Thomas & Simone RhPf Electronics

Monolithic Grooves & Sonic Rituals. 
At the heart of Janek’s rig lies the brooding low-end force of RhPf’s Basilisk and the dynamic, touch-sensitive versatility of the Mosferatwo — a combo tailored to the sludgy stomp and riffy swagger of Gentle Beast. From earthquaking doom passages to psychedelic tremble-and-howl sections, his board is designed for maximum feel and narrative control.

The Carl Martin Octa-Switch II anchors the setup for quick live changes, while staples like the Big Muff Pi, Strymon blueSky, and Carbon Copy add saturated filth, cavernous reverb, and analog warmth. A Drone Rainger sits up top for chaotic, glitched-out textures — a clear nod to the band’s more experimental side.

Modulation comes courtesy of an MXR Phase 90 and Ibanez Weeping Demon wah, with additional character from a Pharaoh fuzz and a unique high-headroom overdrive/tone shaper that hints at Janek’s deep commitment to tonal sculpting. Expect seismic fuzz, sculpted mid scoops, and sudden eruptions of beautifully unhinged noise.

Gentle Beast - Janek Huschke

Der Basilisk ist ein High-Gain-Stoner-Doom-Distortion-Pedal, das mit brachialem Bassfundament, fettigem Sustain und einem röhrenden, fuzzigen Sägezahn-Sound überzeugt. Inspiriert vom legendären Basler Basilisken wurde dieses Klangmonster erschaffen, um selbst die schwersten Riffs zu beherrschen.

The Basilisk is a high-gain stoner doom distortion pedal, delivering crushing low-end, thick sustain, and a roaring fuzzed-out grind. Inspired by the legendary Basel Basilisk, this monster of tone is designed to dominate the heaviest of riffs.

RhPf Electronics

3D Viwer and AR tool

Interactive Frequency Response

Product Page

Manual

Basilisk

Ein fetter, rauer MOSFET-Overdrive mit kräftiger Sättigung und nuancierter Dynamik. Drei fein abgestimmte Gain-Stufen liefern wahlweise klassischen Blues-Crunch oder fokussierter Schärfe. Von rauchigen Bässen bis zu kristallklaren Höhen – dieser Sound lebt von Spielgefühl und Charakter.

A swampy, greasy bold overdrive packed with touch-sensitive dynamics and three gain stages stacked for bluesy grit or focused bite. From smoky lows to glassy highs, it’s all about feel and attitude.

Demo by We As A Company

Demo by Philip Czarnecki

3D Viewer and AR tool

Interactive Demo

News Letter

Mosferatwo

Tester

Der OctaSwitch MKII ist ein 8-fach Looper/Switcher, bei die Effektpedale in die acht Effekt-Loops auf der Rückseite dieser Einheit (alle mit True-Bypass, widerstandsfrei und mit Gold-Relais, damit alle Pedale, sowohl neue als auch alte, verwendet werden können). Durch An- und Ausstellen der nummerierten Schalter in jeder der acht DIP Bank Switches stellt man ein, welche Effekte man simultan je Bank nutzen möchte. Eine blaue LED für jeden Effekt-Loop und jede Bank. Der Octa-Switch II verfügt jedoch noch über eine Reihe weiterer Features! Der neunte Fußschalter auf der Linken Seite ist ein Bypass-Switch, der es erlaubt alle acht Pedale komplett aus der Signalkette zu nehmen und den unbeeinflussten Klang direkt an den Verstärker zu senden. Es gibt außerdem zwei externe Schaltbuchsen, welche die Verwendung von zwei Verstärkern erlauben und/oder das Umschalten der Kanäle auf diesen Amps. Der OctaSwitch bietet einen Mono Eingang (bei Bedarf gebuffert) und einen Stereo Ausgang.

The OctaSwitch MKII is an 8-loop switcher/looper that allows you to connect effect pedals to its eight effect loops on the back of the unit. All loops feature true bypass, are resistance-free, and use gold-plated relays, making them compatible with both modern and vintage pedals. By toggling the numbered switches in each of the eight DIP bank switches, you can determine which effects are activated simultaneously in each bank. A blue LED indicates the status of each effect loop and bank.

However, the OctaSwitch II offers even more features! The ninth footswitch on the left side is a bypass switch that allows you to completely remove all eight pedals from the signal chain, sending the unprocessed signal directly to the amplifier. Additionally, there are two external switching jacks that enable the use of two amplifiers and/or channel switching on these amps. The OctaSwitch provides a mono input (which can be buffered if needed) and a stereo output.

