Yoshi's Board

Pedal Board for BASS Ver.2

David Litaba

The Microtubes B1K is a phenomenal tribute to one of our most legendary distortion circuits in a compact and intuitive format. We are proud to introduce our Microtubes B1K distortion pedal, the first of its kind from an all-new lineup.

Darkglass Electronics

Manual

Demo by Bass Bonedo

Demo by The Bass Channel

Product Page

Review by Rainer Wind, bonedo.de

Review by Kevin Johnson, notreble.com

Review by stephan, gearnews.de

Demo by patrick hunter 

Microtubes B1K

Designed to be the perfect complement to our distortion circuits, the flexibility and portability of the Harmonic Booster is also the perfect one-stop solution for gigging musicians in search of a precise and harmonically rich clean preamplifier.

Demo by Stuart Clayton

Official Product Video

Review by TalkBass.com

Review by Naris Sebastian Stolz, amazona.de

Demo by BassTheWorld

Harmonic Booster

Tester

Der Immerse Mk II bietet den besten Pedalhall - mit Algorithmen in Studioqualität, High-Fidelity-Schaltung, Hochleistungskomponenten und - konstruktion - und das alles auf kleinstem Raum. Der Mk II ist ein gewaltiger Sprung nach vorne und verfügt über komplett neu gestaltete Schaltungen und verbesserte Algorithmen.
Der Immerse Mk II packt 8 herausragende Stereo Reverbs — W3T (neue Wet Version 3), Hall, Plate & Spring Reverb, Shimmer, Wet+Sustain, Wet+Echo, und Wet+Detune. Jeder Effekt wurde in mühseliger Kleinarbeit kreiert – hier gibt es keine Lückenfüller. Der Immerse Mk II Reverberator liefert konkurrenzlose Soundqualität, keinen Unsinn und bleibt stets flexible. All das mit einem kleinen Fußabdruck und nutzbar für Instrumente aller Art.

The Immerse Mk II represents the very best in pedal reverberation — with studio-quality algorithms, high-fidelity circuitry, heavy-duty components and construction — all in a small footprint. The Mk II is a monumental step forward and features completely-redesigned circuitry and upgraded algorithms.
The Immerse Mk II houses eight stellar stereo reverbs — W3T (new Wet version 3), Hall, Plate & Spring Reverb, Shimmer, Wet+Sustain, Wet+Echo, and Wet+Detune. Each effect has been painstakingly crafted: there are no fillers here. Delivering unrivaled sound quality and no-nonsense flexibility in a compact footprint, the Immerse Mk II can be used with instruments of all stripes.

Neunaber

Official Product Page

Neunaber Immerse Mk II - Official Demo

Neunaber Immerse Mk II - Demo Video - That Pedal Show

Neunaber Immerse Mk II - Demo / Review Video - Musiker TV

Neunaber Immerse Mk II - Demo Video - Musiker TV

Neunaber Immerse Mk II - Review by Gitarzysta [PL], [10-2019]

Neunaber Immerse Mk II - Review by Gitarre & Bass [DE], [06-2019]

Neunaber Immerse Mk II - Review by Muzikus [CZ], [04-2019]

Neunaber Immerse Mk II - Review by TopGuitar [PL], [04-2019]

Neunaber Immerse Mk II - Review by Guitar World [EN], [10-2018]

Neunaber Immerse Mk II - Review by Gitarre & Bass [DE], [10-2018]

Immerse Reverberator Mk II

Gerhard Lothschuetz

Der Pitchblack XS bietet außer dem True Bypass-Modus für die naturbelassene Ausgabe des Eingangssignals auch einen ULTRA-BUFFER.

Was ist daran so besonders?

Die meisten E-Gitarren sind mit passiven Tonabnehmern ausgestattet und haben eine entsprechend hohe Ausgangsimpedanz. Bei Verwendung eines Gitarrenkabels von 6m oder länger geht im Höhenbereich je länger je mehr vom Gitarren-Sound verloren. Ein Puffer kompensiert diese Signalbeeinträchtigung und somit den Sound-Verlust für lange Kabel – selbst, wenn die Stimmfunktion aus ist.

