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DINGWALL 35th Anniversary Gold Drive Pedal

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ISO Power Block V12 IEC

Holy Spirit of the forest, the Fuzzly Bear fuzz pedal is here, so kick the Switch to unleash the beast!

The sound of this fuzz-pedal is influenced by an old rare and underrated fuzz box from the 1970s, the classic Jordan Boss Tone. The main reason though, why this pedal did not conquer the world of effects back in the day, was due to its massive lack of bass.

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Demo by LowEndStrings

Demo by Living Room GD

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Fuzzly Bear

The Dead Stag is based on one of the most classic discrete fuzz/distortion circuits in pedal history. This design has been built into countless versions by many pedal builders along the last forty odd years, however we wanted to take the evolution further than ever before and give you a Big Muff style pedal, but one with many more tonal options and smart features to make as versatile a fuzz/distortion pedal as possible.

Beneath the active Bass/Treble EQ with a 15db cut/boost, KMA designed a parametric mid EQ with a 12db cut/boost between 400Hz and 2.4kHz. Apart from the internal Q Bandwidth control, every EQ control is on top of the pedal which gives you a ton of tonal options. From a thick low-end rumble or spitty mid-range, to scooped mids or a low mid hump, everything is possible.

Review by Stompbox Steals

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Review by Pedal of the Day

Demo by Alberto Barrero

Manual download

Dead Stag

To A and B or not to B – that is the question.” Enrico Shakespeare, ye-olde scribe of Berlin

An ABY box is not something that will set the world on fire. We know that. But what a good ABY box can do, is start a flame that’ll fully ignite your creativity, and our new ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable – it just ticks all the boxes.

Review by Premier Guitar

Review by guitar pedal X

ABY Selector

Unterschätze niemals den Wert von hochwertigem Artwork – das hat KMA Audio Machines verstanden und versehen ihre Pedale regelmäßig mit John Baizley- und Skinner-inspirierten Kunstwerken. Das Auge spielt mit und das KMA Audio Machines Logan ist mit seinem dunkelgrünen Hintergrund und dem wölfischen Schamanen darauf keine Ausnahme. Das Verzerrer-Pedal soll vor allem mit zwei Aspekten punkten: die Reaktivität des Gains bei der Anschlagsdynamik und dem damit verbundene Headroom, der einen offenen, saturierten Sound gewährleisten soll. Bis zu 25 dB soll das Logan durch das Headroom-Design draufpacken können, womit das gute Stück in Preamp-Gefilde vorstößt. Es ist kein rückkopplungsfreudiges High-Gain-Pedal, sondern ein Tone-Shaper und Boost, der sich darauf konzentriert, Mitten und Bässe hervorzuheben. Treble und Bass verstärken den Sound um bis zu 15 dB, eignen sich also hervorragend dazu, bei einem größeren Cabinet ein ordentliches Fundament zu liefern. Die eigentliche Stärke des Logan liegt in der Flexibilität der Mitten – doch dazu später mehr.

Take a walk in the gritty dirt and breathe in the crystal-clear mountain air, exactly as Logan once did on his journey to glean the beauties of both nature and mankind. Once you hear Logan's sweet and graceful sounds you will be driven to find your own way into the transcendental tone kingdom. So plug-in and let Logan guide you into a new era of overdrive.

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