Nicholas Howerton

New Pedal Board

Tester

Das MIKU STOMP ist ein Effektpedal, das die von Ihnen auf der Gitarre gespielten Noten* in den Gesang von Hatsune Miku „übersetzt“. Hierfür brauchen Sie nur Ihre Gitarre anzuschließen. Die Technologie für diese Stimmensynthese beruht auf dem eVocaloid™, einem Gesangseffekt des NSX-1 Tongenerators von Yamaha. Der Gesang von Hatsune Miku verwandelt Ihre Gitarrenparts in eine expressive Performance mit einem ganz anderen Charakter als bei Verwendung eines Step-Sequenzers oder Keyboards.

Hatsune Miku sings when you play your guitar!
A design that fuses the worlds of Hatsune Miku and guitar effects.
Nearly unlimited possibilities; 11 lyric patterns are provided.
Lyrics for "Senbonzakura" (a Japanese song) are preset.
An iPhone app for entering lyrics is available, so you can make MIKU STOMP sing your original lyrics.

KORG

Product Page

Review by Amazona

Review by musicradar

Manual

Demo by Ola Englund

Demo by Rob Chapman

Demo by Korg

Demo by Living Room GD

Miku Stomp

BOSS

MT-2W Metal Zone (Waza Craft)

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Lachlan Koumis

My Current Board

Das Digitech Freqout Natural Feedback Creator Effektpedal gehört zu den eher exotischen Vertretern im Pedalboard. Es widmet sich der Erzeugung von Rückkopplungen, die zwar zum Repertoire jedes gepflegten (Rock-) Gitarristen gehören, aber üblicherweise nur mit entsprechender Lautstärke und der Interaktion zwischen Amp, Box und Gitarre möglich sind. Mit dem E-Bow, der seit Mitte der 70er Jahre erhältlich ist, gibt es bereits ein Werkzeug, das die Saiten per Magnetfeld beliebig lang in Schwingung versetzt, indem es über die gewünschte Saite gehalten wird. Oder den Sustainer von Fernandes, ein Pickup, der ebenfalls die Saiten zum Schwingen bringt, wenn er per Schalter dazu aufgefordert wird. Und natürlich muss beim Umbau der Gitarre einer der vorhandenen Tonabnehmer dem Sustainer weichen.

The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

DigiTech

Review by Bonedo 

Review by Amazona 

Demo by Mike Hermans 

FreqOut

Landon Wolf

Third Man Hardware und Black Mountain freuen sich, das innovative Roto-Echo Delay-Pedal anzukündigen. Anstatt die Delay-Parameter mit den Fingern einzustellen, ermöglicht die Freewheel®-Technologie den Spielern, diese in Echtzeit mit den Füßen während des Spiels zu verändern – eine kleine Änderung, die zu unzähligen kreativen Möglichkeiten führt. Das Roto-Echo ist robust gebaut, und die Spieler können ihr volles Gewicht auf das Pedal legen, ohne Probleme. Es hat die gleiche Größe wie ein gewöhnliches Boss-Style Gitarrenpedal und passt auf jedes Pedalboard.

Third Man Hardware and Black Mountain are excited to announce the innovative Roto-Echo delay pedal. Instead of tweaking delay parameters with your fingers, the pedal’s
Freewheel® Technology allows players to change them with their feet in real-time as they play –
a small change that leads to tons of creative possibilities.
The Roto-Echo is built tough and players can put their full weight onto the pedal with no
problem. It’s the same size as a regular Boss-style guitar pedal, and fits on any pedal board.

Black Mountain

Demo by R.J. Ronquillo

Demo by Jay Leonard J

Review by Music Radar

Review by Premier Guitar

Roto Echo

Richard Lagerweij

The PLASMA product series is a revolutionary approach within the realm of overdrive and distortion, as it is a new and previously unexplored method of achieving signal clipping.
Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, PLASMA technology transforms your instrument’s live signal into a series of continuous high-voltage discharges within a xenon-filled tube.

Gamechanger Audio

Product Page 

Demo by AndyDemos

Demo by Rabea Massaad

Demo by intheblues

plasma coil

ch ray

Triple Threat starts with a wide-range high gain distortion, with volume, gain, and tone controls to create a threatening rock sound. A classic phaser upgraded from the Pearl Tremor pedal by Donner is next with extended mod controls. Third in line is an analog voiced echo, originated from Donner’s first ever pedal, the Yellow Fall Delay released in 2013,  with warm analog tone and rich feedback. 

