Nolan Cota

Jazz Bass

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Bass Pedalboard 1

Rumble Stage 800

Tester

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by bonedo

Manual

Product Page

Review by Daniel Rettberg

Demo by Reverb

Official Product Video

Spark Mini Booster

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Review by Talk Bass.com

Review by Premier Guitar

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Responding to strong requests from players all over the world, the FLIGHT TIME FT-2Y is now being introduced as the successor to the FT-1Y (FLIGHT TIME) that ended production in 2016. For the FLIGHT TIME FT-2Y, we have redesigned not only the analog and power supply circuits but also the digital circuits and firmware to realize dramatic improvements in sound quality.

Free The Tone

Demo by ProGuitarShopDemos

Demo by Pedal of the Day

FT-2Y Flight Time Digital Delay

BOSS

LS-2 Line Selector

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Electro-Harmonix

Mod Rex

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

cedric monnier

Maestro hatte das erste Fuzz-Pedal der Welt entwickelt - das Maestro Fuzz-Tone FZ-1. Der 1962 auf den Markt gebrachte Fuzz-Tone wurde zum Sound des Rock'n'Roll und zu einem unverzichtbaren Accessoire für Gitarristen auf der ganzen Welt - insbesondere nach dem Erfolg von (I Can't Get No) Satisfaction der Rolling Stones aus dem Jahr 1965, bei dem der innovative Fuzz-Sound eine wichtige Rolle spielte. Jetzt bringt Maestro mit dem neuen Maestro Fuzz-Tone FZ-M die Freude und die Klangwucht der frühen Fuzz-Tones zurück. Dieses rein analoge Pedal verfügt über einen Modus-Kippschalter, der zwei Pedale in einem bietet und so für mehr klangliche Vielseitigkeit sorgt: So ergibt sich sowohl ein vom originalen FZ-1 inspirierter Fuzz-Sound als auch ein dicker . . .

Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from br . . .

Maestro 

Demo by 60 Cyle Hum

Demo by Gibson TV

Fuzz-Tone FZ-M

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by Bass Musician

Review by Guitar Interactive Magazine

Demo by Philip Brennan

Demo by Bass Stuff

Bass Driver DI, Bass Driver DI v2

PedalSafe Type D2

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

Jonathan James

Demo by 

BOSS TU-3 Chromatic Tuner

Voodoo Lab

Pedal Power 3 Plus

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

The Stage Phaser is a very old a rare, yet unique look into how pedals could have looked today. 

Demo by  AtomicMusicStore

Demo by Jay Graf

Stage Phaser

DESIGNED BY SYNTH PIONEER TOM OBERHEIM

The Maestro FSH-1, also known as the Filter Sample/Hold, was an innovative pedal released in the late 1960s. This pedal produced unpredictable filter sweeps and sample/hold effects, making it ideal for experimental and psychedelic guitarists. Its scarcity and unique sound have made it highly sought-after among collectors and sonic explorers.

The sample/hold settings allow players to add rhythmic patterns to their playing far beyond the typical vibrato and tremolo. The filter is classic low pass and sounds incredibly smooth. Controls allow you to tweak the rate of the sample/hold as well as the frequency of the filter. This is truly a fantastic pedal.

 

The controls

Filter Range: Probably the width of range in which the filter moves. Could also be a fixed width with knob controlling the center frequency (high/low) of that range.

 

Filter/Sample/Hold: Switches the effect to envelope filter or sample/hold.

 

S/H Speed: Controls the speed of the sample/hold effect.

 

The controls consist of knobs for range (depth) and sample/hold speed. A switch that engages either the sample/hold random filter effect or an envelope follower for a unique auto wah sound.

Review by Catalinbread

Demo by rousejeremy

Demo by Geoff Barden

Demo by J Chris Griffin

Demo by Bennett /Berner Project

FSH-1 Filter/Sample Hold

The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold.

Review by guitarplayer

Demo by Russo Music

Invader Distortion

Das Maestro Discoverer Delay ist ein modernes Analog-Delay-Pedal, das die legendäre analoge Bucket-Brigade-Technologie (BBD) nutzt, um klassische, warme und ansprechende Delay-Sounds zu erzeugen. Die intuitive Bedienung mit drei Reglern ermöglicht es dem Benutzer, die Delay-Zeit (von 20 ms bis 600 ms), die Anzahl der Wiederholungen (Sustain) und den Pegel des Delays im Mix schnell einzustellen. Ein Kippschalter aktiviert die integrierte Modulation, die dem verzögerten Signal Effekte von einem leicht gesättigten, bandähnlichen Wow- und Flutter-Effekt bis hin zu einem stark tonhöhenverschobenen Modulationseffekt hinzufügt. Zwei interne Trimmpotis ermöglichen die Einstellung der Rate (Geschwindigkeit) und der Breite (Sweep-Bereich) der Modulation. Der True-Bypass-Fußschalter aktiviert die LED-Leuchten in den Trompeten des Maestro-Logos, sodass Sie immer wissen, wann der Effekt aktiv ist.

The Maestro Discoverer Delay is a modern analog delay pedal that proudly utilizes legendary analog bucket brigade device (BBD) technology to deliver classic, warm, and inviting delay sounds. The intuitive 3-knob control layout lets users quickly dial up the length of the Delay time (with a range from 20 ms to 600 ms), the amount of Sustain (delay repeats), and adjust the level of the delays in the Mix. A toggle switch engages built-in modulation that applies anything from a slightly saturated, tape-like wow and flutter effect to a heavily pitch-shifted modulation effect to the delayed signal. Two internal trim pots allow the user to adjust the Rate (speed) and Width (sweep range) of the modulation. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.

Demo by pedal talk

Review by pedal talk

discoverer delay

Fuzz-Tone FZ-M by Maestro 