Tommaso Favero

Das RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay für Pedalboards bietet eine einfach zu realisierende, kabellose Verbindung zwischen deinem Instrument und deinem Pedalboard. Dabei nutzt es eine digitale Wireless Technologie, die eine beeindruckende Klangqualität, ein einfaches Setup und eine zuverlässige Nutzung für aktive Musiker garantiert. Das Wireless System arbeitet im 2,4 GHz ISM Band und kann so weltweit ohne Beschränkungen genutzt werden. Mit einem nutzbaren Frequenzbereich von 20 Hz - 20 kHz und nur 5 ms Latenz bleiben keine Wünsche offen. Die Patchbay-Sektion wurde entwickelt um Verbindungen und Anschlüsse des Pedalboards von der Unterseite nach außen zu führen, dir einen zentralen Zugangspunkt zu deinem Setup zur Verfügung zu stellen und um deine Kabelwege aufzuräumen und sortieren zu können. Die A, B, C und D TRS Buchsen sind als direkte, durchgängige Verbindungen von der Vorderseite des MOD 4 zu den entsprechenden Buchsen auf der Rückseite verkabelt. Damit kannst du deine Effekt-Kette so einrichten, dass du bei der Vorbereitung auf den Gig lediglich Kabel an der Vorderseite des Boards einstecken musst, anstatt unter dem Board zu hantieren.
- Wireless System Receiver + Patchbay für Pedalboards, inkl. Wireless Transmitter
- 2,4 GHz ISM Band für weltweite Nutzung
- 30 m durchschnittliche Reichweite (ohne Hindernisse)
- 24 bit / 48 kHz unkomprimierte digitale Signalübertragung
- 20 Hz - 20 kHz Frequenzbereich
- 5 ms Latenz
- 103 dB Dynamikbereich
- 85 dBm HF-Empfindlichkeit
- 0.2% Verzerrung (THD)
- 4 wählbare Kanäle
- passend für MOD Slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 4x 6,3 mm Stereo-Klinke Thru (TRS)
- 1x 6,3 mm Mono-Klinke Receiver Audio Ausgang (TS)
- 1x DC 2,1 x 5,5 mm Hohlstecker Thru
- 1x AC IEC Thru
- 1x USB Type A Charge Ausgang
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Batteriebetrieb nicht unterstützt
- Stromaufnahme 500 mA
- passiver Betrieb möglich (nur Patchbay, ohne Wireless System)
- Abmessungen mit Frontplatte (B x T x H): 175 x 85 x 47 mm
- Abmessungen ohne Frontplatte (B x T x H): 160 x 85 x 33 mm
- Gewicht 500 g
- Wireless Transmitter, zwei Antennen, ein USB Kabel, Montageschrauben und Muttern im Lieferumfang enthalten

The RockBoard MOD 4 - All-in-One Wireless System Receiver + Patchbay for Pedalboards offers an easy-to-use wireless connection between your instrument and your pedalboard, featuring digital wireless technology that delivers incredible audio quality, a simple setup procedure, and reliable use for any gigging musician. The wireless system works in the 2.4 GHz ISM band for unlimited worldwide use and offers a full 20 Hz - 20 kHz frequency range with only 5 ms of latency. The patchbay module is designed to route connections from underneath your pedalboard to its front, giving you a central access point and tidying up your connections. The A, B, C, and D TRS sockets are wiring thru-connections from the front of MOD 4 to the corresponding sockets on the back. This allows you to connect your pedals permanently underneath the board, so you only have to connect cables to and from the front of the board, instead of having to route underneath it when setting it up for a gig.
- wireless system receiver + patchbay for pedalboards, incl. wireless transmitter
- compatible with guitar wireless system
- 2.4 GHz ISM band for worldwide use
- 30 m / 100 ft. approx. range (without obstacles)
- 24-bit / 48 kHz uncompressed digital transmission
- 20 Hz - 20 kHz frequency range
- 5 ms latency
- 103 dB dynamic range
- 85 dBm RF sensitivity
- 0.2% total harmonic distortion
- 4 selectable channels
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- detachable front plate for mounting on top or underneath pedalboards
- 4x 6.3 mm / 1/4" stereo thru (TRS)
- 1x 6.3 mm / 1/4" mono receiver audio output (TS)
- 1x DC 2.1 x 5.5 mm barrel thru
- 1x AC IEC thru
- 1x USB Type A charge output
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- battery operation not supported
- current draw 500 mA
- passive operation possible (patchbay only, without wireless system)
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 500 g / 1.1 lbs
- incl. wireless transmitter, two antennas, USB charging cable, mounting screws, and counter nuts

