Phosphene Scream

DELAY

REVERB

SPACE TRIPPIN’ REVERB & DELAY BROUGHT TO YOU BY LEVITATION & DEATH BY AUDIO Some time ago, Oliver Ackermann got together with Alex Maas and Christian Bland from The Black Angels to dream up the most blasted out psychedelic space tripper reverb and delay pedal of all time. “It’s gotta dig craters in the moon, man.” “I want an echo that gives you real live flashbacks.” “How about a reverb so great I can use it on everything?” “It has to fit on my pedalboard.” After many pots of coffee and endless late-night circuit-bending freakouts, we landed on a reverb that multiplies internal reflections of segments of comb filtered waveforms from zero to infinity and smashed it into a meticulously tuned multifunctional delay, and voilà–the PHOSPHENE SCREAM was born. This magic pedal generates every reverb and delay sound under the sun from ‘60s psychedelic movers to the future punks ready to laser through the 22nd century. The reverberation effects cover the entire range of everything you could dream up in a reverb–tight rooms for thickening, realistic halls to waves of almost never-ending sweetness, while the delay is set up so that one knob blends in the delay while simultaneously turning up the feedback, warping from slapback to bloodcurdling scream in no time at all.