cuulguit@r

This is a board including dirt pedals I don't use too often. They all have their distinctive sound and I put them in front of the amp or the loop of onather board when needed. 

Distort-A-Board 1

Terence Vignaud

Moen

Product Page

Manual

GEC8 JR V2

Tester

The FLUX-FIVE™ adds our classic Five Band Graphic EQ and footswitchable HI/LO performance Modes, featuring separate OUTPUT LEVEL controls to the already versatile FLUX-DRIVE™ package for increased tone shaping power and enhanced stylistic versatility.

Mesa Boogie

Demo by Ola Englund

Demo by Riffs, Beards & Gear

Review by Guitar World

Review by The Gear Page

Review by Musiker-Board

Review by bonedo

Flux-Five

David Litaba

Electro-Harmonix

Crayon

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

PAUL MARSHALL

The Fulltone Full Drive 2 is a highly-regarded boutique overdrive pedal known for its versatility and ability to replicate classic overdrive tones. It’s a popular choice among guitarists, with a wide range of users including The Rolling Stones, Robin Trower, The Black Crowes, Robben Ford, Ian Moore, Steve Stevens, Drew Zingg, Pete Anderson, and John Abercrombie.

Fulltone

Demo by  N Stuff Music

Official Product Video

Review by Guitar.com

Full-drive 2 v2

Der OKKO FX King Krunch ist das erste Pedal der "BlackBox" Serie, handgefertigt in Leipzig, Deutschland. Es simuliert den satten, dynamischen Klang übersteuerter Röhrenverstärker – von subtiler Zerre und Harmonien bis hin zum vollen Plexi‑Roar – mit einer Reaktivität auf Anschlagstärke und Gitarrenlautstärke. Die passiven Bass‑ und Höhenregler ermöglichen eine Klangfeineinstellung ohne Härte und behalten selbst bei extremen Einstellungen Musikalität bei. 

The OKKO FX King Krunch is the inaugural pedal in OKKO's "BlackBox" series, handcrafted in Leipzig, Germany. It emulates the rich, dynamic drive of pushed vintage tube amps — from subtle breakup and harmonics to full-throttle Plexi roar — with responsive dynamics that react to picking attack and guitar volume. Its passive bass and treble tone controls let you fine-tune your sound without harshness, maintaining musicality even at extreme settings.

OKKO FX

Demo by Pedals Fusion

Demo by Alberto Barrero

Home Page

Review by Guitar Pedal X

King Krunch

Alexandre Lamontagne

Klon Centaur Clone

DELETED USER

The Powerball pedal is tonally based on the Lead2 channel of the Engl Powerball II, recreating the gain stages of the amp itself. True bypass and completely analog, the pedal’s specially selected components offer up a particularly high level of sound quality. The electronics assembly is protected by a highly durable housing, meaning you get a pedal that’s going to deliver for a lifetime!

ENGL

Demo by JJK's One Girl Band

Demo by Guitar Bonedo

Powerball EP645

Patryk Dąbrowski

Der NUX Recto Distortion bietet eine authentische, gleichrichterähnliche High-Gain-Verzerrung. Einer der begehrtesten Verstärker-Sounds wird in einem kompakten Pedalformat geliefert. Bekannt für seinen knackigen, aggressiven Sound ist es das ideale Pedal für Metal und härtere Genres im Allgemeinen.

Von knackig bis schlammig, wenn Sie Ihrem Sound mehr Biss verleihen wollen - dieses Pedal liefert ihn in Hülle und Fülle. Die rein analoge Schaltung bildet jede Nuance des extremen Amp-Breakups mit hartem Clipping und jeder Menge Gain ab.

Mit den detaillierten Reglern kannst du eine Vielzahl von verzerrten High-Gain-Sounds einstellen, während die True-Bypass-Schaltung jegliches Ausbluten des Tons verhindert und dein trockenes Signal rein hält. Der Recto ist für alles, was schwer ist, bestens geeignet.

