Das MXR Noise Gate eignet sich besonders für High Gain Anwendungen. Durch die 3 Modi bleiben die Details und das Sustain erhalten .

If you're addicted to the indispensable juice of a high gain amp or a string of stomp boxes, you need this pedal. Because along with your hot-wired tones, you're probably getting a generous helping of noise. Equipped with three selectable types of noise reduction, Hiss, Mid, and Full, the Smart Gate bites down on sizzle and hum but lets the smallest detail of your playing through. With its uncanny ability to sense precisely when -and how fast -to engage, this little genius will never get in your way, so you can wring every last bit of sustain out of that chord without being cut off. Originally designed by Scholz Research and Development, the Smart Gate has been completely updated with a hardwire bypass, precise threshold trigger, and new cleaner circuitry. Open or closed, it adds virtually nothing to your signal. We've also squeezed this baby down from half space rack size to a slender stomp box, leaving plenty of room underfoot for your newly tamed effects. Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles Effect On/Bypass (red LED indicates on) Trigger Level knob allows adjusting the threshold level of gate Three-position switch selects type of noise reduction: Hiss, Mid Range, or Fuji Gate LED shows level of noise reduction

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MXR M135 - Smart Gate - Review by Gitarre & Bass [DE], [09-2019]

M135 Smart Gate

Mit einem fein abstimmbaren Frequenzbereich von 100Hz bis 3,2kHz und einem kompakten Design setzte der originale MXR 6 Band EQ den Standard für das, was man von einem Equalizer erwartet. Eddie Van Halen und Dimebag Darrell benutzten ihn für ihren charakteristischen "Scooped-Mid"-Sound. Dieses kleine blaue Wunder ist der perfekte Weg, um genau den richtigen Ton zu finden, wenn es darauf ankommt.

Featuring a finely tunable frequency range from 100Hz to 3.2kHz and a compact design, the original MXR 6 Band EQ set the standard for what to expect from an equalizer. Used by the likes of Eddie Van Halen and Dimebag Darrell for that signature "scooped-mid" sound, this little blue wonder is a perfect avenue for finding just the right tone on the fly.

Feature on CRAVE guitars

MX-109 Six Band Graphic Equalizer (1976 - 1984)

This pedal recreates the sounds of the two heavily modified amplifiers—represented as separate and blendable High Gain and Crunch Gain circuits—that Billie Joe Armstrong used to get his dirty-yet-articulate sound when recording Green Day’s groundbreaking record, Dookie. We’ve dressed this special edition version up with a finish that speaks to the explosive impact of that record and the explosive sonic potential of its namesake pedal.

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Review by Guitar World

Dookie Drive V4

The '75 Vintage Phase 45 is a faithful reissue of the original, featuring hand-matched FETs and a hand-wired circuit board.

 

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Manual 

CSP105 '75 Vintage Phase 45

Zakk Wylde, der eigentlich Jeffrey Phillip Wiedlandt heißt, wurde 1987 von Ozzy Osbourne entdeckt und als Nachfolger von Jake E. Lee in dessen Band aufgenommen. Die Merkmale seines sehr fleischigen und gleichzeitig virtuosen Spiels beinhalten, neben viel Gain, auch ständig eingewobene Harmonics, die immer einen gewissen 80er Touch vermitteln. Wer Mr. Wylde kennt, der hat sicher auch direkt dessen schickes Les Paul Signature Modell mit der charakteristischen Bullseye-Lackierung vor Augen.

Custom built for Zakk Wylde’s relentless riffs and leads, this muscular stomp box will transform your amp into a heavy crunch machine.

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ZW44 Zakk Wylde Overdrive

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