2.4 GHz Guitar Wireless Receiver, Transmitter + TRS Patchbay

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Electric Pedal Board

Ej Santos

Discover the ultimate blend of vintage charm and modern innovation with the new Antique Classic Drive.

Redesigned under the Cornerstone Phase 3 style, this pedal draws open inspiration from the iconic vintage Italian Vespa.

Offering not just an innovative neo-vintage tool for your music but a piece of art for your pedalboard.

Discover the renewed versatility and style of the Antique Classic Drive.

Cornerstone Music Gear 

Review by The Gear Page

Review by gearnews.de

Review by delicious audio

Official Product Video

Demo by Kris Barocsi

Product Page

Antique V3

Tester

El Capistan vereint drei verschiedene Bandmaschinentypen in einem Pedal, jeweils mit drei einzigartigen Modi und umfassender Kontrolle über Bandqualität, Maschinenzustand und Klangformung.

Wechseln Sie von der vollen Klangstabilität einer fabrikneuen Echomaschine bis zum stark schwankenden Klang eines renntauglichen Geräts. Genießen Sie den vollen Klang eines neuen Bandes oder die dunklen, rauen und vibrierenden Eigenschaften eines abgenutzten Bandes.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.

Go from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. Enjoy the full bodied sound of fresh tape, or dial in the dark, gnarled and vibey qualities of worn out tape.

Strymon

Review by reddit /guitarpedals

Review by Elektronauts

Review by Guitar.com

Manual

Demo by strymon

El Capistan v2

Nicolas Wilfer

Volta Custom

Demo by Sasha Ivantic

Demo by TheGuitarGeek

Black Tweed Plus

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by bonedo

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Forest Green Compressor (FGC) is designed to meet the highest standards of guitar and bass compression.There is extremely low noise throughout the range and a high overload margin, which allows also a wide dynamic input range at minimum distortion and noise.
FGC is equipped with a special tone control to fine-tune the compressed sound for most transparent tone and effect. The pedal has a switchable compressor and sustainer mode. In Sustain mode, you can get a very dynamic, touch-sensitive tone with a long sustain. Here the attack is not lost, making the pedal suitable even for blues players and works great with slide playing.

Mad Professor

Demo by 【ムツミ】Mutsumi

Demo by ProGuitarShopDemos

Forest Green Compressor

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The CopperSound Daedalus is a luscious, plate-style reverb with two independent levels, accessible on the fly. As opposed to using a chip, we wanted to build Daedalus off the newest Belton 3 brick. The Reverb knob controls the amount of reverberation, while the Depth control handles the decay length. The Preamp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop – enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players.

The Preamp knob also adds volume to the decay and length of the reverberation, making it a dual purpose knob. The EXP jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable (not included). The Blend knob gives the user control over the amount of external effect being placed into the decay. A separate reverberation amount can be achieved with the Reverb II knob. This addition allows for two separate reverberation levels on the fly with independent footswitches. Set one for shorter, traditional sounds and the second for longer, drawn out sounds. Both Reverb knobs work with the rest of the controls.

Try the EXP jack with an expression pedal! Simply set the max amount with the Reverb knob. This amount sets the “toe down” position and the “heal down” position is fully dry.

Coppersound

Demo by shnobel

Demo by Aaron Sternke

Review by Premier Guitar

Review by AMAZONA

Deadalus

Franko Teston

It's o-fish-ial. Deliver a boatload of vintage-style fuzz with a super-simple single-knob format, all from a can of tuna. Its “Stinker” knob controls the amount of volume boost for you to cut through the mix without spilling your gills. This description is starting to feel a little fishy - time to scale back.

The unique tuna can format embodies the creative spirit that has always been the heart of Beetronics, but don’t let the unusual package fool you: the Tuna Fuzz is a serious pedal with great tone - you will have a whale of a time.

