Domingo  Buleto Delgado

Actual board 2

Tester

Den Leslie-Effekt mit rotierenden Speakern kennt man von der Orgel, er gehört in der modernen Musik zum Standard. Mit dem Pinwheel verwirbelst du jetzt auch deinen Gitarrenklang auf diese Art. Zur Wahl stehen drei verschiedene Rotary Speaker Voices inklusive Vibratone, jeweils auf Slow/Fast umschaltbar. Der integrierte Overdrive verleiht dem Sound eine cremige, üppige Textur. Die Intensität steuerst du intuitiv per Anschlagsdynamik – je härter du spielst, umso stärker hörst du den Effekt.

The Leslie effect with rotating speakers is familiar from the organ and is standard in modern music. With the Pinwheel, you can now swirl your guitar sound in the same way. There is a choice of three different rotary speaker voices including vibrato, each switchable to slow/fast. The integrated overdrive gives the sound a creamy, lush texture. You can control the intensity intuitively via velocity - the harder you play, the stronger you hear the effect.

Fender

Demo by Pedal Experiments

Official Product Video

Product Page

Review by mixdownmag

Review by The Gear Page

Review by bonedo

Review by Harmony Central

Manual

The Pinwheel Rotary

Kim Ulmer

Ein Buffer zur Verringerung des Klangverlusts

Truetone

Pure Tone

John Barker

Part of the made in Japan MINI pedal series, The FZMINI's circuit is based on our legendary OD850 fuzz pedal. The mini version features two smaller knobs for Tone and Level, as well as a significantly larger Sustain knob in the middle. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone, while 100% analog circuitry helps add a natural, organic character to the sound. The FZMINI offers a warm, vintage fuzz tone, all while saving significant space on your pedalboard.

Ibanez

Demo by TomoFujitaMusic

Demo by Don Carr

Review by Musiker-Board

Review by musicradar

850 Fuzz

Stephen Killick

Review by Tone Pedia

Review by guitar pedal X

Demo by  エフェクターボードが好き

PHMINI Phaser

TRMini Tremolo

Caleb Chandler

Simpel, robust, und kraftvoll gibt sich der 2B Booster von Fulltone. Hierfür wurde das Pedal mit lediglich zwei Reglern für Gain und Dynamics versehen, wodurch die Bedienung des Boosters spielend leicht von der Hand geht. Der Gain Regler agiert als Level Control, welcher grade im Overdrive die extra Portion Sustain liefert.

Als Clean Boost agiert der auf den Supa-Trem bzw. True-Path-ABY Modellen basierende Preamp äußerst klangneutral und ist im Gegensatz zu vielen anderen Boosterpedalen angenehm zurückhaltend in den Höhen.

Dank unverwüstlichem Metallgehäuse und der kompakten Größe ist der Fulltone 2B Booster mehr als roadtauglich!

The Fulltone 2B is an amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Soon after the FD3 came out I started getting a steady flow of emails asking if I could “please make that into a single channel Boost pedal!” So I crammed the circuit into the smallest possible enclosure 4.5" x 2.1" x 2.3" with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks, and added an important feature not offered in the FD3.

Fulltone

Demo by  Guitar World

Review by Robby Mildenberger, bonedo.de

2B Boost

The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Threshold and Peak sliders control the degree of effect; while Range and Drive switches determine range and direction of the filter sweep. Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz – 4 kHz allow the AF9 to function with virtually any instrument or input signal.

Maxon

Review by Marcels Guitars

Review by Talk Bass.com

Demo by Pedal of the Day

Demo by GodlykeInc

AF9 Auto Filter

PedalSafe Type F

QuickMount Type F

Pedal-Montageplatte für Standard Ibanez TS / Maxon Pedale

Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & RockBoard Mounting Plate For Standard Ibanez TS / Maxon Pedals

Schutzabdeckung & universelle Montageplatte für Standard Ibanez TS / Maxon Pedale

Protective Cover & Universal Mounting Plate For Standard Ibanez TS / Maxon Pedals

The T-Rex SHAFTER is our best shot at a genuine new-generation wah-wah pedal. With loads of adjustability, a much wider frequency sweep, quieter operation, greater durability and 3 completely different “wah” characters, it addresses all the weaknesses of the classic wah point by point. We think it’s the best wah-wah ever made, and we know you’ll love how it sounds and performs.

