Breandan Malone

Pedalboard set up for use with the the Cover Band "Yeah The Boys" 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

YTB Bass Pedal Board

Logan Norcliffe

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Dunlop

Product Page

Manual

Demo by The Bass Channel

Demo by Nate Navarro

Official Product Video

JUSTIN CHANCELLOR CRY BABY WAH (JCT95)

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Bîrleanu Bogdan

Electro-Harmonix

Hell Melter

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Tester

Nano Battalion

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Review by Talk Bass.com

Review by Premier Guitar

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Ein Chorus-Pedal mit eingebauter Frequenzweiche. Das CEB-3 Bass Chorus-Pedal bietet einen Split-Frequency-Chorus-Effekt, der in der Lage ist, warme, satte Chorus auf die höheren Frequenzen anzuwenden, ohne die Bässe zu vermatschen. Es ist das perfekte Chorus-Pedal für Bassisten.

A Chorus Pedal with Built-in Crossover.
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.

BOSS

Review by Musiker-Board

Review by reddit /guitarpedals

Demo by Bass Stuff

Demo by the wetter bass

CEB-3 Bass Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by Bass Musician

Review by bonedo

Review by Guitar Interactive Magazine

Demo by Philip Brennan

Bass Driver DI, Bass Driver DI v2

PedalSafe Type D2

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

M292 Carbon Copy Deluxe

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.

Laney Amplification

Review by Gitarre & Bass 

Demo by Andertons 

Demo by PMTVUK

Demo by The Bass Channel 

Digbeth DB-PRE

MultiComp Blue Label

Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig.
Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented
response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz
and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control
combines with exceptional headroom to deliver smooth transient response previously available only
in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the
user to control how long it takes gate to slam closed.

Pigtronix

Review by GUITAR WORLD 

Demo by Pigtronix

Demo by WMusicDistribution 

Gatekeeper Micro

Ibanez

Demo by Desert Rock United 

BIGMINI

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Anthony Gachomo

P&W Rig 6.0

pascal capuano

Evermore Studio Reverb gives you the grainy ambient tails and mesmerizing modulations of the iconic late-’70s early-digital device, in a compact, elegantly crafted stompbox.

Built upon the award-winning Hall 224 algorithms found in our flagship Golden Reverberator, Evermore Studio Reverb gives you the stunning ambient effects of the classic hardware used on decades of iconic guitar sounds, right on your pedalboard.

Universal Audio

Review by Guitar.com

Review by musicradar

Demo by EytschPi42

EVERMORE

Gas Giant ist ein High-Gain Analog-Fuzz-Pedal mit wählbaren Voicing-Optionen für die Tonregelung und einem integrierten Noise Gate. Inspiriert von den legendären transistorbasierten Fuzz-Pedalen, die Anfang der 1970er-Jahre in New York City gebaut wurden, verwendet der Gas Giant vierfach gematchte Transistorensätze, um sicherzustellen, dass jedes einzelne Pedal perfekt auf den schwer zu findenden "Sweet Spot" klassischer Vintage-Pedale abgestimmt ist.

Neben den Gain- und Volume-Reglern verfügt das Pedal über eine doppelt funktionale Tonregelung, die sowohl den typischen satten Bass, schneidende Höhen und den klassischen Mid-Scoop alter Fuzz-Pedale liefert als auch eine Pigtronix-eigene Midrange-Bump-Einstellung für mehr Präsenz im Mittenbereich. Diese zwei Voicing-Optionen verändern die Frequenzansprache der Tonregelung im gesamten Regelweg erheblich und bieten eine Vielzahl massiver Fuzz-Sounds im kompakten 3-Regler-Format.


Gas Giant is a high-gain analog jumbo fuzz pedal with switchable voicing options for the tone control and a built-in noise gate. Inspired by the iconic transistor-based fuzz pedals built in NYC in the early 1970’s, the Gas Giant uses quad-matched transistor sets to ensure that each and every unit is perfectly dialed in to the “sweet spot” that can be so elusive to find in vintage pedals.

In addition to the Gain and Volume knobs, there is also a dual-function Tone control that delivers the traditional heavy bass, searing top-end and midrange Scoop found in vintage pedals, as well as a signature Pigtronix midrange-forward Bump setting. These two voicing options drastically change the frequency response of the Tone control throughout its entire range, providing a bevy of gargantuan fuzz tones in a compact 3-knob stompbox.

Demo by R. J. Ronquillo

Review by Guitar Pedal X

Review by Music Radar

Gas Giant

ch ray

The Highline Stereo is a full-featured line isolator that is specifically designed to address the needs of instrumentalists who use amp modelers, allowing them to seamlessly connect to a PA or a recording system while maintaining their full signal integrity with no added noise or distortion. The Highline features premium Jensen 1:1 transformers, which retain the full volume level from the pedalboard to the PA, while also providing galvanic isolation that eliminates ground loop noise for a clean and noise-free signal. The balanced outputs of the Highline Stereo allow for long cable runs to the PA, and the device also blocks phantom power so it never reaches the pedalboard. The Highline Stereo can be easily reconfigured for multiple setups with the use of two summing switches: these allow you to connect to the PA or your stage monitors in either stereo or mono.

