Gabriel Ahumada

Guitar planning

ch ray

The FC15 Analog Flanger packs a rich analog flanger effect in the small form factor expected from the FC series. Featuring color, range, and a large rate adjustment knob, the FC15’s simple design allows for quick customization and tone tweaking on the fly. Easily toggle between “Normal” and “Filter” modes for more effect variations and when done, the true bypass circuit ensures a noise-free environment until you’re ready to flange again.

Flamma

Manual

Review by delicious audio

Review by Pedal of the Day

Demo by Ryan Lutton

Official Product Video

Product Page

FC15 Analog Flanger

Tester

The Midnight is a JFET-based phaser pedal that expands on traditional analog phaser design. The intuitive user-interface includes mix, feedback, and depth controls to create a warm, analog phaser experience. The Midnight uses digital controls to offer five global waveforms for both tap and ramp mode.

Native Audio

Demo by R.J. Ronquillo

Demo by Edge of Breakup - Guitar, Amp & Pedal Demos

Demo by Mike Hermans

Midnight V2

LOFI MACHINE can be used to create low-bit sound effects like you might hear from vintage video games and aged electronics with worn components. 3 modes for use with Guitar / Bass / Keys
Sampling Rate Range 31250Hz~60Hz
Sampling Depth Range 16Bit~5Bit

MOOER

Official Product Page

Review by Shawn Hammond, premierguitar.com

Demo by Prymaxe

LoFi Machine

PedalSafe Type K1

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

Multi-reverb with preset capability and intuitive control.

Four unique reverb algorithms.

Four programable presets.

Intuitive interface.

Ghost Ridge V1.5

BOSS

CH-1 Super Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Kurt Cobain hatte es, Satriani hat es und wahrscheinlich auch Ihr Nachbar!
Das BOSS DS-1 ist ohne Zweifel eines der berühmtesten Verzerrungspedale auf dem Markt.
Seit den späten 70ern und bis heute bietet dieses kleine orangefarbene Pedal eine komprimierte Verzerrung im britischen Stack-Stil mit einem einfachen Bedienlayout – Verzerrung, Ton und Pegel.

Das BOSS DS-1 ist kein subtiles Pedal, aber auch kein brutales. Es behält seine Eigenschaften mit den meisten Arten von Tonabnehmern und ist wirklich ein großartiges Pedal für Anfänger und Profis gleichermaßen.
Vergleichen Sie diese Vintage-Version mit den anderen, um zu hören, ob Sie einen Unterschied feststellen können!

Kurt Cobain had it, Satriani has it, and probably your neighbour too!
The BOSS DS-1 is without a doubt one of the most famous distortion pedals out there.
Since the late ’70s and until today, this little orange pedal offers a compressed, British stack style distortion with an easy control layout – Distortion, Tone and Level.

The BOSS DS-1 is not a subtle pedal but not brutal either, it retains its characteristics with most type of pickups and it is really a great pedal for beginners and pros alike.
Compare this vintage version against the others too hear if you can tell any difference!

Demo by Boechler Guitars and Repair

Demo by shnobel

Official Website

Review by BOSS

Review by The Gear Page

Review by Electrosmash

Review by Tone Home

Manual download

DS-1 Distortion Vintage

David Litaba

Der RockBoard StageTuner ST-01 vereint alle Aspekte, die Musiker in einem chromatischen Pedal-Tuner suchen. Die große, leuchtstarke, aber nicht blendende 28-Segment LED-Anzeige bietet eine gut lesbare Oberfläche, auch aus einer Entfernung von mehreren Metern. Der True Bypass hat keinerlei Einfluss auf den Klang deiner Gitarre und die beiden Ausgänge ermöglichen entweder stills oder eine hörbares Stimmen. Die Referenzfrequenz des ST-01 kann in 1-Hz-Schritten von 432 bis 445 Hz eingestellt werden und er verfügt über einen Stimmbereich von 27,5 Hz (A0) bis 4,186 kHz (C8) bis auf 1 Cent genau. Er verfügt darüber hinaus über eine praktische De-Tuning Funktion, mit der du deine Stimmung um 1, 2 oder 3 Halbtöne droppen kannst. All dies macht den StageTuner ST-01 in Kombination mit dem kompakten Metallgehäuse zum optimalen Begleiter, den du auf deinem (RockBoard) Pedalboard nicht wirst missen wollen.

