MOOD MKII is a different kind of multi-effect. Its two channels are aware of each other and work together. One half samples and loops brief moments, the other is a collection of real-time spatial effects.

Twist any sound into a sprawling texture that you can freeze, loop and scatter across the stereo field, for instant gratification and endless exploration.

It’s a musical chemistry set. Transfer, combine, and get lost.

Chase Bliss

Product Page

Video Manual

Manual

MOOD MKII - Light Bright Edition

Wombtone is back with some new tricks.

The Billy Strings Wombtone collects multiple styles of phasing in one place, using a rich, all-analog signal path. You can now control the phasing directly with your playing, for responsive and tightly-synced movement. If there’s a phase sound you’re dreaming of, it’s probably in here.

The Billy Strings Wombtone follows the loudness of your playing and uses it to manually control the phase.

Explore reactive ripples and wobbling waves, all tight-synced to the dynamics and nuance of your fingers. Or route the envelope to control any (or multiple) of the Wombtone’s knobs.

Billy Strings Wombtone Ltd

MOOD is a different kind of multi-effect. Its two channels are aware of each other, and work together. One half samples and loops brief moments, the other is a suite of real-time spatial effects.

You can even spill audio back and forth between the two channels for endless shaping: Run a time-stretched loop through a cloud of delay taps, re-sample it, and carry on.

It’s a musical chemistry set. Transfer, combine, and get lost.

Demo by Official Product Video

Midi Manual

MOOD MKI

Lossy captures the special kind of degradation that happens to digital audio when it’s shrunk, transferred, and compromised.
Streaming music on a 56k modem, an MP3 ripped from a CD-R, a viral video from 2007 played through a cellphone. 
All the nasty and beautiful mistakes of heavily deconstructed digital audio in an easy-to-tweak real-time pedal.

Review by Gearnews

Review by Guitar.com

Demo by Pedal Of The Day

Demo by Chase Bliss

Lossy

Der CXM 1978 verfolgt einen einzigartigen Ansatz für den Abklang und verbindet ihn mit dem EQ, genau wie einen natürlichen akustischen Nachhall. Sie können den Abklang für Bass und Mitten unabhängig voneinander einstellen, wobei Cross als Frequenzsplitter fungiert. Indem Sie den EQ anpassen, stellen Sie tatsächlich die Absorption der Wände ein, aus denen der digitale Nachhalltank besteht.

The CXM 1978 takes a unique approach to decay, linking it to EQ just like natural acoustic reverb. You’re able to set independent decay for the bass and mids, with Cross acting like a frequency splitter. By adjusting the EQ, you’re actually setting the absorption of the walls that make up the digital reverb tank.

CXM1978