Landon Wolf

Jimmy Sakurai (Mr. Jimmy) pedal board for Jason Bonham’s Led Zeppelin Evening Celebrating 50 years of Physical graffiti. Note: uses a Pedal train pedal board.

Mr. Jimmy Sakurai pedal board for JBLZE 2025

Tester

Mesa Boogie

Official Product Video

Demo by Daniel Fries

Product Page

Manual

High-Wire Dual Buffer & Output Boost

Featuring the largest tuning display Peterson Tuners has ever incorporated into one of their pedal tuners, the StroboStomp HD boasts a high-definition, LCD screen that incorporates a variable color LED backlight. The user-selectable colors can be used to personalize the tuner or to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors can also be assigned to stock or user presets to significantly reduce menu navigation time and increase on-stage tuning confidence at the gig.

Peterson

Review by Gitarre & Bass

Demo by The Time Preservation Society

Demo by EytschPi42

Demo by TalkingBass

Review by The Gear PAge

Review by TDPRI

Review by reddit /guitarpedals

StroboStomp HD

Der GigRig QuarterMaster QMX-10 ist ein hochwertiger True-Bypass-Strip-Loop-Controller, der Gitarristen eine präzise Steuerung ihrer Effektpedale ermöglicht. Er verfügt über 10 unabhängige Loops, die eine nahtlose Integration und Umschaltung mehrerer Pedale erlauben. Der QMX-10 verwendet GigRigs 'OptoKick'-optische Fußschalter für zuverlässigen und geräuschlosen Betrieb. Sein kompaktes Aluminiumgehäuse sorgt für Langlebigkeit und nimmt nur wenig Platz auf dem Pedalboard ein.

The GigRig QuarterMaster QMX-10 is a high-quality true bypass strip loop controller designed for guitarists seeking precise control over their effects pedals. It features 10 independent loops, allowing for seamless integration and switching of multiple pedals. The QMX-10 utilizes GigRig's 'OptoKick' optical footswitches for reliable and silent operation. Its compact aluminum enclosure ensures durability while maintaining a small footprint on your pedalboard.

GigRig

Demo by BB Made

Review by The Gear Page

Quartermaster QMX-10

The Demeter Amplification Tremulator in the small enclosure with red knobs is a rare, early version of the iconic optical tremolo pedal designed to emulate the classic Fender amp tremolo sound. Housed in a compact “bottom screw” box with distinctive red knobs and “The Tremulator” script on the face, it features simple controls for Depth and Speed, a footswitch, and an LED indicator. The pedal includes an internal trim pot for adjusting the bias of the optical circuit (accessible by removing the bottom plate), offers a slight clean boost, and runs on 9V power via a 1/8" mini plug rather than a standard barrel connector. Known for its warm, pulsing tremolo and legendary reliability, this version is prized by collectors and musicians for its vintage build and classic tone. The main differences between the small enclosure, red knob Demeter Tremulator and the standard TRM-1 Tremulator are cosmetic and related to production era: the early version is smaller, features red knobs, and is more collectible, while the TRM-1 is larger, uses black knobs, and is more widely available. Both share the same optical tremolo circuit and controls, so their sound and performance are virtually identical. Any minor tonal variation would be due to component age rather than design.

Demeter Amps

Demeter The Tremulator VS Tremulator

The Tremulator (Early version of TRM-1 Tremulator)

A prophecy once foretold of a highly-affordable, studio-quality delay pedal that could give musicians all the pristine digital delay tones they would ever want, from short reverberating slapbacks to long, stretchy beds of ambience and everything in-between. Well, thanks to the advent of THE PROPHET DIGITAL DELAY – that prophecy has finally been fulfilled!