T-Rex

Review by Guitarist, musicradar.com

Review by Bassel Hallak, bonedo.de

Demo by Eitdrian

Demo by American Musical Supply

Shafter Wah

DIVA was built to enhance your sound—not replace it. No matter how much gain you add, no matter how you choose to beef up your low end, DIVA will respect your musicianship, your gear and your personal tone. Use it for that subtle “one more notch” effect. Or lay on the gain for some serious, punchy bite. Any way you use it, you’ll sound amazing, just like you.

Demo by Crank my amp

Demo by The Guitar Effect

Review by Effects Database

Review by Thomas Dill, bonedo.de

Demo by Premier Guitar

Diva Drive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Du wünschst dir einen richtig brutalen High-Gain-Tone, den du vielseitig feintunen kannst? Das Full Moon Distortion Pedal zaubert dir abgefahrene Verzerrungs-Varianten. Unter dem Texture-Schalter stecken symmetrische/unsymmetrische Clipping-Effekte. Der Bite-Schalter liefert den nötigen Biss und verschiebt die oberen Mitten und Obertöne, damit man deinen Anschlag mit dem Plektrum deutlicher hört. Für den Feinschliff sorgt der 3-Band-EQ, wobei du die Höhen zusätzlich mit dem Regler für Hi-Treble abstimmen kannst. Mit dem zweiten Fußschalter bekommst du bei Bedarf knurrige +12 dB am Ende des Signalwegs dazu.

A high-gain distortion featuring an always useful boost with separate footswitch (delivering up to 12db of gain), this pedal sports a lot of tone shaping goods, including a four way EQ section (with a “Hi Treble” knob on top of your regular Treble one, which is a low pass filter that can tame the sizzling highs) and Bite and Texture toggle switches – the latter delivering symmetrical and asymmetrical clipping for the true tone connoisseurs.

Demo by Chicago Music Exchange 

Demo by Ola Englund 

Demo by  Slumber_Joe

Demo by PMTVUK

Review by mixdownmag.com

Review by reddit.com/r/guitarpedals

Review by musicradar.com

Review by bonedo.de

Full Moon Distortion

Pigtronix Quantum Time Modulator produces a parallel universe of analog time stretching effects with only three knobs and a single switch. Reflecting the fundamental principals of modern atomic physics in pedal form, the Pigtronix Quantum can be in any number of places at once and will change in response to both input and observation. Pigtronix Quantum utilizes multiple bucket brigade delay lines with independent clocks modulated by a continuous blend of envelope and LFO sources. The corresponding sensitivity, speed and source controls are augmented by a Chorus / Vibe switch which allows the user to choose between pure effect or a mix of clean signal and modulated audio. This eminently flexible, yet easy to use configuration, combined with a TRS stereo output provides numerous sound field configurations for mono, true stereo, wet / dry and wet / dry / wet rigs.

Pigtronix

Demo by The Tone King

Demo by Prymaxe

Review by reddit /guitarpedals

Review by Premier Guitar

Manual download

Quantum Time Modulator

ch ray

Der BOSS SDE-3 Dual Digital Delay ist ein kompaktes Stereo-Delay-Pedal, das den klassischen Klang und Charakter des Roland SDE-3000 Rack-Delays in ein pedalboardtaugliches Format bringt. Es bietet reichhaltige vintage digitale Delay-Töne mit kreativer Kontrolle über Verzögerungszeit, Feedback, Modulationstiefe und Rate sowie einen High-Cut-Filter zur Formung der Echo-Wiederholungen. Die Offset-Regelung erzeugt eine zweite Verzögerungslinie für polyrhythmische und Stereo-Texturen. Der Pedal verfügt über vielseitige Ausgangsmodi einschließlich Stereo-Ein/ausgängen und Wet/Dry-Routing, Tap-Tempo, MIDI-Sync-Eingang, Expression-Pedal-Steuerung und einen gepufferten Bypass mit Carryover für natürliche Ausklänge.

The SDE-3 fuses vintage digital character and wide-ranging versatility into one unique and inspiring BOSS compact pedal. Experience the genuine sound and core features of the Roland SDE-3000, an iconic ’80s-era rackmount delay favored by some of the most influential guitarists of all time. Flow into any creative setup with a slate of modern features. And twist the powerful Offset control to explore an array of colorful dual-delay textures.

BOSS

Demo by The Studio Rats

Instagram Channel

Review by Guitar World

SDE-3 Dual Digital Delay

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

DM-2W Delay (Waza Craft)

Giordano Rivolta

Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog circuitry produces the warm tone that players look for in analog delays. With the ADMINI, you'll enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard.

