Søren Koch

Live board for Michael Falch & Zonen Tour 2025. Binson B2 Echorec is inserted in loop and controlled by the LS-2. Signals splits before IR-2 - one goes to guitar amp (mic'ed up), the other via IR-2 to FOH. Both signals are mixed and used for FOH and in-ear mix. Guitars used for this tour: 1964 Rickenbacker 615, 1964 Gretsch Tennessean, 1971 Gibson Les Paul Deluxe, 1971 Hagström Swede, 1990 Rickenbacker 360/12V64. Amp used: 1963 VOX AC15 (2x12").

Michael Falch & Zonen Tour 2025

Tester

Der Keeley 30ms Automatic Double Tracker - dieses stereo Effekt Pedal bietet eine Reihe an Studio Style Double Tracking Effekte, die Instrumente fetter und voller klingen lassen. 
Ebenso eingebaut wurde ein Reverb, der den berühmten Chamber Reverb aus dem Abbey Roads Studio #2 simuliert.
Der Keeley 30ms arbeitet perfekt mit Gitarre, Bass, Keyboards und sogar Gesang und bietet eine Vielzahl von Double Tracking Effekten,
Über das beiliegende TRS Stereo Adapterkabel kann der 30ms auch als Stereo Effekt verwendet werden bzw. zusätzlich zum Effektsignal auch das Dry Signal ausgegeben werden.
Im, über zwei interne DIP Switches zugänglichen Double Tracking Pro Modus, können in den einzelnen Modi noch weitere Möglichkeiten freigeschalten werden.
Im Dimension Modus klingt der 30ms wie ein Chorus, ohne die Regelmäßigkeit eines LFOs und bietet zwei zusätzliche double-getrackte Stimmen zum Originalsignal. Tuning und Delay der Double Tracks kannst du über die Regler kontrollieren.
Der Abbey Modus bietet einen etwas konventioneller klingenden Chorus indem er zwei synchronisierte parallel laufende Tape Decks mit unterschiedlicher Geschwindigkeit simuliert.
Mit dem einzigartigen Slapback Modus haben die Jungs von Keeley einen klasse Rockabilly Sound geschaffen. Ein Slapback Delay + zwei tunebare gedoppelte Stimmen.
Und der Double Tracking Pro Modus? Hier gibt es noch weit mehr Einstellmöglichkeiten zu entdecken…

Keeley 30ms Automatic Double Tracker.  The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments.  Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two.  The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals. 
The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro.  

The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode.  In this mode you have the ability to create up to two different voices for a stereo double tracked field.  
You control the tuning and delay for results that are stunning mono or through two amplifiers in stereo.  Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds.  
Stereo or mono this mode gives you a wide, lush sound without sounding like a conventional chorus pedal.  Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds.  
The Slapback is now a double tracked echo with the two altered voices.  Add the Keeley Abbey Verb to this mode to create really new effects.

Keeley Electronics

Official Product Page

Manual

Keeley 30ms Double Tracker - Demo Video - ProGuitarShopDemos

Keeley 30ms Double Tracker - Demo Video - Mike Hermans

Keeley 30ms Double Tracker - Review by Bonedo [DE]

Keeley 30ms Double Tracker - Review by Tone Report [EN]

30 ms Double Tracker

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Das Catalinbread Topanga emuliert das legendäre Fender 6G15 Federhallgerät, welches quasi die Mutter des Surfsounds und der Soundtracks aller Spaghetti-Western ist. Teil der Magie dieses Hallgerätes war der Umstand, dass es in der Regel vorgeschaltet wurde was schnell dazu führte, dass das Hallsignal verzerrte und noch intensiver klang. Dieser Effekt ist heutzutage nicht so leicht zu reproduzieren, aber Catlinbread hat es mit einem zusätzlichen Preamp tatsächlich geschafft!

The outboard Fender 6G15 spring reverb unit is the sound of Surf guitar, Spaghetti Western and many other great guitar sounds from the sixties. Part of its magic, and how it differs from the internal spring reverb found in most Fender-style amps, is that it is run *in front* of the amp, causing the reverb signal to distort and sound more intense. Because there were additional knobs on the outboard units, you also have more control over the reverb qualities. The Dwell knob controlled how hard the springs were getting hit by the guitar signal. The Tone knob allowed the treble to be dialed back to just the right degree of brightness. It was also essentially a tube preamp, so it would color the sound going into the amp. All this added up to a very distinctive reverb sound with a lot of attitude and complex non-linearities that are hard to replicate. But we here at Catalinbread did just that! Besides giving you the classic three knob control compliment of the original, we’ve also added a great discrete preamp that you can control via the Volume knob for a healthy amount of great clean boost when you want it

Catalinbread

Catalinbread Product Page 

Catalinbread Topanga Manual 

Catlinbread Topanga Demo by CME 

Catalinbread Topanga Spring Reverb Demo by Distortion LTD

Topanga

Das Catalinbread Belle Epoch Delay-Effektpedal orientiert sich am Sound des legendären Maestro Echoplex EP-3, das in den 1970er Jahren zum Arsenal diverser Helden des Rock gehörte, darunter solche Namen wie Brian May, Jimmy Page, Eddie Van Halen, David Gilmour oder Eric Johnson. Sie setzten das Delay oft und gerne ein, neben dem warm klingenden Bandecho-Sound auch wegen seines Preamps, mit dem man einen Amp noch etwas heißer anfahren und zu etwas mehr Zerre überreden konnte.

 The Catalinbread Belle Epoch Tape Echo, has tape echo sounds so authentic you’d swear there was tape inside the pedal! Inspired by the Maestro Echoplex, EP-3 model, perhaps the most famous tape delay ever, the Belle Epoch features everything we love about the EP-3 in a small, maintenance free pedal format. We felt that a “tape echo” pedal was much more than just a standard digital delay with some “filtering” on the repeats. There are a lot of subtle and not-so-subtle traits of the Echoplex that needed to be implemented in order to be authentic. The preamp, the self-oscillation character, the ability to control the “record level” of the signal hitting “tape”, the wow and flutter, the way the repeats decay, the way the circuit interfaces with the amp and other pedals – all these things were important to get right. The original unit was used as a musical instrument unto itself and this is what we captured with the Belle Epoch.

Product Page

Review by Amazona 

Review by Bonedo 

Demo by Reverb 

Belle Epoch

Alessandro Pintus

When using a regular guitar amplifier, getting consistent tones in different performance situations can sometimes be a challenge. With the compact and versatile IR-2 in your rig, you’re always ready to deliver your signature sound directly to a house PA or recording setup when needed. Choose from 11 premium amp types paired with Celestion Digital IRs and instantly tweak your sound via simple controls. Use the mono/stereo loop for post-amp effects and plug in headphones for monitoring and quiet practice. And with onboard USB-C, you can easily interface with music software and load in your favorite cab IRs.

BOSS

Review by The Gear Page

Review by reddit /guitarpedals

Review by bonedo

Review by Guitar

Official Product Video

Demo by  Nick Bowcott 

IR-2

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Gilles Peynet

LS-2

The RotoSIM by DLS Effects is a stereo rotary speaker simulator that provides musicians with a wide range of adjustments to dial in their desired sound. It features individual horn intensity controls for Bass and Tweeter, independent rotation speed knobs, and ramp time control. Additionally, it includes a built-in overdrive with an On/Off switch and gain control, as well as stereo output with two separate inputs for versatile tonal options. The pedal also offers seven internal trim pots for extra-tweakable volume, gain, blend, and response. This unit is designed to provide authentic-sounding rotary effects with stereo output, making it a versatile option for musicians seeking a high level of control over their sound.

