The first mode offers a modulated “oil can” style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high-fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay. 

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device.

Recovery Effects

Demo by Duskmos

Official Product Video

Review by Get Offset

Review by wolfe with an e's Blog

Review by The Gear Page

Product Page

Dirty Murals

(Glitch, Pitch, Slice, and Dice)

Is it a distortion pedal? Is it a ring modulator? Delay? Just call it the Bad Comrade, the world’s first hand-wired glitch, pitch, slice, and dice pedal. For the adventurous guitarist (or anyone wielding a 1/4” jack) who craves unthinkable tones. The Bad Comrade lets you distort, modulate, glitch, and slice on the fly.

Manual

Review by Talk Bass.com

Bad Comrade

Gorgeous and transparent drive/compression. This pedal does it all from a slight boost/compression to a nice, warm, and light overdrive. Perfect for a first-stage overdrive or boost pedal. Switchable transistors allow you to move back and forth between modern and vintage tones, using a BC547 and oil-can style BC108. Although it includes a bypass switch, you will never use it!

Review by Pedal of the Day

Demo by Pedal of the Day

Electric

Gallows in the Morning combines two of our favorite things: gritty overdrive and haunting reverb. Switch between Bold and Brazen to go from shimmering, melancholic tones to monster distortion and foreboding reverberation. The simple controls allow you to easily dial in all the levels to suit your mood.

The clean, independent reverb control is one of the most distinctive features of this pedal. Even with distortion, the reverb is pristine in the mix, adding clarity to heavily distorted and reverberated signals. Using the reverb at 100% makes this pedal ideal for creative studio mixing.

Cutting Room Floor V3