You can control the amount of fuzz with your guitar’s volume knob, and the Tuna Fuzz cleans up amazingly well when you roll back the volume on your guitar. To top it off, Beetronics has added a cool Tunabee design on the PCB, visible through the plastic back cover.

Beetronics

Demo by Mark Johnston

Demo by Eric Merrow

Review by musicradar

Review by Guitar World

Tuna Fuzz

Michał Wrzos

Der D’Addario Chromatic Pedal Tuner vereint Innovation, Benutzerfreundlichkeit und ansprechendes Design perfekt. In einem robusten Aluminiumgehäuse untergebracht, bietet er eine schnelle Notenerkennung, höchste Präzision, einen breiten Kalibrationsbereich und einen True-Bypass-Schalter, der bequem mit dem Fuß bedient werden kann. Das farbige, vertikale Display ermöglicht ein schnelles und intuitives Stimmen – ob zu Hause, im Studio oder auf der Bühne.

The D’Addario Chromatic Pedal Tuner is the perfect combination of innovation, simplicity, and style. Housed in a rugged aluminum enclosure, the tuner features fast note detection, superb accuracy, wide calibration range, and true bypass wiring with an easily accessible foot switch. The tuner’s full-color vertical display allows for quick intuitive tuning at home, in the studio, or onstage. 

D'Addario

PW-CT-20

Chris Killick-Moran

The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.

Maestro 

Demo by Buddy Blues

Demo by Edge of Breakup

Orbit Phaser

Der Volta Custom Jailbreaker ist ein Boutique-Overdrive-Pedal aus italienischer Fertigung, das den Klang und das dynamische Ansprechverhalten eines Marshall JTM45 „Bluesbreaker“-Combo-Verstärkers emuliert. Im Gegensatz zu herkömmlichen Bluesbreaker-Pedalklonen zielt diese Schaltung darauf ab, die Interaktion einer echten Röhrenendstufe und die Kompression eines Röhrengleichrichters nachzubilden. Das Pedal verfügt über zwei Kanäle, wobei der „Hot“-Kanal zusätzliche Sättigung und Lautstärke für Soli bereitstellt. Mit den „Tight“- und „Mojo“-Schaltern lässt sich die Bassansprache straffen bzw. die charakteristische Sättigung der Endstufe aktivieren. Es ist als „Amp-in-a-Box“-Lösung konzipiert, die sowohl vor cleanen Verstärkern als auch in direktem Setup mit Cab-Simulatoren funktioniert.

The Volta Custom Jailbreaker is a boutique overdrive pedal handmade in Italy, designed to emulate the specific tone and dynamic response of a Marshall JTM45 "Bluesbreaker" combo amplifier. Rather than being a clone of the classic Bluesbreaker pedal circuit, this design focuses on capturing the power-amp saturation and tube-rectifier compression of the original amplifier. The pedal features dual-channel functionality, with a "Hot" channel providing stackable gain and a dedicated level control for lead boosts. Integrated "Tight" and "Mojo" switches allow users to refine low-end clarity and engage authentic vintage sag and harmonic richness. It serves as a comprehensive "Amp-in-a-Box" solution, optimized for use with clean amplifiers or direct recording rigs.

Demo by 

Jailbreaker

Ein zweikanaliges Overdrive-Pedal, das zwei unabhängige Klon-artige Gain-Stufen in einem einzigen, pedalboardfreundlichen Gehäuse kombiniert. Der Normal-Modus liefert klassische, transparente, mittenbetonte Boost- und leichte Overdrive-Sounds, die nahtlos auf die Anschlagsdynamik reagieren. Das Aktivieren des zweiten Fußschalters schaltet den Hot-Modus ein, der eine interne zweite Gain-Stufe für mehr Sättigung, Kompression und längeres Sustain einführt. Ein stufenloser Clip-Regler ermöglicht es, das Clipping-Profil nahtlos von einem weichen, asymmetrischen Overdrive mit viel Headroom zu einer strafferen, symmetrisch komprimierten Sättigung zu regeln. Das Regler-Layout wird durch einen globalen Tone-Regler und einen dedizierten Bright-Schalter für den Hot-Modus vervollständigt, um Höhenpräsenz oder einen fokussierten Sound hinzuzufügen, ohne den Hauptkanal zu verändern.

