Anthony Gachomo

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Praise 'n' Worship 4.0

Edrich Andrews Dela Cruz

NUX NMP-2 is a universal dual switch controller with OPEN, CLOSE and LATCH modes, and it's a combination of momentary and latch type controllers, you can use it in both ways.

Product Page

Manual

NMP-2 Footswitch

Tester

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. 

Strymon

Review by Amazona 

Demo by EytschPi42

Official Product Video

Review by The Gear Page

Review by reddit /guitarpedals

Demo by Strymon 

SUNSET

Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

BOSS

Review by bonedo

Review by guitar pedal X

Demo by  Bernd Kiltz - Gitarrenvideos

GT-1000 CORE

ch ray

The Stylus adds vinyl and tape style warmth, warble, and anomalies to any instrument through simple and 
intuitive controls. Whether your goal is to add a rich analog preamp character or something more seriously warped and degraded, the Stylus has you covered!:

Mojo Hand Fx

Demo by Galen Bundy

Demo by  B's Music Shop

Review by delicious audio

Review by Premier Guitar

Stylus - LoFi Vinyl Modulator

Mirco Mennonna

Inspired by the rich tones of the Bell and Howell Filmosound 385 projector, the reimagined 385 MKII Overdrive offers dynamic, responsive, tube-like drive with simple but effective controls. The MKII adds an A/B switch to toggle between two sets of volume and gain knobs as well as a 385+ switch that slams the front end of the circuit for added high-gain saturation.

Walrus Audio

Review by PremierGuitar

Demo by walrusaudioeffects

385 Overdrive MKII Black

PedalSafe Type B2

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

NUX B-8 ist ein neu definiertes Drahtlossystem mit automatischer Einrichtung, störungsfreier 2,4-GHz-Rundfunkfrequenz und hochwertiger 24-Bit-48-kHz-Audioübertragung. Die Latenzzeit bei der Signalübertragung beträgt nur 2,5 ms bei bester Leistung. Die Betriebsreichweite beträgt bis zu 50 Meter (160 Fuß). 

Das drahtlose B-8-System eignet sich für alle Arten von E-Gitarren, E-Akustikgitarren, Bässe und verschiedene Instrumente mit elektronischen Tonabnehmern. Unabhängig davon, welches Instrument Sie spielen, können Sie die Bequemlichkeit mit B-8 Wireless genießen.

NUX B-8 is a redefined wireless system with automatic setup, 2.4 GHz interference-free broadcasting frequency, and 24-bit 48 kHz high-quality audio transmitting. The signal transmitting latency is as low as 2.5ms at the best performance. The operation range is up to 50 meters (160-feet). 

B-8 wireless system fits all types of electric guitar, electric-acoustic guitar, bass guitar, and various instruments with electronic pickups. No matter what instrument you play, you can enjoy the convenience with B-8 wireless.

Review by AMAZONA

Review by gearnews

Demo by Scott Uhl

Demo by Andrew Siemon

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Florian LE CORRE

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Pigtronix

Demo by Pigtronix

Review by

Cosmosis

Jackson Okun

Echolution 3 is a multi-tap stereo modulation delay offering a myriad of sound design options including reverse, jump, pong, modulation tempo sync, variable low pass filter, flexible signal routing and comprehensive MIDI control. Delay times ranging from 100ms to 5 seconds can be dialed in using the Time knob or via Tap Tempo using the left footswitch. A second delay tap can be set to the same length or a fraction of the main delay time to create rhythmic echoes. The ¾ fraction creates a dotted eight note delay, while the Golden fraction uses the sacred geometry of the Golden Ratio (.382) as the multiplier for the second tap. The multi-tap settings can be even further enhanced by the stereo ping pong effect, which causes the different delay taps to switch sides on each repeat. Store up to 4 presets, unlock hidden features with the Universal Remote footswitch, and design yet unheard delay lines. Runs on standard 9VDC.

Review by musicradar

Demo by Chord of Orion

Echolution 3

Die Philosopher’s Tone 2 hebt die bahnbrechende optische Kompression des Originals auf eine neue Ebene klanglicher Erleuchtung. Als erstklassiger Kompressor/Sustainer mit schaltbarem Grit bietet er mehr Vielseitigkeit denn je. Die weiterentwickelte Overdrive-Schaltung, erstmals in der limitierten Gold-Version zu hören, verleiht mit ihrem einzigartigen Germanium-Distortion-Schaltkreis einen geschmeidigen Hochtonbereich und einen satten Mitten-Antrieb, genau abgestimmt auf den optischen Sustainer. Neben den Reglern für Volume und Sustain verfügt die Philosopher’s Tone 2 über einen parallelen Clean Blend-Regler, mit dem Musiker ihren ursprünglichen Klang mit dem Kompressions-/Sustainer-Effekt mischen können, solange der Grit-Schaltkreis deaktiviert ist. Diese Technik stellt den natürlichen Anschlags-Attack wieder her und bewahrt Dynamik selbst bei extremem Sustain. Wenn der Grit-Schaltkreis aktiviert ist, umgeht der Blend-Regler automatisch die Kompromisse der Originaleinheit und verleiht deinem Sound eine farbenfrohe Verzerrung in Germanium- oder Silizium-Modus. Dieses nichtlineare Dioden-Clipping reicht von subtiler Overdrive bis zu überquellender Verzerrung – ganz ohne unerwünschtes Feedback. Ein Treble-Regler direkt vor dem Master Volume gewährt ±6 dB bei 2 kHz zur Feinabstimmung des Frequenzgangs. Mit True-Bypass-Schaltung und internen 18 V-Versorgungsrails bietet die Philosopher’s Tone 2 maximalen Clean-Headroom, ideal für heiße Pickups, aktive Bässe, Synths und andere Line-Level-Quellen. Läuft an 9 V DC.

Elevating the groundbreaking optical compression of the original Philosopher’s Tone to a new plane of tonal enlightenment, the Philosopher’s Tone 2 is a world-class compressor/sustainer with footswitchable Grit, allowing for more versatility than ever before. Featuring a refined implementation of the overdrive circuit first heard in the limited-edition Gold version of this iconic compressor pedal, the unique germanium distortion found in the Philosopher's Tone 2 delivers smooth top end and rich midrange response, tailored to perfectly match the characteristics of the optical sustainer driving it. In addition to Volume and Sustain controls, the Philosopher’s Tone 2 features a parallel clean Blend knob that allows musicians to mix their instrument’s original tone with the compressor/sustainer effect when the Grit circuit is bypassed. This mixing technique restores natural pick-attack and allows clean settings with extreme sustain to remain dynamic and musical. When the Grit circuit is engaged, the Blend knob is automatically bypassed, circumventing the compromises of the original unit and imparting a colorful distortion to your sound in both Germanium and Silicon modes. This nonlinear diode-clipping can range from subtle overdrive to overflowing distortion, all without unwanted feedback. A Treble control located just before the master Volume provides 6db of cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher’s Tone 2 features true-bypass switching and internal 18V power rails for maximum clean headroom that is ideal for use with hot pickups, active bass, synthesizers and other line-level sources. Runs on 9VDC

Demo by Juliana Wilson

Review by Music Radar

Review by Guitar World

Philosopher's Tone 2

Gas Giant ist ein High-Gain Analog-Fuzz-Pedal mit wählbaren Voicing-Optionen für die Tonregelung und einem integrierten Noise Gate. Inspiriert von den legendären transistorbasierten Fuzz-Pedalen, die Anfang der 1970er-Jahre in New York City gebaut wurden, verwendet der Gas Giant vierfach gematchte Transistorensätze, um sicherzustellen, dass jedes einzelne Pedal perfekt auf den schwer zu findenden "Sweet Spot" klassischer Vintage-Pedale abgestimmt ist.

Neben den Gain- und Volume-Reglern verfügt das Pedal über eine doppelt funktionale Tonregelung, die sowohl den typischen satten Bass, schneidende Höhen und den klassischen Mid-Scoop alter Fuzz-Pedale liefert als auch eine Pigtronix-eigene Midrange-Bump-Einstellung für mehr Präsenz im Mittenbereich. Diese zwei Voicing-Optionen verändern die Frequenzansprache der Tonregelung im gesamten Regelweg erheblich und bieten eine Vielzahl massiver Fuzz-Sounds im kompakten 3-Regler-Format.


Gas Giant is a high-gain analog jumbo fuzz pedal with switchable voicing options for the tone control and a built-in noise gate. Inspired by the iconic transistor-based fuzz pedals built in NYC in the early 1970’s, the Gas Giant uses quad-matched transistor sets to ensure that each and every unit is perfectly dialed in to the “sweet spot” that can be so elusive to find in vintage pedals.

