Breandan Malone

Pedalboard set up for use with the the Cover Band "Yeah The Boys" 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

YTB Bass Pedal Board

Logan Norcliffe

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

Dunlop

Product Page

Manual

Demo by The Bass Channel

Demo by Nate Navarro

Official Product Video

JUSTIN CHANCELLOR CRY BABY WAH (JCT95)

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Bîrleanu Bogdan

Electro-Harmonix

Hell Melter

PedalSafe Type D3

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Schutzabdeckung & RockBoard-Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & RockBoard Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Schutzabdeckung & universelle Montageplatte für WAMPLER Paisley Deluxe, HotWired & Dual Fusion Pedale

Protective Cover & Universal Mounting Plate For WAMPLER Paisley Deluxe, HotWired & Dual Fusion pedals

Tester

Nano Battalion

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Review by Talk Bass.com

Review by Premier Guitar

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Ein Chorus-Pedal mit eingebauter Frequenzweiche. Das CEB-3 Bass Chorus-Pedal bietet einen Split-Frequency-Chorus-Effekt, der in der Lage ist, warme, satte Chorus auf die höheren Frequenzen anzuwenden, ohne die Bässe zu vermatschen. Es ist das perfekte Chorus-Pedal für Bassisten.

A Chorus Pedal with Built-in Crossover.
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.

BOSS

Review by Musiker-Board

Review by reddit /guitarpedals

Demo by Bass Stuff

Demo by the wetter bass

CEB-3 Bass Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

VERSION 2
With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.

Tech 21

Review by Bass Musician

Review by bonedo

Review by Guitar Interactive Magazine

Demo by Philip Brennan

Bass Driver DI, Bass Driver DI v2

PedalSafe Type D2

Schutzabdeckung & RockBoard-Montageplatte für große horizontale Pedale

Protective Cover & RockBoard Mounting Plate for Large Horizontal Pedals

Schutzabdeckung & universelle Montageplatte für große horizontale Pedale

Protective Cover & Universal Mounting Plate For Large Horizontal Pedals

M292 Carbon Copy Deluxe

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound.

Laney Amplification

Review by Gitarre & Bass 

Demo by Andertons 

Demo by PMTVUK

Demo by The Bass Channel 

Digbeth DB-PRE

MultiComp Blue Label

Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig.
Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented
response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz
and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control
combines with exceptional headroom to deliver smooth transient response previously available only
in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the
user to control how long it takes gate to slam closed.

Pigtronix

Review by GUITAR WORLD 

Demo by Pigtronix

Demo by WMusicDistribution 

Gatekeeper Micro

Ibanez

Demo by Desert Rock United 

BIGMINI

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Für 7-12 FX-Pedale, 1 MOD-Slot - **598 x 236 mm / 23.54" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **598 x 236 mm / 23.54" x 9.29"** - available with Gig Bag or Flight Case

Badger

Bass Pedal Board (Wah layout - V2.0)

MOOER

Official Product Page

Pitch Box

PedalSafe Type K1

Schutzabdeckung & RockBoard-Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & RockBoard Mounting Plate for MOOER Micro Series effect pedals 

Schutzabdeckung & universelle Montageplatte für MOOER Micro Series Effektpedale

Protective Cover & Universal Mounting Plate For MOOER Micro Series effect pedals 

JAM pedals’ unabashed distortion monster. We pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to your playing resulting in an open, dynamic, overdriven tube-amp feel!

Its symmetrical clipping circuit and of course the legendary LM308 chip, the featured star of this design, are the main ingredients of a great recipe resulting in the Rattler shining through any rig, whether modern or vintage.

Enjoy fat and creamy distortion courtesy of the devious snake!

Jam Pedals

Demo by Chris Kollias

Demo by Patrick Hunter

Demo by BassTheWorld

Rattler Bass

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

Josh Johnson

The MC3 is a fully programmable controller, capable of sending up to 16 different MIDI messages per switch.

Morningstar Engineering

The PLASMA Pedal creates heavy distortion by amplifying an audio signal up to 3500 Volts and transforming it into electrical discharges. You are literally playing a bolt of electricity.