Dual-channel overdrive pairing two independent Klon-style gain stages inside a single, pedalboard-friendly enclosure. The Normal mode delivers classic, transparent mid-focused boost and light overdrive tones that respond seamlessly to picking dynamics. Engaging the second footswitch activates the Hot Mode, which introduces an internal second gain stage for increased saturation, compression, and longer sustain. A continuous Clip knob allows players to continuously sweep their clipping profile from soft, high-headroom asymmetrical overdrive to a tighter, more symmetrical compressed saturation. The control layout is completed by a global Tone control and a dedicated Hot Mode Bright switch to add high-end presence or tight focus without altering the primary channel.

Demo by Michael W. Westbrook

Demo by Shawn Tubbs

Review by Guitar Bomb.com

Review by Gear News

Centurio

Ward Tinjum

Dieses kompakte digitale Modeling-Effektpedal für Gitarre und Bass nutzt fortschrittliche, proprietäre KI-Maschinen-Modeling-Technologie, um das komplexe dynamische Ansprechverhalten, die harmonischen Nuancen und die Berührungsempfindlichkeit physikalischer Verstärker, Boxen sowie Overdrive-Stompboxen zu replizieren. Das Gerät arbeitet als eigenständiges Mikro-Rig und verfügt über eine Dual-Kanal-Konfiguration zum Wechseln zwischen zwei verschiedenen Presets oder einen traditionellen On-Off-Stompbox-Modus. Es erweitert frühere digitale Mikro-Profiling-Hardware-Designs erheblich durch die Integration einer drahtlosen Bluetooth-Verbindung, mit der Benutzer Presets direkt von Mobilgeräten über eine dedizierte Steuerungs-App durchsuchen, bearbeiten und übertragen können. Die Hardware bietet eine vollständige MIDI-Integration über moderne Mini-TRS-Anschlüsse zur nahtlosen Anbindung an automatisierte Switcher-Setups sowie anpassbare, RGB-hintergrundbeleuchtete Regler, die mehrere Parameter wie einen Drei-Band-Equalizer, ein Noise Gate, einen Kompressor und verschiedene Stereo-Reverbs steuern.

This compact guitar and bass digital modeling effects pedal employs advanced proprietary AI Machine Modeling technology to replicate the complex dynamic response, harmonic nuances, and touch sensitivity of physical amplifiers, cabinets, and distortion or overdrive stompboxes. Operating as a standalone micro rig, the unit functions in either a dual-channel configuration to alternate between a pair of distinct presets or a traditional on-off stompbox mode. It expands significantly upon previous digital micro-profiling hardware designs by integrating wireless Bluetooth connectivity, allowing users to browse, edit, and transfer presets directly from mobile devices via a dedicated control application. The hardware features full MIDI integration using modern mini TRS connections to seamlessly interface with automated switcher setups alongside customizable RGB retro-illuminated encoders that map multiple parameters such as a three-band equalizer, noise gate, compressor, and various stereo reverbs.

IK Multimedia

Demo by The Studio Rats

TONEX ONE+

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

JOSE LUIZ FILHO

GP-50

ch ray

Line 6 HX Stomp ist ein professioneller Gitarrenprozessor, der den Klang von Helix-Verstärkern, -Boxen und -Effekten in einem ultrakompakten Pedal liefert. Egal, ob Sie lieber ein traditionelles Amp-and-Pedal-Setup spielen oder direkt auf die Bühne oder ins Studio gehen, HX Stomp lässt sich nahtlos in eine Vielzahl von Umgebungen und Anwendungen integrieren. Das HX Stomp-Gitarrenpedal verwendet dieselbe DSP- und HX-Modellierungstechnologie wie seine größeren Helix-Brüder und passt dennoch problemlos auf Ihr Pedalboard oder sogar in die Tasche Ihres Gigbags. Es gibt über 300 Ampere, Kabinen und Effekte – einschließlich eines Loopers. HX Stomp enthält dieselben HX-Modelle wie die Produkte der Helix-Familie sowie die Legacy-Effektbibliothek der Line 6 M-Series-Pedale und Stompbox-Modellierer wie den DL4. Verwenden Sie es als "Super-Stompbox", als Backup- oder Travel-Rig, als zusätzlichen Tonexpander in Kombination mit anderen Modellierern, als Audio-Interface - oder sogar als komplettes Gitarren- oder Bass-Rig.