TC Electronic

Review by Pedal of the Day

Review by mixdownmag

Quick Start Guide

Demo by Gear Forest

The Prophet Digital Delay

Der Disaster Transport SR ist ein Dual-Delay-Pedal mit Reverb und Modulation, das entwickelt wurde, um einen intensiven, wirbelnden Lo-Fi-Tape-Style-Echo zu erzeugen. Es verfügt über zwei unabhängige Delays: Delay A bietet 600 ms modifiziertes Delay, während Delay B 300 ms Delay mit Reverb bietet. Beide Delays können separat, in Serie, parallel oder in Serie/parallel-Konfigurationen verwendet werden. Das Pedal enthält Ausdruckskontrollen für die Wiederholungen von Delay A und eine Bleed-Funktion, um Delay A in Delay B zu speisen.

The Disaster Transport SR is a dual delay pedal with reverb and modulation, designed to create an intense wash of lo-fi, swirling tape-style echo. It features two independent delays: Delay A offers 600ms of modulated delay, while Delay B provides 300ms of delay with reverb. Both delays can be used separately, in series, parallel, or series/parallel configurations. The pedal includes expression controls for Delay A's repeats and a bleed function to feed Delay A into Delay B

EarthQuaker Devices

Demo by Best Guitar Effects

Review by Muziker

Review by Premier Guitar

Disaster Transport SR

Nick Toye

BOSS

FS-5L

Jonas Kvinge

Often imitated but never duplicated, the elusive vintage "script" Phase 90 is at the top of the list for pedal collector's world-wide. The original version—available from the company's inception to the late '70s—practically defined the classic phase shifter sound, and was heard on everything from hard rock, jazz-fusion, to funk hits. The MXR Custom Shop Script Phase 90 brings back the headroom and clarity of the original, along with its ultra warm and smooth phasing and reduced midrange swell. And it comes dressed in the original smooth orange paint job and script logo with an LED and AC power jack, direct from the MXR Custom Shop.

Review by reddit.com/r/guitarpedals

Review by Ultimate Guitar

Demo by Octoplod

Script Phase 90 CSP101SL

thuy nguyen

Official Website

CE-2

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Die Pitch Fork von Electro Harmonix in unserem aktuellen bonedo-Test beweist einmal mehr, dass auch Pitch-Shifter Effektpedale inzwischen für jedes Budget erschwinglich sind. Dieser Effekt, der in den Achtzigern in einigen berühmten Gitarrenaufnahmen auftauchte, war damals für uns “normale” Musiker kaum erschwinglich. Aber diese Zeiten haben sich glücklicherweise geändert. Pitch-Effekte sind inzwischen im Effektangebot vieler Hersteller zu recht günstigen Kursen zu finden.

The EHX Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

Electro-Harmonix

Demo by Chords of Orion

Demo by Reverb 

Review by musicradar 

Review by bonedo 

Pitch Fork

PedalSafe Type A2

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & RockBoard Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Schutzabdeckung & universelle Montageplatte ELECTRO HARMONIX Nano Series und MXR Effektpedale mit Standardgehäuse (2 In & 2 Out) und für die meisten Effektpedale mit den Gehäusemaßen von ca. 112 x 60 x 30 mm

Protective Cover & Universal Mounting Plate For ELECTRO HARMONIX Nano Series and MXR effect pedals with standard enclosure (2 In & 2 Out) as well as for most other effect pedals with enclosure dimensions of about 112 x 60 x 30 mm

Es ist unklar, wie genau das Flanging entstanden ist. Möglicherweise war es das Ergebnis des Versuchs, die Grenzen der Mehrspuraufnahme auszuloten – vermutlich durch das parallele Abspielen zweier Tonbandmaschinen, die nicht ganz synchron liefen … Vielleicht hat auch einfach jemand im Studio versehentlich die Flanschseite einer Aufwickelspule berührt? Vielleicht war es Les Paul, vielleicht John Lennon und George Martin? Man weiß es nicht genau.

Klar ist jedoch: Die mechanische Studiomethode zur Erzeugung dieses Effekts wurde innerhalb eines Jahrzehnts so verbreitet, dass Unternehmen begannen, den Effekt elektronisch zu simulieren. Diese elektronischen Ansätze waren anfangs innovativ und aufregend, doch in den 80ern wirkten sie abgenutzt und langweilig.

