Paulo Damasceno Nepomuceno

These are the drives and preamps that i like or want to have(most of them i don't have lol)

The Sauce PT.4

Lee Atkin

Das DigiTech Badder Monkey ist ein Overdrive-Pedal, das auf der klassischen Bad-Monkey-Schaltung basiert und tiefere Bässe sowie eine verfeinerte Mittenansprache liefert. Es bietet Regler für Gain, Level, Low und High zur präzisen Klangformung und verfügt über zwei Ausgänge für Verstärker und Mischpult mit Lautsprecheremulation. Entwickelt für Gitarristen, die einen warmen, röhrenähnlichen Overdrive-Sound suchen, besitzt es ein robustes Metallgehäuse und True-Bypass-Schaltung.

The DigiTech Badder Monkey is an overdrive pedal that builds upon the classic Bad Monkey circuit, delivering richer low end and a more refined midrange response. It provides Gain, Level, Low, and High controls for precise tone shaping, and its dual outputs allow both amp and mixer connections with cabinet emulation. Designed for guitarists seeking smooth, amp-like breakup and warm overdrive tones, it offers rugged metal construction and true bypass switching.

DigiTech

Product Page

Review by Gear News

Demo by 60 Cycle Hum

Official Product Video

Manual

Badder Monkey

Wie der Name schon sagt, ist der Foo Driver eine Hommage an die Foo Fighters, aber er ist viel mehr als das. Dieses Pedal basiert auf dem Crowther Hot Cake, einem legendären Overdrive, der viele der Sounds auf den Foo Fighters-Alben geprägt hat. Das Pedal ist extrem vielseitig und liefert einen cremigen, organischen und wunderschönen Drive. Das erklärt die Begeisterung unzähliger Gitarristen für den Hot Cake.
Über die Jahrzehnte wurden verschiedene Versionen des Hot Cake veröffentlicht, und genau darin liegt die Besonderheit des Foo Driver. Alle diese Versionen sind in unserem Pedal vereint! Möglich macht dies drei DIP-Schalter im Inneren des Foo Driver. Kurz gesagt: Sie können von einem raueren Sound zu polierteren und gemäßigteren Tönen wechseln. Es ist, als könnten Sie mit einer einfachen Einstellungsänderung von Dave Grohls Sound zu dem von Mark Knopfler – ebenfalls ein Hot Cake-Fan – wechseln. Ach ja, fast hätten wir es vergessen: Seit der Schließung von Crowther Audio ist der Preis für Hot Cakes stetig gestiegen. Ein weiterer Grund, sich den Foo Driver zuzulegen und die weltweit begehrten Overdrive-Sounds direkt zur Hand zu haben. Viele der Collateral FX-Effekte wurden mit dem Sound der Foo Fighters im Hinterkopf entwickelt. Daher ist nichts passender als ein Pedal als Hommage an diese Band, die uns über die Jahre so sehr inspiriert hat!

As the name suggests, the Foo Driver is a tribute to the Foo Fighters, but it's much more than that. This pedal is based on the Crowther Hot Cake, a legendary overdrive that shaped many of the sounds we hear on Foo Fighters albums. This pedal is extremely versatile, with a creamy, organic, and very beautiful drive. This justifies the devotion that countless guitarists have for the Hot Cake.
Over the decades, different versions of the Hot Cake have been released, and that's where the Foo Driver's difference lies. All of these versions are in our pedal! This is possible thanks to 3 dip switches inside the Foo Driver. In short: you can go from a rougher sound to more polished and moderate tones. It's like being able to go from Dave Grohl's tones to Mark Knopfler's – another Hot Cake devotee – with a simple change of setting.
Oh, before we forget, it's worth mentioning that since the closure of Crowther Audio, the price of Hot Cakes has been steadily rising. Another reason for you to get the Foo Driver and have those overdrive tones so desired around the world at your fingertips.
Much of the Collateral FX was designed with the sound of Foo Fighters in mind, so nothing is more fitting than a pedal in homage to this band that has inspired us so much over the years!

Collateral FX

Foo Driver

Das 2017 erstmals vorgestellte F-Octave kehrt mit seinem charakteristischen High-Gain-Silizium-Fuzz zurück, der als Hommage an die legendäre Foxx Tone Machine entwickelt wurde. Dieses Kultpedal, das Anfang der 70er-Jahre erstmals zu hören war, sicherte sich mit seiner bissigen Sättigung, dem satten Sustain und dem unverwechselbaren Oktav-Grind einen festen Platz in der Fuzz-Hall-of-Fame. Das F-Octave führt diese Tradition fort und liefert rohe, ausdrucksstarke Sounds mit ganz eigenem Charakter.

