter für Musiker, die viel auf Reisen sind und den Platz auf dem Pedalboard optimal ausnutzen möchten.

The Boss FV-30L is the newly designed, compact volume pedal in the usual BOSS quality. Specially designed to create more space on the pedalboard without sacrificing sound quality, reliability and durability. The pedal is made of die-cast aluminum and has a very balanced, soft pedal resistance, which allows for finest volume gradations. Thanks to the extremely small dimensions, the Boss FV-30L Volume Pedal is the ideal companion for musicians who travel a lot and want to make the most of the space on the pedalboard. The FV-30L-A with low impedance and stereo input/output for stompbox, keyboard and other electronic musical instruments.

Review by Charles Saufley, premierguitar.com

Demo by Juca Nery

EV 30

Über vierzig Jahre nachdem das originale VOX Wah den Sound der Rockmusik für immer veränderte, erlebt das V846 als V846-HW Hand-Wired Wah-Pedal eine Renaissance. Sein klassischer Sound ist unbestreitbar, doch das V846-HW wurde nicht entwickelt, um die Geschichte der Vergangenheit zu wiederholen, sondern um in der Zukunft neue Kapitel zu schreiben. Wie der Name schon sagt, verfügt das V846 Hand Wired über eine handverdrahtete Turret-Board-Konstruktion. Doch VOX hat es hier nicht belassen. Jede Komponente, einschließlich der Induktoren, Widerstände, Kondensatoren und des Potentiometers, wurde sorgfältig im Hinblick auf erstklassige Wiedergabetreue und Klang ausgewählt. Das Originaldesign wurde sogar um einen tonerhaltenden True Bypass erweitert. Das Gehäuse aus Druckguss besticht durch eine sandgestrahlte Oberfläche mit Krepp-Finish. Das V846-HW ist eine perfekte Kombination aus der weltberühmten Technologie von VOX mit klassischen und doch modernen Spezifikationen und übertrifft jedes bisherige Wah-Wah-Pedale der Geschichte, indem es den reinsten Klang liefert.

Over forty years after the original VOX Wah forever changed the sound of rock music, the V846 has been reborn as the V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, the V846-HW was not created to simply repeat the history of the past, but to write new chapters in the future. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. But VOX didn’t stop there. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone. In fact, a tone-preserving true bypass has been added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX’s world-famous technology, with classical yet modern specifications, surpassing any previous Wah Wah pedal in history by delivering the purest sound.

Review by Music Radar

V846-HW Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by reddit /guitarpedals

Review by Pedal Authority

NS-2 Noise Suppressor

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.

Wampler

Review by The Gear Check 

Demo by Pete Thorn

Demo by Tone Factory

Tumnus

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Electro-Harmonix

Triangle Big Muff Pi

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Ben Wells

Zunächst einmal ist der Singular Sound AEROS Loop Studio zwar nicht der einzige Looper mit Display, jedoch der einzige mit einem farbigen 4,3 Zoll Touch-Display. Der Singular Sound AEROS Loop Studio beruht auf einer SoC-Lösung, auf der eine Linux-Variante läuft.

Transcend boundaries with the Aeros multi-track looper pedal. Create and perform with simultaneous parallel and sequential loops. That's up to 6 song parts (sequential loops) each with up to 6 tracks layered over each other (parallel loops). Plus, experiment with unlimited overdubs for limitless live looping action.

Review by Bass Gear Magzine 

Review by Amazona 

Demo by loopop

Demo by Singular Sound 

Aeros Loop Studio

Michael Hodgson

Das BeatBuddy 2 ist die zweite Generation von Singular Sounds Drum-Machine im Stompbox-Format, die auf dem Original mit erweiterten Funktionen und verbesserter Leistung aufbaut. Es bietet eine freihändige Rhythmussteuerung für Solo-Künstler und Songwriter, vorinstalliert mit 13 Drum-Sets, 24 Genres und über 220 Styles, die alle von professionellen Schlagzeugern für ein menschliches Spielgefühl aufgenommen wurden. Zu den neuen Funktionen gehören das interaktive Autopilot-Begleitsystem, ein größeres 2,4-Zoll-LCD, ein multidirektionales Navigationspad und eine viermal höhere Drum-Set-Kapazität.

The BeatBuddy 2 is the second iteration of Singular Sound's drum machine in a stompbox format, building on the original with expanded features and improved performance. It offers a hands-free rhythm control for solo artists and songwriters, pre-loaded with 13 drum sets, 24 genres, and over 220 styles, all recorded by professional drummers for a human feel. New features include the Autopilot interactive backing system, a larger 2.4-inch LCD, a multi-directional navigation pad, and four times the drum set capacity.

Beat Buddy 2

The Ibanez Super Tube Screamer (ST9) is a legendary overdrive pedal released in 1984. It’s a variant of the iconic Tube Screamer (TS9) pedal, but with the added feature of a Mid Boost control. This pedal is highly sought after by guitarists for its warm, natural overdrive tone and versatility.