Bei Catalinbread führen wir das darauf zurück, dass diese Geräte den Flanging-Effekt mithilfe eines LFOs erzeugten, der sich in einem vorhersehbaren Tempo auf- und abbewegte – und damit dem Effekt seine Lebendigkeit und Frische nahm. Als wir beschlossen, einen eigenen Flanger zu entwickeln, war uns klar, dass wir ihn so angehen würden, wie es ursprünglich gemacht wurde …


It’s uncertain what exactly the origin of flanging was. It could have been the result of trying to push the boundaries of multitrack recording, probably due to running a couple tape machines in parallel but not quite in sync… Maybe a guy messing around in the studio brushed up against a take-up reel flange accidentally?  Maybe that guy was Les Paul, maybe it was John Lennon and George Martin? It is unclear. But, what is clear is that the mechanical studio method of achieving the effect became, within a decade, commonplace enough for companies to simulate the effect electronically. The electronic approaches were pretty cool and groundbreaking, but by the 80s became tired and worn out. At Catalinbread we attribute this to the fact that these units controlled the flange effect using an LFO that went up and down at a predictable rate taking the life and freshness out of the effect. When we decided to design a flanger, we knew we would approach it the way they originally did it…

Catalinbread

Review by AMAZONA

Demo by ProGuitarShopDemos

Zero Point

PedalSafe Type A1.1

Schutzabdeckung & RockBoard-Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & RockBoard Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Schutzabdeckung & universelle Montageplatte für MXR® Standardgröße und Dunlop® Echoplex Delay Pedale

Protective Cover & Universal Mounting Plate For MXR® standard size and Dunlop® Echoplex Delay pedals

Das MXR M225 Sub Machine Fuzz kombiniert die rauen Vintage-Töne des La Machine Fuzz mit einem grollenden Suboktav-Schaltkreis und bietet einen direkten Weg zu den klanglichen Grenzen des Heavy-Sounds. Es verfügt über Volume-, Tone-, Fuzz- und Sub-Regler, einen Octave-Schalter für einen Oktav-aufwärts-Fuzz-Modus und einen Series-Schalter, um das Suboktav-Signal direkt in den Fuzz oder parallel dazu für einen Split-Channel-Effekt zu leiten.

The Sub Machine Fuzz combines shaggy fuzz with a growling sub octave circuit—switchable between series and parallel modes—with an octave up fuzz mode for searing subterannean sounds.

Demo by Shnobel

Demo by The Pedal Zone

Review by Sweetwater

M225 Sub Machine Fuzz

CS-2 Compression Sustainer

David Litaba

Das Original Crybaby Pedal, das viele zeitlose Rocksounds erzeugte und unter anderem von Größen wie Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour benutzt wurde.

When people talk about wah pedals, they're talking about the Crybaby. This is the original—the one that created some of the most timeless sounds in rock. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

Dunlop

Official Product Page

Guitar World Demo

Demo by PMTVUK

Demo by SweetWater

CRY BABY STANDARD WAH (GCB95)

QuickMount Type M

Pedal-Montageplatte für Dunlop Cry Baby Wah-Pedale

Pedal Mounting Plates For Dunlop Cry Baby Wah Pedals

Für 20-30 FX-Pedale, 2 MOD-Slots - **1002 x 424 mm / 39.45" x 16.69"** - erhältlich mit Gig Bag oder Flight Case

For 20 - 30 FX pedals, 2 MOD slots - **1002 x 424 mm / 39.45" x 16.69"** - available with Gig Bag or Flight Case

Christopher Krumscheid

Under construction. So far it was always on DIY boards (plywood board, even one in a keyboard case)

- Everything that needs to be operated (not just switched, this would be done using the ES-8) during a song is in front (wah, volume, expression, flanger, looper and the switcher of course)