Gamechanger Audio

Website

Plasma Pedal

Mark Dodgeon

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

Octave OC-5

In memory of one of the (if not THE) last true rock’n’roll icons, OKKO presents the MOTÖRBASS pedal. You’re all familiar with Lemmy’s signature sound – ultra powered rumbling grind, distorted, slightly fuzzy but with a lot of edge and definition for high speed hammering powerchords.

It would be presumptuous to claim you could get the exact sound of the iconic modified Marshall Super Bass stack from a 9-volts-powered box... but we did a lot of tweaking to capture that sonic character and we’re pretty happy with the result.

When trying the recreate the Lemmy sound with distortion pedals you easily run into problems. Bass distortions often lack the aggressive edge or get muddy when playing chords. Guitar distortions usually cut too much low end and often sound too fizzy. The MOTÖRBASS runs on an internal voltage of 24 volts*. Paired with carefully chosen filtering, this massive headroom ensures for a raw but tight distortion sound all across the fretboard.

Controls are easy: FASTER controls the gain from almost clean to full blast. HARDER works on the upper mids. Lower settings sound more rounded, turning up adds aggressive bite and attack. LOUDER? Hmm....

The MOTÖRBASS is not only for die hard Motörhead fanatics but for every bass player wanting a powerful, tight rock sound. Now, grab a pick and PLAY HARD!
Btw., don’t lend it to your guitar player, chances are you’ll never get it back...

OKKO FX

Review by Gitarre & Bass

Demo by MrExcane

MOTÖRBASS

Alex  Wilkins

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 
On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by bassic

Review by CompressorPedalReviews

Demo by Pertybass

Demo by BassTheWorld.com

Bass Compressor Blue Sparkle

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Quick Start Guide

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

TAI  TONG YEE

Welch schönes Thema doch Effekte und Amps sind, nicht wahr? Seit den ersten Bodentretern Mitte des vergangenen Jahrhunderts faszinieren sich fast alle Gitarrist:innen für die Boxes of Goodness. Seit der Einführung der Digitaltechnik in die Effektgerätbranche werden die Kisten heiß diskutiert. Gerade die Modeling-Technik und später das Capturing/Profiling lösen immer wieder große und lange Diskussionen in den Online-Portalen (oder am heimischen Gitarren-Stammtisch) aus.

"Upgrade" is more than a 7-letter word. It embodies the continuation and evolvement beneath
the surface, and embraces revolution and creativity outside the box.
It’s what Ampero II Stomp does. Throughout years of grinding to establish its core technologies
from empirical practice, Hotone team proudly presents this soul partner for your
sophisticated taste in the sound of the music.

HOTONE

Review by Preshan John, audiotechnology.com

Review by Simon S, amazona.de

Demo by Andetons Music Co

Demo by Sonic Drive Studio 

Demo by Bernd Kiltz - Gitarrenvideos

Ampero II Stomp

Syd Duning

Das Power Fuzz Wah ist ohne Zweifel einer der großen Morley-Klassiker. Die 20/20 Version kommt in einer kompakten, Pedalboard-freundlichen Größe und bietet zusätzlich ein schalterloses Design zur Aktivierung des Wah Effekts. Das 20/20 Power Fuzz Wah bietet Morleys breitesten Frequenzbereich für den Wah-Sweep und erzeugt in Kombination mit der Fuzz-Schaltung einen monströsen Fuzz Wah-Sound, der andere Wah Pedale erzittern lässt.

The Power Fuzz Wah is without a doubt one of the great Morley classics. The 20/20 version comes in a pedalboard friendly size and features the acclaimed switchless activation. The 20/20 Power Fuzz Wah offers Morley's widest frequency sweep and when combined with it's Fuzz circuit delivers monstrous Fuzz Wah tone that will send other Wah pedals into hiding.

Morley

Morley MTPFW - 20/20 Power Fuzz Wah - Demo / Review Video - Sweetwater

20/20 Power Fuzz Wah

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

cuulguit@r

Bass double Decker
Sometimes I like to play my Aerodyne Jazz Bass and wanted a matching board. For a guitar player like me, it's so hard to find bass dirt pedals that don't sound like thin fuzzes. The Zoar and the Digbeth finally could.

