teerapat srisang

my tour board

Tester

Der Bass Synth Wah ist eine aufregende Kombination aus sieben verschiedenen Synth- und Wah-Effekten, darunter Envelope Filter, Synth-Töne, Filtergeneratoren und Oktavverschiebung. Der Bass Synth Wah kann entweder in Reihe mit deinen aktuellen Pedalen oder parallel zu deinem Bass-Signal betrieben werden, um einzigartige Kombinationen aus Bass- und Synthesizer-Sounds zu erzeugen.


The Bass Synth Wah is an exciting combination of seven different
synth and wah effects including envelope filter, synth tones, filter
generators, and octave shift. The Bass Synth Wah can be run inline
with your current pedals, or parallel with your bass tone to create
unique combinations of both bass and synth sounds.

DigiTech

Demo by BassTheWorld.com

Demo by Dan Leggat

Demo by Bass Stuff

Demo by Gnarly Murphy

Product Page

Review by Talk Bass

Review by Musiker Board

Manual

Bass Synth Wah Envelope Filter

Mit dem OC-2 Octave-Pedal kannst du deinen Sound durch Hinzufügen von zwei zusätzlichen Tönen aufpeppen - eine und zwei Oktaven unterhalb der ursprünglichen Note. Jeder Ton hat einen separaten Lautstärkeregler und wird mit hervorragender Klarheit wiedergegeben.

The OC-2 Octave pedal lets users fatten up their sound by adding two additional tones--one and two octaves below the original note. Each tone has a separate volume control and plays back with outstanding clarity.

BOSS

Review by Reddit /guitarpedals

Review by TalkBass

Demo by Middle Aged Gear Junkie

Demo by Nick Granville

OC-2 Octaver

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

David Litaba

Das neue Skysurfer-Mini-Reverb-Pedal bietet TC Electronics beliebten und erschwinglichen Effekt in einem wesentlich kleineren Gehäuse. Es ist mit drei Reverb-Algorithmen in Studioqualität ausgestattet.

SKYSURFER MINI REVERB brings you a premium – yet affordable, reverb solution armed with 3 studio-grade algorithms created by TC Electronic and housed in a compact, rugged metal box. Skim effortlessly across a deep-blue, churning ocean; swim in a cavernous grotto; or soar through the ambient spray of the surf.

TC Electronic

Review by Premier Guitar

Review by Gitarre & Bass 

Demo by Music Bliss Malaysia

Official Product Video

Skysurfer Mini Reverb

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better. 

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.  

Empress Effects

Review by Bass Musician Mag

Review by Compressor Pedal Reviews

Demo by Benn Jordan

Demo by Fireghosting

Bass Compressor Silver Sparkle

Carrying on the POLYTUNE legacy, POLYTUNE 3 MINI packs an unprecedented amount of tuning power into a tiny footprint without sacrificing essential features, such as always-on mode and our audiophile BONAFIDE BUFFER circuit for uncompromised tones – making it ideal for fully-loaded pedal boards where every inch counts!

Review by AMAZONA 

Review by GUITAR World 

Review by bonedo 

Demo by TC Electronic 

Demo by Guitar World 

Polytune 3 Mini

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Aguilar

Review by Awkward sound

Demo by  IvanBassist 

Aguilar Tone Hammer

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

RockBoard

Tone expansion. Working on getting a large presence in the band with this settup. 

