4.2 Board

Polytune 3 Mini

Deco

Flint

Cali76 Compact Deluxe

Magma57

Chamaeleo Tail Loop MkII

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Haymaker Dynamic Drive

DRV - Hyperfade Black

The Komodo Dragon of the mariguanas, the Hawaiian Pizza fuzz is the apex predator of the Planet of the Vapes. 

Your quest for toanz have brought you to our HAWAIIAN PIZZA™: a bespoke artisanal blockchain of handcrafted tone, the sonic equivalent of a forbidden delicacy, all from just three knobs and the truth*.

We discovered this circuit in the discarded manila file folders of our old multinational overlords, the Caroline Corporation, alongside all kinds of very 1970s corporate villainy and sci-fi plans for world domination.*

(We actually launched this pizza fuzz in 2018 to help fund our local Girls Rock chapter, and customer demand for it required we make it part of our lineup shortly thereafter. This thing really is "three knobs and the truth" and can both fulfill and surpass what you think a fuzz is capable of.)

*Your pedal was dreamed, designed and created at our small batch distortery™ in Columbia, S.C Thank you for supporting our work!

Review by Guitar.com

Review by Premier Guitar

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Hawaiian Pizza

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch. Shigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Review by reddit /guitarpedals

Shigeharu

Are your cyborg bodies ready? You’ve asked us for this for a while – so we’re giving you what you want! MEGABYTE™ builds on our acclaimed KILOBYTE™ legacy with two old school lo-fi digital chips for more delay time, tap tempo, trails or true bypass, and a nastier, dirtier runaway havoc. All with a straightforward (at least for us) and intuitive, immediately rewarding control setup.

Less time menu scrolling, more time rock and rolling. All this still fits on a card sized "manual."

We’ve added the most requested features from our customers’ wish lists while making sure we kept the qualities that they loved. This includes a fun and functional tap-tempo with three subdivisions, double the delay time (up to 1200ms) for better noise handling and range, easily switchable trails or true bypass options, and a nastier *Havoc™ paired to the tap switch to go with the +21db drive preamp and modulation for the delay side. On the inside of the pedal are controls for a 100% dry-kill for production work and a maximum headroom option on the havoc/oscillation side.

Review by musicradar

Megabyte Lo-Fi Delay Computer

What is more powerful: the pedal, or the mighty foot of the player who steps upon it?

For years we have had players ask us if our pedals are appropriate for use in praise and worship settings. We have considered such a question blasphemous, as Crom is an angry deity who lives inside a mountaintop, who doesn’t concern himself with the matters of mere mortals, and cannot be bothered to hear their pleas for help, their prayers for vengeance, or anything that might resemble a song of praise or devotion.

CROM is a BC184 Supa Tone Bender style fuzzstortion like our original Olympia™, but with a classic tweed amp style tone control (MOUNTAIN) that interacts with the SWORD (gain) control. It is a LOT less lossy and less scooped than the classic M*ff style tone control in these circuits, giving the pedal an immediate and punchy response. A TURBO button on the side gives it extra power and gain.

Review by Guitarworld

Crom

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