Der ULTRA-BUFFER verbessert die Klangqualität im Bypass-Betrieb und erhält bei Verwendung eines langen Kabels somit den Sound, ganz gleich, ob es direkt mit dem Tuner oder zunächst mit einem komplexen Effekt-Board verbunden ist.

Der Pitchblack XS erlaubt Wechsel zwischen dem True Bypass- und dem Ultra Buffer-Modus, um in jeder Lebenslage den optimalen Sound zu erzielen.

The Pitchblack XS not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER.

Why is this important?

The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off.

The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board.

On the Pitchblack XS, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and environment.

KORG

Pitchblack XS

thuy nguyen

Ein Phaser, selbst für diejenigen, die normalerweise keine Phaser mögen – Arigato™ liefert unglaubliche Modulation, Bandbreite und Wärme.  

ARIGATO versucht weder, die Klänge der Vergangenheit wiederzubeleben, noch, auf dem neuesten Stand der Technik zu sein. Es ist eine Momentaufnahme der Zukunft, die uns als Kinder versprochen wurde. Es ist unser Dankeschön an die Kunden, die uns jahrelang um einen Phaser gebeten haben. (Ernsthaft? Ein Phaser???)  

Während er die luftige Psychedelik klassischer Geräte beherrscht, wurde dieser Phaser entwickelt, um zu rumpeln, zu wackeln, zu beben, zu klappern und zu brüllen. Er kann vollständig wet für interessante Vibrato-Sounds eingesetzt werden, mit maximalem Feedback für Auto-Wah-Sweeps sorgen und bietet eine breite Palette an nuancierten Klangfarben, die sich dynamisch durch die Interaktion der Regler entfalten.  

Wir sind ziemlich begeistert von diesem Release – das erste Pedal, das Philippe je besaß, war ein Phaser, unser Team ist verrückt nach Phase-Shifting, und diese Veröffentlichung fühlt sich an wie nach Hause kommen.  

Für alle, die dachten, sie würden keinen Chorus mögen, sich dann aber in unser Somersault™ verliebt haben – wir glauben, ihr werdet dieses Ding auch lieben. Wir stehen zwar auf klassische One-Knob-Geräte mit ihrem kompromisslosen WHOOSH-Ansatz, aber es gibt eine Welt voller subtiler Nuancen und unterschiedlicher Bewegungen zu entdecken – und Arigato ist bereit dafür.

A phaser even for people who don't normally like phasers, Arigato™ delivers incredible modulation, range, and warmth. 

ARIGATO neither seeks to recapture the sounds of the past, nor to be state of the art. It is a snapshot of a future we were promised as children. It is our way of saying thank you to customers who for years asked us for a phaser. (Really? A phaser???)

While capable of the airy psychedelia of classic units, this one is meant to rumble, wobble, shake, rattle, and roar. It is also capable of going fully wet for interesting vibrato sounds, max feedback for auto-wah sweeps, and a wide range of responsive shades throughout each control as they interact with the others.

We’re pretty excited about this release; the first pedal Philippe ever owned was a phaser, our team is a bunch of phase shifting nuts, and releasing this feels like coming home.

For those of you who didn't think you'd like a chorus, but fell in love with our Somersault™ pedal - we think you're going to really love this thing too. While we love classic one-knob units and their ALL CAPS WHOOSH approach to phasing, there's a world of subtle shading and different movement to be explored, and Arigato is here for it.

Caroline Guitar Company

Demo by Noise Generator

Review by guitar pedal X

Review by Russo Music

Arigato Phaser/Vibrato (pink)

Origin Effects

Cali76 STD

Für den Sub ‘N’ Up Octaver hat sich TC Electronic erneut mit dem legendären Effekt auseinandergesetzt und seinem neuen Schützling gleich drei zusätzliche Oktavlagen spendiert, die sich auch im polyphonen Spiel zum Signal hinzuaddieren lassen. Ursprünglich von Roger Mayer entwickelt und durch niemand geringeren als Jimi Hendrix berühmt gemacht, tauchte der Octaver als Effektgerät über die Jahrzehnte immer wieder im Sortiment verschiedener Hersteller auf.