I do Bass sometimes

Demetre Arges

The shining DIG Reverb is designed for guitar with digital reverb effects. We have tried our best to provide you abundant features and high quality effect from the reverb pedal. You can select for 9 Reverb types and also you can adjust the Reverb decay and mix (ratio of the dry / wet sound) to meet your own requirement. We hope that you will enjoy using it.

M-VAVE

Demo by Ben Coombs

Review by Squier-Talk

Dig Reverb

Nicolas Wilfer

Zoar ist ein diskret aufgebautes, im Medium- bis HighGain-Bereich arbeitendes Distortion-Pedal, in dem nur Transistoren verwendet werden - hier gibt es also keine Operationsverstärker oder Dioden. Es zeichnet sich durch jene Amp-artige Sensibilität aus, die man sich für jedes Pedal wünscht. Er wurde präzise getuned, um einen weitgehend justierbaren, modern klingenden Distortion-Effekt in hoher Qualität zu erzeugen. Gleichzeitig zeichnet es dich durch eine echte Old-School-Schaltung aus, die für eine Portion „Grind“ sorgt. Das Ergebnis ist ein Sound, der einem sofort vertraut und gleichzeitig wundervoll einzigartig ist. Wünschen Sie sich die Strahlkraft und den straffen Sound eines Overdrives? Kriegen Sie. Steht Ihnen der Sinn nach Fuzz-Sounds mit niedriger bis mittlerer Verstärkung, perfekt für Dropped Tunings und Bässe? Kriegen Sie. Möchten Sie jede Nuance Ihres Sounds kontrollieren; von scharfem Klirren am Rande des Zusammenbruchs bis zu heftigster, bühnenerschütternder Sättigung? Dann ist dies genau das richtige Pedal für Sie.
Dieses mit größter Sorgfalt hergestellte Pedal ist mit sechs Reglern ausgestattet, mit denen Sie Ihren Sound maßschneidern können: Level, Weight, Gain, Bass, Middle und Treble. Die rote Leuchtdiode zeigt an, wenn Sie mit dem FlexiSwitch® -fähigen Fußschalter die Verzerrung aktiviert haben.
Mit dem Gain-Regler des Zoar decken Sie die gesamte Klang-Landschaft ab; von knirschenden Abgründen bis zu markerschütternden Gipfeln. Der Charakter der Verzerrung hängt stark von der Einstellung des Weight-Reglers sowie vom Pickup Ihrer Gitarre ab. Mit dem EQ-Bereich des Pedals können Sie den Sound weiter verfeinern.
Obwohl der passive Dreiband-Equalizer seine Wurzeln in einer sehr vertrauten Vergangenheit hat, wurde er subtil modernisiert. Diese Art der Klangformung mag zunächst schlicht wirken, zeigt sich aber dann doch als komplex und ausgesprochen interaktiv. Hier sind ein paar Hinweise, wie Sie den Zoar besser verstehen und optimal einsetzen können.
Wenn die Regler Bass, Middle und Treble alle auf Null gestellt sind, durchläuft kein Signal das Pedal. So funktioniert ein passiver Equalizer nun mal.
Wenn Sie einen dieser drei Frequenzbereich-Regler auf einen höheren Wert einstellen, wirkt sich das auch auf die beiden anderen Frequenzbereiche aus.
Wenn Sie alle drei Bänder auf „12 Uhr“ (Mittelposition) einstellen, ergibt sich ein völlig anderer Frequenzbereich, als wenn Sie sie alle auf „9 Uhr“ einstellen – und das gilt natürlich auch für jede andere abgeglichene Position.
Wie Sie sehen – eine sehr interaktive Sache. Ein guter Ausgangspunkt ist es, alle drei Frequenzbandregler auf „12 Uhr“ (Mittelposition) zu stellen und dann mit jedem einzelnen Regler zu experimentieren.
Mit dem Dreiband-Equalizer und dem Gain-Regler bieten sich Ihnen nahezu unbegrenzte Möglichkeiten zum Maßschneidern Ihres Sounds. Aber das echte „Betriebsgeheimnis“ des Zoar ist der Weight-Regler. Mit diesem Regler legen Sie fest, wie groß der Anteil des Tieftonbereichs ist, der in die EQ-Schaltung geleitet wird. Damit lässt sich der Klangcharakter dramatisch verändern. Stellen Sie einfach die Regler des Dreiband-Equalizers auf „12 Uhr“ (Mittelposition) ein und drehen Sie am WeightRegler, um ein Gefühl dafür zu bekommen, wie er den Klang beeinflusst. Von einem reinen Clean-Boost über eine HighGain-Verzerrung bis hin zu Overdrive und knackigem Hi-FiFuzz bietet Ihnen diese Funktion das volle Spektrum.
Der Level-Regler hat etwa bei „12 Uhr“ (Mittelposition) den Verstärkungsfaktor Eins (Unity Gain) – dies hängt jedoch von der Stellung der anderen Regler ab. Neben der Steuerung der Ausgangslautstärke spielt es auch eine gewisse Rolle bei der Steuerung der Klangcharakteristik des Zoar. Indem Sie den Level-Regler und die drei Frequenzbänder des Equalizers (Anheben der Frequenzbänder und Reduzieren der Ausgangslautstärke) kombinieren, können Sie dramatische Effekte erzielen, die an traditionelle Tiefpassfilter erinnern. 
Möchten Sie Ihrem Sound die sprichwörtlichen Flügel verleihen? Dann versuchen Sie, Zoar mit höherer Spannung zu betreiben! Zoar kann mit einer Spannung von bis zu 18 V Gleichstrom betrieben werden. Höhere Spannungen verändern den Frequenzgang; Dynamik und Ansprechzeit verbessern sich. Wenn Sie eine 18-Volt-Stromversorgung verwenden, klingen die cleanen Signalanteile offener, die Verzerrung wirkt druckvoller, während einzelne Noten artikulierter zu hören sind, der Treble-Regler deckt ein breiteres Spektrum ab, ohne rau zu klingen – und der Ausgangspegel ist beinahe doppelt so hoch! Das Resultat ähnelt durchaus dem Sound einer Wand aus kraftvollen Röhrenverstärkern!