Die überarbeiteten RockBoard® MODs V2 sind einfache all-in-one Patchbays für die RockBoard Pedalboard Series mit einem neuen, überarbeiteten Design und einem kompakten Gehäuse. Passend für alle neuen RockBoards® (außer der DUO-Serie) mit einem MOD-Slot, bieten sie als komfortable Patchbay verschiedene Kabelverbindungen, um eine weite Reihe von Bedürfnissen abzudecken. Mit den RockBoard® MODs kannst du deine Pedale dauerhaft unter dem Board verkabeln und alle Verbindungen zu und von deinem Effektsetup in einem praktischen Modul organisieren. Die RockBoard® MODs bieten einen zentralen Zugangspunkt vom Instrument zum Verstärker sowie eine praktische und einfache Stromversorgung des Boards über einen IEC- und einen 2,1 x 5,5 Barrel-Through-Stromanschluss. Das RockBoard® MOD 1 V2 ist eine Pass-Through-Box, die speziell für Gitarristen und Bassisten entwickelt wurde. Du kannst das MOD 1 V2 nutzen um mehrere Pedale deines Setups im Front End und im Effekt-Loop des Verstärkers zu postieren (4-Kabel Methode) oder die vier TRS-Anschlüsse als zentralen Zugang und Ausgang des Boards nutzen. Die XLR-Through-Verbindung kann als Signalausgang vom Pedalboard zum Mischpult oder zur PA verwendet werden.
- All-in-One Patchbay für Pedalboards
- passend für MOD slots in RockBoard Pedalboards
- kompatibel mit einer weiten Reihe and anderen Pedalboards
- fungiert als zentraler Zugangspunkt zu deinem Effekt Setup
- etabliert klare Kabelwege zum und vom Pedalboard
- abnehmbare Frontplatte für Montage auf oder unter Pedalboards
- 5 x 6,3 mm TRS thru
- 1 x XLR thru (männlich vorne / weiblich hinten)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- alle Anschlüsse gespiegelt auf der Rückseite
- Abmessungen exkl. Frontplatte (B x T x H): 160 x 60 x 33 mm
- Abmessungen der Frontplatte (B x H): 175 x 48 mm
- Gewicht 450 g
- inkl. Montageschrauben, Kontermuttern und TX Schlüssel

The improved RockBoard® MODs V2 are simple all-in-one patchbays for RockBoard pedalboards with a new, refreshed design, and compact housing. Utilizing the MOD slot on all new RockBoards® (except the DUO series), they provide various cable connections to fit a wide variety of needs as a convenient patchbay. With the RockBoard® MODs, you can permanently connect your pedals underneath your board and organize all connections to and from your effects setup in one convenient module. The RockBoard® MODs provide a central access point from your instrument to your amp, as well as your power supply via IEC, and a 2.1 x 5.5 barrel thru power connector. The RockBoard® MOD 1 V2 is a pass-thru box especially designed for guitar and bass players. It can also be used to run several pedals from your board through the effects loop of your amp, or as a central access point to your pedalboard via its 4x TRS thru connections. The XLR thru connection can be used as signal output from your pedalboard to the console or PA.
- all-in-one patchbay for pedalboards 
- fits MOD slots in RockBoard pedalboards
- compatible with a wide variety of other pedalboards
- acts as the central access point to your effects setup
- establishes clean cable paths to and from the pedal board
- detachable front plate for mounting on top or underneath pedalboards
- 5 x 6,3 mm / ¼" TRS thru
- 1 x XLR thru (male front / female back)
- 1 x DC 2,1 x 5,5 mm barrel thru
- 1 x AC IEC thru (male front / female back)
- all connections mirrored on the backside
- dimensions excl. front plate (W x D x H): 160 x 60 x 33 mm / 6 19/64" x 2 23/64" x 1 19/64"
- dimensions of the front plate (W x H): 175 x 48 mm / 6 57/64" x 1 57/64"
- weight 450 g / 0.99 lbs
- incl. mounting screws, counter nuts, and TX wrench

All-in-One TRS & XLR, IEC & Barrel Patchbay

Broad Tone Board 

You’ll find sounds from a gentle full range boost, gritty treble boost, gassing up to a full aggressive fuzz.
Great for boosting and adding some edge to a dirty preamp, add definition to a saturated front end.

Controls:
Gain– Dial up harmonic content maxing up to fuzzy
Volume – Match your amp volume, then cut or boost as needed
Contour – toggle between a bassy setting and a trebly setting.
Range – toggle between lower and higher gain ranges.

Black Arts Toneworks 

Black Arts Toneworks SKYBOOST

Black Arts Toneworks SKYBOOST riff rider demo

Skyboost

The Supreme has all of the sounds and abilities of the Standard and Primitive Pharaohs, but with some very useful additions and a bit of a twist.
In place of the hi/lo switch,the Supreme utilizes a variable pre input control to infinitely adjust the saturation of the front end of the circuit from 1 to 10. In Place of the 3 way diode selector, the Supreme utilizes a 6 way rotary switch to select from the Standard Pharaoh diode settings, plus an additional 3 setting not available on the previous Pharaohs. The Pharaoh supreme allows selection from the following diode settings: Germanium, Asymmetrical Germanium(standard Pharaoh), Silicon (standard Pharaoh), Mosfet,LED and Bypass (standard Pharaoh).

