Thomas & Simone RhPf Electronics

🎛️ Claudia – Sketchy Pedals (DE)
🖤 Experimental Noise / Lo-Fi Doom / Post-Everything

Claudia, the mad scientist behind Sketchy Pedals, blends performance art, fuzz-drenched textures, and raw circuit-bending wizardry into a chaotic symphony of feedback and feel. Her board is a beautifully bizarre blend of mainstream grit and boutique weirdness—anchored by her own Mo(s)ghoul from RhPf Electronics, which she pushes into synth-like fuzz realms and feedback loops.

🔸 From glitchy tape drones to saturated walls of doom fuzz, this setup screams DIY spirit and creative subversion.
🔸 Look out for her Walrus Melee, Electro-Harmonix Big Muff, and the eerily melodic Shuksan Fuzz.
🔸 RhPf’s Mo(s)ghoul acts as the spine of her destruction, often left on always.

🎧 Suggested Listening: Search for “Sketchy Pedals” on Instagram to catch clips of her rig in action—no two sets are ever the same.

Sketchy Pedals - Claudia

Big Talker. Den kennen wir alle. Er weiß einfach nicht, wann er den Mund halten soll. Angenehm ist anders – auf Partys nervt er, vor großem Publikum kann er sogar furchteinflößend sein. Sind sie selbstsicher oder einfach nur sozial unbeholfen? Das werden wir nie erfahren, denn wir kommen nicht mehr zu Wort. Ein Doppel-Tremolo-Pedal, bei dem zwei Tremolos in Serie schalten. Weicher Rechteck-LFO Trem #1 mit Speed- und Control-Regler oder Zufallsschwingung. Rechteck-LFO Trem #2 mit Speed-, Depth-Regler und Hüllkurven-Modulation. EXP-Eingang steuert die Geschwindigkeit des zweiten Tremolos. Soft-Switching-Relais-Bypass.

Big Talker. We all know one. They just don’t know when to zip it. Awkward to be around at parties, potentially terrifying stood in front of a large audience. Are they big headed and self assured or just socially anxious? We’ll never find out because we can’t get a word in.

A double tremolo pedal
2x Tremolos run in series
Soft square wave T

rem #1 Square Wave LFO with speed + control OR random wave

Trem #2 Square Wave LFO with speed + depth control + Envelope Modulation

EXP control over the speed of the second tremolo

Soft switching relay bypass

Empty Head Effects

Demo by Collector Emitter

Demo by Pedals And Tea

Product Page

Review by Loopy Demos

Big Talker

akai map

Electro-Harmonix

Ram's Head Big Muff Pi

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Nicolas Wilfer

Das Pitchblack Tuner-Pedal für Gitarre und Bass ist bei Profis und ambitionierten Musikern weltweit erste Wahl. Mit dem Pitchblack Advance stellt KORG jetzt die nächste Generation vor, die viele der für das Vorgängermodell entwickelten Funktionen und Merkmale in einem neuen Gehäuse präsentiert. Die wohlüberlegte Kombination von Bewährtem mit neuen spannenden Möglichkeiten macht dieses Tuner-Pedal einfach unschlagbar.

As the clear standard in pedal tuners for the guitarist or bassist, the Pitchblack is loved by professionals and amateurs around the world. The Pitchblack Advance is the next-generation model, a further evolution that features an advanced cutting-edge form and many of the functions and technologies developed for previous models of the Pitchblack series. Embracing both the traditional and the revolutionary, it represents the perfect summation of pedal tuners.

KORG

Manual

Demo by

Pitchblack Advance BL

Tester

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

BOSS

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

Review by bonedo

Review by reddit /guitarpedals

Review by The Gear Page

BD-2 Blues Driver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Der Shuksan Fuzz ist eine diskrete High-Gain-Fuzz-Schaltung, die Spielern einen atemberaubenden Dynamikumfang und eine Vielfalt von Klangfarben bietet – von sanftem, gegatetem Overdrive bis zu kreischendem Oktav-Fuzz. Dank seiner intuitiven Regler finden Spieler viel Interaktion und können mit wenigen Drehungen verschiedene, einzigartige und nutzbare Klänge erzeugen. Als „smooth“, „artikulierend“, „ansprechend“ und bisweilen „Velcro-mäßig“ beschrieben, eröffnet der Shuksan spannende Soundlandschaften, die zum Weiterspielen einladen.
Shuksan nutzt drei nacheinander geschaltete Gain-Stufen, um einen dreckigen, satt angefahrenen Fuzz-Effekt zu erzielen, der sowohl riesige Vintage-Fuzz-Töne als auch moderne, druckvolle Sounds ermöglicht.