The NUX Recto Distortion nails authentic rectifier-esque high-gain distortion. One of the most sought-after amp tones is delivered in a compact pedal format. Known for its tight, aggressive sound quality, this is the ideal pedal for metal and heavier genres in general.

From crispy to sludgy, if you're seeking added bite for your tone- this pedal delivers in abundance. All-analog circuitry accurately replicates every nuance of extreme amp breakup with hard clipping and loads of gain on tap.

Just use the detailed controls to dial-in a myriad of high-gain distorted tones, all while the true bypass switching stops any tone bleed, keeping your dry signal pure. For all things heavy, the Recto does the business.

Demo by Rich Bischoff

Review by audiofanzine

Recto Distortion

BOSS

Manual Page

MT-2 Metal Zone

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Alix Laplanche

Das DS-1 Distortion wurde 1978 als Teil der zweiten Compact Pedal-Welle vorgestellt. Mit seiner kantigen Attack und dem smoothen Sustain überzeugte es Gitarristen weltweit und prägte den Sound zahlreicher Rock-Legenden. Diese Begeisterung hält bis heute an und macht das DS-1 zum meistverkauften BOSS Pedal aller Zeiten.
Anlässlich 40 Jahren BOSS Pedal Innovationen, haben wir nun eine Sonderedition des DS-1 veröffentlicht, deren schwarzes Gehäuse goldene Buchstaben zieren, und das durch vergoldete Regler und eine Flügelschraube in Vintage-Silver zum Verschließen des Batteriefachs im Pedalboard wie auch in der Vitrine für Aufsehen sorgt. Das Pedal ist in einer edlen Box mit dem 40 Jahre BOSS-Jubiläumslogo verpackt und nur 2017 erhältlich.

The DS-1 Distortion was introduced in 1978 as part of the second wave of compact pedals. With its edgy attack and smooth sustain, it won over guitarists around the world and shaped the sound of numerous rock legends. This enthusiasm continues to this day and makes the DS-1 the best-selling BOSS pedal of all time.
To mark 40 years of BOSS pedal innovations, we have now released a special edition of the DS-1, the black housing of which is decorated with gold letters and which attracts attention with gold-plated controls and a wing screw in vintage silver for closing the battery compartment in the pedal board and in the display case. The pedal is packaged in an elegant box with the 40-year BOSS anniversary logo and is only available in 2017.

Demo by Totsumon Club

Demo by Pedal of the Day

Review by reddit /guitarpedals

Review by guitar pedal X

Review by Gitarre & Bass

SD-1 4A

PedalSafe Type E

Schutzabdeckung & RockBoard-Montageplatte für Standard Boss Pedale

Protective Cover & RockBoard Mounting Plate For Standard Boss Pedals

Schutzabdeckung & universelle Montageplatte für Standard Boss Pedale

Protective Cover & Universal Mounting Plate For Standard Boss Pedals

The Getaway Driver is an amp-in-a-box type pedal with just three dials – Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier’s clean channel, even ones with a bright cap. It also makes a great clean boost, with lower Gain and higher Volume settings pushing amps over the edge into classic overdrive.

The gain structure is produced using single-ended JFET circuitry running in Class A, just like a valve amp. The input buffer, output buffer and Cab Sim are handled using op-amps, using a charge pump to give 18v of headroom.

Orange

Review by Gear Gods

Demo by delamar Guitar

Getaway Driver

The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records.

At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.