SUB ‘N’ UP OCTAVER is the new leader of the pitch-pack. Featuring our superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, SUB ‘N’ UP is set to deliver flawless octave tones whether you’re playing complex chords or groovy single-note lines

TC Electronic

Review by Talk Bass.com

Review by Bonedo 

Demo by Mike Hermans 

Demo by Pro Guitar Shop Demos 

Sub 'N' Up Octaver

Cadran Tulipe

Der SGT-DI™ Preamp und DI bietet modernen Bassisten ein komplettes Rig in einer einzigen Stompbox. Er bietet einen verbesserten Super Grit Technology™ Overdrive-Schaltkreis mit den kultigen Ampeg SVT®- und B15-Stimmen, einen vielseitigen 3-Band-EQ mit wählbarem Mid-Schaltkreis, Ultra-Hi- und 3-Wege-Ultra-Lo-Schalter, einen variablen Kompressor und eine Aux-/Kopfhörersektion. Plus! Der erste IR Loader/Cab Simulator von Ampeg. Wählen Sie aus drei klassischen Werksboxen oder bis zu drei eigenen Boxen, indem Sie die kostenlose Ampeg IR Loader-Anwendung verwenden.

The SGT-DI™ preamp and DI gives modern bassists an entire rig in a single stompbox. It delivers an enhanced Super Grit Technology™ overdrive circuit featuring iconic Ampeg SVT® and B15 voices, versatile 3-band EQ now with sweepable Mid circuit, Ultra-Hi and 3-way Ultra-Lo switches, a variable compressor, and an Aux /Headphone section. Plus! Introducing the first IR Loader/Cab Simulator from Ampeg. Choose from three classic factory cabs or up to three cabs of your own by using the free Ampeg IR Loader application.

Ampeg

Review by Guitar World

Review by Gitarre & Bass

Demo by  Nuno Correia - Bass

SGT-DI

Für 5-10 FX-Pedale, 1 MOD-Slot - **522 x 236 mm / 20.55" x 9.29"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 10 FX pedals, 1 MOD slot - **522 x 236 mm / 20.55" x 9.29"** - available with Gig Bag or Flight Case

Steven Ojeda

Power source: Noble DI 
Used with: Fender Precision Bass; Ernie Ball Music Man HH Stingray Bass; Reverend Decision P Bass; Sire Marcus Miller V5 5 String Bass. 

Steve's Worship Pedal Board 2

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Aguilar

Review by Awkward sound

Demo by  IvanBassist 

Aguilar Tone Hammer

andronik supersonik

The Octamizer ® is an analog octave divider that creates a wide range of musical sounds an octave below your original note.
The Octamizer ® features independent volume controls for both the Clean and Octave sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.
The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass and vice versa. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

Review by awkwardsound

Octamizer v1

The Hyper Luminal Compressor features the first hybrid design in a compressor pedal: an analog VCA controlled by a digital side-chain allowed us to capture and include the characters of some of the most legendary compressors in history while keeping the signal path completely analog.

Demo by  BassTheWorld.com

Demo by  Guitar Interactive Magazine

THE BEST GUITAR COMPRESSOR I'VE USED | Darkglass Hyper Luminal Compressor

Hyper Luminal · Hybrid Compressor: Demo by Or Lubianiker

Review by CompressorPedalReviews.com

Hyper Luminal

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Louis Springer

Kontrolliere ein Volumen und FX-Parameter ohne dein Pedalboard mit einem weiteren großen Pedal noch voller zu packen. Platzsparen muss nicht heißen auf Funktionalität zu verzichten – das DVP Volume (X) Pedal macht alles das, was sein großer Bruder das DVP3 kann – bei halber Größe und genauso robust gebaut im leichten Alu-Gehäuse. Wie das DVP3 hat es auch die rutschfeste Pedaloberfläche und den patentierten Low-Friction-Band-Drive, der für einen sanften und gleichmäßigen Regelweg und zuverlässige Performance sorgt. Für maximalen Komfort ist die Leichtgängigkeit des Pedals vollkommen einstellbar.