DLS Effects

Review by Vintage Guitar Mag

Review by musicradar

Review by Premier Guitar

Demo by  SoNg1508

Demo by Prymaxe

Official Website

RotoSIM

Peter Park

Der Power Boost kam Ende der 60er Jahre auf den Markt – die Idee war, Gitarristen mehr Power zu geben, und das tat er auch! Wahrscheinlich war es einfach Glück, dass das Pedal beim Vollaufdrehen wie der beste Stack aller Zeiten klang! Wir waren damals bei Glasern sehr beliebt, in ganz London zersplitterten die Fenster! Dann wurde das Pedal zur Messe in Dallas mitgenommen, wo es mit stehenden Ovationen gefeiert wurde (wie Klatschen – die Gitarren waren noch nicht erfunden).

The Power Boost was born in the late sixties - the idea was to give guitarists a boost..... in power, and it did! Guess it was just luck that when you turned the pedal up full it sounded like the best stack ever! We we're really popular with glaziers in those days, windows were shattering right accross London! Then the pedal was taken to the Dallas trade show where it was given a huge standing ovation (like clapping - the guitars hadn't been invented yet)

Colorsound

Demo by gilmourish

Demo by Pedal Science

Facebook Page

Review by Harmony Central

Review by Sugaree Licks

Power Boost 18V Castledine reissue

Crowther Audio

Hot Cake

CS-2 Compression Sustainer

Don Jordan

TU-2

No pedal holds more mystique than the legendary Klon Centaur overdrive. With its unique overdriven tones and boosting capabilities, this pedal has captured the imagination of players from Jeff Beck to John Mayer

The Archer is an exact tribute to the legendary Klon pedal featuring germanium diodes and captures every nuance of the original unit 

J. Rockett Audio Designs

Demo by Guitarist 

Demo by Shawn Tubbs

Demo by Pete Thorn 

Demo by J.Rockett Audio Designs

Archer

Voodoo Lab

Pedal Power 2 Plus

Für 9-18 FX-Pedale, 2 MOD-Slots - **722 x 330 mm / 28.43" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 18 FX pedals, 2 MOD slots - **722 x 330 mm / 28.43" x 12.99"** - available with Gig Bag or Flight Case

The Keeley Electronics Phaser is a 100% analog signal path pedal with modern features like tap tempo.

Review by PremierGuitar

Demo by ProGuitarShopDemos

6 Stage Phaser

Rotierende Lautsprecherboxen erzeugen einen einzigartigen Chorus-Effekt. Dieses Pedal bildet die wirbelnden Texturen und die Vintage-Wärme dieser Rotary-Boxen originalgetreu nach. Im Inneren des lasergeschnittenen Aluminiumgehäuses befinden sich brandneue Platinen, die den besten Klang liefern, den Keeley je erreicht hat. Die Qualität ist so beeindruckend, dass dieses Gerät die Titanen der Branche von den Pedalboards verdrängen wird.

Rotary speaker cabinets impart a one-of-a-kind type of chorus effect. This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley’s laser cut aluminum case is a brand new set of circuit boards delivering the finest tone Keeley ever achieved. The quality is so impressive that it’s knocking industry titans off pedal boards.

Rotary

Stell dir vor, du könntest die besten und charakteristischsten Eigenschaften verschiedener Overdrive- und Boost-Pedale kombinieren, um hybride Sounds zu kreieren, die noch nie jemand zuvor gespielt hat. Das ist genau das, was Keeley mit dem Noble Screamer entwickelt haben. Es ist ein 4-in-1-Pedal, das dir zwei sehr vertraute Drive-Schaltungen und zwei brandneue, verstärkerähnliche Overdrive- und Distortion-Sounds bietet. Es ist fast wie ein Pedal-Modeling, nur dass es sich um 100% analoge Schaltkreise handelt, und du entscheidest, durch welche Tone-Control- oder Clipping-Sektion du spielen möchtest. Schalte zwischen kampferprobten, klassischen Overdrive-Effekten um oder entwickle deinen Sound mit neuen, hybriden Sounds; lass deine Ohren das Urteil fällen. Selbst mit all diesen Funktionen bleibt das Pedal ein benutzerfreundlicher Overdrive mit drei Reglern. Die Innovation des Noble Screamer endet hier noch nicht; unser neues Design bietet True-Bypass oder gepufferte, wirklich geräuschlose Umschaltung während dem Betrieb. Der Keeley Noble Screamer Overdrive and Boost wird komplett bei Keeley Electronics gefertigt und ist die erste Kreation in unserem neuen Aluminium-Gehäuse.

