Cesar Augusto Jaime Zavala

SE Singlecut Korina

Less is More

Tester

Wir präsentieren das IR-200 – eine kompakte und wegweisende Direct-Amp- und IR-Lösung. Die leistungsstarke Stompbox liefert spielfertige Gitarren- und Basssounds der nächsten Generation in herausragender Audioqualität auf Basis hochwertiger Verstärker, umfangreicher Klangbearbeitung und abrufbarer Sounds von 128 Speicherplätzen. Zur Auswahl stehen 150 hochauflösende Lautsprecherbox-Impulsantworten von BOSS und Celestion Digital, ergänzt um 128 Speicherplätze zum Laden eigener Mono- und Stereo-Impulsantworten.

Mit dem IR-200 verwandelst du dein Pedalboard in eine eigenständige Direktsound-Lösung für Live-Auftritte, Studioaufnahmen und zum Üben zu Hause. Das kompakte Pedal liefert beeindruckende Verstärkersounds und arbeitet problemlos mit deinen Lieblingspedalen in deinem Pedalboard zusammen – von Stereo-Modulationseffekten über Delays bis zu Reverbs. Sobald du deinen Sound gefunden hast, kannst du das Signal auf einen Bühnenverstärker, eine PA, in eine DAW oder auf einen Kopfhörer schicken – oder alles auf einmal.

Introducing the IR-200, the most advanced compact amp/IR solution available. This powerhouse stomp brings next-level performance to direct sound for guitar and bass, offering exceptional audio quality, premium amps, deep sound shaping, and instant sound recall with 128 memories. Over 150 hi-res cab impulse responses from BOSS and Celestion Digital are on board, plus 128 locations for loading your own mono or stereo IRs.

The IR-200 turns your pedalboard into a self-contained direct sound solution for live playing, studio recording, and practice. It delivers massive amp tones from a small footprint and smoothly integrates with all your favorite pedals, including stereo mod, delay, and reverb effects. And once you craft your tones, you can send them to a stage amp, house PA, computer recording system, or headphones—or all at once.

BOSS

Product Page

Review by Paul White, soundonsound.com

Review by Haiko Heinz, bonedo.de

Manual

Demo by Rabea Massaad

Official Product Video

IR-200 Amp & IR Cabinet

Featuring seven inspirational Lexicon® reverbs, the DigiTech® Polara will be the new architect of your soundscape, defining space and adding dimension to your playing. The Polara’s flexible reverbs cover a full spectrum, from the intimate warmth of “Room”, to the vast expansiveness of “Hall”, through time with the cosmic power of “Reverse”, and anchored by Lexicon’s revered “Modulated”, “Plate” and “Spring” reverbs. In addition to those classics, the Polara introduces the new “Halo” reverb. The “Halo” reverb with cascading octaves interspersed in the reverb decays will cast a heavenly glow over your tone. With its new, compact size and soft-touch vacuum-style footswitch, the Polara truly represents the latest evolution in DigiTech pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Polara offers independent Level, Liveliness, Decay and Type controls; Stereo Inputs and Outputs; a Soft Click Footswitch; and a Reverb Tails On/Off Toggle Switch. It is true bypass, and uses a 9V DC power supply to easily integrate into your existing pedalboard.

DigiTech

Review by bonedo 

Quick Start Guide

POLARA

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

David Litaba

Dunlop

DVP5

Die Pitch Fork von Electro Harmonix in unserem aktuellen bonedo-Test beweist einmal mehr, dass auch Pitch-Shifter Effektpedale inzwischen für jedes Budget erschwinglich sind. Dieser Effekt, der in den Achtzigern in einigen berühmten Gitarrenaufnahmen auftauchte, war damals für uns “normale” Musiker kaum erschwinglich. Aber diese Zeiten haben sich glücklicherweise geändert. Pitch-Effekte sind inzwischen im Effektangebot vieler Hersteller zu recht günstigen Kursen zu finden.