With upgraded circuit design and tuning the tone to Jack’s specifications, Donner combined three analog circuits into one metal enclosure, delivering unique analog sounds and versatile utility for musicians on the go. Third Man Hardware designed the external appearance of The Triple Threat, adding its signature patterns such as lightning bolts from the Tesla tower on the panel, three sharp stripes in front and  the signature diagrams from Third Man Hardware’s logo on both sides of the pedal. 

Donner

Demo by Marty Music

Official Product Video

Third Man Records Page

Donner Music Page

Review by Guitar Interactive Mag

Review by The Gear Page

Review by reddit /guitarpedals

Triple Threat

From the twisted minds at Third Man Hardware and the mad scientists at Eventide, comes Knife Drop—a pedal so maniacal, so drenched in sonic chaos, you’ll wonder if you’re dreaming… or already trapped in a nightmare.

Summon the filter before your distortion glows green with sonic menace, or bathe it in the blood-red glow of post-distortion mayhem. Exclusive presets handcrafted with Jack White, pulse with +6db of additional gain, each one more terrifying than the last. Store your own creations alongside his, then unleash them at will through an LED ladder to guide you through the darkest of nights. 
Not for the faint of heart, this pedal is for those who want to conjure walls of fuzz that sound like they’re crawling out from the depths of a cursed VHS tape. Combining Jack White’s unholy fascination with subversive tones and Eventide’s cutting-edge sonic sorcery, Knife Drop is the soundtrack to your own personal horror film. Plug in, turn up, and cut loose the beast within.

Eventide

Eventide Page

Review by GEAR GODS

Review by Guitar World

Review by bonedo

Demo by Reverb

Knife Drop

xyra jones

Das Warm Audio Centavo ist eine exakte Nachbildung eines der unerreichbarsten Overdrive-Pedale der Gitarrengeschichte. Bekannt für seine gelobten Boost- und Overdrive-Sounds, hält die Begeisterung für dieses äußerst beliebte Pedal auch heute noch an, lange nach seiner ursprünglichen Produktion von 1994 bis 2009. Mit Preisen, die für einen Overdrive mit drei Knöpfen ins Unvorstellbare steigen, ist es kein Wunder, dass Gitarristen wie Jeff Beck, Joe Perry, John Mayer und Josh Homme die mythische Magie der Originalpedale für den Hype wert befunden haben. Das Warm Audio Centavo ist ein originalgetreues Overdrive-Pedal, das die legendäre Erfahrung und die bewunderten Sounds der legendären Originalbox authentisch wiedergibt.

The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.

Warm Audio

Review by Guitar.com

Demo by Sweetwater

Demo by Riffs, Beards & Gear

Demo by session

centavo overdrive

QuickMount Type J1

Pedal-Montageplatte für BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine Pedale

Pedal Mounting Plate for BOSS DD-500, MD-500, RC-500 & RV-500 / STRYMON BigSky, Mobius & TimeLine pedals

Electro-Harmonix

BassBalls Nano

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The Triplegraph is a digital octave pedal designed by CopperSound Pedals and Jack White, featuring three proprietary telegraph keys and an integrated auxiliary loop. Utilizing a high-power DSP Blackfin Processor, Triplegraph triggers an octave down with the left key, octave up with the right key, while the middle key activates a killswitch or auxiliary loop. In KILL mode, the middle key acts as a momentary killswitch, allowing the player to remove their dry signal and attain a fully wet octave up and/or down when used in conjunction with the octave keys. In AUXILIARY mode, the player can connect one or more of their favorite effects in parallel with the octaves via the send/return jacks, and trigger them in momentary bursts. The high and low octaves can be triggered in parallel with the dry signal when the octave keys are pressed independently. The octaves themselves track seamlessly with zero latency, and can be triggered in latching or momentary modes, using our “Loctave” toggle switches. The telegraph keys themselves are composed of custom stainless steel and aluminum components, making them indestructible and exceedingly durable for both hand and foot operation. Over four years in the making, the collaborative result is an innovative, state of the art clean-tracking octave pedal, capable of standing its own against industry standards.