Demo by PMTVUK

Demo by Pete Thorn

Demo by ProGuitarShopDemos

Official Product Video 

Kongpressor

Caline

CP-207

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

AShR501

Fender PR-180E ACB Resonator

Acoustic Resonator Board

Orange Crush 35RT

Der Vemuram Jan Ray ist ein handgefertigter analoger Overdrive-Pedal mit dem Ziel, die punchigen, klaren Klänge der Fender Blackface-Verstärker der 1960er Jahre – oft als „Fender Magic 6“-Sound bezeichnet – nachzubilden. Er bietet natürlichen Overdrive mit großem Sustain und minimaler Kompression und erhält dabei den Charakter der Gitarre, während er die dynamische Ansprache verbessert. Das Pedal verfügt über einfache, intuitive Regler für Volume, Gain, Bass, Treble und einen Saturation-Trimmer sowie einen True-Bypass-Schalter zur unverfälschten Tonübertragung im Bypass-Modus. Handgefertigt in Japan mit hochwertigen Bauteilen und robuster Haptik ist der Jan Ray sowohl für transparente Verzerrung als auch für amp-ähnliche Zerre geeignet.

The Vemuram Jan Ray is a boutique analog overdrive pedal designed to reproduce the punchy, clear tones of 1960s Blackface Fender amps, often described as the “Fender Magic 6” sound. It delivers natural overdrive with great sustain and minimal compression, preserving the guitar’s character while enhancing dynamic response. The pedal features simple, intuitive controls including Volume, Gain, Bass, Treble and a Saturation trimmer, along with true bypass switching for unaltered tone when off. Handcrafted in Japan with high-quality components and a robust enclosure, the Jan Ray is suitable for both transparent drive and amp-like breakup tones.

Vemuram

Jan Ray

Catalinbread’s Talisman plate reverb is touted as a homage to the plate reverbs of the 70s, famously used on Pink Floyds iconic Dark Side of the Moon album. To clarify, according to Musician on a Mission, plate reverb is “a clever way of imitating the way sound reverberates through a room. Plate reverb units are big, enclosed cases. Hanging inside of the case is a thin metal sheet, aka the “plate.” When a sound is played into a plate reverb unit, vibrations inside of the case create the illusion of reverb“.

Catalinbread

Demo by Reverb 

Demo by Catalinbread Effects

Review by Guitar Fella 

Review by BK Pedal Reviews 

Talisman

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Review by Amazona 

Review by Bonedo 

Belle Epoch

GREEN RUSSIAN BIG MUFF PI

Tom Westbrook

The Orange Acoustic Pedal takes all the know-how of our acclaimed Acoustic Pre TC preamp and Crush Acoustic 30 amplifier, cramming it all into a do-it-all, compact preamp pedal. Whether you need to win the battle against feedback, handle complex effects chains, brighten up a dull instrument or just plug into a PA, the Acoustic Pedal has you covered – in top-notch Orange style. With a low-noise JFET circuit design, surgical-yet-flattering EQ, XLR and 1/4″ outputs and a buffered FX Loop, all situations are taken care of. This high-headroom, high-quality pedal keeps your setup simple and controlled, leaving you free to do what you do best. Play.

Review by Acoustic Guitar

Acoustic Pedal

Walrus Audio

Canvas Power 5

yann LE BORGNE

Sandbox Pedal Board

STUDIO

Bart Gijde

Roland/BOSS offers two types of sturdy metal footswitches for different applications. The FS-5U (silver) is a momentary "unlatch"-type footswitch, and the FS-5L (black) is a latch-type footswitch with an LED to indicate status. Both footswitches can be connected using ordinary guitar cables. Please consult your owner's manual for compatibility.

Demo by Reverb

Review by Equipboard

FS-5U

FLASHBACK is a modern twist on the know-how and legacy of TC Electronic's legendary 2290 Delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there . Seriously, why you're not out buying one right now after reading that is beyond us.

