Jort Smeets

les paul

Grainy Ballad

Géraud CHIEZE

The Universal Audio UAFX Heavenly Plate Reverb pedal is a compact stompbox that emulates the sound of classic 1950s studio plate reverbs, used on countless hit records. It’s built on the algorithms of the award-winning Golden Reverberator and features rich, haunting textures with a authentic, immersive sound.

The pedal offers three modes: Vintage Bright, Vintage Dark, and Modern Full, each delivering a unique tone. The Vintage Bright mode is ideal for bright, snappy plate sounds, while the Vintage Dark mode provides a warmer, more subtle ambiance. The Modern Full mode offers a more modern take on the classic plate sound.

Universal Audio

Product Page

Review by Sound on Sound

Review by delicious audio

Manual

Demo by EytschPi42

Official Product Video

Heavenly Plate Reverb

Tester

A prophecy once foretold of a highly-affordable, studio-quality delay pedal that could give musicians all the pristine digital delay tones they would ever want, from short reverberating slapbacks to long, stretchy beds of ambience and everything in-between. Well, thanks to the advent of THE PROPHET DIGITAL DELAY – that prophecy has finally been fulfilled!

TC Electronic

Review by Pedal of the Day

Review by mixdownmag

Quick Start Guide

Demo by Gear Forest

The Prophet Digital Delay

Esben Dyrhovden

Utilizing the iconic MN3207 chip, this BBD Analog Chorus has all the swirly tones you'd expect from those classic 80's units. We wanted to put our spin on that iconic sound and create an homage that lived up to the Mythos standard. The Fates features finely tuned Rate and Depth controls so that you have the most musical range of sounds. We added Vibrato mode that turns off the clean mix portion of the Chorus but didn’t stop with just that simple mod. The Vibrato mod has been finely tuned to shift select components so that it does not have that extreme warble from the depth pot. Both the Chorus and Vibrato modes will run the gamut of swirly shimmer to rotary speaker like vibes. 

Mythos Pedals

Review by musicradar

Review by Guitar.com

Demo by Distinctive Guitar

The Fates Chorus

David Litaba

Dunlop

SW95 Slash Cry Baby Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der NS-2 eignet sich hervorragend, um Signal-Rauschen und lästige Brummgeräusche zu eliminieren, wobei der Klangcharakter des originalen Eingangssignals unberührt bleibt. Attack und Hüllkurve des Signals werden in keinster Weise beeinträchtigt, dank eines von BOSS entwickelten, einzigartigen Noise Detection-Schaltkreises, der den Gitarrenklang präzise von sämtlichen Störgeräuschen zu separieren vermag.

The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.

BOSS

Demo by  Charly G.- Sound & Demo

Demo by Riffs, Beards & Gear

Review by Musiker-Board

Review by The Gear Page

Review by reddit /guitarpedals

Review by Pedal Authority

NS-2 Noise Suppressor

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as "hard clippers connected to v-ref" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer. 

Fulltone

Review by bonedo

Demo by That Pedal Show

Demo by intheblues

The Story of Fulltone OCD

PedalSafe Type FT1

QuickMount Type FT1

Pedal-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Pedal Mounting Plate for FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & RockBoard-Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & RockBoard Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Schutzabdeckung & universelle Montageplatte für FULLTONE OCD & 69 MK2 Pedale

Protective Cover & Universal Mounting Plate For FULLTONE OCD & 69 MK2 pedals

Süß, nuanciert und ultra-ausdrucksstark – der BD-2 Blues Driver ist eine bleibende Ikone in den Annalen des Gitarren-Overdrive. Sein einflussreiches analoges BOSS-Schaltungsdesign verhält sich wie ein Röhrenverstärker und bietet eine natürliche, berührungsempfindliche Verstärkung, die mit herkömmlichen Overdrive- und Distortion-Pedalen nicht möglich ist. Fast drei Jahrzehnte später verleiht der artikulierte Klang des BD-2 den Klängen von Spielern aller Musikgenres, von Blues und Rock bis hin zu Country, Jazz und darüber hinaus, weiterhin Kraft.

Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.

Demo by Wampler Pedals

Demo by The Pedal Bored

Review by Guitar Pedal Demos

BD-2 Blues Driver

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Roland Lévai

Les Paul

Completely Analog Stuff

JCM 800

Tavish Stone

The LIGHT Pedal combines all the best features of a classic spring reverb with an innovative infrared optical sensor system and a unique effects section. Create countless new types of reverb textures that have never been possible before.

