Nyky Dizaster

Action 2002

MB-5 SBK

Sandbox Pedal Board

Crush 35 B

Crush Pix CR12L

Micro Crush Pix 3w

MA-10B

Tester

Mit dem PolySwitch AB können Sie nicht nur Ihr Stereosignal aufteilen und zwischen den Ausgängen umschalten. Das Gerät funktioniert auch „umgekehrt“, sodass Sie zwei separate Stereoinstrumente an einen einzigen Verstärker oder ein anderes Signalziel anschließen können. Da jeder Ein- und Ausgang in Stereo verfügbar ist, eignet es sich hervorragend für Keyboarder oder alle anderen, die ein Stereosignal an zwei Ziele oder zwei Stereosignale an einen einzigen Stereoeingang leiten müssen.

Wie man es von einem T-Rex-Produkt erwarten kann, wurde PolySwitch AB speziell entwickelt, um die natürliche Integrität Ihres Sounds zu bewahren – und zwar über den gesamten Signalweg hinweg. Echtes Hardwire-Signal-Routing, erstklassige Elektronik und ein integrierter Pufferschalter für schwache Signale, die beispielsweise durch lange Kabel verursacht werden, sorgen dafür, dass Sie nicht einen Hauch Ihres kostbaren Klangs verlieren.

Not only does PolySwitch AB let you split your stereo signal and switch between outputs. It also works “backwards”, letting you run two separate stereo instruments into a single amplifier or other signal destination. And with every input and output available in stereo, it’s a great solution for keyboardists or anyone else needing to route a stereo signal to two destinations or two stereo signals to a single stereo in.

As you’d expect from a T-Rex product, PolySwitch AB is specially engineered to protect the natural integrity of your sound – all the way through the signal path. True hardwire signal routing, top-grade electronics, and a built-in buffer switch for low-level signals caused by long cables, for instance, make sure you don’t lose a single ounce of your precious tone.

T-Rex

Product Page

Review by VGuitarForums

Manual

Official Product Video

Polyswitch

Electro-Harmonix

Bass Blogger

PedalSafe Type C

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

Schutzabdeckung & RockBoard-Montageplatte für große vertikale Pedale

Protective Cover & RockBoard Mounting Plate For Large Vertical Pedals

Schutzabdeckung & universelle Montageplatte für große vertikale Pedale

Protective Cover & Universal Mounting Plate For Large Vertical Pedals

lu vdk

Das RAT2 ist Ihr Verzerrer-Pedal für jeden Gig, egal ob Rock, Blues, Punk oder Jazz. Es ist der Maßstab, an dem sich alle anderen Verzerrer messen lassen müssen. Es ist auf Tausenden von Aufnahmen zu hören und hat den Sound der einflussreichsten Bands der letzten drei Jahrzehnte mitgeprägt.

The RAT2 will be your go-to distortion pedal for every gig, whether it’s rock, blues, punk, or jazz.  This is the standard that all other distortion devices are measured against.  Heard on thousands of recordings, it has helped define the sound of the past three decade’s most influential bands.

ProCo

Review by The Blogging Musician

Review by Guitar.com

Demo by Kai Down

Demo by That Pedal Show

ch ray

Fission Bass lets any bassist lay down beds of power by adding stacked harmonies over their bass lines. Through an intuitive set of controls and footswitches, several combinations of octaves, 4th and 5th above the root note combine to produce powerchords or octave-up effects.

The four footswitch LEDs give you visible indication of the selected harmony. When the effect is off, the LEDs dim making it easy to set up a harmony before you kick on the chord. It's also a multi-effect pedal with up to 3 voices of harmony, adjustable noise gate, overdrive, tone and effect level. This power-effect combo gives you creative control over anything from subtle octaves to thick, grinding effects that even your guitar player will envy.

Housed in a lightweight, yet sturdy metal enclosure, Fission Bass uses state-of-the-art 32-bit signal processing and 24-bit audio conversion. Its monophonic input accepts a wide range of pickups. The mix output is perfect for single amp operation and an effect-only output for feeding a dedicated guitar amp.

Fishman

Demo by HeavyBassRig

Review by musicradar

Review by Musiker-Board

Review by Talk Bass.com

Review by Premier Guitar

Official Website

Fission Bass

Der Name Orange steht für einen eigenen britischen Ampsound und natürlich ein unverwechselbares Design, das aufgrund der auffälligen, fruchtigen Farbe einen hohen Wiedererkennungswert hat. Effektpedale sind sicherlich nicht die Hauptdisziplin, mit der man die Marke in Verbindung bringt, doch das soll sich wohl ändern, denn 2015 hat Orange zum ersten Mal seit den 60er Jahren einen Schritt in den Bodentretermarkt gewagt.

The Amp Detonator from Orange is the ultimate tool for guitarists who want to use a guitar with two different amplifiers and/or effect chains. Two outputs, each with its own buffer amp, allow the guitar signal to be forwarded alternately or simultaneously, without the need for long cable runs. In addition, a specially developed isolating transformer and a switch for phase reversal ensure noiseless operation without loss of sound.

Orange

Review by Bonedo 

Demo by Guitar Interactive Magazine 

Demo by Orange Amps 

Review by Guitar Interactive Magazine 

Amp Detonator ABY

The Getaway Driver is an amp-in-a-box type pedal with just three dials – Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier’s clean channel, even ones with a bright cap. It also makes a great clean boost, with lower Gain and higher Volume settings pushing amps over the edge into classic overdrive.