- Volume pedal 1 controls input volume, since I don't feel comfort with controlling the volume with the knob on the guitar (question is how to deal with pedals that like most direct contact to the guitar; ES-8 has the option to put buffers everywhere before or behind a loop, so I hope I will find the perfect setting)

- Volume pedal 2 controls overall volume into the amp (mine is a very clean one, so it does not affect overdrive that much)

- All pedals go into the ES-8. Since it has only 8 loops, I have to group pedals that I will never switch during a song, so I would not have to stomp on them. Modulation is one group (Small Stone, Zero Point, Nuvibe), overdrive is another (Tube Driver, Zendrive; ok, maybe I would sometimes stack them), Delay is a third (Echorec, Belle Epoch)

- Loop 8 of the ES-8 goes to a multi effect (Roland GP-16), that's what the EV-5 is used for

- Polytune 3 gets its signal from ES-8

- Ditto+ at the end of course

- Not sure if I really need the Quad Box. And if so it's 
maybe not necessary to put it on the board

The Sausage Full Of Secrets Board

Pedro Quaresma

The DL4™ MkII includes everything in the original DL4 Delay Modeler, while introducing 15 new MkII delays drawn from our HX® family of amp and effects processors and both 4-Switch and 1-Switch loopers with up to 240 seconds of record time (expandable to several hours using an optional microSD card). There's also an XLR microphone input, MIDI In and Out/Thru connectors, heavy duty footswitches, three bypass options, and a jack for connecting an optional expression pedal or two additional footswitches. The DL4 MkII is also smaller and lighter than the original, making it an even more appealing choice for modern musicians.

LINE 6

Review by Guitar Player

Review by bonedo

Demo by Reverb

MXR knows phasers. The Phase 90's compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode's subtle two-stage phasing and the Phase 90 mode's more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it's full of rich phase tones, and it'll take a beating on the road.

Product Page 

Product Manual 

MXR Phase 95

M290 Phase 95

Der Detour, den ich mir selbst aus Teilen des Anbieters "Das Musikding" gebaut habe, ist ein Schalter, der Ein- und Ausgang vertauscht. Er wird vor ein Wah-Pedal geschaltet um zwischen normaler Verschaltung und der umgekehrten Verschaltung hin- und herschalten zu können. Stöpselt man die Gitarre in den Ausgang eines Wah-Pedals und führt den Eingang zum Amp (oder weiteren Pedalen), ertönt abhängig von der Wahl des Pickups ein schrilles Quietschen, dessen Einsetzen und Frequenz über die Regler einer Stratocaster-Gitarre gesteuert werden kann. Dieser sogenannte Seagull-Effekt (wegen der Ähnlichkeit zum Schrei einer Möwe) wurde von David Gilmour zufällig durch eine versehentliche falsche Verkabelung entdeckt und in einigen Songs von Pink Floyd verwendet, am auffälligsten im Stück Echoes.

The Detour, which I built myself using parts from the supplier "Das Musikding", is a switch that swaps the input and output. It is connected in front of a wah pedal so that you can switch back and forth between normal wiring and the reverse wiring. If you plug the guitar into the output of a wah pedal and route the input to the amp (or other pedals), depending on the choice of pickup, you will hear a shrill squeak, the onset and frequency of which can be controlled using the controls on a Stratocaster guitar. This so-called Seagull effect (because of its similarity to the cry of a seagull) was discovered by David Gilmour accidentally through accidental miswiring and used in several Pink Floyd songs, most notably in the track Echoes.

Detour

Mit der George Lynch Quad Box erweitert Morley seine Palette an Routern und Splitboxen. Der Unterschied zum bekannten George Lynch Tripler ist der, dass man hiermit in der Lage ist, mit zwei verschiedenen Gitarrensignalen zwei Amps anzusteuern. Die beiden Instrumenteneingänge können wahlweise per Fußschalter aktiv geschaltet werden, zwei Outputs versorgen jeweils einen oder bei Bedarf auch beide angeschlossenen Verstärker.

