GARY CLARK JR. WAH

The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.

That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.

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EP103 Echoplex Delay

Mit dem Cry Baby GCB95 Wah im knalligen Sparkly Red Finish präsentiert Dunlop eine Limited Edition des beliebten Wah-Wah Pedals, die man selbst im schummrigsten Bühnenlicht nicht so leicht aus dem Auge verlieren wird!

Doch das Cry Baby Sparkly Red ist nicht nur ein optischer Leckerbissen, sondern wird auch Soundgourmets zufrieden stellen. Ausgestattet mit der legendären Faselspule liefert es den von unzähligen Songs bekannten Sound, der das Cry Baby zum beliebtesten Wah-Wah machte.

With the Cry Baby GCB95 Wah in a striking Sparkly Red finish, Dunlop presents a limited edition of the popular wah-wah pedal that won’t be easily lost, even in the dimmest stage lighting!  

But the Cry Baby Sparkly Red isn’t just a visual treat—it will also satisfy tone connoisseurs. Equipped with the legendary Fasel inductor, it delivers the iconic sound heard on countless songs, making the Cry Baby the most beloved wah-wah of all time.

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CRY BABY GCB95

The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.

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