Imagine the ability to combine the best and defining characteristics of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what Keeley engineered with the Noble Screamer. It’s a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like overdrive and distortion tones. It’s almost like pedal-modeling, except these are 100% analog circuits, and you decide which tone-control or clipping-section you want to play through. Toggle between battle-tested, classic overdrive effects or innovate your sound using new hybrid tones; let your ears be the judge. Even with all of these features, the pedal remains a user-friendly three knob overdrive. The innovation in the Noble Screamer doesn’t end there; our new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first release in our new aluminum enclosure.

Brett Papa and Robert Keeley - Noble Screamer 4 in 1 Overdrive and Boost - Keeley Electronics

Tom Bukovac x Keeley Electronics - Noble Screamer vs Vintage ODR-1 vs Vintage TS808 -  Keeley Electronics

Guthrie Trapp x Keeley Electronics - Noble Screamer vs Vintage ODR-1 vs Vintage TS808 - Keeley Electronics

Corey Congilio x Keeley Electronics - Noble Screamer vs Vintage ODR-1 vs Vintage TS808 - Keeley Electronics

Keeley Noble Screamer - Demo - Musiker TV

DO WE NEED THIS? Keeley Noble Screamer Review - EytschPi42

Keeley Noble Screamer Overdrive - Review by Amazona.de, 02/2024 - DE

Review by PREMIER Guitar  

Review by AMAZONA 

Demo by Mike Hermans 

Demo by Keeley 

Noble Screamer

Das Halo Core ist eine reduzierte Version des kultigen Halo-Delays von Keeley und bietet den unglaublichen Sound von Andy Timmons mit einer vereinfachten Benutzeroberfläche. Mit Keeleys neuester DSP-Technologie liefert das Halo Core eine unverfälschte Klangqualität und vielseitige Delay-Optionen, darunter die klassischen Halo-, Viertelnoten- und punktierten Achtelnoten-Modi.
Der geheimnisvoll klingende „Halo“-Effekt von Andy Timmons ist ein modulierter Dual-Echo-Sound, der lange Zeit von dem Klangzauberer selbst geheim gehalten wurde. Andy Timmons hat Jahrzehnte damit verbracht, die Klänge, die Sie jetzt mit dem HALO Core erhalten können, zu kombinieren und zu entwickeln.
Die Noten tanzen rhythmisch und erzeugen fast einen diffusen Nachhall. Diese Noten werden durch bandähnliche Effekte wie Modulation, Sättigung und Kompression verbunden. Die Ergebnisse sind atemberaubend.
Entdecken Sie das Neueste von Keeley Electronics: den HALO Core, eine reduzierte Version von Keeleys meistverkauftem HALO Andy Timmons Dual Echo. Der HALO Core hat drei Modi: Andy's kultiger ‚HALO‘ Sound, Quarter Note und jetzt auch Dotted Eighth.

The Halo Core is a streamlined version of Keeley's iconic Halo delay, offering Andy Timmons' incredible tone with a simplified control set. Powered by Keeley's latest DSP technology, the Halo Core delivers pristine sound quality and versatile delay options, including classic Halo, quarter note, and dotted eighth note modes.
Andy Timmons’ mysterious sounding “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO Core.
Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning.
Discover the latest from Keeley Electronics: the HALO Core, a streamlined version of Keeley's top-selling HALO Andy Timmons Dual Echo. The HALO Core has three modes: Andy's iconic ‘HALO’ sound, Quarter Note, and now Dotted Eighth.

Introducing the new Keeley HALO Core | with Robert Keeley and Andy Timmons - Keeley Electronics