Zach  Januse / Fuzzed Drones

Fuzzed Drones Pedalboard 

Jeff O'Connor

Paying homage to the sacred bass rig embodied by Al Cisneros in the early days of OM, GIZA is a JFET emulation of a modified Green Matamp GT120 preamp combined with the hypnotic pairing of DOD 250 Overdrive and Boss DS-1 Distortion.

Does It Doom

Facebook Page

Product Page

Review by Doomed & Stoned

Official Product Video

Demo by Fuzzed Drones

Giza

David Graves

Der Witchfinder ist eine stark modifizierte Version der Boss FZ-2 Hyperfuzz. Im Vergleich zum Original wurde der 3-Wege-Mode-Schalter entfernt, ebenso der Boost-Modus. Fuzz 1 und Fuzz 2 wurden vereinfacht – statt eines festen Mitten-Cuts gibt es jetzt eine aktive Mittenregelung mit einem 3-fach umschaltbaren Mittenfrequenz-Schalter.

The Witchfinder is a highly modified version of the Boss FZ-2 Hyperfuzz. Compared to the original, the 3 way mode switch has been removed along with the Boost mode. Fuzz 1 and Fuzz 2 have been simplified where instead of a fixed mid-cut there is now an active mid range control with a 3-way center frequency toggle.

Magic Pedals

Demo by Dirty Demos

Demo by Does it Doom?

Witchfinder

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Tester

One of the best versions of the Ram's Head is the "Violet" version.

The overall tone of the pedal is very balanced from low to high and it has a ton of warm, smooth fuzz that make chords full while retaining string clarity. 
Lead tones are very smooth, punchy and warm. Harmonics jump out with very little effort.

Stomp Under Foot

Vintage 1975 Violet Ram's Head

ch ray

The Seabee is a multi-chorus pedal that delivers the finest analog bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.
Three Chorus modes provide the classic, lush chorus and vibee sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.
Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

Beetronics

Review by bonedo

Review by Guitar.com

Manual

Official Product Video 1

Official Product Video 2

Seabee Harmochorus

Esben Dyrhovden

If there were a Venn Diagram showing the overlap between ‘90s British shoegaze and ‘90s Swedish death metal, Jugendstil would feel right at home in the middle. The circuit starts with a simple, high-gain silicon fuzz section which cleans up extremely well and can even be used as a clean boost at low settings. That’s all well and good, but Jugendstil’s secret weapon is a fully maxed out HM-2 style EQ, labelled “loud” and wired as a parallel blend — use the loud control to blend in as much or as little of the HM-2 sound as you like!  The sweep control (labelled "focus" on these blemished units) controls the center frequency of the mid boost.  Set it around 1 o'clock for the classic HM-2 sound.  

God City Instruments

Official Website

Review by reddit /guitarpedals

Demo by AlphaDelta Recording Studios

Jugendstil

Deforming is a PT2399 based delay with an envelope controlled warp function.

We've all played a show where you get to the end of your set, click on your delay pedal, crank the feedback knob and manically twist the time knob for walls of time bending chaos.

The concept behind Deforming was to make that time knob manipulation possible without having to drop to your knees and put your hands on the pedal. Meaning you can keep playing while the delay signal bends and warps around your playing.

Deforming features an input preamp which can be driven hard to saturate the unit and emulate the preamps of old tape machines. This preamp control also helps you reduce the input volume to balance out the signal when driving the unit with loud dirt pedals.

The warping effect can range from subtle pitch wobbles for shoegazey chord movement through to all out warped chaos at the most extreme settings.

Holy Island Audio

Review by delicious audio

Demo by Fuzz Eater Gear Demos

Demo by Tunnel of Reverb

Deforming

EarthQuaker Devices

Time Shadows II DBA Edition

QuickMount Type B

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Paulo  Duarte

The M-EQ DRIVER is a Mid Booster & Drive pedal, based on a vintage Pultec® studio EQ. Still sought after today, these legendary passive EQs from the 1950s can be heard on thousands of hit records thanks to their highly musical, versatile EQ curves and the ability to overdrive their push-pull output stage. Rather than making an exact replica, we have chosen to reimagine this classic piece of studio gear as a guitar-oriented, compact pedal.

Craft the perfect mid boost, add some studio-inspired saturation or push the pedal’s valve-like output stage into fierce “cocked wah” distortion. With the addition of our Adaptive Circuitry, the M-EQ DRIVER is always responsive and precise, with a character all of its own.

Origin Effects

Demo by JayLeonardJ

Review by The Gear Page

Review by AMAZONA

Review by guitar pedal X

M-EQ DRIVER BLACK

RockBoard

ISO Power Block V10

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Der FuzzThrone wurde ursprünglich für Jon von Conan entwickelt und ist seit einigen Jahren eines seiner Haupt-Fuzz-Pedale (die 3-Regler-/2-Schalter-Version wurde auf Blood Eagle und Revengeance verwendet). Als Grundlage diente das Cthulhu Fuzz, das um einen Fuzz-Regler, eine Klangregelung (EQ) und einen einstellbaren Boost hinter dem EQ erweitert wurde. Das Ergebnis ist ein deutlich vielseitigeres Pedal im Vergleich zum Standard-Cthulhu Fuzz – mit noch mehr Ausgangsleistung und deutlich mehr Gain bei voll aufgedrehtem Boost. Um deine Feinde zu zerschmettern!!!