The EHX Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

Electro-Harmonix

Demo by Chords of Orion

Demo by Reverb 

Review by musicradar 

Pitch Fork

PedalSafe Type A2

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Tamayo Amp

Facebook Page

Demo by Tamayo Amp

Fuzzonauta

Douge Scott

Der MS-3 Multi-Effekt-Switcher ist eine neuartige Pedalboard-Lösung und kombiniert eine hochwertige Multi-Effekt-Einheit sowie einen Multi-Pedal-Switcher in einem kompakten Gerät, mit dem deine Kreativität eine neue Stufe erreicht. Ab sofort können sich Anwender problemlos ein professionelles, kompaktes, leichtes und vielseitiges Effektsystem zusammenstellen, mit dem sich nahezu jeder Sound realisieren lässt. Der MS-3 ist ein Sound-Kraftwerk, das bis zu sechs interne Pedal-Effekte und drei deiner externen Pedal-Favoriten gleichzeitig verarbeiten kann. Zudem bietet der MS-3 tiefgreifende Rig-Steuerungsoptionen. So lassen sich die Verstärkerkanäle wechseln, Effekte in Echtzeit anpassen oder über MIDI mit anderen Geräten kommunizieren. Im Gegensatz zu herkömmlichen Loop-Switchern und All-in-one Multi-Effekt-Geräten ermöglicht der MS-3 das komfortable Zusammenstellen eines mobilen Boards oder Flug-Rigs ohne Kompromisse.

The MS-3 Multi Effects Switcher is a new-concept pedalboard solution that maximizes your creative options by combining a world-class multi-effects engine and multi-pedal switcher in one small, dedicated unit. Now, anyone can put together a professional effects system that’s incredibly compact, extremely light, and versatile enough to achieve nearly any sound imaginable. The MS-3 is a sonic powerhouse capable of running six internal pedal effects at once while seamlessly integrating three of your favorite external pedals. It also offers deep rig control capabilities, allowing you to switch amp channels, adjust effects in real time, work with MIDI devices, and more. With the MS-3, it’s easy to create a portable board or fly rig without the compromises associated with traditional loop switchers and all-in-one multi-effects units.

Demo by Sweetwater

Review by Thomas Dill, bonedo.de

MS-3

JakobSlash

POLYTUNE 3 NOIR is destined to become the favorite mini pedal tuner for those going for a darker, more monochromatic manner of expression. Sometimes you want to keep things understated, classical. The midnight black powder coating compliments the stylistically oriented pedalboard – while keeping your signal crisp and your tone in tune.

TC Electronic

Review by bonedo

Review by reddit /guitarpedals

Review by Talk Bass.com

Demo by  Serpent Molurus

Official Product Video 

Demo by Pedals At Dawn

Polytune 3 Noir

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Truetone

1Spot Pro CS7

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Éloi Deraiche

jazzmaster

josh scott pedal board

deluxe reverb

Das Dispatch Master V3 ist ein Delay und Reverb Pedal, desen Effekte unabhängig oder gleichzeitig verwendet werden können. Es hat eine Verzögerungszeit von 1,5 Sekunden und einen dynamischen Nachhall, der von natürlich, geräumig bis tief und höhlenhaft geht. Es verfügt über Regler für Time, Repeats, Reverb und Mix und ist True Bypass. Die Version 3 ist mit der neuen Flexi-Switch™ -Technologie ausgestattet, die den Fußschalter sowohl als Momentary- als auch Latching-Schalter nutzbar macht und basiert auf einer geräuschlosen, relais-basierter Soft-Touch-Schaltung! Der Flexi Switch Momentary Modus wird aktiviert, indem du den Fußschalter so lange gedrückt hältst, wie du den Effekt verwenden willst. Lasse ihn los und dein Signal ist wieder dry. Um das Dispatch Master als normales Pedal zu verwenden, drücke den Schalter einfach einmal, um es zu aktivieren, und erneut, um es in Bypass zu schalten. Das Dispatch Master V3 wird in Ohio, USA handgefertigt.