The Pre knob control in addition to the Clip knob, produce an array of sounds and textures that expand the Pharaoh into the ultimate, or Supreme fuzz-stortion that Black Arts has produced.

To visually demonstrate the depth of the new Pharaoh Supreme, a huge 10mm green LED glows with a calm, deep and inviting look into the window of the Supreme soul.

Product Page 

Pharaoh Supreme Official Demo V1

Pharaoh Supreme Official Demo v2

Pharaoh Supreme

Reflector V3 is a dense lush chorus coupled with three modes of modulation. This was a chorus with a bent, an ephemeral voice floating between aural dimensions.
Controls included Rate and Depth for the chorus LFO, Mix for a balance between unaffected and affected signal, and Modulate for unique control in each mode: pitch shift, reverb blend, and filter depth. A three-way toggle switch allows the player to choose between three modes: Wrinkle, a deep chorus with an additional pitch shift from one octave down to one octave up; Washed, a simple lush chorus feeding into a reverb; and Mirrors, a chorus and moving filter linked via the chorus rate.

Old Blood Noise Endeavors

Review by reddit /guitarpedals

Review by Guitar.com

Demo by Ambient Endeavors

Reflector V3 Prism Colorway

Der Pigtronix EP2 Envelope Phaser macht aus deinem Gitarrensound ein extraterrestrisches Erlebnis der Extraklasse. Unfassbar vielseitige Regelmöglichkeiten sorgen dafür, dass du deine Gitarre SO garantiert noch nicht gehört hast. Der Envelope Phaser schickt einen breiten und durchsetzungsstarken Sweep durch das Signal und kann in den Envelope, LFO oder einer Mischung aus beidem wandern.

The Pigtronix Envelope Phaser pours on the special sauce to take your tone into outer space. Accentuating and sweeping through the harmonics of any musical source, the motion of this revolutionary phase shifter can be controlled by Envelope, LFO or a blend of both.

Envelope Phaser makes it easy to dial in monster envelope tones for any instrument or playing style. This envelope kicks it up a notch with a “Staccato” function that is ideal for fast picking, funk bass and tight rhythm guitar. The Staccato circuit enables an “intelligent envelope” that listens to your playing and quickly discharges the envelope between your notes. This crafty circuit enables incredibly responsive envelope performance, even during rapid fire playing.

Pigtronix

Demo by Prymaxe 

Demo by Reverb 

Review by Pedal of the Day

Review by No Treble

Envelope Phaser EP2

Our legendary Boogie® Five-Band Graphic EQ is now available in a Pedal! For well over four decades the Boogie Five-Band Graphic EQ has been at the heart of chart topping guitar sounds and it’s hard to ignore the impact its now-classic “V-Curve” has had on modern guitar sounds and popular music. Now we offer this powerful tool in a stand-alone pedal format that packs the same tone-shaping power and hand-built in Petaluma, CA quality as those found in our high-end amplifiers.

Mesa Boogie

Review by

Demo by Lucas Fowler

Boogie Five-band Graphic

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Adrien Kah

Roosters Pedalboard V.2

Philippe Kirsch

LINE 6

Relay G10S

luca agostini

Alles Wesentliche in einer robusten kleinen Box. Du brauchst einen ernstzunehmenden D.I., um live zu spielen und Killer-Tracks aufzunehmen. Du brauchst einen Vorverstärker und einen fein abgestimmten EQ, um deinen Sounds mehr Punch zu verleihen. Und ohne eine satte, maßgeschneiderte Verzerrung geht es definitiv nicht. Dieses einzigartige Pedal bietet dir alles in einem bombensicheren Gehäuse, das selbst die unkontrolliertesten Gigs - und Spieler - übersteht. Der M-80 wurde mit den hochwertigsten Komponenten gebaut und bietet alles von Wärme und Transparenz bis hin zu vulkanischem Gebrüll, ohne dass du dich durch Menübildschirme oder ein unleserliches Handbuch scrollen musst.