Reglerfunktionen:
Volume: Ausgangspegel
Boost: Fügt bis zu 30 dB Boost hinzu
Tone: Passiver EQ, ganz links = dunkel, ganz rechts = hell
Fuzz: Verzerrungsgrad / Gain

The FuzzThrone was originally designed for Jon in Conan and has been one of his primary fuzz pedals for the past few years (3 knob 2 switch version used on Blood Eagle and Revengeance) The Cthulhu Fuzz was used as the base design, then added a fuzz control and an EQ plus an adjustable boost after the EQ. The resulting pedal is more versatile compared to the standard Cthulhu Fuzz with even more output volume and more gain when the Boost is maxed out. To crush your enemies!!!

Controls are as follows:
Volume: Output!
Boost: Adds up to 30 dB of boost
Tone: Passive EQ, CCW = dark, CW = bright
Fuzz: Amount of Gain

Bass Demo by Magic Pedals

FuzzThrone

Ein Regler, sie alle zu knechten!

Hochgain-Silizium-Fuzz mit nur einem Lautstärkeregler. Der Fuzz ist dauerhaft voll aufgedreht, und der Klang wird ausschließlich durch die Schaltung selbst geformt. Die Grundlage dieses Pedals ist eine Fuzz-Face-ähnliche Schaltung, die jedoch um eine zusätzliche Gain-Stufe erweitert wurde, um das maximale Zerrpotenzial zu steigern.

Reglerfunktion:
Volume: Ausgangspegel

1 Knob to Rule Them All!

High gain Silicon Fuzz with only a volume control. Fuzz is maxed out and tone is shaped by the circuit. The foundation of this pedal is a fuzz face type circuit but with an additional gain stage to increase the maximum fuzz.

Controls are as follows:
Volume: Output!

Demo by C. Evan Craig

Cthulhu Fuzz

Magick Fuzz ist eine Neuinterpretation eines ganz bestimmten klassischen Schaltkreises.

Zwar eignet sich das Pedal auch für Low-Gain-Anwendungen, zeigt aber sein wahres Potenzial erst bei voll aufgedrehtem Volume-Regler. Es ist kompromisslos auf schwere Sounds ausgelegt – laut, höhenreich, gainstark, mit dichtem, kratzigem Charakter und ausgeprägtem Mittenfokus, je nach Einstellung des Tone-Reglers. Auch mit Bass und Orgel harmoniert es hervorragend.

Trotz seiner brachialen Ausrichtung bewahrt sich der Magick Fuzz wichtige tonale Qualitäten: Er liefert ein solides Bassfundament und gleichzeitig brillanten Höhenanteil – für einen konsistenten, voll klingenden Sound. Wer aggressiv schneidende Höhen will, kann sie haben. Wer lieber mittenarm und tief im Mix verschwinden will, ebenfalls. Für Gitarrist:innen, die im Bandgefüge nach vorn treten müssen, bietet der Mids-Regler eine satte Mittenanhebung, die gleichzeitig Bass, Lautstärke und einen Hauch mehr Gain mit sich bringt. Umgekehrt lassen sich die Mitten auch extrem absenken – für einen dünnen, lo-fi Sound im Stil alter Rock’n’Roll-Aufnahmen.

Magick Fuzz wird zu 100 % von Hand in den USA gebaut – von einem einzelnen Zauberer.

Reglerfunktionen:
Volume (unten links): Ausgangspegel
Tone (oben links): Klangregelung von Höhen bis Bässen
Mids (oben rechts): Mittenabsenkung, Neutralstellung oder Anhebung
Sustain (unten rechts): Gain/Verzerrungsgrad

Magick Fuzz is a recreation of a very specific classic circuit.

It can be used for low gain applications but really shines when the volume is max for maximum results. This pedal is intended for heavy sounds and does not have sympathy for anything less. It is very loud, high in gain, thick/grindy/mid rangey depending on where you set the tone knob. It also works very well with bass and organ!

While holding roots in the heavy side of the spectrum it still manages to maintain some essential qualities. Magick Fuzz holds up the low end but high end sparkle at the same time. This helps you keep a more consistent all around sound. If you like very treble grind you can set it that way. If you wanna scoop all your treble out and sit in the back of the mix for rhythm or serious bass thump that is achievable. Or for the plagued guitarist who needs to come to the front a lot of mids are at your dirty hands via the fourth mids knob. While bringing mids into your sound it also adds a nice touch of bass, volume and a hair of gain. While you can add mids into your sound you can also scoop out much further than than the circuit originally was set for. This gives a very thin sound but can be reminiscent of old rock and roll records. Whatever your pleasure is there is enough versatility within the Magick Fuzz to satisfy many folks fuzz hunger.

It is 100% hand built in the USA by one wizard.

Controls are as follows:
Volume (Bottom Left) - Controls output level
Tone (Top Left) - Sweeps from treble to bass
Mids (Top Right) - Cut, flatten or boost the mids
Sustain (Bottom Right) - Controls the gain

Bass Demo by SzymanskiBass

Demo by Korey FY!EP

Magick Fuzz

Witchfinder by Magic Pedals