In addition to the Gain and Volume knobs, there is also a dual-function Tone control that delivers the traditional heavy bass, searing top-end and midrange Scoop found in vintage pedals, as well as a signature Pigtronix midrange-forward Bump setting. These two voicing options drastically change the frequency response of the Tone control throughout its entire range, providing a bevy of gargantuan fuzz tones in a compact 3-knob stompbox.

Demo by R. J. Ronquillo

Review by Guitar Pedal X

Gas Giant

Hiu Fung Hui

The Hotone Tuner Press is not just your average tuner pedal; it's the epitome of versatility. Weighing in at a mere 600g, this pedal isn't just a tuner; it's a volume pedal, an expression pedal, and a buffer pedal all rolled into one. The footswitch provides tactile feedback, allowing you to seamlessly switch between expression and volume control. Elevating the pedal in volume mode activates silent tuning automatically. The HD LCD screen, complemented by the switching indicator, ensures an intuitive, accurate, and rapid user experience. Furthermore, the Hotone Tuner Press inherits the classic design of the popular Ampero Press series, seamlessly blending Hotone aesthetics with portability and practicality. 

HOTONE

Demo by Chris Ma的Dark Horse Lab

Tuner Press

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Patrick Dougherty

The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.

Review by HAPPY MAG

Demo by Mark Johnston

Canvas Stereo Dual Line Isolator / D.I.

QuickMount Type B

Franko Teston

Der [ACS1]™ ist ein Verstärker- und Lautsprecherbox-Simulator, der den Klang und das Gefühl von Weltklasse-Verstärkern, ergänzende Lautsprecherbox-IRs von Tone Factor und York Audio sowie eine steuerbare Raumgröße liefert. Mit dem ACS1 haben Spieler umfassende Möglichkeiten, ihren Sound auf der Bühne, im Studio oder beim Üben zu Hause zu liefern. Einfache Bedienelemente, Stereo-Ein- und -Ausgang, integrierte Voreinstellungen und MIDI-Unterstützung machen den ACS1 zu einem unverzichtbaren Werkzeug im Arsenal eines Gitarristen. Spieler können auch ihre eigenen IRs laden und die Firmware auf walrusaudio.io aktualisieren.

The [ACS1]™ is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware at walrusaudio.io.

Review by Guitar Bomb

Demo by Andertons

Demo by The Studio Rats

Mako MKII ACS1

Caline

CP-207

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Ursprünglich wollten wir eine verbesserte Version unseres eingestellten Odessa Dual Overdrive entwickeln. Als wir jedoch die Drive-Schaltungen optimierten, wurde uns klar, wie genial es wäre, eine Serien/Parallel-Reihenfolge-Schaltung hinzuzufügen. Das führte uns auf einen Pfad des Feintunings, um dem Nutzer vollständige klangliche Kontrolle zu geben. Die linken und rechten Schaltungen ergänzen sich auf vielfältige Weise, und das Ändern der Reihenfolge eröffnet endlose Optionen. Du kannst so lange justieren, bis du deinen einzigartigen Sound findest – oder einfach alle Regler auf 12 Uhr stellen und losrocken!

Rechte Schaltung: Dies ist die dynamischere Overdrive-Schaltung. Sie kann sauber bleiben, liefert aber auch satten Overdrive bei voller Dynamik und ist extrem ansprechbar auf Anschlagsintensität. Ein leichter Anschlag hält den Drive zurück, je stärker du spielst, desto mehr Drive spürst du! Diese Schaltung funktioniert gut als Boost oder Overdrive vor, nach oder parallel zur linken Schaltung. Die „Push“-Regelung ermöglicht dir, den Gesamtklang mit mehr Clean-Mix nach links zu formen oder mit nach rechts gedrehter Regelung mehr Gain und Bass-Punch zu erzeugen. Ein Drei-Clipping-Optionsschalter rundet die Kontrolle ab.

Linke Schaltung: Ein mittenbetonter, druckvoller Drive, der sich perfekt im Mix einfügt. Diese Seite trifft klassische, übersteuerte Amp-Töne und wird in Kombination mit der rechten Seite noch dynamischer. Sie entfaltet sich am besten als zweite in Serie, komplett offen in Parallelbetrieb oder indem sie die sauberere rechte Seite in Sättigung treibt. Außerdem bietet sie dank eines Baxandall-Tonestacks und drei Clipping-Optionen zusätzliche Flexibilität. Obwohl dieser Overdrive auch allein steht, ergänzt ihn die klassische rechte Schaltung perfekt.