Line 6 have been at the forefront of the digital modelling world for over 20 years now, pushing the boundaries of guitar technology is nothing new for them and their flagship product, the Helix, has taken the guitar world by storm. With the scaled down Helix, the HX, becoming a go to for players, its latest version, the HX Stomp is sure to generate loads of interest!

The HX Stomp is the ultimate streamlined version of this superstar pedal. Constructed as a 3 pedal unit, the HX Stomp features the same processor as the Helix, meaning you get over 300 effects including legacy lines from the M Series, 8 simultaneous amp, cab and effects blocks, TRS dual expression pedal inputs and a stereo effects loop, it's a serious pedal!

It's super comprehensive but really user intuitive. Built with the working player in mind, it has a solid aluminium construction that can take the rigours of the road, perfect on stage or in the studio, the Helix is the future of multi effects.

LINE 6

Review by Gitarre & Bass

Demo by Guitar Bonedo

Demo by Bernd Kiltz - Gitarrenvideos

HX Stomp Black

PedalSafe Type L6

QuickMount Type L6

Pedal-Montageplatte für LINE6 HX Stomp Pedale

Pedal Mounting Plate for LINE6 HX Stomp pedals

Schutzabdeckung & RockBoard-Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & RockBoard Mounting Plate For LINE6 HX Stomp pedals

Schutzabdeckung & universelle Montageplatte für LINE6 HX Stomp Pedale

Protective Cover & Universal Mounting Plate For LINE6 HX Stomp pedals

Darren Phillips

Das neue passive DOD Mini-Expression-Pedal hat genau die richtige Größe für dein Pedalboard – und deinen Geldbeutel. Dank der robusten Ganzstahlkonstruktion und dem Zahnradantrieb gibt es keine Saiten, die reißen könnten. Trotz seiner kompakten Bauweise bietet es das gleiche Spielgefühl und den gleichen Hub wie Pedale, die doppelt so groß (und doppelt so teuer) sind.

Das Mini-Expression-Pedal verfügt über einen TRS (25 kΩ)/TS (10 kΩ)/RTS (25 kΩ)-Wahlschalter, wodurch es flexibel mit den meisten Geräten mit Expression-Pedal-Eingängen kompatibel ist. Die rutschfesten Gummipads und das unvergleichliche Industriedesign von DB Instrument Amp garantieren ein hochwertiges Expression-Pedal, das sich langfristig bewährt.

The new passive DOD Mini Expression Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price).

The Mini Expression Pedal features a TRS (25kΩ)/TS (10kΩ)/RTS (25kΩ) selector, making it flexible to work with most gear with expression pedal inputs. The non-slip rubber pads, and a peerless industrial design by DB Instrument Amp insure a high quality expression pedal that will last the test of time.

Demo by Ryan Hogle

Mini Expression

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

Electric but small

The Radial J48 has gained a tremendous following through the professional audio community. With significantly more headroom, lower distortion and unmatched durability, it is no wonder that the J48 has become the most specified direct box on stages around the world. As you will note with the specifications below, the J48 is exceptionally linear when tested both under laboratory conditions and when placed under the extra stress of 100 meters (300 feet) of cable. In the lab, the high frequency response actually exceeds 40kHz! This makes the J48 a perfect candidate for the most demanding studio recording while being the obvious choice for the artist on stage.