Der AUX Ausgang vereint Tuner und Expression Funktion in einer Buchse, die per internem Schalter festgelegt werden kann. Über interne Trim-Potis kann das Minimum-Volumen des Pedals eingestellt werden und wenn du willst, kannst du auch die Funktionsrichtung umkehren – ein weiterer interner Schalter macht’s möglich.

Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. 

The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so.

Dunlop

Dunlop Volume (X) Mini Pedal Review Premier Guitar EN

VOLUME (X) MINI (DVP4)

Für 5-9 FX-Pedale - **622 x 142 mm / 24.49" x 5.59"** - erhältlich mit Gig Bag oder Flight Case

For 5 - 9 FX pedals - **622 x 142 mm / 24.49" x 5.59"** - available with Gig Bag or Flight Case

George Zafeiriou

85x50

The SUPER SYNTH turns your bass into a synthesizer—with seriously cool sounds and no tracking delay! It also doubles as a digital octaver, with both octave up and octave down layers. The parameters of the pedal’s presets can be modified using the Markbass Pedal Controller software. Simply install the software, connect the pedal to your computer using a USB cable, modify the presets as desired, and then load them back onto the pedal. Like all our pedals, this unit features true bypass.

Markbass

Super Synth

Die MB Mini-Pedalserie von Markbass wird auf dem gleichen hohen Qualitätsniveau wie unsere Standard-Effektlinie hergestellt, verwendet aber ein ultrakompaktes, leichtes Gehäuse. Kleiner als andere Stompboxen, passen diese unglaublich klingenden Pedale selbst auf die vollsten Pedalboards, und der 9-12V-Strombedarf bedeutet, dass Sie sie mit jedem Standard-Netzteil verwenden können.
Verleihe deinem Pedalboard einen „Boost“ mit dem MB Mini Boost, der auch unseren variablen Preshape-Filter enthält (hebt die Tiefen und Höhen an und senkt die Mitten).

The MB Mini series of pedals from Markbass is made to the same high quality level as our standard effect line, but uses an ultra-compact, lightweight chassis. Smaller than other stompboxes, these incredible-sounding pedals will fit onto even the most crowded pedal boards, and the 9-12V power requirement means you can use them with any standard power supply.
Give your pedalboard a “boost” with the MB Mini Boost—which also features our Variable Preshape Filter (boosts lows and highs, and cuts mids).

Demo by Pepo Vidal

MB MINI BOOST

Der MARKBASS COMPRESSORE ist ein hochmodernes Komprimierungstool mit einer ECC81 Roehre im Signalweg.
Diese bietet einen satten und warmen Klang voller Obertoene im komprimierten Signal. Deshalb muesste er eigentlich TUBE COMPRESSORE heißen.
Weiterhin verfuegt der MARKBASS COMPRESSORE ueber alle wichtigen Funktionen eines Kompressors, die man mit den Reglern GAIN, THRESHOLD, RATIO, ATTACK, RELEASE und VOLUME einstellen kann.
Auch ein TRUE BYPASS ist vorhanden! Das bedeutet, bei ausgeschaltetem Kompressor geht das Signal direkt von der Eingangsbuchse zur Ausgangsbuchse, ohne die Audioqualitaet zu beeintraechtigen.

The MARKBASS COMPRESSORE is a state-of-the-art compression tool with an ECC81 tube in the signal path.
This provides a rich and warm sound full of harmonics in the compressed signal. That's why it should really be called TUBE COMPRESSORE.
The MARKBASS COMPRESSORE also has all the important functions of a compressor, which can be adjusted using the GAIN, THRESHOLD, RATIO, ATTACK, RELEASE and VOLUME controls.
There is also a TRUE BYPASS! This means that when the compressor is switched off, the signal goes directly from the input socket to the output socket without affecting the audio quality.

Demo by tune4media

Review by OVNI LABS

Review by bonedo

Review by Compressor Pedal Reviews

Compressore

The Microtubes Infinity shares the footmark of our programmable line, packed with our three legendary Microtubes distortions: B3K, Vintage, and X. Moreover, it allows multiband compression on every mode, blending Impulse responses between distortions while adding extra controls via the Darkglass suite for an endless number of features: An infinity of possibilities.