Ibanez

Demo by Steve Raphael

Demo by  killertonetexas

Review by Tone Home

Official Website

ST-9 Super Tube Screamer

Syd Duning

V-3 features the same options as the V-2, so it’s basically the same product in the context of secondary options. However, we played around with the complex opto-system a lot. The main difference between V-3 and V-2 is in the modulation EQ. V-2 modulates just a slight part of the main tone (mid-range focused modulation), while V-3 blends in nicely with the main tone and modulates it without changing the EQ. V-3 has a wider modulation and brings more depth.

Drybell

Options Manual

User Manual

Demo by gilmourish

Demo by AndyDemos

Vibe Machine V3

Paul Stracke

Sag Hallo zum weltweit kompaktesten neuordnbaren Audio-Loop-Switcher.

Ein vollständig analoger Stereo-Loop-Switcher, der Grenzen sprengt.  
Jede Stereo-Loop kann mit einem Y-Kabel in zwei Mono-Loops aufgeteilt und im Looper als zwei völlig unabhängige Mono-Loops genutzt werden (Y-TRS-Kabel). Da diese Konfiguration in diesem Tool nicht angezeigt werden kann (aber oft genutzt wird, um auf großen Boards die Anzahl der Loops zu verdoppeln), haben wir in diesem Tool drei Stereo-Verbindungen als sechs Mono-Loops konfiguriert.

Der ML10X ist die Antwort für die Musiker von heute.

Say hello to the world’s most compact reorderable audio loop switcher.

A fully analog stereo loop switcher designed to break boundaries. 
Each stereo loop can be broken up into 2x mono loops with an Y-cable and in the looper used as 2x complete independent mono loops (Y-TRS-Cables). As these cannot be displayed in this tool (but often used to double the loops on big boards) we configured in this tool 3 stereo connections as 6x mono loops. 

ML10X is the answer for today's musicians.

Morningstar Engineering

Demo by Doug Hanson

ML10X (10 L/R Splitter)

Origin Effects

RevivalDRIVE

Niclas Wego

Basierend auf dem gleichen Konzept und den Möglichkeiten des Flaggschiffs BOSS ES-8, ist der BOSS ES-5 eine minimal abgespeckte Version, die im deutlich kleineren Gehäuse daher kommt und somit ohne Mühe auch auf kleinere Pedalboards passt. Alle wesentlichen Bedürfnisse von Gitarristen und Bassisten werden auch hier bedient. Die kreativen Möglichkeiten für Pedalboard-Systeme, die der ES-8 ermöglicht, sind jetzt auch für kleinere Anwendungen erschwinglich. Erweitere dein Pedalboard mit dem kleinen ES-5 und du spielst in einer völlig neuen Liga. Von jetzt an wirst Du deine Effektpedale völlig anders einsetzen.

Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

Review by Paul White, soundonsound.com

Review by Thomas Dill, bonedo.de

Demo by GUITARGUITAR

ES-5 Effects Switching System

The EP-25K features a 25K Ohm potentiometer that is required by some devices compared to the 10K potentiometer in the Mission EP-1. The two isolated outputs can be used to control two effects simultaneously.

Demo by Sean Pierce Johnson

EP-25K Expression pedal

Mit der 200-Serie präsentiert BOSS eine neue, kompakte Pedal-Generation, die mit hochwertigem Sound, außergewöhnlicher Vielseitigkeit und minimalem Platzbedarf auf deinem Pedalboard überzeugt. Dank intuitiver Regler und multifunktionaler Schalter gestaltet sich die Bedienung einfach und intuitiv. Zusätzlichen Komfort bieten die internen Speicherplätze, über die du deine eigenen Setups bei Bedarf unmittelbar abrufen kannst. Die hohe Audioqualität der Pedale der 200-Serie basiert auf einer 32 Bit AD/DA-Wandlung, 32 Bit internen Signalverarbeitung und 96 kHz Samplingrate. Weiterhin kannst du die Pedale optional über externe Umschalter, ein Expression-Pedal oder via MIDI steuern.

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Review by Joe Charupakorn, premierguitar.com

Review by Dimitri, amazona.de

Review by Michael Behm, bonedo.de

Demo by Rabea Massaad

EQ-200 Graphic Equalizer

Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

DigiTech

Whammy DT

Sean Sheppard

Sunface bietet viele Transistoroptionen. Es gibt nicht die BESTE. Sie sind alle sehr ähnlich, weisen aber einige Unterschiede auf, die einige für Ihre Anforderungen besser machen könnten als andere.

The Sunface has many transistor options, there is no BEST, they are all very similar but have some differences that could make some better than others for your needs.

Analogman

Sun Face (Top Jacks/DC Input)

Antony Douch

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Review by Six String Sensei

Demo by  Pepe Music

OC-5

Paul De maio

MC8 Pro

Patrick Dougherty

With a massive display upgrade, an entirely new processor and a never-before-seen array of connections, MC6 PRO is by far the most powerful and user-centered MIDI controller yet.

MC6 Pro

Midi Maestro by Singular Sound