Review by AMAZONA

ADMINI Analog Delay

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

MOOER

Macro Power S8

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Tim Heeringa

Current Digital board with the addition of the Boss XS-100 (on my wishlist)

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 3 V2 ist eine Patchbay für Sänger und Akustik-Musiker. Über die zwei XLR-Ausgänge kannst du ein Stereo-Signal von dein MOD senden und an den XLR-Eingang lässt sich ein Mikrofon anschließen. Mit drei TRS-Through-Verbindungen lässt sich das MOD 3 V2 außerdem als zentraler Zugang und Ausgang des Boards nutzen um zum Beispiel Effektpedale in den FX-Loop eines Verstärkers einzuschleifen.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 3 x 6,3 mm TRS thru
- 2 x XLR thru (männlich vorne / weiblich hinten)
- 1 x XLR thru (weiblich vorne / männlich hinten)
- 1 x DC 2,1 x 5,5 mm Hohlstecker thru
- 1 x AC IEC thru (männlich vorne / weiblich hinten)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel


The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 3 V2 is a pass-thru box designed for use by vocalists and acoustic players. The 2x XLR outputs allow you to send a stereo signal from your MOD and the 1x XLR input can be used to connect your microphone. You can also use it to run several pedals from your board through the effects loop of your amp, or simply use the MOD as a central access point to your pedalboard.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 3 x 6,3 mm / ¼" TRS thru
- 2 x XLR thru (male front / female back)
- 1 x XLR thru (female front / male back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR Patchbay for Vocalists & Acoustic Players

2026 Digital Board

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

StroboStomp HD

Konstantinos Gamatos

The OCD pedal is the only pedal that uses 2 x Mosfets configured as hard-clipping to 'Voltage reference" instead of the usual way: to ground." The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive.

Recently I stumbled across a reasonably large stash of the right kind of Germanium diodes so I ponied-up and bought all of them. So I decided to do a run of the ultimate OCD: a Custom Shop offering with a few circuit tweaks using 2 x Mosfets plus 2 x Germanium diodes, and one hell of a beautiful paint job... Metallic Teal with a chrome undercoat! This beauty morphs between blues and greens depending on the light and angle. And what would the ultimate OCD be without a Blue LED? The sound? Great definition, more tube-like feel, a bit wider dynamic range, more sustain, and a more focused single-note tone. And as with all Fulltone pedals... 100% Built in the USA.

OCD Ge

David Litaba

Wenn Wampler beschließt, in den MultiFX-Markt einzusteigen, tun sie das mit Stil. 11 individuell gestaltete Effektblöcke, von Flanger bis Phaser, Chorus bis U-Vibe, Harmonic Tremolo bis Envelope Filter, Sie wissen, dass alles daran perfekt sein wird. In einem unglaublich kleinen Paket können Sie jedes der 8 Presets über MIDI steuern, Sie können ein Expression-Pedal zuweisen, um JEDES der fünf Hauptsteuerelemente zu steuern, Sie können es in vollem, herrlichem Stereo laufen lassen oder in Mono belassen ... Sie können dieses Monosignal sogar aufteilen, um einige Effekte vor Ihre Antriebspedale oder den Verstärkergewinn zu leiten und den Rest hinterher oder in Ihren Effekt-Loop laufen zu lassen! Wenn Sie Terraform in Ihr Rig einbauen, wissen Sie, dass Sie nicht nur diesen legendären Wampler-Ton erhalten, sondern auch die benutzerfreundlichste, vielseitigste und am besten klingende Modulationssammlung, die Sie sich jemals wünschen könnten!

When Wampler decides to jump into the multiFX market, they do it in style. 11 custom designed effects blocks, from Flanger to Phaser, Chorus to U-Vibe, Harmonic Tremolo to Envelope Filter, you know everything about it is going to be perfect. In one incredibly small package, you can control any of the 8 presets via midi, you can assign an expression pedal to control ANY of the main five controls, you can run it in full glorious stereo or keep it in mono... you can even split that mono signal to route some effects to go before your drive pedals, or amp gain, and have the rest follow behind or in your effects loop! When you put the Terraform into your rig, you know that not only will you get that legendary Wampler tone, but you will get the most easy to use, hugely versatile and best sounding collection of modulations you could ever want!