Demo by  Pair of Pandas

Demo by Paajanenae

Demo by Darkglass Electronics

Microtubes Infinity

Der EHX TriParallel Mixer ist ein leistungsstarker Hub für die Erstellung und Mischung von Effekten mit drei separaten Effektschleifen und flexiblen Bedienelementen für vielfältige Konfigurationen.

Der TriParallel Mixer ist angesichts seines Funktionsumfangs überraschend kompakt und dank seiner intuitiven Bedienelemente und Ein-/Ausgänge einfach zu bedienen.

Verwenden Sie ihn, um zwischen bis zu drei separaten Effektschleifen zu wechseln oder sie zu mischen. Senden Sie den Ausgang einer Gitarre oder eines anderen Instruments an drei separate Verstärker oder geben Sie drei separate Instrumente ein, um zwischen ihnen zu wechseln oder sie auf einen einzigen Ausgang zu mischen. Mischen Sie Effekte parallel, um Klänge zu erzeugen und Optionen zu nutzen, die bei der seriellen Verwendung von Effekten (nacheinander) nicht möglich sind.

The EHX TriParallel Mixer is a powerful effects creation and mixing hub with three separate FX loops and flexible controls allow for multiple configurations.

The Tri Parallel Mixer is surprisingly compact considering the level of functionality it provides, while its intuitive controls and I/O make it easy to operate.

Use it to switch between or mix up to three separate effects loops. Send a guitar or other instrument out to three separate amplifiers, or input three separate instruments to switch between or mix to a single output. Mix effects in parallel to create sounds and allow for options not possible when using effects in series (one after another).

Electro-Harmonix

Demo by Gaving Forbes Music

Review by Guitar Player

Review by Gear News

TRI PARALLEL MIXER

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it’s right at home as the core of any rig.

BOSS

Review by The Gear Page

Demo by  Bernd Kiltz - Gitarrenvideos

GT-1000 CORE

Passive to active and back again with no hassle.
The Radial Tonebone Bassbone is a smart EQ/DI pedal that manages your bass signal with 2 separate channels and a powerful EQ that overrides the preamp's tone settings. The Tonebone allows switching between a traditional passive bass and a modern active bass during a gig without lengthy and awkward adjustments to the preamp, EQ, amp, and instrument level. This EQ and DI Box can also be used with a single bass to provide 2 separate signals finessed by its incredible enhancement capabilities. The integrated boost, variable gain, and effects loop can be used individually or together. A balanced XLR out sends the complete signal direct to the board for PA-only gigs and studio time. Added heft and punch to your tone is like a secret weapon. The Radial Tonebone Bassbone is powered by a 15VDC power supply.

Radial Engineering

Review by bonedo.de

Demo by Premier Guitar 

Demo by Pertybass

Tonebone Bassbone  V1

David Graves

The Cali76 Bass Compressor is a studio-grade compressor pedal inspired by the world-famous Urei® 1176® studio compressor, heard on many of the greatest studio recordings since the 1960s. The Cali76 Bass Compressor uses uncompromising all-analogue circuitry to make these distinctive, ultra-fast FET compression tones available to the modern guitarist.

The latest in a long lineage of Cali76 compressors, the Cali76 Bass Compressor features a full set of studio-style controls, a DRY knob for parallel compression and an improved sidechain that matches the response of our sought-after “large format” Cali76 – the pedal that put Origin Effects on the map back in 2012.

With a 10-LED gain reduction meter, a pedalboard friendly enclosure and massive headroom thanks to internally increased voltage, the Cali76 Bass Compressor marks the culmination of over a decade of experience making the world’s finest compressor pedals.

Review by reddit /basspedals

Review by Gearnews

Review by AMAZONA

Manual download

Cali76 Bass Compressor (Classic)

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analog/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There’s even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Demo by Rabea Massaad

OD-200 Hybrid Drive

Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

Demo by  Six-String Samurai

Review by Sound on Sound

Review by musicradar

SY-200 Synthesizer

Featuring an advanced multi-core processor with a huge library of on-board guitar FX, amp, cab and microphone emulations, smart amp/pedal cloning and IR loading, best-in-class looper, and a full suite of vocal FX (including the industry-standard Antares Auto-Tune), the HeadRush® Prime is the most powerful, versatile, and realistic-sounding floorboard FX processor ever. The high resolution and ultra-responsive 7-inch display enables you to touch, swipe, and drag-and-drop to instantly create and edit your rigs in an unprecedentedly easy-to-use way.