Gamechanger Audio

Game Changer Light Pedal Review by Ricky Tinez

Game Changer Light Pedal Demo by Game Changer Audio

Game Changer Light Pedal Review by 60 Cycle Hum

Game Changer Light Pedal Review by Andertons 

Review by MOD WIGGLER

Review by Premier Guitar

Light Pedal

Michael McCarron

I love nearly everything about the new Suhr Discovery Analog BBD Delay. It sounds fantastic, and does that smart Chase Bliss Audio thing of Analog Heart with a Digital Control Layer. You can scroll through 127 onboard Presets (via footswitches also) - and through smart filtering and Refine Up/Down controls you can vastly extend the delay time - without experiencing noisy artefacts.

Suhr

Review by guitar pedal X

Review by AMAZONA 

Demo by Rabea Massaad 

Demo by Suhr Custom 

Demo by Pete Thorn 

Discovery

Das Thermion Black Sun Pedal aus der spanischen Effektpedal- und Verstärkerschmiede soll laut Hersteller die meisten klassischen Rotary-Speaker-Sounds reproduzieren können, wobei der Name schon erahnen lässt, dass eine gewisse Band aus Seattle für die nötige Inspiration gesorgt hat.

A versatile, exclusive effect with unique tone, the Black Sun combines classic rotary speaker sounds with experimental phaser options. With two configurable (and instantly switchable) speeds, tap tempo and more, there’s not a lot this one won’t do. A two-band EQ lets you dial in the right tonal overtones to your sound, while Note Multiplier, Waveform, Cycle and Depth controls open up the sonic playground for you to run through and experiment with.

Thermion

Review by Bonedo 

Demo by TheGuitarGeek

Black Sun

Das Chase Bliss Audio Wombtone MKII ist ein wahrer Gigant unter den analogen Phaser-Pedalen. Mit bis zu 6 Phaser-Stages und umfangreichen Modulationsmöglichkeiten erzeugt das Wombtone MKII jeden erdenklichen Phaser-Sound von berühmten Settings im Stile Brian Mays oder Van Halens bis hin zu experimentellen pulsierenden Klanglandschaften.

Signalanteil und Gesamtlautstärke des Phaser-Sound werden mittels Volume und Mix bestimmt, während das Effekttempo wahlweise per Rate-Button justiert oder über den Tap Schalter links eigegeben werden kann. 2, 4 oder 6 simultane Phaser-Stages stehen per Stage Toggle zur Verfügung und verleihen dem Sound des Wombtone je nach Setting einen eher subtilen bis direkt extremen Phaser-Effekt.

Das volle Pontenzial des Wombtone MKII beweist sich in seinen Talenten der Modulation und Echtzeitsteuerung. Mit der von Chase Bliss Audio bekannten ModuShape Funktion lässt sich die Wellenform des LFOs individuell aus zwei Hälften zusammensetzen, um bisher ungehörte Geräusche, Sounds und Töne entstehen zu lassen. Natürlich lässt sich das umfangreiche Phaser-Pedal auch per Expression-Pedal oder MIDI steuern. Die stirnseitigen DIP-Schalter bestimmen, welche Effektparameter der Steuerung per Ramping oder Exp-Pedal zugewiesen werden.

The Chase Bliss Audio Wombtone MkII Analog Phaser Pedal features an analog signal path that offers a wide variety of vintage 70 tones and also psychadelic tones. Based on the original Wombtone analog Phaser pedal, the Mk ll has been modified to include a mix control, 16 Dip switches that are located on the top for easy access, and the ability to switch between 2,4 and 6 stages of phase. The Wombtone Mk ll offers a vast array of unique tones, that will add texture to your guitar playing.

Chase Bliss

Demo by Brett Kingmann 

Demo by chase bliss

Demo by ProGuitarShopDemos

Demo by Knobs

Midi Manual

Wombtone MK2

Bathe your tone in the iridescent glow of primordial bliss, while waves of smooth sonic neon sweep you into another realm of creative inspiration. The Aurora is an analog BBD flanger featuring an unparalleled level of custom waveform animation with a hypnotic and lustrous tone. Thoughtful control options make it easy to achieve a variety of flange, vibratro, lush chorus, phase, and filtery spatial effects, all primed for stretching and collapsing the acoustic vortex. The Aurora also marks an exciting expansion of Spaceman’s Standard Edition line with the introduction of colorways. Plug into Aurora and slip into the ephemeral night.

Spaceman Effects

Demo by Do Noise

Demo by ambienttrash

Aurora

Das Electro Harmonix Eddy Vibrato/Chorus-Pedal bereichert das beachtliche Sortiment der legendären New Yorker Effektschmiede um einen weiteren analogen Modulationseffekt. Genauso wie beispielsweise der Small Clone Chorus oder auch das Memory Man Analog Delay des Herstellers, arbeitet das neue Electro Harmonix Eddy Vibrato/Chorus mit einer analogen Eimerkettenspeicher-Schaltung, die in der Regel für warme und tiefgehende Sounds steht.