The RockBoard StageTuner ST-01 combines all aspects that musicians seek in a chromatic pedal tuner. Its large, bright, but not blinding LED 28 segment display provides an easily readable interface even from meters away. The true bypass does not affect your guitar's tone at all and its two outputs allow for either silent or audible tuning. The ST-01's reference frequency can be changed in 1 Hz steps from 432 to 445 Hz with a tuning range from 27,5 Hz (A0) to 4.186 kHz (C8) accuratly down to 1 Cent. It also feature a handy detuning function, which lets you drop your tuning by 1, 2 or 3 semi-tones. All this, combined with the StageTuner ST-01's compact metal housing makes it the optimal companion you will not want to miss on your (RockBoard) pedalboard.

RockBoard

RockBoard Stage Tuner ST-01 - Demo / Review Video - Musiker TV

Stage Tuner V2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

ISO Power Block V10

Für 5-10 FX-Pedale, 1 MOD-Slot - **442 x 236 mm / 17.40" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **442 x 236 mm / 17.40" x 9.29"** - available with Gig Bag or Flight Case

William W

Dream Board

Thomas & Simone RhPf Electronics

Capharnaüm ist roher, chaotischer Fuzz mit Biss – laut, lo-fi und kompromisslos. Mit gezackter Sättigung, aggressivem Low-End und bröckelnder Gating-Struktur liefert er pure Zerstörung. Scorch formt den Klang, Wrath stapelt Texturen – wenn Ordnung endet, beginnt Capharnaüm.

Capharnaüm is raw fuzz with a serrated edge—loud, lo-fi, and full of chaos. It delivers jagged saturation, gated sag, and aggressive low-end punch. With tone-sculpting Scorch and dual-texture Wrath, it thrives where polish ends and mayhem begins. No cleanup. No compromise.

RhPf Electronics

3D Viewer and AR tool

Interactive Frequency Response

Review by KAHFA

Demo by Philomena Music and Demo

Capharnaüm

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Demo by We As A Company

Interactive Demo

Mo(s)ghoul

Sylvain Puysegur

Dark Star ist ein charaktervoller Lo-Fi-Reverb – ideal für langsame Anschläge und die Erzeugung atmosphärischer Pads. Rund um den Kernklang bieten zahlreiche Regler Möglichkeiten zur Klangverfremdung: Signalabbau, Filterung, Pitch-Shifting, zusätzlicher Delay sowie nützliche Parameter wie Mix und Volume.

Für maximale Integration in verschiedenste Setups verfügt der Dark Star über Stereo-Ein- und Ausgänge, analoges Dry-Through sowie wahlweise Trails- oder True-Bypass-Schaltung. Presets, Expression-Steuerung für jeden einzelnen Regler und vollständige MIDI-Kontrolle über sämtliche Parameter runden das leistungsstarke Feature-Set ab.

Ein Reverb für jede Position in deiner Signalkette – fast schon ein eigenes Instrument.

Dark Star is a characterful lo-fi reverb, ideal for slow attack and pad generation. Around the core voice are a number of controls for signal degradation, filtering, pitch shifting, added delay, and utilities like mix and volume. For integration into many different rigs, Dark Star has stereo in and out with analog dry through and trails or true bypass switching. Presets, expression control over every knob, and MIDI control over every element round out the robust feature set.  This is a reverb for anywhere in your signal chain, and almost an instrument of its own.

Old Blood Noise Endeavors

Review by guitar pedal X

Review by reddit /guitarpedals

Review by AMAZONA

Demo by Harp Lady

Demo by The Pedal Zone

Dark Star V3

Stephen Walton

Chase Bliss

Video Manuel

MOOD MKII

Shallow water
K-Field Modulator

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes.

Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to.

K-field (Simulation mathematics), an  undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours.