Headrush 

Demo by Chilled Guitar Reviews 

Review by Premier Guitar

Review by delamar

Headrush prime

The MXR Bass Envelope Filter delivers classic analog envelope filter sounds in an easy-to-use and compact pedal designed specifically for bass. Separate Dry and Effect controls let you dial in the perfect mix of effected and direct signals, so you can bring the funk without losing the low end. Its wide range of filter tones can be shaped with the Decay and Q controls, and a simple twist of the Sensitivity knob can tailor the pedal for your attack—as well as adjust for passive or active basses. The Bass Envelope Filter's power supply circuitry is designed to withstand over-voltage or polarity mishaps, and its true-bypass switching preserves your tone in bypass mode. It's all packaged in a durable, lightweight, Phase 90-size aluminum housing for the ultimate in portability and pedalboard space-saving dimensions.

Demo by The Bass Chanel

Demo by Bass Whisperer TV

M82 Bass Envelope Filter

Jason Dalton

Future clean/Dirty metal bass board

Das Way Huge Pork & Pickle Bass Overdrive und Fuzz ist jetzt auch in der kompakten Smalls-Version erhältlich. Das Pedal bietet die perfekte Kombination aus einem warmen Soft-Clipping Bass Overdrive (basierend auf dem WHE Pork Loin) und dem fetten, satten und knurrigen Fuzz des Russian-Pickle in einem kompakten Effektpedal. Über den OD/Fuzz-Kippschalter lässt sich der gewünschte Modus auswählen. Neben der Overdrive-Sektion kommt das Pedal mit dem beliebten Clean Channel im britischen Preamp-Stil des Pork Loin Overdrives, der sich stufenlos zum Effekt-Signal mischen lässt. Somit kann man jetzt auch den Fuzz-Sound des Russian-Pickle Fuzz parallel mit dem wunderschönen Clean-Sound laufen lassen, der Clean Tone Regler bietet dabei zusätzlich die Möglichkeit das Voicing des Clean Channels an den eigenen Sound anzupassen. Interne Trim-Potis für Level, Curve und Presence bieten die Möglichkeit den Sound noch weiter zu formen und machen den Way Huge Smalls Pork & Pickle zu einem extrem flexiblen Drive und Dirt Pedal für Bassisten!

Now in a Way Huge Smalls housing, the Pork & Pickle Bass Overdrive & Fuzz serves up a perfectly balanced diet of gnarly tones for bass players who like to get down and dirty. This delectable dish combines the warm, soft-clipping tones of the Pork Loin™ Overdrive and the rich, fatty tones of the Russian-Pickle™ Fuzz in a single pedalboard-friendly package.

Way Huge

Review by PremierGuitar

Pork & Pickle Bass

PedalSafe Type WH1

QuickMount Type WH1

Pedal-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Pedal Mounting Plates for DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & RockBoard-Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & RockBoard Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Schutzabdeckung & universelle Montageplatte für DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle Pedale

Protective Cover & Universal Mounting Plate For DUNLOP WAY HUGE Swollen Pickle & Pork&Pickle pedals

Die Kernschaltung des EHX Bass Clone Chorus Pedals ist nahezu identisch mit der des legendären Small Clone Chorus, aber mit zusätzlichen Funktionen speziell für Bass. Chorus ist eine Kombination aus modulierten und trockenen Signalen. Der Crossover-Schalter des Bass Clone schneidet die tiefen Frequenzen des modulierten Signals ab, so dass das Pedal ein präziseres, artikuliertes Basssignal mit exzellenter Tondefinition liefert. Der Treble-Regler beeinflusst das gesamte Signal, während der Bass-Regler nur die trockene Hälfte beeinflusst. Zusammen mit dem Crossover-Schalter sorgen sie für eine präzise Klangformung, mit der Sie einen straffen, fokussierten Bassgitarren-Sound mit gut definierten Bässen und einem schimmernden Chorus erzielen können.


The EHX Bass Clone Chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.