Get lush EHX vibrato and chorus in a compact, pedalboard friendly package with unique control options!

Electro-Harmonix

Review by GEARNEWS

Review by bonedo 

Demo by Pedal Experiments 

Demo by Guitar Bonedo 

EDDY

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

ch ray

Dem beliebten MXR Ten Band EQ hat der amerikanische Hersteller ein Facelift verpasst und präsentiert ihn unter der Modellnummer M108S in einem neuen, leichteren Gehäuse mit True-Bypass-Schaltung, einer effektiveren Rauschunterdrückung und zwei Ausgängen. Geblieben sind das große Frequenzspektrum von 31,25 Hz bis 16 kHz, getrennte In- und Output-Levels sowie der Betrieb mit 18 Volt für mehr Headroom.
Da der MXR Ten Band EQ auch Frequenzbereiche unterstützt, die von einem Gitarrenlautsprecher eigentlich nicht mehr übertragen werden, empfiehlt er sich ebenso für den Betrieb am E-Bass, für Fullrange-Anwendungen oder fürs Direct-Recording. Nicht wenige Gitarristen schätzen den grafischen Equalizer

The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds—create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard. 

Review by awkwardsound 

Demo by Ryan Lutton

Demo by PMTVUK

Review by HOMETONEBLOG

M108S Ten Band EQ

MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

KMA Machines

Review by Gitarre & Bass

Manual download

Demo by Eytschpi42

Moai Maea

BD-2W Blues Driver (Waza Craft)

Ibanez

TS-808DX Tubescreamer

Isen Ritchie

DS-1W Distortion

MT-2W Metal Zone (Waza Craft)

Das Original aus NYC. Hendrix und Santana gehörten zu den ersten, die ein Stück des Pi bekamen, und seit über 40 Jahren hat der EHX Big Muff Pi den Sound der Rockgitarre definiert.

Er wird von zeitgenössischen Gitarristen und Rocklegenden für sein sattes, cremiges, geigenartiges Sustain verehrt, von Pink Floyd bis zu The White Stripes, jeder will immer noch ein Stück vom Pi!

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.

Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi!

BIG MUFF PI

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on our users’ valuable feedback, we’ve taken everything great about our original Compressor and made it even better. 

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a ‘tilt’ tone eq control, and a selectable sidechain high pass filter built into the Compressor’s detection circuit. Oh, and the whole package is now half the size and available in two snazzy colours!

Empress Effects

Demo by JayLeonardJ

Demo by Mike Hermans

Demo by Kris Barocsi

Compressor MkII

Jonathan James

Als wir im Oktober 1998 den TU-2 vorstellten, wurden wir vom Erfolg überrollt: Ein unverwüstlicher Tuner im beliebten BOSS Bodentreter-Format - das schlug ein wie eine Bombe. Dieses Stimmgerät war schnell auf den Bühnen der ganzen Welt zu finden. Amateure, Profis und Gitarrenhelden haben ihn in ihrem Setup, der TU-2 war jeden Monat das meistverkaufte BOSS Pedal weltweit!

Viele Hersteller haben seitdem einen ähnlichen Tuner gebaut - doch BOSS setzt mit dem TU-3 die Messlatte wieder ein ganzes Stück höher. Mit großartigen neuen Funktionen und gleichbleibender, unverwüstlicher Qualität!

The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

Demo by Gear4music 

Demo by Equipboard

Demo by BOSS 

Review by reddit /Guitar

Review by The Gear Check

Manual's All 

TU-3 Chromatic Tuner

The Volume (X) Pedal controls volume and FX parameters, featuring fully adjustable rocker tension and and a Low Friction Band-Drive for ultimate durability—all in a pedalboard-friendly housing.

Demo by W-Distribution

Review by Jim Dunlop 

Review by VAR GUITAR

VOLUME (X) PEDAL DVP3

Für 10-20 FX-Pedale, 2 MOD-Slots - **828 x 330 mm / 32.60" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 2 MOD slots - **828 x 330 mm / 32.60" x 12.99"** - available with Gig Bag or Flight Case