The Dispatch Master V3 is a delay and reverb pedal, whose effects can be used independently or simultaneously. It has 1.5 seconds of delay time and a dynamic reverb that goes from natural and roomy to cavernous and deep. It features controls for Time, Repeats, Reverb and Mix and it's true bypass. The V3 version features the new Flexi-Switch™ Technology, which allows you to simultaneously use momentary and latching-style switching. It's based on the silent relay-based soft touch switching! It works by pressing and holding the footswitch for as long as the effect it's been used, releasing it, and resuming for dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass. The Dispatch Master V3 is hand made in Ohio, USA.

EarthQuaker Devices

Official Product Page

EarthQuaker Devices Dispatch Master Delay & Reverb Demo - EarthQuakerDevices

Dispatch Master Digital Delay and Reverb Video Manual - EarthQuaker Devices

EarthQuaker Devices & Juan Alderete Present: Dispatch Master on Bass - EarthQuakerDevices

EarthQuaker Devices Dispatch Master V3 - Demo Video - Musiker TV

Dispatch Master V3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

Dieter Allaerts

The F-Stop brings two effects found in vintage American tube amplifiers into one pedal. The combination of a tube driven spring reverb with pulsating "bias" tremolo was first introduced in the early 1960s and has become a standard sound for guitar players and other instrumentalists ever since.

The F-Stop has been designed to bring classic tube amplifier effects into a small package that runs off of a 9VDC pedal power supply. Internally, the F-Stop has 18v of headroom so it can live as comfortably at the end of your signal chain as it does at the beginning. The spring portion of the pedal is digital, but the guitar signal path and tremolo circuit is 100% analog. 

The sound of bias tremolo and spring reverb is unmistakable, and the F-Stop uses modern electronics to achieve an authentic recreation of these effects with similar circuit topography as found in tube amplifiers.

Milkman Sound

Demo by Philip Czarnecki

Review by Acoustic Guitar Forum

Review by Pedal of the Day

Review by The Gear Page

F-Stop white

thuy nguyen

Official Website

CE-2 Chorus

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

FLASHBACK DELAY. The sounds, the vibe, TonePrints, the entire package - it was a smash hit that rocked the world. But at TC, we're more about moving things forward and listening to the feedback from the guitar community. And so, when wishes for things like presets and tap-tempo started rolling in, we listened. And boy, did we knock it out of the park.

Review by musicradar

Demo by Reverb

Demo by ProGuitarShopDemos

FLASHBACK X4 DELAY

The Klon KTR Pedal is a revised edition of the legendary Klon Centaur. The circuit is designed completely by Bill Finnegan, and nails the sound of a genuine Centaur. This Klon KTR can produce transparent boost to warm rich overdrive tones, all with the signature mid-range boost that it is famous for.

The Klon KTR is best used pushing a tube amp that's on the edge of breaking up. The KTR is designed to overdrive the amp further into breakup, producing a lively and dynamic lead tone. Besides its obvious mid-range voicing, it is a rather transparent overdrive pedal that wedges its way into your amp to really make it sing in a focused, classic rock and roll kind of way.

Klon By Bill Finnegan

Demo by Curtis Kent

Demo by intheblues

Instagram Channel

Review by Legendary Tones

Review by Anatomy of Guitar Tone

Review by Guitars for Idiots

KTR - Klon 3

Über die Jahre hat sich das Morning Glory zweifellos zum bekanntesten und meistgepriesenen JHS Pedal entwickelt. Er wurde ursprünglich in 2009 aus Bedarf an einem Overdrive Pedal entwickelt, das den Sound eines Amps nimmt und ihn aufs nächste Level katapultiert ohne Mitten und den Klangcharakter eines TS-Style Overdrives hinzuzufügen. Das Ziel war ein einfaches Pedal, verdammt transparent – nicht mehr nicht weniger. Egal ob du Strat oder Paula spielst, du wirst sofort feststellen wie gut das Morning Glory auf deine Spieldynamik anspricht und das Feel deines Instruments dabei 100 % intakt lässt.

Over the years the Morning Glory is undoubtedly JHS’ most known and praised overdrive pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place.

JHS Pedals Morning Glory V4 - Review Video - Musiker TV

JHS Pedals Morning Glory V4 - Demo - Musiker TV

JHS Morning Glory V4 Short-Demo by Musiker TV

JHS Morning Glory V4 Demo by Bonedo

JHS Morning Glory V4 - Livingroom Gear Demo

JHS Morning Glory V4 Review Bonedo DE

Morning Glory v4

PedalSafe Type B1

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD & Jupiter V2 pedals

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

Dan Stanek

This pedal is based on the 1960s British Dallas Rangemaster, which was best at the time to give a treble and gain boost to the dark British amps. This allowed them to get a sound more in tune with the time, as guitars were starting to become a loud, bold, lead instrument. This pedal is a type of BOOSTER, not really a distortion pedal nor a clean boost- it does modify your sound quite a bit. It excites certain frequencies and pushes your amp to allow it to create rich tube distortion. The pedal colors your tone, with a crunchy overdrive, boosting certain frequencies, and warming the tone with NOS germanium transistors. It does not have a lot of compression and sustain like most OD pedals, but a more raw, open sound.

Analogman

Demo by Joe Perkins

Beano Boost Mini

PedalSafe Type L

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & RockBoard Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

Schutzabdeckung & universelle Montageplatte für MXR, PIGTRONIX, XOTIC, XVIVE und viele weitere Pedale mit Mini Gehäusen

Protective Cover & Universal Mounting Plate For MXR, PIGTRONIX , XOTIC, XVIVE and many other effect pedals in mini enclosures 

In den Fußstapfen des lange ausgelaufenen JHS Mr Magic kommt nun der finale Akt was Boosts angeht... der Prestige! Ob als Buffer, Boost oder Tone Enhancer, der Prestige wird als essentieller Teil deines Rigs erweisen! Mit dem Boost Regler auf 0 hast du einen erstaunlichen Buffer/Enhancer für lange Kabelwege, sowie ein Tool um dein Rig wieder zum Leben zu erwecken. Die ersten 25 % des Regelwegs bieten dir unterschiedliche Klangfarben mit leichter Pegelanhebung. Gegen 12 Uhr hast du einen kraftvollen dynamischen Solo-Boost, der deinem Sound genug Definition und Klarheit für Solos oder Leads gibt. Weiter aufgedreht hast du genug Boost um deinen Röhrenverstärker in den Break-Up zu schicken und auf dem letzten Viertel geht’s Richtung Kernschmelze – im bestmöglichen Sinne des Wortes. Reiches, schreiendes Sustain, natürlicher Break-Up und bei einigen Amps ein warmer fuzziger Growl.

In the footsteps of JHS’ long-ago discontinued Mr Magic pedal, they now bring you the "final act" in boost magic...The Prestige! From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural way resulting in real tube overdrive from the preamp section of your tube amp. The last 25% of the volume range can completely destroy your amp in the best way possible, resulting in rich soaring sustain, breakup, and on some amps even a smooth warm fuzzy growl.

JHS Prestige - Livingroom Gear Demo

Prestige

Pink Floyds "Breathe", Jimi Hendrix "Star Spangled Banner live in Woodstock 1969" und Robin Trower's "Bridge of Sighs" zementierten den Sound eines photozellen-basierten Vibe-Effekts als E-Gitarren-Standard. Das Unicorn ist die JHS Version dieses einfallsreichen Effekts und setzt die inspirierenden Modulation / Phasing / Rotary-Sounds fort, die immer neue musikalische Grenzen sprengen. Das Unicorn macht alles mit nur vier Knöpfen und einem Mini-Toggle-Schalter. In einer Zeit, in der alles gesehen und getan wurde, bringt JHS dir den allerersten, 100% analogen Photozellen-Modulator mit Onboard Tap Tempo.