All the essentials in one tough little box. You need a serious D.I. for playing live and laying down killer tracks. You've got to have a preamp and finely tuned EQ to add punch to your tones. And you definitely can't do without some rich, custom distortion. This one-of-a-kind pedal gives you the whole deal in a bomb-proof enclosure that will survive even the most out of control gigs-and players. Built with the highest quality components, the M-80 can give you eve everything from warmth and transparency to a volcanic roar, without making you scroll through menu screens or an indecipherable manual. 

Demo by On Bass On Bass

Demo by The Bass Channel

Review by Musiker-Board

Review by Talk Bass.com

M80 Bass D.I.+

Their popular B3K V2 keeps the same grind as the original design and adds the ability to restore the mid frequencies. Now you can send your bass rig into meltdown without losing any clarity. If you're looking to add grind to your tone while maintaining your tonal core, you can't go wrong with the Darkglass B3K V2.

Darkglass Electronics

Review by no treble 

Demo by patric hunter 

Demo by the bass channel 

Microtubes B3K v2

Bill ONeal

Einige Pedale aus der Effektschmiede Way Huge werden sehr gerne von Bassisten verwendet und das, obwohl sie nicht speziell für die Verwendung mit den dicken Drähten konzipiert wurden. Besonders der Verzerrer Pork Loin erfreut sich bei Tieftönern großer Beliebtheit und hat sich in den letzten Jahren auf vielen Bass-Pedalboards etablieren können. Dieser Umstand ist scheinbar auch Jeorge Tripps, dem Mastermind hinter Way Huge, nicht entgangen, das Portfolio von Way Huge wurde nämlich im Frühjahr 2018 um ein brandneues Overdrive-Pedal ergänzt, das speziell für die Verwendung mit E-Bass entwickelt wurde. Das erste exklusive Bass-Pedal aus dem Hause hört auf den Namen Pork & Pickle und bietet im Wesentlichen die Sounds des Pork Loin und des Russian Pickle Fuzz in einem Gerät.

Now in a Way Huge Smalls housing, the Pork & Pickle Bass Overdrive & Fuzz serves up a perfectly balanced diet of gnarly tones for bass players who like to get down and dirty.

Dunlop

Official Product Page

Way Huge Pork & Pickle (WHE214) - Official Demo Video

Way Huge Pork & Pickle (WHE214) - Demo Video - Distortion LTD

Way Huge Pork & Pickle (WHE214) - Demo Video - Andertons Music Co

Way Huge Pork & Pickle (WHE214) - Demo Video - The Bass Channel

Way Huge Pork & Pickle (WHE214) - Demo Video - Musiker TV

Way Huge Pork & Pickle (WHE214) - Review by PremierGuitar [EN], [09-2018]

Way Huge Pork & Pickle (WHE214) - Review by Gitarre & Bass [DE], [06-2018]

Review by GEARNEWS 

Demo by Premier Guitar 

Way Huge Pork & Pickle

LS-2 Line Selector

Electro-Harmonix

BASSBALLS

Ibanez

Demo by Desert Rock United 

BIGMINI

QuickMount Type K

Pedal-Montageplatte für Mooer Micro Series Pedale und ToneX One

Pedal Mounting Plate For Mooer Micro Series Pedals and ToneX One

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Jérôme RAPP

TOBY

HYPERCHIPS - BASS Pedal Board

CRUSH BASS 100

Demo by A2a - Music Encyclopedia

Demo by Austin Bazaar

X-Series Bass Driver Overdrive/Distortion

Patrick Brogan

Der Bass Multi Chorus wurde speziell für Bassisten entworfen. Was ihn so einzigartig macht, ist die Möglichkeit bis zu 16 einzelne Chorus-Stimmen gleichzeitig zu erzeugen. Der Klang katapultiert jeden Bassisten damit automatisch in die Herzen seiner Zuhörerinnen.

X-Series Bass Multi Chorus

The Bass Squeeze is the result of collaboration between DigiTech and dbx to create the world's finest bass compression pedal. Utilizing award- winning dbx OverEasy technology, the Bass Squeeze delivers dual-band compression, creating the best bass compressor found in any stomp box.