Carl Martin

Review by Marshall Forum

Demo by Brett Kingman

Review by Zzounds

Review by Rig Talk

Octa-Switch MK2

Ibanez

WD-7 Weeping Demon wah

Jonathan James

BOSS

Demo by 

BOSS TU-3 Chromatic Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

RockBoard

For musicians who love their guitar and amp’s tone. The Pharaoh pedal, while its roots and DNA are classic fuzz, has a few twists. The Pharaoh has a wide range of clipping and tonal options. From a cleanish boost, to a light OD, all the way to saturated fuzz. It sounds clear and natural, strong and bold. Your guitar sound isn’t high jacked, and your amp’s tone is not destroyed. The Pharaoh utilizes a dual tone control. The tone circuit is designed to suffer little volume loss, and give a natural sound. Your guitar and amp still sound like your guitar and amp. No drastic cuts or boosts. The tone section allows your amp to do the heavy lifting.

The Pharaoh starts with a hi/lo input switch, not unlike that of your favorite tube amp. Lo for more headroom/less clipping. Hi for less headroom/more clipping. A standard fuzz knob. A full range tone control with the addition of a high end compensation knob to allow you to replenish the highs cut by the tone control when boosting lows. The diode selector switch allows for different modes of clipping. Silicon Diodes for a raspy distorted sound, Diodes out for more volume /headroom and less clipping. Asymmetrical Germanium clipping diodes give a warm, tubey old school sound.

The two switches can take the Pharaoh from a clean/ fat boost to light OD which cleans up well with your guitar’s volume knob, all the way to hairy open fuzz. The Pharaoh utilizes signal caps large enough to pass all frequencies through, uncut. Again, a natural sound. This is especially important for bass player; you’ll get huge fuzz with NO low-end loss, and without squishy flubby tones.

Black Arts Toneworks 

Black Arts Toneworks Pharaoh Fuzz (DOOM METAL DEMO)

Black Arts Toneworks Pharaoh Fuzz

Product Page 

Pharaoh

Giordano Rivolta

It’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom/heavy/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!

Rainger FX

Review by PREMIER Guitar 

Review by pedal of the day 

Demo by Pedalof the Day 

Demo by Do Noise 

Drone Rainger

Oft kopiert aber nie erreicht, rangiert das schwer zu findende, originale, Phase 90 bei den Sammlern alter Bodentreter ganz weit oben. Das Original - seit der Gründung der Firma Dunlop bis in die späten 70er Jahre erhältlich – definierte den klassischen Phase Shifter Sound und war in allen Musikstilen zu hören, egal ob Hard Rock, Jazz-Fusion oder Funk-Hits. Der nach dem Kultpedal der Firma designte Phaser kommt puritanisch mit einem Regler aus, über den der Phaser-Speed einstellbar ist. Eine rote LED über dem stabilen Fußschalter zeigt den Schaltstatus an. Das massive Spritzgußgehäuse verfügt über jeweils 1/4" Klinke In- und Out-Eingänge. Betrieben wird der Kulttreter mit einer 9V Batterie, die in einem leicht zugänglichen Batteriefach auf der Unterseite Platz findet. Es ist erhältlich in der ursprünglichen orangenen Farbe.

This device has found its way into many of Eddie Van Halen's recordings, adding a shimmery velocity to lead passages or a more dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble...and myriad vintage vibrations in between. Power: Single 9 volt battery or Dunlop ECB-003 AC Adapter - Controls: Footswitch toggles effect on/bypass (red LED indicates on) Speed knob varies rate of phase sweep

Review by Guitar Player

Review by bonedo

Demo by Reverb

Official Product Video

M101 Phase 90

akai map

Electro-Harmonix

Ram's Head Big Muff Pi

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

The MXR Carbon Copy Analog Delay features a completely analog audio path for the ultimate in rich, warm delay-made possible only by old-school bucket brigade technology. This design boasts an amazing 600ms of delay time with optional modulation via a top-mounted switch and a simple, three-knob layout that controls Delay time, Mix (dry/wet blend), and Regen (delay repeats)-all in a pedal no bigger than a Phase 90. In addition, two internal trim pots offer user-adjustable width and rate control of the modulation for even more tonal options. The Carbon Copy will take you from crisp “bathroom” slap echoes to epic, Gilmour-esque delays with a twist of a knob. True hardwire bypass, single 9-volt operation, and stage-ready blue LEDs round out the package.

Demo by PMTVUK

Demo by Marty Music

M169 Carbon Copy Analog Delay

Adrian Gutierrez

Strymon

Review by AMAZONA

Review by reddit /guitarpedals

Demo by Antoine Michaud

Demo by Vintage Guitar Workshop

Bluesky V1

Für 15-25 FX-Pedale, 2 MOD-Slots - **820 x 424 mm / 32.28" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 15 - 25 FX pedals, 2 MOD slots - **820 x 424 mm / 32.28" x 16.69"** - available with Gig Bag or Flight Case

🎛️ Claudia – Sketchy Pedals (DE)
🖤 Experimental Noise / Lo-Fi Doom / Post-Everything

Claudia, the mad scientist behind Sketchy Pedals, blends performance art, fuzz-drenched textures, and raw circuit-bending wizardry into a chaotic symphony of feedback and feel. Her board is a beautifully bizarre blend of mainstream grit and boutique weirdness—anchored by her own Mo(s)ghoul from RhPf Electronics, which she pushes into synth-like fuzz realms and feedback loops.

🔸 From glitchy tape drones to saturated walls of doom fuzz, this setup screams DIY spirit and creative subversion.
🔸 Look out for her Walrus Melee, Electro-Harmonix Big Muff, and the eerily melodic Shuksan Fuzz.
🔸 RhPf’s Mo(s)ghoul acts as the spine of her destruction, often left on always.

🎧 Suggested Listening: Search for “Sketchy Pedals” on Instagram to catch clips of her rig in action—no two sets are ever the same.

Sketchy Pedals - Claudia

Big Talker. Den kennen wir alle. Er weiß einfach nicht, wann er den Mund halten soll. Angenehm ist anders – auf Partys nervt er, vor großem Publikum kann er sogar furchteinflößend sein. Sind sie selbstsicher oder einfach nur sozial unbeholfen? Das werden wir nie erfahren, denn wir kommen nicht mehr zu Wort. Ein Doppel-Tremolo-Pedal, bei dem zwei Tremolos in Serie schalten. Weicher Rechteck-LFO Trem #1 mit Speed- und Control-Regler oder Zufallsschwingung. Rechteck-LFO Trem #2 mit Speed-, Depth-Regler und Hüllkurven-Modulation. EXP-Eingang steuert die Geschwindigkeit des zweiten Tremolos. Soft-Switching-Relais-Bypass.

Big Talker. We all know one. They just don’t know when to zip it. Awkward to be around at parties, potentially terrifying stood in front of a large audience. Are they big headed and self assured or just socially anxious? We’ll never find out because we can’t get a word in.

A double tremolo pedal
2x Tremolos run in series
Soft square wave T

rem #1 Square Wave LFO with speed + control OR random wave

Trem #2 Square Wave LFO with speed + depth control + Envelope Modulation

EXP control over the speed of the second tremolo

Soft switching relay bypass

Empty Head Effects

Demo by Collector Emitter

Demo by Pedals And Tea

Review by Loopy Demos

Big Talker

Nicolas Wilfer

Das Pitchblack Tuner-Pedal für Gitarre und Bass ist bei Profis und ambitionierten Musikern weltweit erste Wahl. Mit dem Pitchblack Advance stellt KORG jetzt die nächste Generation vor, die viele der für das Vorgängermodell entwickelten Funktionen und Merkmale in einem neuen Gehäuse präsentiert. Die wohlüberlegte Kombination von Bewährtem mit neuen spannenden Möglichkeiten macht dieses Tuner-Pedal einfach unschlagbar.

As the clear standard in pedal tuners for the guitarist or bassist, the Pitchblack is loved by professionals and amateurs around the world. The Pitchblack Advance is the next-generation model, a further evolution that features an advanced cutting-edge form and many of the functions and technologies developed for previous models of the Pitchblack series. Embracing both the traditional and the revolutionary, it represents the perfect summation of pedal tuners.