Im Herzen des Pedals arbeitet eine fein abgestimmte, diskrete analoge Fuzz-Schaltung, die für einen reichen Obertongehalt und dynamisches Ansprechverhalten sorgt. Das Layout ist einfach und intuitiv und bleibt dem Geist klassischer Stompboxen treu, bietet aber gleichzeitig mehr Flexibilität bei der Klangformung. Im Oktavmodus entfesseln sich schneidende Obertöne im oberen Register, die sich mit Vintage-Attitüde und synthartiger Textur in jedem Mix durchsetzen. Schaltet man ihn aus, erwartet einen ein warmer, fetter Fuzz-Sound – voll von weichen Mitten und sanfter Kompression, perfekt für Soli, Akkorde oder riffbetonte Grooves.

So klang Fuzz früher: kraftvoll, unberechenbar und einfach unglaublich spaßig. Einstecken, Oktave aktivieren und neu entdecken, warum Fuzz nie aus der Mode gekommen ist.

Originally launched in 2017, the F-Octave returns to the lineup with its signature high-gain silicon fuzz, crafted in tribute to the legendary Foxx Tone Machine. First heard in the early '70s, that iconic pedal earned its place in the fuzz hall of fame with its biting saturation, chewy sustain, and unmistakable octave-up grind. The F-Octave picks up where that legacy left off—delivering raw, expressive tones with a character all its own.

At its heart is a finely tuned, discrete analog fuzz circuit designed for rich harmonic content and dynamic response. The layout is simple and intuitive, staying true to the spirit of classic stompboxes, but with added flexibility to shape your sound. Engage the octave mode to unlock searing, upper-register harmonics that cut through any mix with vintage attitude and synth-like texture. Switch it off, and you're greeted with a warm, fat fuzz—full of wooly midrange and smooth compression, perfect for leads, chords, or riff-driven grooves.

This is fuzz the way it used to be: bold, unpredictable, and endlessly fun. Plug in, switch on the octave, and rediscover why fuzz never went out of style.

Diamond Pedals

F-Octave

Der Super 800 PLUS ist ein Bass-Preamp / Amp-Emulator-Pedal, das auf dem 1980er-Jahre-Verstärker Gallien Krueger 800RB basiert. Er verfügt über einen 4-Band aktiven EQ (Bass, Lo Mid, Hi Mid, Höhen) sowie Regler für Lautstärke (Gain), Master-Lautstärke und eine Boost-Funktion. Zusätzlich gibt es drei Kippschalter — Lo Cut, Mid Contour und Hi Boost — mit denen der Grundton vor dem EQ geformt werden kann. Eine vollwertige XLR-DI-Ausgabe ist integriert, um ein symmetrisches Signal direkt an Mischpult oder Audio-Interface für Live oder Aufnahme zu senden. Das Pedal sitzt in einem kompakten 1590BB2-Gehäuse mit oben montierten Anschlüssen, wird mit einem Standard-9 V-DC-Netzteil (center negative) betrieben (intern auf ±15 V für mehr Headroom hoch transformiert), und verwendet weiche Relay-True-Bypass-Schaltung.

The Super 800 PLUS is a bass preamp / amp-emulator pedal based on the 1980s Gallien Krueger 800RB amplifier. It features a 4-band active EQ (Bass, Lo Mid, Hi Mid, Treble) plus controls for Volume (gain), Master volume, and a Boost function. The pedal also includes three toggle switches — Lo Cut, Mid Contour, and Hi Boost — for shaping the fundamental tone before the EQ section. A full-size XLR DI output is built in, allowing a balanced signal to be sent directly to a mixing board or audio interface for live or recording use. The pedal is housed in a compact 1590BB2 enclosure with top-mounted jacks, uses a standard 9 V DC (center-negative) supply (internally boosted to ±15 V for headroom), and employs soft-touch relay true-bypass switching.

Master Effects

The Super Eight Hundred Plus

Das Super Forty Pedal ist eine pedal-basierte Interpretation des klassischen Ashly SC-40 Instrumenten-Preamps. Es bietet Regler für Level, Gain und einen semi-parametrischen 3-Band-EQ — mit jeweils einstellbarer Frequenz und ±15 dB Boost oder Cut. Die Low- und High-Bänder sind Shelf-EQs, das Mid-Band ist ein Peak-EQ, wodurch sich der Klang flexibel im Bereich von Low (20–300 Hz), Mid (160 Hz–8 kHz) und Hi (700 Hz–8 kHz) formen lässt. Mit Kippschaltern lassen sich eine symmetrische Silizium-Dioden-Clipping-Zerrung, die Position des EQ (Pre/Post) im Signalweg, sowie die Eingangs­empfindlichkeit (High/Low für Instrument- oder Line-Level) auswählen. Das Pedal wird mit einem standardmäßigen 9 V DC Boss-Stil Netzteil betrieben; intern wandelt ein Schaltnetzteil die Spannung auf ±15 V, was einer Versorgung mit 30 V entspricht und so für mehr Headroom sorgt.