Review by PopMusicRu

Review by Bass Stuff

Review by Mezzanota

X-Series Bass Squeeze

Mit einer Verzögerungszeit von bis zu vier Sekunden und sieben separaten Verzögerungsmodi ist das Digidelay von Digitech ein vielseitiges Pedal, das auch den Geldbeutel nicht überstrapaziert. Als Teil der Digitech X-Series, die ein robustes Metallgehäuse besitzt, das für jahrelange Beanspruchung ausgelegt ist, ist dieser Effekt ein Arbeitstier, das in jedem Pedalboard-Setup zu Hause ist.

Featuring up to four seconds of delay time and seven separate delay modes, the Digitech Digidelay is a versatile pedal that also won't break the bank. Part of Digitech's X-Series, which feature a sturdy metal chassis designed to sustain years of wear, this effect is a workhorse delay at home in any pedalboard setup.

Review by The Gear Page

Demo by Do Noise

Demo by The Pedal Head Show 

X-Series DigiDelay

Review by Bonedo 

Demo by Thoman's Guitars & Basses

Bad Monkey

OC-3 Super Octave

David Omhover

Orange

FS-1

QuickMount Type C

Pedalmontageplatte für große vertikale Pedale

Pedal Mounting Plate For Large Vertical Pedals

The first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer and custom EQ circuitry specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom so you can take solos or throw in fills without ever disturbing your low end.

Dunlop 105Q Cry Baby Bass Wah 

Dunlop 105Q Cry Baby Bass Wah Wah

105Q Cry Baby Bass Wah

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Der gewaltige Bass Big Muff-Sound jetzt in einem Nano-Paket. Die Klangfarbe ist vom tankgrünen Russian Big Muff inspiriert, mit dem klassischen Big Muff Pi-Layout der Sustain-, Ton- und Lautstärkeregler.

Mit den Reglern für Lautstärke, Ton und Sustain können Sie Ihre Verzerrung und Ihren Drive formen, während der Dry-Schalter Ihren trockenen Bass mit der Verzerrung des EHX Nano Bass Big Muff mischt.

The huge Bass Big Muff sound now in a nano-sized package. Voicing inspired by the tank green Russian Big Muff with the classic Big Muff Pi layout of Sustain, Tone and Volume controls.

Controls for Volume, Tone and Sustain let you sculpt your distortion and drive, while the Dry switch mixes your dry bass with the EHX Nano Bass Big Muff’s distortion.

Demo by Juanka Trujillo

Nano Bass Big Muff PI

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Power Block

Valerio Nitrato Izzo

Bass Rock Pedal Board

Adzim Ezani

HX® One is a powerful stereo effect pedal in an ultra-compact enclose that easily fits onto any pedalboard. It features intuitive controls, 250+ effects taken from HX family processors, a unique Flux Controller, a jack for connecting an optional expression pedal or two footswitches, adjustable input impedance, MIDI capabilities, and a choice of true or buffered DSP bypass.

Demo by Line 6

HX One

Das EBS MultiDrive SE überzeugt dank seiner analogen Schaltung und den drei Effektmodi mit besonders harmonischen Overdrive-Soundd für E-Bass. So liefert das Pedal im Standard-Modus einen Sustain-verlängernden Overdrive, der dank High-Pass-Filter die tiefen Frequenzen für ein druckvolles Klangbild unangetastet lässt. Im „Tubesim“-Modus hingegen überzeugt der EBS Multidrive mit einem harmonischen Zerrsound, dessen authentischer Röhrencharakter eine warme, natürliche Kompression und harmonische Obertöne addiert, während der „Flat“-Modus den gesamten Frequenzbereich der Gainstage zuführt. Hierbei kann über den Drive-Regler der Grad der Verzerrung eingestellt werden, während Volume die Ausgangslautstärke regelt.

Thanks to its analog circuitry and three effect modes, the EBS MultiDrive SE impresses with a particularly harmonious overdrive sound for electric bass. In standard mode, the pedal delivers a sustain-extending overdrive that leaves the low frequencies untouched for a powerful sound thanks to the high-pass filter. In “Tubesim” mode, on the other hand, the EBS Multidrive impresses with a harmonic distortion sound whose authentic tube character adds a warm, natural compression and harmonic overtones, while the “Flat” mode feeds the entire frequency range to the gain stage. The degree of distortion can be adjusted via the Drive control, while Volume regulates the output volume.

MultiDrive Studio Edition

Bass Synth Wah Envelope Filter by DigiTech