KORG

Demo by

Pitchblack Advance BL

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

Review by The Gear Page

BD-2 Blues Driver

Der Shuksan Fuzz ist eine diskrete High-Gain-Fuzz-Schaltung, die Spielern einen atemberaubenden Dynamikumfang und eine Vielfalt von Klangfarben bietet – von sanftem, gegatetem Overdrive bis zu kreischendem Oktav-Fuzz. Dank seiner intuitiven Regler finden Spieler viel Interaktion und können mit wenigen Drehungen verschiedene, einzigartige und nutzbare Klänge erzeugen. Als „smooth“, „artikulierend“, „ansprechend“ und bisweilen „Velcro-mäßig“ beschrieben, eröffnet der Shuksan spannende Soundlandschaften, die zum Weiterspielen einladen.
Shuksan nutzt drei nacheinander geschaltete Gain-Stufen, um einen dreckigen, satt angefahrenen Fuzz-Effekt zu erzielen, der sowohl riesige Vintage-Fuzz-Töne als auch moderne, druckvolle Sounds ermöglicht.

The Shuksan Fuzz is a discrete high-gain fuzz drive that will give players a stunning dynamic range and variety of tones — from mild gated drive to screaming octave fuzz. With its intuitive controls, players will find plenty of interplay and the ability to get a variety of unique and useable tones in a simple package. Described as smooth, articulate, responsive and at times “Velcro-y,” the Shuksan offers players unique and exciting soundscapes that will keep them playing.

Spun Loud Effects

Demo by Pedal Scopic Sounds

Demo by Demos In The Dark

Review by Delicious Audio

Review by Premier Guitar

Shuksan Fuzz

Ein reaktives Distortion-Pedal mit gestapelten MOSFET-Gain-Stufen. Der Mo(s)Ghoul liefert dynamischen Crunch, gesättigte Leads und fuzzige Texturen – immer musikalisch, nie steril. Die passive 3-Band-Klangregelung erlaubt präzises Formen ohne Härte. Organisch, lebendig, direkt – der Ton folgt deinem Spielgefühl.

A reactive distortion pedal built around cascading MOSFET gain stages. From thick rhythm crunch to saturated leads and fuzz textures, the Mo(s)Ghoul stays dynamic and expressive. Its passive 3-band EQ lets you scoop, boost, or contour without harshness. Raw, organic, and responsive—always alive under your fingers.

Mo(s)ghoul

Syd Duning

Like the Iguana that’s malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colorful tool for adding modulated textures to songs.   

The Polychrome is a true bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches.

The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line.

The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don’t sleep on the vibrato sounds in the Polychrome. Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.  

Top-mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come. 



Walrus Audio

User Manual

Polychrome

PedalSafe Type B1

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Gehen wir mit dem Walrus Audio Melee Effektpedal unter die Gamer? Das war meine erste Reaktion, als ich die optisch äußerst kurios anmutende und mit einem Joystick versehene Neuerscheinung aus der Verpackung zog. Doch weit gefehlt: Die amerikanische Pedalschmiede, die stets ein Garant für innovative und qualitativ hochwertige Sounddesigns war, überrascht erneut mit einer ausgefuchsten Effektkombination. Und die wendet sich unter anderem an Freunde des Indie- und Shoegaze-Rocks.

We give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse. 

Review by Guitar.com

Review by AMAZONA 

Review by bonedo 

Demo by Reverb 

Demo by walrusaudioeffects 

Melee

Das JHS Pedals 3 Series Reverb bietet Musikern einen vielseitigen Effekt, der genau das richtige Maß an Raum für die Gitarre bietet. Von einem kleinen, natürlichen Room Hall bis zu beinahe endlosen Ambient-Washes lassen sich alle denkbaren Reverberation-Effekte erzeugen. Der EQ-Regler verändert die Klangtextur des Reverbs und bietet so hellere, klare oder dunklere, wärmere Voicings. Der Decay-Regler bestimmt die Länge der Hallfahne und mit dem Pre-Delay-Schalter lässt sich eine kurze Verzögerung vor dem Einsetzen des Effekts aktivieren um selbst kurze, Slap-ähnliche Echos oder Spring-ähnliche Sounds zu erzeugen. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series Reverb - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series Reverb - Demo Video - shnobel

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

3 Series Reverb

ch ray

The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

It has handy shortcuts to get a beat going quickly, plus a bunch of inspiring features and effects, including delay, low-pass filter (manual or LFO-controlled), side-chaining and correctible tap tempo. There’s a pad for adding drumfills and white noise effects, which also doubles up for inputting a tempo.