The water is shallow on this side of the pool. Do not dive and you will not drown.

Fairfield Circuitry

Product Video by FairfieldCircuitry

Shallow Water

After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Demo 

Old Blood Noise Black Fountain Product Page 

Black Fountain-copy

GREGORY GUENEAU

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

KMA Machines

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

Manual Page

ENDGAME - Duality Calibrator

The Gravity Well analog tremolo/wavefolder/refractor is your sonic submersible for exploring subaquatic psychedelic netherworlds of sound. It's a dual pedal featuring a tremolo on one side and a wavefolder on the other. When both sides are active a third effect emerges, a refractor, a first-of-its-kind style of modulation effect produced by integrating the tremolo and wavefolder to rhythmically and fluidly warp and un-warp your signal, producing a dazzling variety of never-before-heard sounds and textures.

Possibilities are endless, but include analog synthesizer sounds, touch sensitive envelope filter-esque sweeps, heavy cinematic pulsing rhythms, splatty gnarly alien fuzz, ring mod like bell tones, science fiction sound fx and textures, and surfy tremolo warbles, just to name a few!

Cosmodio Instruments

Demo by rob. robn

Gravity Well

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analog, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between. Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Walrus Audio

Review by Guitar.com

Demo by Rabea Massaad

Demo by Knobs

Demo by Walrus Audio

Julianna

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Ein paralleler 3-Band-Enhancer mit unabhängigem Gain- und Level-Setup für Bässe, Mitten und Höhen. Der Tri-Hormonic Phalanx formt jede Frequenz separat – mit Klarheit und Kontrolle. Verleihe deinem Sound Druck im Bass, Präsenz in den Mitten oder Glanz in den Höhen, ohne Überschneidungen. Für transparente Klangformung oder gezielte Sättigung – immer phasenstabil, immer musikalisch.

A parallel 3-band enhancer with independent gain and level controls for lows, mids, and highs. The Tri-Hormonic Phalanx lets you shape each frequency band separately—add grit to the mids, shimmer to the highs, or body to the lows, all without overlap. Whether for clean sculpting or stacked harmonic saturation, it delivers clarity, power, and phase-coherent balance.

Tri-Hormonic Phalanx

Fabian Förster

Wenn du Bass auf einem Track spielst, hast du vielleicht das Gefühl, dass der Bass-Sound nicht gut in den Track „passt“. Vor allem bei Songs, die intensiver oder härter klingen. Wenn du mit deinem Bass einen aggressiveren Ton erzeugen willst, kann eine extreme Verzerrung wie ein Fuzz eingesetzt werden - oder du kannst eine leichtere Gain-Lösung verwenden, die den Ton deines Basses beibehält. Dies ist der Surfing Polar Bear Bass OD (MOD BY BJF)

Basierend auf dem beliebten Surfing Bear Overdrive-Pedal von Animals Pedal haben wir mit Hilfe des genialen Effektdesigners Björn Juhl von BJFe den bestmöglichen Bass-Overdrive geschaffen - den IT'S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. Er hilft nicht nur dabei, den übersteuerten Sound klassischer Röhrenbass-Amps aus den 60er und 70er Jahren zu erzeugen, sondern moderne E-Bassisten spielen auch härtere Linien im Einklang mit den Rhythmusgitarren, um massive Riffs zu kreieren.

Probiere den SPBBOD mit deinen Fingern aus und sieh, wie dynamisch er auf jede Note reagiert. Du kannst mit dem Lautstärkeregler oder deiner Spielstärke von Clean auf Overdrive umschalten. Schlage ihn hart an und erhalte die OD-Kante. Spielen Sie sanft und Sie werden mit einem satten, fast cleanen Ton belohnt. Die Wahl liegt bei deinen Fingern. Es ist nicht nur der Rest der Band, sondern auch der Sound und das Gefühl des Overdrive, bei dem du die tiefen und tiefen Töne deutlich hören kannst, mit einer schönen Kante auf deinem Basston, die dich ins Rampenlicht katapultieren kann!