Zoar™ is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.
From defined sparkle and tightness of an overdrive to low-medium gain fuzz that’s perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.
While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.  
This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls. 
The Gain control on Zoar™ goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.
The 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar™ is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o’clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.
The Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar™. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.
Want to elevate your sonic spirit to a higher level? Try running Zoar™ at higher voltage! Zoar™ can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!

EarthQuaker Devices

Zoar Dynamic Audio Grinder Guitar & Bass Demo | EarthQuaker Devices - EarthQuakerDevices

Zoar Dynamic Audio Grinder Video Manual | EarthQuaker Devices

EarthQuaker Devices Zoar: Dynamic Distortion, Grinding Grit & Killer Character - Sweetwater

EarthQuaker Devices Zoar Dynamic Audio Grinder - Distortion - Review by Bonedo, 03/2024

Zoar

QuickMount Type B

Auf den Namen HyperGravity hört das neue Multibandkompressor-Bodenpedal für Gitarristen aus dem Hause TC Electronic, dem man – um dynamisch auf dem Boden zu bleiben – den MD3 Kompressor-Algorithmus des Studiosystems 6000 des Herstellers spendiert hat.

HYPERGRAVITY COMPRESSOR is the missing link that will take your tone from good to great. Featuring no less than three amazing modes, HYPERGRAVITY COMPRESSOR includes a state-of-the-art multiband compressor, a cool vintage compressor, plus endless compression combinations through TonePrint.

Review by Sound on Sound

Review by Bonedo 

Demo by Reverb

HyperGravity Compressor

The EBS OctaBass SE has been further improved in the SE version (Studio Edition). The OctaBass from 1992 quickly established itself as THE octaver for electric basses. The classic now has an improved internal signal path, a new design and a new protection circuit against overvoltages of up to 18 volts. 