Radial Engineering

Demo by Premier Guitar

Highline Stereo

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Walrus Audio

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

David Litaba

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Andertons Music Co

H90 Harmonizer®

Franko Teston

Der [ACS1]™ ist ein Verstärker- und Lautsprecherbox-Simulator, der den Klang und das Gefühl von Weltklasse-Verstärkern, ergänzende Lautsprecherbox-IRs von Tone Factor und York Audio sowie eine steuerbare Raumgröße liefert. Mit dem ACS1 haben Spieler umfassende Möglichkeiten, ihren Sound auf der Bühne, im Studio oder beim Üben zu Hause zu liefern. Einfache Bedienelemente, Stereo-Ein- und -Ausgang, integrierte Voreinstellungen und MIDI-Unterstützung machen den ACS1 zu einem unverzichtbaren Werkzeug im Arsenal eines Gitarristen. Spieler können auch ihre eigenen IRs laden und die Firmware auf walrusaudio.io aktualisieren.

The [ACS1]™ is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware at walrusaudio.io.

Review by Guitar World

Review by Guitar Bomb

Demo by Andertons

Demo by The Studio Rats

Mako MKII ACS1

Simon Lo

Das Nero-Pedal kombiniert einen einzigartigen Fuzz-Schaltkreis mit einem eingebauten Gladio SC, der beide Schaltkreise gleichzeitig aktiviert und so einen gestapelten Drive-Effekt erzeugt. Es verfügt über einen „Comp“-Regler für das Kompressionsmanagement, der die Gesamtkompression verändert, und zwei unabhängige Bias-Regler („Voices“) für eine Reihe von Fuzz- und Overdrive-Sounds. Nero bietet eine flexible Gain-Regelung, eine hohe Eingangsimpedanz für die Vielseitigkeit auf dem Pedalboard, eine konstante Kompressionseinstellung und nahtlose Übergänge zwischen körnigem Fuzz und vollem Overdrive mit einem Fußschalter. Unter bestimmten Bedingungen lassen sich auch Gated Fuzz und schöne Cleanup-Effekte erzielen.

The Nero pedal combines a unique fuzz circuit with a built-in Gladio SC, activating both circuits simultaneously for a stacked drive effect. It features a "Comp" knob for compression management, altering overall compression, and two independent bias controls ("voices") for a range of fuzz and overdrive tones. Notably, Nero allows for flexible gain control, maintains high input impedance for pedalboard versatility, offers constant compression adjustment, and seamlessly transitions between gritty fuzz and full overdrive with a footswitch. It also achieves gated fuzz and nice cleanup effects under specific conditions.

Cornerstone Music Gear 

Review by delicious audio

Review by guitar pedal X

Demo by  Michael W. Westbrook

Nero

Der Philosopher’s Tone von Pigtronix, eine Kombination aus Sustainer/Compressor und Distortion, wird seit einiger Zeit nicht mehr hergestellt. Nun bringt der Hersteller aus Long Island, New York, mit dem Philosopher’s Tone Micro eine abgespeckte Version des Pedals, das zum einen in einem kleinere Gehäuse steckt und zum anderen auf den Distortion verzichtet.

Famous for its noiseless clean sustain, the Philosopher’s Tone has staked its claim in the crowded world of compressor pedals. In addition to Volume and Sustain controls, the Philosopher’s Tone features a parallel Blend knob that allows the musician to mix their instrument’s original tone with the compressed sound effect. This technique restores natural pick-attack and allows more extreme sustain settings to remain musical. The Treble control provides up to a 6db cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher’s Tone features true-bypass switching and internal 18V power rails for maximum clean headroom, even when used with hot pickups and line level signals.

Review by Bonedo 

Pigtronix Philosopher's Tone Demo 

Product Page 

Philosopher’s Tone Micro

Freeway is the DI guitar amplifier, speaker modeler and recording interface that lets you play live shows, rehearsals or record your ideas anywhere, always with warm, analog and dynamic tones.
A tool in the size of a pedal, with full stereo capability and open signal path. It is specially designed to integrate all your effects, overdrives, modulations and preamps in a single all-road pedalboard.

Freeway is an amplifier and also studio interface. You can record or play over backing tracks using your computer or phone thanks to its USB compatibility with PC, iOS and Android.
Create complex atmospheres thanks to its eight stereo reverbs. Use your preamplifiers as a second channel through its preamp loop. Get the most out of your effects thanks to its stereo effects loop.

Thermion

Demo by TheGuitarGeek

Freeway

Robert Ossenkopp

Clean began its life as a question: Can clean be as fun as dirty?

Developed slowly and through a variety of experiments, Clean explores the wild side of compression and brings the interactivity of distortion circuits to a clean signal. 