Radial Engineering

Demo by  Carlos M. Arzola

Demo by Transcend Guitar

Review by Tape OP

Review by Sound on Sound

Miggy Smalls

Der Morningstar Engineering MC4 Pro ist ein kompakter MIDI-Fußcontroller der Profi-Klasse, der Musikern umfassende Steuerungsmöglichkeiten für MIDI-fähige Geräte bietet und gleichzeitig nur wenig Platz auf dem Pedalboard benötigt. Er verfügt über ein hochauflösendes dynamisches Farbdiplay, vier soft-touch Fußschalter und ein vollständiges I/O-Anschlussfeld inklusive MIDI-DIN5-Ausgang, TRS-MIDI-Ein-/Ausgängen, Omniports (konfigurierbar als Expression-, Aux-Switch- oder zusätzliche MIDI-Ausgänge) und einem Relay-Schalterport. Das Display und das Menü sind intuitiv zu bedienen, und Bluetooth-MIDI ermöglicht drahtlose Verbindung und Remote-Bearbeitung über die Morningstar Editor-App. Der MC4 Pro bietet die volle PRO-Series-Leistung im kompakten Format, ideal für Gitarristen, Bassisten oder Synth-Spieler mit MIDI-Setup.

The Morningstar Engineering MC4 Pro is a compact, professional-grade MIDI foot controller designed to give musicians powerful control over MIDI-capable gear while taking up minimal pedalboard space. It features a hi-resolution dynamic color display, four soft-touch footswitches, and a comprehensive set of I/O options including DIN5 MIDI output, TRS MIDI in/out, Omniports (configurable for expression, aux switches, or additional MIDI outs), and a relay switching port. The onboard display and responsive menu system keep navigation intuitive, and Bluetooth MIDI allows for wireless connection and remote editing via the Morningstar Editor app. The MC4 Pro packs full PRO series performance into a small form factor ideal for guitarists, bassists, and synth players who need compact yet deep MIDI control.

Morningstar Engineering

Review by Perfect Circuit

MC4 Pro

Perry Matthew Lisboa

SOL ist die ultimative Lösung, um ein kleines bis mittelgroßes Pedalboard-Setup zum Leben zu erwecken, besonders wenn du stromhungrige Pedale verwenden. SOL ist das kleinste netzbetriebene Schaltnetzteil, das wir bei CIOKS herstellen (hier gibt es keine Wandwarzen). Das schnörkellose Design und die enorme Leistung lässt dir den Rücken frei, um dich auf deinen kreativen Funken zu konzentrieren.

SOL is the ultimate solution for bringing life to a small to medium-sized pedalboard setup, especially if you are using power-hungry pedals. SOL is the smallest mains-powered switch-mode power supply we make at CIOKS (no wall-warts here) and the no-frills design plus massive power will leave you free to focus on your creative spark.

CIOKS

Demo by Paul Bradshaw

Demo by EytschPi42

Review by Reddit /guitarpedals

Review by Bonedo

Lee Atkin

Dieses kompakte Gerät ermöglicht Ihnen das nahtlose Umschalten zwischen zwei Geräten wie z.B. Instrumenten, Stereo-Synthesizern oder anderen Line-Level Geräten, entweder über einen Fußschalter oder MIDI-Steuerung.
Auf Grund des speziellen Designs mit passivem TrueBypass kann es auch als A/B Box genutzt werden.

This compact yet powerful device allows you to seamlessly switch between two instruments such as guitars, stereo synthesizers, or other line-level gear using either a foot switch or MIDI control.
Because of its passive true-bypass design, it can also function as a stereo A/B box when connected in reverse.

One Control

MIDI Input Selector

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Für 4-7 FX-Pedale - **470 x 142 mm / 18.50" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 4 - 7 FX pedals - **470 x 142 mm / 18.50" x 5.59"** - available with Gig Bag or Flight Case

Stuart OToole

Stereo ToneX One

dewey hwang

Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.

Universal Audio

1176 Studio Compressor Pedal

Isen Ritchie

The Barn3 OXU Three is an aux switch designed to unlock the full potential of your digital guitar effects pedals. This compact, pedalboard-friendly box includes four compatibility settings, which enable it to work with virtually any aux-equipped stompbox in existence. You get three footswitches, and the OXU Three’s patent-pending form factor pairs seamlessly with the Eventide H90 and Strymon’s Big Sky, Timeline, and Mobius pedals, enabling you to install it directly under the aux-enabled pedal without stealing extra pedalboard real estate. The OXU Three comes complete with an 11.5-inch TRS cable, a Barn3 sticker, and a Barn3 guitar pick.