The Shuksan Fuzz is a discrete high-gain fuzz drive that will give players a stunning dynamic range and variety of tones — from mild gated drive to screaming octave fuzz. With its intuitive controls, players will find plenty of interplay and the ability to get a variety of unique and useable tones in a simple package. Described as smooth, articulate, responsive and at times “Velcro-y,” the Shuksan offers players unique and exciting soundscapes that will keep them playing.

Spun Loud Effects

Demo by Pedal Scopic Sounds

Demo by Demos In The Dark

Review by Delicious Audio

Review by Premier Guitar

Shuksan Fuzz

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

RhPf Electronics

Demo by We As A Company

3D Viewer and AR tool

Interactive Demo

Interactive Frequency Response

Mo(s)ghoul

Syd Duning

Like the Iguana that’s malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs.   

The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.

The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.

The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don’t sleep on the vibrato sounds in the Polychrome. Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.  

Top-mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come. 



Walrus Audio

User Manual

Polychrome

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Gehen wir mit dem Walrus Audio Melee Effektpedal unter die Gamer? Das war meine erste Reaktion, als ich die optisch äußerst kurios anmutende und mit einem Joystick versehene Neuerscheinung aus der Verpackung zog. Doch weit gefehlt: Die amerikanische Pedalschmiede, die stets ein Garant für innovative und qualitativ hochwertige Sounddesigns war, überrascht erneut mit einer ausgefuchsten Effektkombination. Und die wendet sich unter anderem an Freunde des Indie- und Shoegaze-Rocks.

We give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse. 

Review by Guitar.com

Review by AMAZONA 

Review by bonedo 

Demo by Reverb 

Demo by walrusaudioeffects 

Melee

Das JHS Pedals 3 Series Reverb bietet Musikern einen vielseitigen Effekt, der genau das richtige Maß an Raum für die Gitarre bietet. Von einem kleinen, natürlichen Room Hall bis zu beinahe endlosen Ambient-Washes lassen sich alle denkbaren Reverberation-Effekte erzeugen. Der EQ-Regler verändert die Klangtextur des Reverbs und bietet so hellere, klare oder dunklere, wärmere Voicings. Der Decay-Regler bestimmt die Länge der Hallfahne und mit dem Pre-Delay-Schalter lässt sich eine kurze Verzögerung vor dem Einsetzen des Effekts aktivieren um selbst kurze, Slap-ähnliche Echos oder Spring-ähnliche Sounds zu erzeugen. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series Reverb - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series Reverb - Demo Video - shnobel

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

3 Series Reverb

ch ray

The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

It has handy shortcuts to get a beat going quickly, plus a bunch of inspiring features and effects, including delay, low-pass filter (manual or LFO-controlled), side-chaining and correctible tap tempo. There’s a pad for adding drumfills and white noise effects, which also doubles up for inputting a tempo.

Rainger FX

Demo by collector//emitter

Demo by Do Noise

Review by AMAZONA

Review by guitar pedal X

Snare Trap

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

It’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom/heavy/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!

Review by PREMIER Guitar 

Review by pedal of the day 

Demo by Pedalof the Day 

Demo by Do Noise 

Drone Rainger

The Minibar is a liquid analyser pedal, a truly revolutionary stompbox that uses the properties of a liquid to decide the sound of your guitar!
Rainger FX are inviting you to take part in an experiment in tone-shaping discovery…. This mini-pedal makes no sound at all until you pour liquid into it – any kind at all – and the various qualities of that liquid decide the amount – and to some degree the quality – of the distortion, and also the amount of treble and bass. What you use to do this is entirely up to you – any sort of mixture you can dream up!

Review by GuitarPlayer

Demo by Reverb

Demo by AndyDemos

Minibar

The Pull Focus is a high gain distortion pedal, with either a reverb or chorus effect fading in after a short while. 

The distortion is all analog, the reverb, chorus and the fade-in are all digital. 
Plus there’s a noise gate too, which unobtrusively keeps the pedal silent when you’re not playing.

It’s very intuitive and fun to use!
It’s a multi-effects pedal, of a very particular kind….

Review by delicious audio

Review by Guitar World

Official Product Video

Demo by ambienttrash

Pull Focus

This pedal is the new mini version of the Air Traffic Controller – but with a switchable filter. The overdrive circuit (not switchable) is from the – now discontinued – El Distorto, so this is actually a two-in-one pedal. With the filter on and some white noise blended in it gives a’ moogy-soloing’ hi-resonance funk sound, or a stinging and intense lead tone. Filter off gives our tweaked mid-rangey optimum fuzz (as loved by Billy Gibbons).

White noise hiss is a feature often ignored in ‘synth’ pedals, but it can add a great texture to the tone. Here it’s blendable; have none at all, just a clear zing – or crank it up towards electro percussion….

Demo by  SpiralCasterPlaysPedals

Demo by Jackson Brooksby

Air Space Invader 2

Snare Trap by Rainger FX