TC Electronic

Review by musicradar

Demo by Ryan Lutton

Demo by TC Electronics

FLASHBACK DELAY

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

Review by Guitar

Demo by  Nick Bowcott 

IR-2

Marshall

Review by

RF-1 Reflector

ch ray

Der BOSS SDE-3 Dual Digital Delay ist ein kompaktes Stereo-Delay-Pedal, das den klassischen Klang und Charakter des Roland SDE-3000 Rack-Delays in ein pedalboardtaugliches Format bringt. Es bietet reichhaltige vintage digitale Delay-Töne mit kreativer Kontrolle über Verzögerungszeit, Feedback, Modulationstiefe und Rate sowie einen High-Cut-Filter zur Formung der Echo-Wiederholungen. Die Offset-Regelung erzeugt eine zweite Verzögerungslinie für polyrhythmische und Stereo-Texturen. Der Pedal verfügt über vielseitige Ausgangsmodi einschließlich Stereo-Ein/ausgängen und Wet/Dry-Routing, Tap-Tempo, MIDI-Sync-Eingang, Expression-Pedal-Steuerung und einen gepufferten Bypass mit Carryover für natürliche Ausklänge.

The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic ’80s-era rackmount delay favored by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colorful dual-delay textures.

Demo by The Studio Rats

Instagram Channel

Review by Premier Guitar

SDE-3 Dual Digital Delay

The Line 6 MM4 Guitar Modulation stomp box modeller Pedal. Loaded with a treasure trove of vintage analog-style modulation and modern tone manglers.

LINE 6

Official Website

Demo by  Astronauts高田馬場

Demo by Dressed in Black

The THROTTLE BOX™ Distortion serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our amplifiers. While its main strengths lie in higher-gain sounds, it is quite versatile and it’s lower gain options shouldn’t be overlooked for classic rock or howling blues. The THROTTLE BOX also features a unique MID CUT that scoops out midrange to produce the signature Boogie® “V” EQ-curve that so many artists have employed in our amps to create the world’s heaviest guitar tones! 

Demo by Jake Cloudchair

Review by Ultimate Guitar

Throttle Box

Sondre Søndervik

Dies ist eine 80's verzerrung, die wie ein Full Stack in eine Box klingt, direkt vom Sunset Strip. Es handelt sich um ein Pedal in limitierter Auflage, das nur bis zum 1. Oktober 2018 erhältlich war – und nie wieder hergestellt wird.

This is a 80’s distortion sounding like a full stack in a box, directly from the Sunset strip. It is a limited edition pedal, and was only available until October 1, 2018 - and will never be made again. 

Steel Panther

Demo by Loudwire

Review by Toilet Ov Hell

Review by reddit /Guitar

Pussy Melter

Overdrives were already plentiful at the time, yet when the original circuit that inspired the Blues Believer made its apparition in 1991, guitarists were delighted to have access to that vintage British amp-inspired tone.
When the term British sound gets mentioned, it usually brings to mind the fat warm crunch of a Plexi, but the FX Teacher Blues Believer has a different sonic color to it. It is a bright overdrive, the original transparent overdrive (without the clean sound being added to the crunch), truly respectful of your amp and guitar’s personality, mindful of the dynamics in your playing, while supplying all the fat and harmonically loaded sustain typical of tube amps.
The FX Teacher Blues Believer can be used as your basic crunch on a super clean amp, as a boost to push it to the other side, as an extra source of fat on an amp that’s already cooking, or even as a way of making a crappy rental amp feel decent and more flattering.

Anasounds

Demo by Palf

Demo by Tone Factory

Review by delicious audio

Blues Believer

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Review by Pedal Authority

NS-2 Noise Suppressor

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive

Nano Q-Tron

Following the amazing success of MB Octaver, we decided to offer a smaller version, part of our Raw pedals series.
As for its predecessor, the MB OCTAVER RAW SERIES delivers a super fast-tracking, even in the low range. It adds beefy bottom-end and extra funkiness to your sound, still keeping a clear and perfectly tuned sound, way better than you’d expect from an analog octaver.

This pedal features separate Dry and Octave level controls for more thickness by mixing your dry notes with the octave pitched ones.

Michal Kotarbinski

Markbass

Octaver Raw

Demo by Toy Box Playa Reviews

Review by Talk Bass.com

Demo by azenhar

Alejandro Garcia Iglesias

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it’s appearance to facilitate all-new ways to experiment with your songs.

Canvas Re-Amp

Kongpressor by Orange