Pink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo.

JHS Pedals, Unicorn V2

JHS Pedals Unicorn V2 (demo)

JHS The Unicorn V2 - Review by Gitarzysta [PL], [07-2020]

Unicorn V2

PedalSafe Type B2

Schutzabdeckung & RockBoard-Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS ARP-87 & Monument V2 Pedale

Protective Cover & Universal Mounting Plate For WALRUS ARP-87 & Monument V2 pedals

Domino is an analog octave, based on the classic ringer. The effect can be ring mod-like or up an octave, depending on your playing. Right jack is input and left jack is output.

Land Devices

Demo by 60 Cycle Hum

Demo by Guitarsenal

Domino

The Fuzz Face was released in 1966 by Dallas Electronics Ltd. and is one of the most iconic fuzz pedals ever made. This British fuzz is recognized instantly by its "Smiley Face" enclosure that was developed after Mr. Arbiter used the circular base of a microphone stand as inspiration. It is one of the first things we think of when we hear "fuzz pedal" because it lived at the feet of the great Jimi Hendrix. The Fuzz Face was released just a few months after the Sola Sound "Tonebender" 1.5 hit the market, and upon investigation, it is an almost identical circuit. The original Fuzz Face manual even said that it was a "battery-powered TONE-BENDING unit," clearly showing its inspiration. Though the circuit is much like the Tonebender MK1.5, the tone is very different. It possesses a very full and thick fuzz sound with roaring low-end frequencies. I can't help but think of how this made the three-piece Jimi Hendrix Experience sound larger than life. The most amazing feature of this fuzz is its ability to change into something magical as you roll your guitar volume down. Many of Hendrix, as well as players like Eric Johnson's clean tones, are in fact, the Fuzz Face with the fuzz control maxed, but the guitar volume turned way down. This setting results in an unreal and almost mythical light overdrive that you have to feel and hear to understand. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit.

Each small batch of Fuzzes will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a standard polarity power cable like your other pedals as I have wired it internally to work that way. The Fuzz is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

Product Review 

Product Page 

Product Demo 

1966 Series Fuzz

RockBoard

ISO Power Block V16

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

Hugh Stuart

79 Greco-Go 700 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Gig Board

ampy

Shinji Furuhashi

Das legendäre BOSS DD-3 Digital Delay ist mit seinem großartigen Sound und seiner einfachen Bedienung seit 1986 fester Bestandteil unzähliger Pedalboards. Das DD-3T führt den Bodentreter-Klassiker in die Moderne und kombiniert die originale Klangqualität und Bedienbarkeit mit einer deutlich erweiterten Funktionalität. Ab sofort kannst du das Delay-Tempo sowohl über den integrierten Pedaltaster als auch über einen externen Fußtaster eintappen und dabei aus drei Notenunterteilungen wählen. Zudem sitzt der Direktausgang nun direkt neben dem Hauptausgang und ermöglicht mehr Verkabelungskomfort für Wet/Dry-Setups.

BOSS’s iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we’ve updated the classic stomp with enhanced functionality while fully retaining the original’s sound and control layout. It’s now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

Demo by pedal partners

Demo by Guitar Interactive Magazine

Review by Guitar World

Review by Sound on Sound

DD-3T Digital Delay

Nicolas Wilfer

When it comes to pedal tuners for guitar or bass, nobody wants to sacrifice more space on their pedalboard than necessary.

If you’re tired of not being able to find a spot for the pedals that make you sound awesome, the C10 Mini Tuner is designed to free up space for those bad boys while keeping all of your strings in tune.

No gimmicks, no wasted real estate, just a tiny, bright HD LED pedal tuner with lightning-fast and accurate note tracking making the C10  the best pedal guitar and bass tuner of 2021.

This chromatic tuner can also be used for a variety of other instruments such as lap steel, acoustic electric, electric ukulele, electric violin and is an awesome bench tuner for setting intonation on your instruments.

Swiff Audio

Pitch Fork by Electro-Harmonix