This differs from the known George Lynch Tripler is that it hereby is able to control with two different guitar signals two amplifiers. 
The two instrument inputs can either be activated via footswitch, two outputs, each supplies one or both of the connected amplifiers.

Morley

Demo by dominantmusic1

Quad Box

It was during the 1960s when the original model first appeared. Its origin is so uncertain that even the people who were involved at that time are not sure of the circumstances through which this model went out into the world. What is clear is that in 1969, a legendary guitarist used it in a historic performance, drawing the attention of guitarists all around the world.

Now for more than half a century, it has reigned as a great effect unit. This enigmatic classic in the history of effect devices has been reborn under the ideal conditions of the supervision of the original developer. As on the original model, it provides a switch for selecting either vibrato or chorus, and INTENSITY and SPEED knobs for producing that distinctive effect. The buffer circuit that has such an important impact on the sonic character has been also been newly redesigned by the original designer for the 21st century. And a great bonus: a dedicated expression pedal is also included.

KORG

Nuvibe Expression Pedal

Alfonso Hermida went back to the Old School thru-hole, film cap, carbon 1/4 watt resistor Zendrive version for 2016.. Holy SMOKES!   Limited Run on these incredible Zens.. They sound phenomenal and we only have a few at this time.. The standard in dynamic, touch-sensitive overdrive pedals. Cut through the mix with the incomparable Zendrive. Inspired by a legendary guitarist, the Zendrive delivers blues, country, jazz and fusion tones associated with some of the finest, most costly amplifiers in the market. Four knobs control the overall volume, gain, tone and voicing of the pedal. At lower settings, the pedal offers extremely light overdrive sounds reminiscent of tube amps set near the “sweet spot.” At higher settings, the Zendrive increases in gain and sustain, producing tasty overdrive and low distortion tones

Lovepedal

Demo by Chris Buck

Demo by Michael Watts

Hermida Zendrive

Das PWT 08 ist ein universeller Pedalboard-Stromversorger mit 2.000 mA Gesamtleistung und 8 Hohlstift-Ausgängen mit negativem Innenkontakt. Davon sind zwei auf 9, 12 oder 18 Volt schaltbar und mit dem beigelegten Y-Kabel für 21, 25, 30 oder maximal 36 Volt Ausgangsspannung kombinierbar. Sie sind voneinander und von den übrigen Ausgängen isoliert. Das PWT 08 ist für eine konstante Spannungsversorgung geregelt und gegen Kurzschluss und Überlast geschützt. Das Gerät ist mit einer LED-Netzanzeige und zweifarbigen LED-Statusanzeigen ausgestattet und wird mit einem Satz DC-Kabeln und Netzadapter geliefert. Das PWT 08 ist die ideale Wahl, wenn Sie nur ein, zwei Stromfresser oder 9-Volt-Pedale einsetzen, die für mehr Dynamik und Übersteuerungsfestigkeit auch mit höheren Spannungen betrieben werden können.

The PWT 08 is a universal pedalboard power supply with 2,000 mA total output and 8 hollow pin outputs with negative internal contact. Two of these can be switched to 9, 12 or 18 volts and can be combined with the included Y-cable for 21, 25, 30 or a maximum of 36 volts output voltage. They are isolated from each other and from the other outputs. The PWT 08 is regulated for a constant voltage supply and protected against short circuits and overloads. The device is equipped with an LED power indicator and two-color LED status indicators and is supplied with a set of DC cables and power adapter. The PWT 08 is the ideal choice if you only use one or two power guzzlers or 9-volt pedals, which can also be operated with higher voltages for more dynamics and overload resistance.