Barn3

OXU Three

Nico Dritsch

Formula B

Manual download

Vintage Vibe MK2

David Litaba

Beim Strymon Cloudburst handelt es sich um ein Stereo-Reverb mit übersichtlicher Bedienung und kompakten Maßen, das auf dem Cloud-Algorithmus des Strymon Big Sky basiert.

A simple and straightforward atmosphere machine spans deep, orchestral ambient reverbs and colorful room sounds.

Review by Bonedo 

Review by Amazona 

Demo by Pete Thorn

Demo by Andertons Music 

Cloudburst Ambient Reverb

Kevin King

While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, Asian audio gear manufacturers were creating gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs.

SolidGoldFX

Review by Pete Thorn

Review by BassTheWorld.com

76 MKII

The MXR Ten Band Graphic EQ gives players
huge amounts of tone shaping and level control
in a bullet-proof enclosure. This pedal has
been upgraded with noise-reduction circuitry,
true bypass switching, a lightweight aluminum
housing, and a second output so you can run two
separate signal chains. With ten carefully chosen
frequencies and both input and output level
controls, the Ten Band EQ will let you tune your
bass or guitar rig to any room in seconds. 

Review by

Demo by PMTVUK

M108S 10 band EQ [silver version]

QuickMount Type D

Pedal-Montageplatte für große horizontale Pedale

Pedal Mounting Plate For Large Horizontal Pedals

Anders Rapanà

Drücke dich aus und zwar gleich zweimal: das LEHLE DUAL EXPRESSION ist ein aktives, verschleißfreies Expression-Pedal, das mit einer sehr präzisen Magnet-Sensor-Technologie ausgestattet ist.
Bekannt von den LEHLE VOLUME Pedalen, nutzt der Sensor den Hall-Effekt, benannt nach Edwin Hall zur Messung der Stärke von Magnetfeldern.
Beim LEHLE DUAL EXPRESSION wird der Hall-Sensor auf den eingebauten Magneten und den Regelweg des Pedals exakt kalibriert, wobei das Pedal nur den Magneten bewegt, dessen Abstand vom Hall-Sensor gemessen wird.
Zwei digitale Potentiometer, die analoge Spannungen verarbeiten können, dienen zur präzisen und zuverlässigen Erzeugung der Expression-Werte.


Express yourself, twice! The LEHLE DUAL EXPRESSION is an active, wear-free expression pedal equipped with a precise magnetic sensor. Known from the LEHLE VOLUME pedals, this sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the LEHLE DUAL EXPRESSION the Hall sensor is accurately calibrated to the built-in magnet and the control range of the pedal – where the pedal moves only the magnet, whose distance is measured by the Hall sensor. Two digital potentiometers, working with analogue voltages, are used for the precise and reliable generation of the expression data. This technology allows distinctly more accurate operation than is offered by conventional expression pedals with mechanical potentiometers. There is no mechanical wear, avoiding the need for maintenance or complicated adjustments. Both outputs can control nearly all common devices with expression inputs from 5k to 100k, regardless if TS, TRS or RTS – the polarity can be switched and stored using the soft-push buttons. Alternatively, the 10k output can be set to work as a latching or momentary switch, if the pedal is pushed in fully toe position. Then e.g. the channel of an amp can be changed or, connected to a switch-input of a digital device, any desired function can be controlled. Via the USB socket you can send MIDI data to a computer, in order to control midi compatible software. In use, the LEHLE DUAL EXPRESSION is extremely smooth and steady under foot, as it is equipped with low-friction bearings of a high-performance polymer. By means of an adjusting screw the mobility of the pedal can be modified with great precision. Compared to the LEHLE MONO VOLUME we were able to reduce the weight by 50% and the size by 35% – with the same rugged stability. It’s even 2 cm flatter, however the pedal range stays the same - just as comfortable and responsive as the larger models. Light, small, and twice the precise expression: LEHLE DUAL EXPRESSION.

LEHLE

Review by Simon S, amazona.de

Review by Haiko Heinz, bonedo.de

Dual Expression Pedal

Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

Eventide

Demo by Andertons Music Co

H90 Harmonizer®

Learn more about IK Multimedia TONEX ONE+ multi pedal on PedalPedia - the most comprehensive online resource for effect pedals ▶️ Official specs, manuals, product videos and more