Rock City: Detroit’s Rock ’n’ Roll Legacy
Originally, we set out to create an improved version of our discontinued Odessa dual overdrive. As we started tweaking the drive circuits, we realized how cool it would be to add series/parallel order switching. This lead us down a rabbit hole of fine tuning to make sure that the user had complete tonal control. The left and right circuits compliment each other in various ways, and changing the order unlocks endless options. You can tweak until you discover your unique sound, or you can just turn all the knobs to noon and let it rip!

Right Circuit: This is the more dynamic overdrive circuit. It can stay clean but it is capable of rich overdrive while retaining dynamics and remaining incredibly sensitive to pick attack. Playing with lighter attack will keep the drive tame. The harder you play, the more drive you will feel! This circuit works well as a boost or overdrive before, after, or in parallel with the left circuit. The added Push control allows you to tailor the overall tone with more clean mix turned to the left, while offering more gain and low end punch turning to the right. A 3-clipping option switch completes the control mix.

Left Circuit: A mid-focused punchy drive that sits in the mix beautifully. This side nails classic rock driven amp tones and becomes even more dynamic when combined with the right circuit. It thrives being 2nd in series, wide open in parallel, or pushing the cleaner right side into saturation. It also features added flexibility through the use of a Baxandall tone stack and 3-clipping options. Though this overdrive can easily stand on its own, the classic right circuit complements it perfectly.

Demo by Shawn Tubbs

Demo by Mike Hermans

Review by Stomp Box Steals

Rock City

Say "hello" to the 1979! An evolution of the now discontinued Mojo Hand FX 1978, the 1979 is based on the notoriously high gain Big Muffs that were manufactured during the late 70s. Favored by many players for it’s outrageous grungy distortion (most notably Billy Corgan), it features op-amps instead of the traditional transistors found in every other Big Muff variant.

The 1979 features a footswitch to bypass the tone knob, so you get ALL the bass, ALL the treble, and a HUGE helping of extra mids and volume. Perfect for slamming your amp into a ripping solo, or doom/stoner mode. But most importantly, the tone bypass has it’s own volume knob so you can set it to unity or boost! We also adjusted the taper of the original gain pot to have a more usable sweep.

This peculiar Muff uses an IC, instead of the traditional transistor set, resulting in something that’s both familiar and different at the same time. The sound is more raw and aggressive than a typical BMP. Please do not expect subtlety. This pedal does not “clean up well” with your volume knob. It doesn’t sound pretty. It’s probably not appropriate for waltzes or jazz standards. It’s not supposed to be. It smashes you in the face.

Demo by 60 Cycle Hum

Demo by Reverb

1979

Designed to faithfully reproduce the classic amp-style tremolo of days past, the Bayou tremolo focuses on vintage analog sweetness while adding modern upgrades and features such as true bypass switching, pulsing LED, and top-notch build quality. 3 external controls provide you with ample command of the Bayou’s tonal performance. The DEPTH knob offers everything from a light and buttery shimmer, to a deep pulsing throb, while the RATE control ranges from slow warble, to full-tilt flutter. Lastly, the LEVEL knob makes it extremely simple to find unity volume, and if desired, can give a significant boost.

In fact, with the DEPTH control at 0 and the LEVEL set to a fair amount of boost, the Bayou gives a wonderfully unique kick to the tubes without overly coloring your signal, and with a twist of the RATE knob, you can give your leads a subtle stutter effect that stays low in the mix, or keep the RATE low for a barely audible, almost vibe-like quality. Good times.

Demo by Curtis Kent

Demo by Prymaxe

Review by The Tremolo Project

Bayou

Sweet Texas Heat… The Bluebonnet is a streamlined, straight to the point tribute to Lone Star Tone. Designed to be the ultimate grab-n-go dirt pedal, its simplistic dual control layout (Volume and Gain) makes it a natural extension of your amp. Crank the Volume knob to give your rig a boot to the tubes, or dime the Gain and watch your licks scorch like the sun on a summer day in Dallas. With no Tone or EQ controls, we’ve voiced the Bluebonnet relatively flat: not too bright, not too dark, no ‘honky’ mids…just nice, smooth and neutral.

While the Bluebonnet’s design favors simplicity over versatility, thats not to say its a mere one trick pony. Whether its used to add some grit to a clean amp, kick an already overdriven amp to the next level, or used as a base tone to stack other pedals…the Bluebonnet delivers classic shades of drive smothered in Tejas Mojo.^