Coppersound

Third Man Records

Review by guitar pedal X

Demo by BOB BRADLEY

Third Man Triplegraph

As heard prominently on Jack White’s guitar solo in “Why Walk a Dog?”, this monophonic synth-fuzz has delighted and bewildered listeners since Jack began using it back in 2014. The Mantic Flex can provide an array of sounds from thick, phase sweeping squarewaves with pitch divebombs to brutal bitcrushed octaves and fluttery thereminesque squawks.

Mantic Effects

Demo by Na West

Review by Pedal of the Day

Mantic Flex (Limited Edition Yellow)

Das Bumble Buzz Pedal, handgefertigt von Chris Young von Union Tube & Transistor (der das Pedal gebaut hat, das für Jack Whites Gitarrensounds bei „Sixteen Saltines“ und den Gesang bei „I'm Shakin‘“ aus dem 2012er Album Blunderbuss verwendet wurde), ist bereit Summen und stechende Geräusche. Entworfen vom Third Man Creative Hive.

The Bumble Buzz Pedal, handmade by Chris Young of Union Tube & Transistor (who built the pedal used for Jack White's guitar sounds on "Sixteen Saltines" and the vocals on "I'm Shakin'" off of 2012's Blunderbuss), is ready for buzzing around and stinging sounds. Designed by the Third Man Creative Hive.

Union Tube & Transistor

Union Tube & Transistor Website

Third Man Records Website

Demo by gearmandude

Jack White Demos Third Man Hardware Effects Pedals

TMR Bumble Buzz pedal (Readyman Studio Nashville with Jack White)

Bumble Buzz

MXR und Third Man Hardware haben sich zusammengetan, um den perfekten Booster für Gitarristen zu entwickeln. Das Double Down Pedal kombiniert zwei separate MXR Micro Amp Schaltungen in einer einzigen Box, so dass du zwei separate Signalketten mit genau der richtigen Menge an klassischem Micro Amp Bump anheizen kannst.
 
Die einzelne Eingangsbuchse des Double Down Pedals splittet das Signal auf zwei separate Ausgänge, die jeweils über einen eigenen Gain-Regler verfügen und das Signal um bis zu +26 dB verstärken. Auf der linken Seite des Gehäuses befindet sich ein Phase-Schalter, der für einen ausgeprägten stereophonen Effekt sorgt, indem er die Phase des zweiten Ausgangssignals invertiert. Auf der rechten Seite des Pedals befindet sich ein Buffer-Schalter, mit dem Sie zwischen echtem Bypass - für Puristen - und gepuffertem Bypass wählen können, um Ihren Sound beim Betrieb von zwei Signalketten intakt zu halten. 
 
Schließe das Double Down Pedal von MXR und Third Man Hardware an und verstärke deinen Double Stack doppelt.

MXR and Third Man Hardware have teamed up to create the perfect booster for gigging guitar players. The Double Down Pedal combines two separate MXR Micro Amp circuits into a single box so that you can heat up two separate signal chains with just the right amount of classic Micro Amp bump.
 
The Double Down Pedal’s single input jack splits your signal to two separate outputs, each with its own Gain control for up to +26dB of signal-boosting power. On the left side of the housing is a Phase switch that adds a pronounced stereophonic effect by inverting the phase of the second output signal. On the right side of the pedal is a Buffer switch so that you can choose between true bypass—for the purists—and buffered bypass switching to keep your sound intact when driving two signal chains. 
 
Plug into the Double Down Pedal from MXR and Third Man Hardware, and double boost your double stack. 

Review by reddit  /guitarpedals

Demo by Guitar World

Double Down

David Litaba

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BIG MUFF PI

Introducing a new addition to the DigiTech Whammy Family – Whammy DT! We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

Whammy DT

Das Premium Wah Pedal. Hier kann der Gitarrist den Wah-Effekt genau so zuschneiden, wie er es will. Mit Kontrolle über die Centerfrequenz (6 anwählbar), stufenloser Regelung der Wah-Bandbreite (Q-Control) und schaltbarem Volume Boost, stufenlos einstellbar von 0 bis satte +26dB.