The Super Forty pedal is a pedal-format re-imagining of the vintage Ashly SC-40 instrument preamplifier, as famous for use by many bassists. It offers controls for Level, Gain, and a semi-parametric 3-band EQ, with independent sweepable frequency controls and ±15 dB boost or cut per band. The low and high bands are shelf-type EQs, while the mid band is a peak-type EQ, giving flexible tonal shaping across Low (20–300 Hz), Mid (160 Hz–8 kHz), and Hi (700 Hz–8 kHz) ranges. Additional toggle switches let you engage symmetric silicon-diode distortion clipping, choose EQ Pre/Post in the signal chain, and set the input sensitivity to High or Low depending on instrument- or line-level input. The pedal runs on a standard Boss-style 9 V DC power supply; internally it uses a SMPS to generate ±15 V, giving the equivalent of a 30 V supply for increased headroom.

The Super Forty

"The Blueberry Overdrive from Mad Professor offers a wide range of tones within quite a narrow part of the overall drive category. We’re talking about overdrive here, not clean boost, distortion or fuzz. Overdrive, baby!

Versatility is high and low at the same time in this case – low in the sense that it basically does one thing, and one thing alone. That said, the tonal possibilities within that limited range of ‘just’ overdrive, are quite amazing. And while you may argue that it is nothing but transparent and also adds compression that you can’t really control other than with playing dynamics, I find the drive both musical and pleasant when you find just the right setting which is relatively easy."

Mad Professor Amplification

Review by tagboardeffects

Review by Talk Bass.com

Demo by GuitarSpotGr

Manual download

Blueberry Bass Overdrive

PedalSafe Type A1.1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Tester

Das Helios Overdrive ist ein analoges Overdrive-Pedal mit erweiterten digitalen Funktionen. Mit zahlreichen Anpassungsmöglichkeiten bietet es den perfekten Klang für Ihren Sound. Von subtilen Sättigungen bis hin zu intensiven Antrieben liefert Helios eine dynamische, organische Reaktion. Mit einzigartigen Funktionen und außergewöhnlicher Vielseitigkeit ist es das ideale Overdrive-Pedal, um Ihren musikalischen Ausdruck zu steigern.

The Helios Overdrive is an analog overdrive pedal with advanced digital features. With a wide range of customization options, it offers the perfect tone for your sound. From subtle saturations to intense drives, Helios delivers a dynamic, organic response. With unique features and exceptional versatility, it's the ideal overdrive pedal to elevate your musical expression.

VTR Effects

Review by reddit /guitarpedals

Demo by Duda Andrade

Demo by Marcelo Cidrack

Helios Overdrive - Gold Series

T-Rex Bass Juice offers organic distortion specially designed for bass.
In normal mode (boost function off) it delivers awesome sustain with rich creamy overtones and big bottom.
Engage the boost function and you are in fuzztone heaven!
The mix knob let's you blend just the right amount of distortion with your original clear tone.
Remember that Jamiroquai sound, where it sounds like the bass kicks the paper of the speakers. The Bass Juice can do that - and many other things. 

T-Rex

Review by EffectsBay

Demo by Bass Club Chicago

Review by Musiker-Board

Bass Juice

Logan Breuls

The Human Gear Animato pedal is a rare and unique distortion pedal made by the Japanese company Human Gear. It has gained popularity due to its use by Muse’s bassist Chris Wolstenholme, who has relied on it as his primary tone.

human gear

Review by reddit /basspedals

Review by reddit /Bass

Demo by ANDY'S VINTAGE GUITARS

Demo by bassfuzzcom

Animato

JAM pedals’ unabashed distortion monster. We pulled out all the stops to make sure the Rattler will get you all the amazing tones of great early 80s ProCo RAT® distortion boxes and put in the time and R&D to make it more responsive to your playing resulting in an open, dynamic, overdriven tube-amp feel!

Its symmetrical clipping circuit and of course the legendary LM308 chip, the featured star of this design, are the main ingredients of a great recipe resulting in the Rattler shining through any rig, whether modern or vintage.

Enjoy fat and creamy distortion courtesy of the devious snake!