Martin Velasquez

Jem 70v

Die RockBoard® MOD 5 Cab SIM + DI Patchbay bietet wählbare, IR-basierte Stereo-Lautsprecher Simulation, eine aktive DI-Box, sowie eine einfache Lösung, um alle Verbindungen zu und von deinem Effekt Setup zu organisieren. Egal, ob du ein RockBoard® oder ein anderes Pedalboard einer anderen Marke verwendest - die MOD 5 eröffnet völlig neue Möglichkeiten. Mit der Speaker-Cab-Simulation und DI kannst du direkt loslegen und hast DEINEN Sound parat, unabhängig davon, welche Backline an der jeweiligen Venue zur Verfügung steht. Du möchtest deine persönliche Lieblings-Cabinet benutzen? Kein Problem, lade eine Impulse Response des Sounds in die MOD 5 und du hast sie überall dabei. Der Patchbay-Teil dient dazu, Verbindungen von unterhalb deines Pedalboards nach vorne zu leiten, um dir einen zentralen Zugangspunkt zu deinem Setup zu geben und deinen Kabelsalat aufzuräumen. Für geräuschloses Üben auf der Straße bietet der MOD 5 auch einen Kopfhörerverstärker mit einstellbarer Ausgangslautstärke.
- Cabinet Simulation & DI Patchbay
- IR basierte Lautsprecher Simulation
- 6 integrierte IRs wählbar
- Unterstützung von zusätzlichen Custom IRs (max. 1024 pts.)
- integrierte aktive DI Box
- Kopfhöhrer Verstärker
- passend für MOD Slots in RockBoard® Pedalboards
- kompatibel mit einer weiten Reihe anderer Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- wählbarer MONO / STEREO Input
- wählbarer UN- / BALANCED Output
- Ground Lift Schalter
- Regler für Phones Volume
- 3 x 6,3 mm TRS Thru
- XLR DI Out
- 6.3 mm Parallel TRS Output
- 3.5 mm Stereo Kopfhöhrer Ausgang mit einstellbarer Lautstärke
- micro USB Anschluss für Firmware Updates und zum Hochladen von Custom IRs
- Stromversorgung via optionalem 9V DC Netzteil, 2.1 x 5.5 mm Hohlstecker, Polarität (-) innen
- Stromaufnahme 300 mA
- Batteriebetrieb nicht unterstützt
- Abmessungen mit Frontplatte (B x T x H) 175 x 85 x 47 mm 
- Abmessungen ohne Frontplatte (B x T x H) 160 x 85 x 33 mm
- Gewicht 470 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The RockBoard® MOD 5 Cab SIM + DI Patchbay offers customizable, IR-based stereo speaker cabinet simulation, an active DI box, as well as a simple solution to organize all the connections to and from your effects setup. Whether you are using a RockBoard® or any other brand pedalboard - the MOD 5 will open completely new possibilities. The speaker cab simulation & DI let's you go direct, providing YOUR sound, whatever backline is being provided at the venue you're playing. Do you want to use your favorite cab? No problem, load an impulse response of its sound into the MOD 5 and you have it with you, wherever you go. The patchbay part is designed to route connections from underneath your pedalboard to its front, in order to give you a central access point to your setup and tidy up your connections. For silent and on the road practicing, the MOD 5 also provides a headphone amplifier with adjustable output volume.
- cabinet simulation & DI patchbay
- IR-based speaker cabinet simulation
- 6 integrated IRs selectable
- support of additional Custom IRs (max. 1024 pts.)
- integrated active DI box
- headphone amplifier
- fits MOD slots in RockBoard® pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- selectable MONO / STEREO input
- selectable UN / BALANCED output
- ground lift switch
- control for Phones Volume
- 3 x 6.3 mm / ¼" TRS thru
- XLR DI Out
- 6.3 mm / ¼" Parallel TRS output
- 3.5 mm / 1/8" stereo headphone output with adjustable volume
- micro USB connection for firmware updates and loading custom IRs
- power supply via optional 9V DC power adapter, 2.1 x 5.5 mm barrel plug, polarity (-) center
- current draw 300 mA
- battery operation not supported
- dimensions with front plate (W x D x H) 175 x 85 x 47 mm / 6 57/64" x 3 11/32" x 1 27/32" 
- dimensions without front plate (W x D x H) 160 x 85 x 33 mm / 6 19/64" x 3 11/32" x 1 19/64"
- weight 470 g / 1.04 lbs.
- incl. mounting screws, counter nuts, and TX wrench

Cab SIM + DI Patchbay

Sandbox Pedal Board

AVT50 Tribute

DD-3 Digital Delay vintage

PedalSafe Type E

Schutzabdeckung & RockBoard-Montageplatte für Standard Boss Pedale

Protective Cover & RockBoard Mounting Plate For Standard Boss Pedals

Schutzabdeckung & universelle Montageplatte für Standard Boss Pedale

Protective Cover & Universal Mounting Plate For Standard Boss Pedals

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.