Wampler

Review by amazona.de

Review by guitarworld.com

Review by premierguitar.com

Demo by  Premier Guitar

Demo by  The Gear Cage

Demo by Reverb

TERRAFORM

Gustavo Celis

Chroma Console is a flexible multi-effect pedal that takes inspiration from the eccentricity, grit, and lively instability of beloved vintage recording technology, combines it with brand new sounds, and delivers it all through an intuitive user interface that puts wide-ranging sonic experimentation at your fingertips.

Hologram Electronics

Quick Start Manual

Demo by Mark Johnston

Chroma Console

Anders Rapanà

Drücke dich aus und zwar gleich zweimal: das LEHLE DUAL EXPRESSION ist ein aktives, verschleißfreies Expression-Pedal, das mit einer sehr präzisen Magnet-Sensor-Technologie ausgestattet ist.
Bekannt von den LEHLE VOLUME Pedalen, nutzt der Sensor den Hall-Effekt, benannt nach Edwin Hall zur Messung der Stärke von Magnetfeldern.
Beim LEHLE DUAL EXPRESSION wird der Hall-Sensor auf den eingebauten Magneten und den Regelweg des Pedals exakt kalibriert, wobei das Pedal nur den Magneten bewegt, dessen Abstand vom Hall-Sensor gemessen wird.
Zwei digitale Potentiometer, die analoge Spannungen verarbeiten können, dienen zur präzisen und zuverlässigen Erzeugung der Expression-Werte.


Express yourself, twice! The LEHLE DUAL EXPRESSION is an active, wear-free expression pedal equipped with a precise magnetic sensor. Known from the LEHLE VOLUME pedals, this sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields. In the LEHLE DUAL EXPRESSION the Hall sensor is accurately calibrated to the built-in magnet and the control range of the pedal – where the pedal moves only the magnet, whose distance is measured by the Hall sensor. Two digital potentiometers, working with analogue voltages, are used for the precise and reliable generation of the expression data. This technology allows distinctly more accurate operation than is offered by conventional expression pedals with mechanical potentiometers. There is no mechanical wear, avoiding the need for maintenance or complicated adjustments. Both outputs can control nearly all common devices with expression inputs from 5k to 100k, regardless if TS, TRS or RTS – the polarity can be switched and stored using the soft-push buttons. Alternatively, the 10k output can be set to work as a latching or momentary switch, if the pedal is pushed in fully toe position. Then e.g. the channel of an amp can be changed or, connected to a switch-input of a digital device, any desired function can be controlled. Via the USB socket you can send MIDI data to a computer, in order to control midi compatible software. In use, the LEHLE DUAL EXPRESSION is extremely smooth and steady under foot, as it is equipped with low-friction bearings of a high-performance polymer. By means of an adjusting screw the mobility of the pedal can be modified with great precision. Compared to the LEHLE MONO VOLUME we were able to reduce the weight by 50% and the size by 35% – with the same rugged stability. It’s even 2 cm flatter, however the pedal range stays the same - just as comfortable and responsive as the larger models. Light, small, and twice the precise expression: LEHLE DUAL EXPRESSION.

LEHLE

Demo by 

Demo by shnobel

Review by Simon S, amazona.de

Review by Haiko Heinz, bonedo.de

Dual Expression Pedal

Tavish Stone

Das EHX Lizard Queen Octave Fuzz wurde ursprünglich von Josh Scott von JHS Pedals und dem Grafikdesigner Daniel Danger als Hommage an Electro-Harmonix in der Blütezeit des Unternehmens in den 1970er Jahren entworfen. Das EHX Lizard Queen Octave Fuzz ist eine Version des Pedals in Nanogröße, die von den Ingenieuren von Electro-Harmonix zum Leben erweckt wurde und alle Töne und Schwingungen des ursprünglichen Schaltungsdesigns von Josh besitzt.  

Der Sound ist inspiriert von EHXs Fuzz-Pedigree mit einer einzigartigen analogen Oktavschaltung, die den Vibe des Originaldesigns hat, das erstmals 2022 in der JHS Show vorgestellt wurde. So entsteht ein völlig neuer und einzigartiger EHX-Fuzz-Sound, den wir noch nie zuvor gehört haben. Um die Geschichte weiter zu erzählen, ist das Pedal mit Vintage EHX-inspirierten Grafiken geschmückt, die von Daniel entworfen wurden.  


Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Electro-Harmonix that has all of the tones and vibes of the original circuit design by Josh. The tone is inspired by EHX’s fuzz pedigree with a unique analog octave up circuit that has all the vibe of the original design first featured on the JHS Show in 2022. This creates a completely new and unique EHX fuzz sound we’ve never heard before. To further tell the tale, the pedal is adorned with vintage EHX-inspired graphics designed by Daniel.