When you’re playing bass on a track, you may feel that the bass sound doesn’t “sit” well within the track sonically. Especially with songs that are more intense or fierce sounding. If you want to make a more aggressive tone with your bass, distortion can be extreme like a fuzz – or you can use a more light-gain solution that retains the tone of your bass. This is the Surfing Polar Bear Bass OD (MOD BY BJF)

Based on Animals Pedal’s popular Surfing Bear Overdrive pedal, we have made the best bass overdrive possible with the help of genius effects designer Björn Juhl from BJFe – the IT’S JUST SURFING POLAR BEAR BASS OD MOD BY BJF. In addition to helping create an overdriven sound from classic tube bass amps from the 60s and 70s, modern electric bassists are also playing heavier lines in unison with the rhythm guitars to create massive riffs.

Try the SPBBOD with your fingers and see how it responds dynamically to every note. You can switch from clean to overdrive with your volume knob or your playing strength. Hit it hard and get the OD edge. Play softly and be rewarded with rich almost clean tone. The choice is up to your fingers. It’s not only the rest of the band, but also the sound and feel of the overdrive where you can clearly hear the low end and root notes with a beautiful edge on top of your bass tone that can propel you into the spotlight!

Animals Pedal

Review by Reddit /guitarpedals

Demo by 【ムツミ】Mutsumi

Demo by LEP INTERNATIONAL

Surfing Polar Bear Bass OD MOD

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

Demo by Philip Czarnecki

News Letter

Mosferatwo

ISO Power Block V12 IEC

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

The Niisoo Harmonic Equalizer is a versatile tone-shaping tool designed to provide a diverse set of interactive analog filter options. Its dynamic interface allows for instant or timed recall of two user-defined frequency points, adjustable from 0 to 20 seconds. Niisoo employs advanced fourth-order filtering with resonance control, offering a fresh take on classic analog synth technology. With a rich palette of sounds—including lo-fi textures, filtered tremolo, classic wah, frequency shifting, and powerful equalization—Niisoo is perfect for both live performances and post-production use.

Niisoo Harmonic Equalizer

Das Komplete Audio 1 ist ein kompaktes, über USB betriebenes Audio-Interface, das sich ideal für Gesangs-, Instrumental- oder Podcast-Aufnahmen direkt am Computer eignet. Es bietet einen XLR-Eingang (mit +48 V Phantomspannung) für Mikrofone sowie einen ¼″-Eingang, der für Instrumente oder Line-Signale genutzt werden kann — dadurch ist es vielseitig einsetzbar für Gesang und Gitarre/akustische Instrumente. Es unterstützt Audioaufnahmen mit bis zu 24 Bit / 192 kHz und verfügt über Stereo-RCA-Monitorausgänge sowie einen Kopfhörerausgang für Direktmonitoring und Wiedergabe. Separate Gain-Regler, LED-Inputmeter, eine Master-Lautstärkeregelung und USB-Bus-Stromversorgung machen das Gerät portabel und benutzerfreundlich — ideal für Solo-Musiker, Podcaster oder kleine Heimstudios. Ein mitgeliefertes Software-Paket (DAW, Instrumente, Effekte) sorgt dafür, dass Nutzer sofort mit Aufnahmen und Produktion starten können.

The Komplete Audio 1 is a compact USB-powered audio interface designed for recording vocals, instruments, podcasts or other audio directly to a computer. It offers one XLR input (with +48 V phantom power) for microphones plus one ¼″ input that can be used for instruments or line-level sources, making it versatile for vocal & guitar/acoustic instrument recording. It supports high-resolution audio up to 24-bit / 192 kHz and provides stereo RCA monitor outputs and a headphone output for direct monitoring and playback. With separate gain controls, LED input meters, a master volume knob, and USB bus power, it aims to be a portable, user-friendly entry-level interface for solo musicians, podcasters or small-scale home studios. Included is a software bundle (e.g. DAW, instruments, effects) to give users everything needed to start recording and producing.

KOMPLETE AUDIO 1

Rising Sun
Tremolo
Analog tremolo with tap and ramp capability.

Analog design, digital control.

Optical-based tremolo.

Built for the explorer.