Palmer

PWT08

Ole Bjerkemo

The Ernie Ball 500k Stereo Volume Pedal features a 500k potentiometer suitable for the audio path of passive or active instruments. Attached to the footplate is a switch that provides the user two distinct operating modes (volume or pan). The stereo 500k pedal is extremely versatile and can be used in stereo or mono applications. Utilizing TRS stereo cables, use the B input and B output. For use as a typical pan pedal, switch the toe tap switch to the pan position and use only the A input. The pedal will pan the signal between the A and B outputs.

Ernie Ball

Demo by  Lucas Betini

Demo by  DeepBlueHarp

Review by Ernie Ball Forum

6165 Stereo Volume/Pan Pedal

Kleines und leichtes Expression-Pedal mit Stereokabel
Das Roland EV-5 ist seit Jahren das Standard Expression Pedal für vielfältige Anwendungen. In dem leichten aber stabilen Kunststoffgehäuse befindet sich ein 50 kOhm Poti. Das EV-5 kann auch, abhängig vom Instrument, als Volume-, Realtime Parameter Control- oder Dateneingabe-Pedal genutzt werden.

The EV-5 Expression Pedal is designed for use with keyboards or other Expression-compatible instruments and devices, providing a more dynamic performance. You can set the minimum volume to the level of your choice, thereby determining the maximum effect of the pedal.

Roland

Demo by Daan van der Heijden

EV-5

Der BOSS ES-8 ist ein 8-fach Effekt-Loop-Switcher. Für Gitarristen mit vielen Einzel-Effektpedalen und einem umfangreichen Pedalboardsystem wird das Leben nun viel leichter. Alleine die Tatsache, dass man seine Effekte mit dem ES-8 sowohl einzeln als auch in Gruppen schalten und auf vielen Speicherplätzen verwalten kann, ist eine wahre Wohltat. Das können andere Loopswitcher auch! Der ES-8 geht jedoch noch viele Schritte weiter. Durch das komplett analog aufgebaute Schaltungsdesign erreicht der Signalfluss eine Qualität, die sich alle Gitarristen wünschen. Zu den 8 Effektloops, von denen einige sogar mit Stereo-Return ausgestattet sind, gesellen sich zusätzlich 3 Control-Switches welche die Umschaltung von externem Equipment, wie z.B. mehrkanalige Verstärker, problemlos ermöglicht. Natürlich ist auch eine umfangreiche MIDI-Schnittstelle vorhanden die ausgefuchste, moderne Setups unterstützt. Der zusätzliche Anschluss von 2 externen Expressionpedalen macht den ES-8 endgültig zur ultimativen Zentrale deines Pedalboards.

The ES-8 Effects Switching System begins life with a sharp and clear mission: to provide pro and high-end users with cool and creative solutions. The new and innovative ES-8 is a system that represents a major leap “out of the box” from the standard individual stomp box utility. It is a whole new way of providing unprecedented capability without sacrificing sound quality. The ES-8 combines far-reaching flexibility with total freedom of expression. All this, in one cool device.

Not just another utility tool, the ES-8 kicks down the door to unlimited possibilities in the universe of musical expression. From this day on, the use of stomp boxes will never be the same. Using BOSS’ advanced technology the ES-8 is designed for spontaneity on the stage. So, go ahead. Jump out of the box. Take the plunge into a whole new world of musical expression. Celebrate the birth of the cool at BOSS with the hot new ES-8 Effects Switching System. It’s a total game changer that will take you to places no musician has ever gone before.

Demo by Omilion Audio

Review by Musiker-Board

ES-8 Effects Switching System

The BSM OR model is based on the Orange Treble & Bass booster made in the late 60's in England. The OR model includes a tone control which allows an extraoridinary amount of versatility. When set to maximum, the unit produces a very glassy tone. When a middle setting is dialed in, the result is a punchy tone with a mids emphasis. When set to minimum, the unit produces a very bassy tone with a fat bottom end. The long yearned new edition, now issued under the name OR from BSM, includes the same germanium transistors as the original 1960's version.