Housed in EHX’s Nano-sized chassis, the EHX Lizard Queen is a fixed gain fuzz pedal which features Volume, Octave, and Balance knobs. Volume controls the overall output volume level. The Octave control adjusts the level of the octave-up signal from zero to full octave chaos. Perfect for dialing in a crushing rhythm sound or a chimey, clanging lead sound. The Balance knob sets the tone balance between the smoother Shadow setting and the raspy, biting Sun setting. The effect of the Balance control is especially apparent with the octave set high.

Electro-Harmonix

Review by Trevor Curwen, guitarworld.com

Review by Jan Steiger, amazona.de

Demo by Roy's Studio Adventures

Demo by PJ and the Beard

Lizard Queen

Michael Hodgson

Der BOSS XS-100 Poly Shifter ist eine fortschrittliche Pitch-Shifting-Workstation für Gitarre und Bass, ausgestattet mit einem integrierten Expression-Pedal und einem enormen Pitch-Bereich von acht Oktaven. Er verwendet neue BOSS-Algorithmen für eine erstklassige, glitch-freie polyphone Leistung, selbst bei komplexen Akkorden. Das integrierte Expression-Pedal bietet lineare Echtzeitsteuerung über vier Oktaven nach oben oder unten, mit einem integrierten Zehenschalter für momentane Pitch-Sprünge. Das Gerät bietet auch feste Pitch-Einstellungen (Drop-Tunings, Kapo-Effekte) über die vollen acht Oktaven, eine einstellbare Pedalkurve, 30 Speicherplätze zum Speichern benutzerdefinierter Setups und umfassende Anschlussmöglichkeiten, einschließlich TRS MIDI I/O und Optionen für externe Steuerung.

 The BOSS XS-100 Poly Shifter is an advanced pitch-shifting workstation for guitar and bass, featuring an integrated expression pedal and a massive eight-octave pitch range. It utilizes new BOSS algorithms for class-leading, glitch-free polyphonic performance, even with complex chords. The onboard expression pedal provides linear, real-time control across four octaves up or down, with an integrated toe switch for momentary pitch jumps. The unit also offers fixed pitch settings (drop tunings, capo effects) across the full eight octaves, an adjustable pedal curve, 30 memory slots for saving custom setups, and extensive connectivity, including TRS MIDI I/O and external control options.

Demo by Andertons

Review by Guitar.com

XS-100 Poly Shifter

Quad Cortex ist der leistungsstärkste Floor-Modeler der Welt. Mit insgesamt 6 Kernen (4x SHARC+ und 2x ARM Cortex-A5 mit jeweils 500 MHz) eröffnet diese unglaubliche Rechenleistung grenzenlose Möglichkeiten im Bereich des Sounddesigns.

Quad Cortex is the most powerful floor modeler on the planet. With a total of 6 cores (4x SHARC+ and 2x ARM Cortex-A5 running at 500MHz each), this ludicrous amount of processing capacity provides limitless sound design possibilities.

Neural DSP

Review by wired

Review by Fractal Audio Forum

Review by guitarguitar

Quad Cortex 2.0 manual

Demo by Neural DSP

Quad Cortex

QuickMount Type NRL 

Pedal-Montageplatte für das NEURAL DSP Quad Cortex Pedale

Pedal Mounting Plate for the NEURAL DSP Quad Cortex pedal

Für 9-14 FX-Pedale, 2 MOD-Slots - **722 x 236 mm / 28.43" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 14 FX pedals, 2 MOD slots - **722 x 236 mm / 28.43" x 9.29"** - available with Gig Bag or Flight Case

Housed in a beautiful powder coated Blue 16ga. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. The first channel is the Overdrive Mode, capable of clean boost or non-compressed overdrive or choose light to medium softer overdrives all while retaining your guitar's original tone. The Tone knob is a very effective presence control that can smooth out or add upper harmonics. The second channel is the "Boost Mode" with its own separate distortion control for medium to higher gains with a more singing violin-like sustain!

One mini-toggle lets you choose between a "Vintage" FD2 sound with mid-heavy tones that cut through the mix and "FM (flat-mids)" for a more natural, transparent sound that works awesome with a Strat's neck pickup.
The other mini-toggle lets you choose between Mosfet and Normal clipping modes. Normal mode is even more asymmetrical, sweeter and more open, with no "blanket" over the sound.