 The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this powerful wah will deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note. This is the wah pedal of choice for guitar master Joe Satriani. The 535Q offers versatility never heard before. This pedal allows the player to customize and shape the sound of the wah. By a simple turn of the "Q" dial, you can shape your wah from a narrow, sharp wah to a broad, subtle wah. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version)---Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version) The CRYBABY 535Q also offers six new guitar wah ranges, a variable boost from 0 to +16 dB and a hard wire on/off switch. It's new custom circuitry consumes less power and eliminates unwanted distortion. Powered by the Dunlop ECB-003 or 9 volt battery. (NEW version) Powered by the Dunlop ECB-004 or two 9 volt batteries. (OLD version)

Dunlop

Official Product Page

Guitar World Demo

 535Q Cry Baby Multi-Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Nathan Turnbull

Die Radial BigShot ABY V2 ist einen kompakte ABY switcher, der es dir ermöglicht zwischen zwei Verstärkern zu schalten oder das Signal zu kombinieren, wenn beide Verstärker zur gleichen Zeit aktiv sein sollen. Mit netten Extras wie eingebauten Isolationstransformern, separatem Tuner Ausgang und Status LEDs, ist dies der wohl flexibelste True-Bypass Switcher am Markt.

The Radial BigShot ABY V2 is a compact ABY switcher that enables you to either switch between two amplifiers or combine the signal when you want both amps to play at the same time. Featuring nice extras like a built-in isolation transformer, separate tuner output and status LED’s, is the most versatile true-bypass switcher made today!

Radial Engineering

Review by Musiker-Board

Demo by Landon Bailey

Demo by Hollywood Rare Guitars

Bigshot ABY v2

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

Jack White 2022 - Supply Chain Issues

Der Death By Audio Echo Master ist ein analoges Lo-Fi Delay im Tape-Style, dass speziell als Vocal-Effekt entwickelt wurde und die Stimme in ein experimentelles, chaotisches Feld aus Rauschen, Wiederholungen und Rückkopplungen bringen kann. Über den integrierten Effekt-Loop lassen sich weitere Effektpedale ganz einfach ohne zusätzliche Adapter in den Vocal-Sound einbinden. Der Echo Master überzeugt neben dem Delay-Effekt mit gematchten Bourns-Transformern am Input auch als lebendig klingender und Rückkopplungs-minimierender Vocal-Preamp. Bei dezenten Settings eignet sich der Echo Master als Always-On Effekt, um dem Signal eine phänomenale Qualität zu geben und den Klang der Stimme vollständig zu kontrollieren, bevor man damit in die PA geht.

Designed for vocals, the Death By Audio Echo Master is a lo-fi, analog tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use any of your favorite effects pedals on your vocal sound without any adapters. The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Death By Audio

Death By Audio Echo Master - Demo / Review Video - Datachoir Sounds

Death By Audio Echo Master - Demo Video - Audiorial

Echo Master

Katherine Copanic

SP Technologies introduces the new DECI-MATE™ Micro Decimator pedal. The DECI-MATE pedal is a full implementation of the world renowned Decimator circuit with new tracking improvements in a small, micro pedal package. When real estate is critical, the DECI-MATE is the answer.

ISP Technologies

Demo by  Simon Gotthelf Gear Demos

Demo by Louis Torres

Deci mate Micro Decimator

The Honda Sound Works Fab Delay is a guitar effects pedal. It was released in 2007 and is considered rare. The Fab Delay is part of Honda Sound Works' lineup of effects pedals, which includes other models like Fab Cream and Fab Drive. Unfortunately, detailed specifications or features of this particular delay pedal are not provided in  search results.

Honda Sound Works 

Official Website

Fab Delay

Mantic Flex

Dieses Rauschunterdrückungs-Pedal im Mikrofonformat packt die volle Funktionalität der größeren professionellen Gating-Schaltungen der Marke in ein hochkompaktes Gehäuse. Als vollanaloger Abwärts-Expander nutzt es eine proprietäre, zum Patent angemeldete Time Vector Integration-Hardware, um Signalrauschen zu eliminieren, ohne digitale Artefakte oder Aliasing zu erzeugen. Die spezialisierte Architektur verfügt über eine integrierte Schleifenfunktion, die über eine platzsparende Klinkenbuchse ausgeführt wird und es dem Tracking-Mechanismus ermöglicht, den direkten Gitarrenausgang kontinuierlich zu überwachen. Dies ermöglicht es dem Gerät, dynamisch zwischen harten Staccato-Riffs und langen, anhaltenden Notenausklängen zu unterscheiden. Da es sich kontinuierlich auf den sauberen eingehenden Instrumentenpegel bezieht, bietet es eine reibungslose, transparente Lautstärkedämpfung über verschiedene Verstärker-Gain-Strukturen hinweg, ohne ständige Schwellenwert-Anpassungen zu erfordern.