BSM - Meiser Electronics

OR Treble Booster

When it was introduced in 2010, the original POLYTUNE forever revolutionized the way musicians tune their instruments. Praised by professional and amateur players, guitar tuning instantly became as simple as Strum - Tune - Rock! So how do you make the best-selling polyphonic tuner even better? You take it to the next level by: providing multiple tuning modes, including polyphonic, chromatic, strobe and a variety of altered tunings; adding an onboard BONAFIDE BUFFER to preserve your tone over long cable runs and pedal board signal paths; and upgrading the LED display for even higher tuning accuracy. Say hello to your next tuner – POLYTUNE 3.

Review by Charleston Classical Guitar

Review by musicradar

Demo by American Musical Supply

Demo by Addicted to Gear

Demo by realbeal

Polytune 3

PedalSafe Type G

QuickMount Type G 

Pedal-Montageplatte für Standard TC Electronic Pedale

Pedal Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & RockBoard Montageplatte für Standard TC Electronic Pedale

Protective Cover & RockBoard Mounting Plate For Standard TC Electronic Pedals

Schutzabdeckung & universelle Montageplatte für Standard TC Electronic Pedale

Protective Cover & Universal Mounting Plate For Standard TC Electronic Pedals

The Dyna Comp Mini Compressor combines the best of classic tone and modern convenience in a housing that's nearly half the size of the original. Thanks to its rare CA3080 "metal can" integrated circuit (IC), this pedal yields quieter operation, greater transparency, and increased dynamic range. An all-new Attack switch toggles between slow and fast attack times.

User Manual 

Demo by yasuMETAL

MXR Dyna Comp Mini M291

Product Demo 

M291 Dyna Comp Mini

Loved by guitarists for decades, it's a Japanese made modulation-type effect unit that made a blazing debut at the Woodstock festival; you already know the one we're talking about. The inimitable sound of this distinctive modulation effect has captivated numerous guitarists and audiences.
Yet, because only a very small number of the original units exist, and because the circuit itself was not accurately understood and its components were difficult to obtain, it was rare to have the opportunity to try out the unit that produced these famous sounds. Such factors elevated the original to a semi-divine status. Numerous clone models were produced by major manufacturers and boutique shops alike, but all of these remain facsimiles that are pale imitations of the original model.
Now, this legendary classic has been reborn under the ideal circumstances of the original engineer's supervision. Starting with original circuits that simulate hard-to-obtain parts, the distinctive modulation sound has been perfectly reproduced. Not content with a simple reproduction, new WAVE sliders have been added, allowing original waveforms to be generated.
This highly sought after pedal with a long history of allure is now unveiled in its new incarnation: the Nuvibe

Demo by Pedal of the Day

Review by Sound on Sound

NuVibe Vibrato Chorus effector

Der TC Electronic Ditto+ im Überblick
Mit dem Ditto+ präsentiert die dänische Effektschmiede die nächste Generation ihres beliebten Loop-Recorders, der sich dank des kompakten Formats und der intuitiven Bedienung in die Herzen unzähliger Musiker weltweit spielte. Mit Speicherplätzen für bis zu 99 Loops und einer Gesamtaufnahmezeit von 60 Minuten hält der TC Ditto+ jedes Arrangement fest, wobei das große und helle Display die wichtigsten Informationen bereithält. Der innovative Extended-Loop-Modus des Ditto+ ermöglicht darüber hinaus, Overdubs über mehrere Wiederholungen einer bestehenden Phrase zu spielen.

The original DITTO LOOPER carved out a unique space in the world of guitar pedals. 
By distilling the very essence of looping into a tiny, high quality stompbox with an extremely intuitive interface it continues to define the way we perceive guitar loopers to this day.
DITTO+ takes all of the functionality that you know and love from the original DITTO and expands it with a little extra. 
With the ability to store and recall up to 99 loop sessions, easy track importing/exporting and the all-new Extended Loop Mode feature, DITTO+ offers the discerning guitar player a little more of everything.