Jam Pedals

Demo by Chris Kollias

Demo by Patrick Hunter

Demo by BassTheWorld

Rattler Bass

PedalSafe Type B3

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 Pedale, Mooer GL 100

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 pedals, Mooer GL 100

Schutzabdeckung & RockBoard-Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & RockBoard Mounting Plate For WALRUS MAKKO D1 pedals

Schutzabdeckung & universelle Montageplatte für WALRUS MAKKO D1 Pedale

Protective Cover & Universal Mounting Plate For WALRUS MAKKO D1 pedals

The TONE-BURST™ Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better! 

Mesa Boogie

Demo by EytschPi42

Review by The Gear Page

Review by Premier Guitar

Review by musicradar

Review by bonedo

Tone Burst

Sonically, the Voodoo-Bass is similar to that original Voodoo-1 pedal (as in Jimi's "Voodoo Chile"), giving anything from a slight natural crunch to a smooth powerful distortion. At maximum gain it makes a medium-sized combo sound like something about four times bigger, but without the over-compressed wall of noice associated with most stomp boxes. In fact it allows for very dynamic playing; chug a chord from soft-and-damped to loud-and-ringing and the pedal goes with you - from quiet and relatively clean to over-the-edge grunge. Alternatively, simply control your overall volume ( and hence amount of distortion ) from your guitar's volume knob. 
The Voodoo-Bass is designed to give a single coil pickup a gutsier tone, more like that of a classic humbucker. It definitely gets into same ball park... the low middle stays thick and constant no matter how the tone is set, and it's this region that has the humbucker character - a really handy approximation for someone wanting a change of sound at the press of a button." " The Voodoo-Bass sounds refreshingly unboxy, and with most types of amps it does the job really professionally."

Roger Mayer

Review by Guitar Effects Pedals

Demo by BB FIRE

Demo by brusheight

VooDoo Bass

Patrick Dougherty

The Fulltone Bass-Drive MOSFET gives bassists their day in the sun, providing tones that are nice and dirty, but with the rich bottom-end they crave. The Bass-Drive can be considered a close cousin to the Full-Drive 2 overdrive, but voiced with an extra octave of expanded bass coverage - perfect for purveyors of the low-end. For bassists looking to add some grit and color to their sound the Bass-Drive MOSFET is just the ticket; tone-conscious guitarists have also found the the Bass-Drive to be a useful tool, too!

Fulltone

Official Website

Review by Bassic.com

Review by audiofanzine

Demo by Guitar Gear

Demo by Bass Stuff

Bass-Drive

If you’ve ever wanted to give your bass or guitar tone an aggressive edge with a healthy amount of distortion but still retain its clarity and definition in a wall of sound, then the Behringer BASS BRASSMASTER FUZZ can deliver the goods!

Behringer

Quick Start Guide

Bass Brassmaster Fuzz

Overdrive-Distortion-Effekte lassen Ihren Bass (oder Ihre Gitarre) wie ein Grizzly knurren!

Grizzly Bass ist eine andere Art von Tier, das speziell für Profispieler entwickelt wurde. Wie ein Röhrenvorverstärker, aber ohne die empfindlichen Röhren oder schweren Transformatoren. Basierend auf der Erfahrung und den technologischen Fortschritten von Holy Fire, MW1 und Funkulator; Grizzly Bass verfügt über unantastbare Studio-Spezifikationen und eine dazu passende robuste Ästhetik.

Overdrive Distortion effects, make your bass (or guitar) growl like a grizzly!

Grizzly Bass is a different kind of animal created with the pro player in mind. Like a tube pre-amp but without the fragile tubes or heavy transformers.  Drawing from the experience and technological advancements of the Holy Fire, MW1 and Funkulator; Grizzly Bass has untouchable studio specs and rugged aesthetics to match.

Creation Audio Labs

Review by Bass Gear Mag

Demo by BASSED.

Demo by Juanka Trujillo

Grizzly Bass

If you’ve ever plugged your bass into a regular fuzz box and been unimpressed, it’s because they’re designed to limit the extreme low end allowed into the amp. This is fine for the 6-stringers, but not ideal at all for bass.
The Screamer Bass Fuzz is designed to fix this. Like the Screamer Bass, it’s Tube Screamer-inspired overdrive is modified for bass guitar, but with an additional fuzz circuit for EVEN MORE GAIN.

You can mix either the overdrive or the fuzz to your liking. As a result, the Screamer Bass Fuzz runs the full gamut of gain, from subtle grit to buzz saw. Whether you’re covering Cream or Muse, or creating your own sounds, this pedal should help get you there.