This micro-sized noise reduction pedal packs the full functionality of the brand's larger professional gating circuits into a highly compact footprint. Operating as an all-analog downward expander, it utilizes proprietary patent-pending Time Vector Integration hardware to eliminate signal noise without inducing digital artifacts or aliasing. The specialized architecture features an integrated loop function executed via a space-saving auxiliary jack that allows the tracking mechanism to monitor the direct guitar output continuously. This enables the device to dynamically differentiate between hard staccato riffs and long sustained note tails. Because it continuously references the clean incoming instrument level, it provides smooth, transparent volume attenuation across various amplifier gain structures without demanding constant threshold readjustments.

Deci-Mate G

Entwickelt, um den klassischen Fender Tremolo-Effekt (oder Vibrato, wie er oft genannt wird) zu emulieren, bietet der Tremulator eine „schiefe“ Amplitudenmodulation mit einer abgerundeten, traingularen Modulator-Wellenform. Es genügt zu sagen, dass der Tremulator wie der klassische Effekt vieler Vintage-Amps klingt, aber mit weniger Rauschen und Brummen und einer größeren Bandbreite an Geschwindigkeiten und Tiefen.

A hybrid of vintage sound and state-of-the-art quality, the Demeter Tremulator is designed for years of trouble-free operation.Designed to emulate the classic Fender tremolo effect (or vibrato as it is often referred to), the Tremulator features “lopsided” amplitude modulation with a rounded off traingular modulant waveform. Suffice it to say, the Tremulator sounds like the classic effect found on many vintage amps, but with less noise and hum and a greater range of speeds and depths.

Demeter Amps

Demo by JoowonGuitar

Demo by PedalCasters

Review by audiofanzine

TRM-1 Tremulator

Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here’s how it works: The Nano Q-Tron responds to the user’s playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It’s all about how you play and it’s super interactive

Nano Q-Tron

cedric monnier

A revolutionary polyphonic pitch shifter pedal created in cooperation with Fender Musical Instruments Co.

The BIGSBY Pedal is a revolutionary polyphonic pitch shifter pedal that reproduces the string bending and vibrato effects produced by the BIGSBY Tremolo arm and other traditional tremolo systems.

Demo by Pete Thorn

Demo by Andy Demos

BIGSBY pedal

The Radial Twin-City uses a class-A input buffer to drive the amp outputs, which reduces susceptibility to noise and allows for completely silent switching on stage. To eliminate hum and buzz from ground loops, the Twin-City is equipped with an isolation transformer on output-B, along with a ground lift switch and 180⁰ polarity reverse switch that ensures both amplifiers play back in phase with each other. At the input, Drag Control load correction allows you to recreate the natural load on the pickups as if you were connected directly to a tube amplifier, allowing the natural tone of your instrument to shine through.

Review by Rig-Talk

Demo by Full Compass

Demo by X Ray

Twin-City ABY Amp Switcher

Henrik Stensvik

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 2 V2 wurde als Patchbay speziell für MIDI-basierte Setups, Verstärker und Geräte sowie eine USB-Verbindung zwischen Pedalboard und Computer oder Soundkarte entwickelt. Mit vier TRS-Through-Verbindungen lässt sich das MOD 2 V2 perfekt in True Stereo Setups von Keyboards oder Synthesizern integrieren oder als zentraler Zugang und Ausgang des Boards nutzen. Alternativ lassen sich Effektpedale im Front End und im Effekt-Loop des Verstärkers postieren (4-Kabel Methode).
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4 x 6,3 mm TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 420 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 2 V2 is a pass-thru box especially designed for MIDI-controlled amplifiers and devices, USB connections to a computer, or a sound card. The 4x TRS thru connections will also work great for true stereo setups with keyboards or synthesizers. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 4 x 6,3 mm / ¼" TRS thru
- 2 x 5-pin DIN MIDI thru
- 1 x USB Type A thru
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 420 g / 0.93 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS, MIDI & USB Patchbay

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

The REVV G3, inspired by the renowned Generator 120 Purple Channel, boasts one of the most distinct tones found in contemporary amplifiers. It offers exceptional clarity and tightness, coupled with just the correct level of saturation to suit any musical scenario. This tone, previously reserved for a select few, can now be experienced by all in the form of an amp in a box. It provides a tactile experience that guitarists will truly appreciate