Clean is a studio-grade compressor you can turn on its head and push beyond the expected.

It was built to bring the exploratory energy of distortion to the clean performer, from the touch sensitivity of an overdrive to the unwieldy response of a fuzz. Tasteful, musical nuance, tied to your hands.

Chase Bliss

Clean

GREGORY GUENEAU

Das Universal Audio UAFX Brigade Chorus & Vibrato ist ein kompaktes digitales Pedal, das den legendären Boss CE-1 Chorus Ensemble von 1976 authentisch emuliert. Es bietet warme, analog klingende Modulationseffekte, darunter üppigen Chorus und reichhaltiges Vibrato, sowie die charakteristische Vorverstärkerfärbung des Originals. Das Pedal verfügt über einfache Bedienelemente – Rate, Depth und Level – und bietet Schalter zur Auswahl zwischen Chorus- und Vibrato-Modus, True- oder Buffered-Bypass sowie zur Aktivierung des Vorverstärkers. Entwickelt für Mono-Ein- und -Ausgänge, ist das Brigade mit der renommierten Handwerkskunst von Universal Audio für zuverlässige Leistung gebaut.

Way back in 1976, the first commercially available chorus pedal was released. The massive tank-like piece of hardware is still touted by many guitarists as the finest chorus ever crafted due to its thick, watery, and rippling chorus (and vibrato) tones. The UAFX Brigade is Universal Audio’s ultra-precise sonic tribute to that long-discontinued pedal, sporting an immaculate bucket brigade chorus/vibrato digital emulation that builds off of UA’s modern-classic Astra Modulation Machine algorithms. However, unlike the pedal of Brigade’s inspiration (or even the Astra), this pedal comes equipped with a supremely straightforward setup of three simple knobs and a 2-way switch to swap between chorus and vibrato. Furthermore, the Brigade features spot-on modeling of an analog preamp modeling section to impart your signal with a touch of old-school character and potent vintage-style punch. Capture the chorus tone that started it all with Universal Audio’s UAFX Brigade!

Review by Sound on Sound

Demo by Sweetwater

Demo by Guitar Center

Demo by Peach Guitars

Demo by BUZZBEE TV

Review by Gearnews

Quick Start Guide

Brigade Chorus & Vibrato

Entwickelt aus unserer Flaggschiff-Starlight Echo Station, bringt das Orion Tape Echo die magischen, sanften Delay-Effekte der klassischen 70er-Jahre Maestro Echoplex EP-III Tape-Delays in einem eleganten, kompakten Format.

Emerging from our flagship Starlight Echo Station, Orion Tape Echo gives you the magical hazy delay effects of vintage ’70s Maestro Echoplex EP-III tape delays, in a classy, compact package.

Manual Page

Orion Tape Echo

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

1176 Studio Compressor Pedal

Geir Arne Hagby

The LANEY IRONHEART FOUNDRY series LOUDPEDAL is a powerhouse 60-Watt twin channel amplifier in a pedal format. You are now part of our crusade to deliver crushingly powerful amplification. A journey that began in 1967 in The Black Country, in the heart of England.

Demo by Andertons Music

Ironheart Foundry Loudpedal

NUX B-8 ist ein neu definiertes Drahtlossystem mit automatischer Einrichtung, störungsfreier 2,4-GHz-Rundfunkfrequenz und hochwertiger 24-Bit-48-kHz-Audioübertragung. Die Latenzzeit bei der Signalübertragung beträgt nur 2,5 ms bei bester Leistung. Die Betriebsreichweite beträgt bis zu 50 Meter (160 Fuß). 

Das drahtlose B-8-System eignet sich für alle Arten von E-Gitarren, E-Akustikgitarren, Bässe und verschiedene Instrumente mit elektronischen Tonabnehmern. Unabhängig davon, welches Instrument Sie spielen, können Sie die Bequemlichkeit mit B-8 Wireless genießen.

NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). 

B-8 wireless system fits all types of electric guitar, electric-acoustic guitar, bass guitar, and various instruments with electronic pickups. No matter what instrument you play, you can enjoy the convenience with B-8 wireless.

Review by AMAZONA

Review by gearnews

Demo by Scott Uhl

Demo by Andrew Siemon

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tyson Edwards

Introducing the Lion, a 100% all analog signal path, programmable distortion pedal with onboard presets and full midi control.

The Lion is an op amp based distortion with hard clipping diodes placed after the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Boss DS-1, Pro Co Rat, and JHS Angry Charlie, etc. The Lion features an internal 18V charge pump converting a standard 9V power supply to 18V for maximum headroom and responsive touch dynamics.

JET Pedals

Demo by Nobes Music

Manuals Page

Lion Distortion (In black)

Caleb Harding

The Lamb is an op amp based overdrive circuit with soft clipping diodes placed inside the feedback loop of the op amp. While it is it's own unique circuit, it can be closely compared to similar type circuits like the Marshall BluesBreaker, Analog Man King of Tone, and JHS Morning Glory, etc. 