Demo by collector//emitter

Demo by Do Noise

Review by guitar pedal X

Snare Trap

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Greg Hitt

Studio Board

Nuujets

Custom

Nuujets Custom Para EQ

Die nächsten Folgen dieser Kolumne basieren auf einer Frage von G&B-Leser Ralph Müller-Domke. Ralph berichtet, dass er seinen MXR Dyna Comp zwar sehr schätzt, aber die Nebengeräusche v. a. im Vergleich zum Dyna-Comp-Bausatz von uk-electronic sehr störend findet.

The Dyna Comp Compressor is one of the most popular compressors of all time. Whether you want to tighten up your signal, add rich sustain, or create the percussive and clicky sound heard on numerous hit records, this pedal is straightforward and easy to use. For these reasons, the Dyna Comp Compressor has been the secret weapon on countless pedalboards for years.

Review by GUITAR WORLD 

Review by Gitarre & Bass 

Demo by jimdunlopusa

Demo by SweetWater

Dyna Comp

ALBERTO DE LA VARA

FV-30L sind zwei neu designte, kompakte Volume-Pedals in gewohnter BOSS-Qualität. Speziell entwickelt, um mehr Platz auf dem Pedalboard zu schaffen, ohne dabei Kompromisse in Sachen Sound-Qualität, Zuverlässigkeit und Haltbarkeit einzugehen. Die Pedale in Profiqualität sind aus Aluminiumdruckguss hergestellt und haben einen sehr ausgeglichenen, weichen Pedalwiderstand, der feinste Lautstärkeabstufungen ermöglicht. Dank ihrer äußerst kleinen Abmessungen sind sie ideale Begleiter für Musiker, die viel auf Reisen sind und den Platz auf dem Pedalboard optimal ausnutzen möchten.

The Boss FV-30L is the newly designed, compact volume pedal in the usual BOSS quality. Specially designed to create more space on the pedalboard without sacrificing sound quality, reliability and durability. The pedal is made of die-cast aluminum and has a very balanced, soft pedal resistance, which allows for finest volume gradations. Thanks to the extremely small dimensions, the Boss FV-30L Volume Pedal is the ideal companion for musicians who travel a lot and want to make the most of the space on the pedalboard. The FV-30L-A with low impedance and stereo input/output for stompbox, keyboard and other electronic musical instruments.

Review by Charles Saufley, premierguitar.com

Demo by Juca Nery

EV 30

David Litaba

Über vierzig Jahre nachdem das originale VOX Wah den Sound der Rockmusik für immer veränderte, erlebt das V846 als V846-HW Hand-Wired Wah-Pedal eine Renaissance. Sein klassischer Sound ist unbestreitbar, doch das V846-HW wurde nicht entwickelt, um die Geschichte der Vergangenheit zu wiederholen, sondern um in der Zukunft neue Kapitel zu schreiben. Wie der Name schon sagt, verfügt das V846 Hand Wired über eine handverdrahtete Turret-Board-Konstruktion. Doch VOX hat es hier nicht belassen. Jede Komponente, einschließlich der Induktoren, Widerstände, Kondensatoren und des Potentiometers, wurde sorgfältig im Hinblick auf erstklassige Wiedergabetreue und Klang ausgewählt. Das Originaldesign wurde sogar um einen tonerhaltenden True Bypass erweitert. Das Gehäuse aus Druckguss besticht durch eine sandgestrahlte Oberfläche mit Krepp-Finish. Das V846-HW ist eine perfekte Kombination aus der weltberühmten Technologie von VOX mit klassischen und doch modernen Spezifikationen und übertrifft jedes bisherige Wah-Wah-Pedale der Geschichte, indem es den reinsten Klang liefert.

Over forty years after the original VOX Wah forever changed the sound of rock music, the V846 has been reborn as the V846-HW Hand-Wired Wah Wah Pedal. While its classic tone is undeniable, the V846-HW was not created to simply repeat the history of the past, but to write new chapters in the future. As its name implies, the V846 Hand Wired boasts hand-wired turret board construction. But VOX didn’t stop there. Every component, including the inductors, resistors, capacitors, and the potentiometer has been carefully selected for premium fidelity and tone. In fact, a tone-preserving true bypass has been added to the original design. Outside, the die-cast body features a sandblasted exterior with crepe finish. The V846-HW is a perfect combination of VOX’s world-famous technology, with classical yet modern specifications, surpassing any previous Wah Wah pedal in history by delivering the purest sound.

Review by Music Radar

V846-HW Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by Pedal Authority

NS-2 Noise Suppressor

There is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus. Tumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right. The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Treble) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone. Let’s face it, not everyone has room for a four-legged beast on their board. This smaller version slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.