Cusack Music

Demo by Joe Harrier

Demo by Prymaxe

Screamer Fuzz Bass

Für 10-20 FX-Pedale, 1 MOD-Slot - **622 x 424 mm / 24.49" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 10 - 20 FX pedals, 1 MOD slot - **622 x 424 mm / 24.49" x 16.69"** - available with Gig Bag or Flight Case

Typische Verzerrungspedale verwenden eine Menge Gain und Clipping. Dadurch entsteht viel unerwünschtes Rauschen, das stark gefiltert werden muss und den Ton dünner macht. Das Holy Fire führt die Welt in die analoge Wellenformungstechnologie ein, um die Wellenform neu zu formen und röhrenähnliche Effekte zu erzielen, ohne Rauschen oder starke Filter hinzuzufügen. Der makellose analoge Prozess bewahrt Ihren gesamten Originalton.

Dadurch ist die Holy Fire Overdrive-Verzerrung ein sehr musikalisches Pedal, das auf Ihre Berührung reagiert. Spielen Sie mit einem weicheren Anschlag und einer sanfteren Geschwindigkeit für einen saubereren Klang oder geben Sie so viel Biss heraus, wie Sie möchten. Sie steuern den Effekt mit Ihrer Spieldynamik und der Lautstärke Ihres Instruments. Großartig für Gitarre oder Bass! Wie ein Röhrenvorverstärker in einem Pedal, aber ohne die sperrigen, zerbrechlichen und teuren Röhren und Transformatoren.

Typical distortion pedals use a ton of gain and clipping.  This creates a lot of unwanted noise which needs to be heavily filtered and that thins out the tone. The Holy Fire introduces the world to analog wave-shaping technology to re-shape the waveform and achieve tube-like FX without adding noise or heavy filters.  The pristine analog process preserves all of your original tone.

This makes the Holy Fire overdrive distortion a very musical pedal that responds to your touch. Play with a softer attack and velocity for a cleaner sound, or dig in to get as much grit as you want.  You control the effect with your playing dynamics and the volume of your instrument.  Great for guitar or bass!  Like a tube preamp in a pedal, but without the bulky, fragile and expensive tubes and transformers.

Demo by Texas Blues Alley

Demo by  Kyle Pudenz

Review by Effects Bay

Review by Ultimate Guitar

Holy Fire Classic (48V)

The funky love-child of the acclaimed MK.4.23 and the Holy Fire; the Funkulator shares the same DNA, boutique styling, pro audio specs and studio quality but with a funktastic sound that's all it's own!

With the Funkulator bypassed, dial up your amp for the tone you like for finger style playing.  Click in the pedal and dial up the Funkulator for the prefect slap style tone. Use a little to add punch to your finger style, a little more to tighten up on your pick style.  Sounds great on guitar too - really tightens up clean chicken pickin', or max it after a distortion pedal for a heavy metal Q.

Demo by Kyle Pudenz

Demo by  Jonathan Moody

Review by Basschat

Review by No Treble

Review by Guitar Interactive Mag

Funkulator

Typical distortion relies on ridiculous gain and clunky forced-clipping, which creates unwanted noise. Which in turn needs to be filtered out—and that makes for thin, nasal tone. But the Holy Fire 9 uses proprietary wave-shaping circuitry to give you all the tube-tastic crunch you could ever want with all of your tone, intact. No added noise. No added nose.

This makes the Holy Fire 9 overdrive distortion a very musical pedal that responds to your touch. Play with a softer attack and velocity for a cleaner sound, or dig in to get as much grit as you want.  You control the effect with your playing dynamics and the volume of your instrument.  Great for guitar or bass!  Like a tube preamp in a pedal, but without the bulky, fragile and expensive tubes and transformers.

Demo by  TheSuperFunAwesomeHappyTimePedalShow

Demo by Gsus4

Review by Music Connection

Holy Fire 9

The brushed steel 16 gauge steel body will attract as much attention as your tone does.  Use the MK.4.23 pedal as a straight forward clean boost for solo's, or push your tube amp into saturation for amazing overdrive.  The MK.4.23 clean boost pedal has more than enough headroom to be used in the effects loop of any amplifier for stunning power amp boost!  

The MK.4.23 clean boost pedal can also be used as a DI to plug directly into the line input of any mixer or DAW interface with high fidelity results.  Why use a standard DI which knocks your signal down to mic level, only to ride in the noise floor and be gained back up along with that noise by the mic pre?  You can simply use the MK.4.23 pedal to boost your signal directly to line level and avoid all that noise. A great DI pedal for clean tracking in the studio and live as a bass or acoustic DI.