The gain structure is produced using single-ended JFET circuitry running in Class A, just like a valve amp. The input buffer, output buffer and Cab Sim are handled using op-amps, using a charge pump to give 18v of headroom.

Review by Gear Gods

Review by bonedo

Demo by delamar Guitar

Getaway Driver

The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world’s most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records.

At lower compression levels the Kongpressor’s effect is transparent but somehow fattening. It adds mojo and a glossy sheen to your core tone that you’ll truly miss when it’s bypassed. Even at extreme settings, the tone always remains musical with great feel under the fingers.

Demo by PMTVUK

Demo by Pete Thorn

Demo by ProGuitarShopDemos

Official Product Video 

Kongpressor

Loosely based on the vintage Foxx Tone Machine, the Orange Fur Coat takes its inspiration from great fuzz pedals of the 70s.

The Fur Coat gives you a fully controllable octave fuzz pedal. Separate switches mean you can choose between Fuzz or Octave Fuzz. The controllable Octave up fuzz means you can bring in the fuzz to whatever level you need and the EQ allows you to boost your Treble or Bass. This truly is a fuzz you control.

This is our only True Bypass pedal. This is because a Fuzz is better at the beginning of the chain where it interacts directly with your guitar. Placing the pedal further into your signal chain or after a buffer will give the fuzz a more distorted tone.

Demo by Patrick Hunter

Demo by  Uncle Dimitar's Guitar Pedals

Fur Coat

It's time to get funky with the Ashdown Envelope Filter. Capable of a wide range of effects from auto-wah through to spaced-out, auto-triggered funky tones, the sweep of the filter can be either up or down with selection of band-pass or high pass filter modes. A peak control is provided to deepen the ‘Q' for more extreme effects and the depth of the effect is controlled by the volume of each note as it's played, making this a truly creative and dynamic pedal.

The pedal is housed in a durable metal case and features an input level control with a trademark Ashdown VU meter to allow optimum signal matching from any instrument - active or passive. The pedal also features an output level control - essential for obtaining the perfect balance between the effect and the true bypass mode.

Chris Francis

Ashdown

Bass Envelope Filter

Demo by  TVOKCo

Demo by Bass Love

Review by Ultimate Guitar

Review by Basschat

Die polyphone Electro-Harmonix Superego Synth Engine erfindet Sample and Hold neu, erzeugt flüssige Glissandos und produziert oszillator-artige Syntheziser-Effekte. Unterschiedliche Sounds lassen sich im Latch Mode übereinander legen und eröffnen völlig neue Klangwelten!

The polyphonic Electro-Harmonix Superego synth engine reinvents sample and hold, creates fluid glissandos and produces oscillator-like synth effects. Different sounds can be layered in Latch Mode and open up completely new worlds of sound!

Demo by Pro Guitar Shop 

Demo by Reverb

Demo by Prymex

Demo by Bill Ruppert

EHX website product page

Superego Synth Engine

Holiest Grail

Im Black Finger steckt die gleiche hochprofessionelle Technik, wie in teuren "vintage-high-end-Studiocompressoren". Allerdings in Form eines erschwinglichen und sehr kompakten Fußpedals! Zwei unterschiedliche Lichtquellen (LED und Lampe) liefern deutlich unterschiedliche Messwerte und bieten einzigartig mannigfaltige Kompressionen an. Eine Röhre steuert die Kompression, während die andere den Gain regelt. Ein echter Röhren-Kompressor in jeder Hinsicht. Kann als Teil eine Effekt-Kette oder direkt an Gitarre, Bass oder Gesang verwendet werden.

Dual tube magic! Using the same professional-grade techniques as the most revered, vintage, high-end studio compressors, the Black Finger delivers truly professional performance compression. Unlike other “tube hyped” products on the market, which use 9 to 50 volts, the Black Finger’s toroidal transformer allows for a full 300 volts of swing, preserving the attack while providing the warmest compression imaginable. Fantastic sustain, and a must for any amplified acoustic guitar.

Demo by EHX

Demo by ProGuitarShopDemos 

Black Finger

Der EHX Bass Micro Synthesizer ist ein reiner Bassgitarren-Synthesizer mit vollständig analoger Schaltung. Einstellbare Synthesizer-Parameter erzeugen satte, kraftvolle Klänge aus einer anderen Welt.  

Die Voice-Mix-Sektion ermöglicht die Mischung aus vier verschiedenen Stimmen: Sub-Octave, Guitar, Octave und Square Wave. Besonders die Square Wave sorgt für den charakteristischen, fuzzigen Klang des Bass Micro Synthesizers, der an den kosmischen Sound der 70er Jahre erinnert.  

Mit der Attack-Decay-Steuerung lassen sich gestrichene Effekte oder bedrohliche Lautstärkeschwankungen erzeugen, während die Filter-Sweep-Sektion das gesamte Frequenzspektrum durchläuft – von schnellen, präzisen Schnitten von Hoch nach Tief bis hin zu langsamen, fließenden Anstiegen von Tief nach Hoch.

The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world.

Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Snythesizer its signature, fuzzy growl that calls back to the cosmic ’70s .

An Attack Decay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms.