Guillaume Tirard

Guillaume's bass pedalboard

Giorgio Garavaglia

Der High Pass Filter ist das perfekte Utility-Pedal zum Aufräumen der tiefen Frequenzen.
Der Hochpassfilter ist ein 12 dB pro Oktave tiefes Frequenzfilter. Der Drehregler steuert die Cutoff-Frequenz und reicht stufenlos von 25 Hz bis 190 Hz.
Die serienmäßige Eingangsimpedanz beträgt 1 MΩ. Wenn du einen akustischen Tonabnehmer hast, der eine spezielle Eingangsimpedanz erfordert, schreibe es in die Anmerkungen während des Check-Out, und wir werden die Anfrage ohne zusätzliche Kosten berücksichtigen. Die Ausgangsimpedanz beträgt 100Ω. Dieses Gerät funktioniert mit aktiven oder passiven Instrumenten, sowie mit anderen Geräten wie Pedalen, Vorverstärkern oder Effektschleifen.

The High Pass Filter is the perfect utility pedal for cleaning up the low end.
The high pass filter is a 12 dB per octave low frequency filter. The knob controls the cutoff frequency and ranges continuously from 25 Hz to 190 Hz.
The stock input impedance is 1MΩ. If you have an acoustic pickup that requires a specialized input impedance, write it in the notes during check-out, and we will accomodate the request at no extra cost. The output impedance is 100Ω. This device will work with active or passive instruments, as well as with other devices such as pedals, preamps, or effects loops.

Broughton Audio

Product Page

Review by Reddit /guitarpedals

High Pass Filter

Tester

Die Kernschaltung des EHX Bass Clone Chorus Pedals ist nahezu identisch mit der des legendären Small Clone Chorus, aber mit zusätzlichen Funktionen speziell für Bass. Chorus ist eine Kombination aus modulierten und trockenen Signalen. Der Crossover-Schalter des Bass Clone schneidet die tiefen Frequenzen des modulierten Signals ab, so dass das Pedal ein präziseres, artikuliertes Basssignal mit exzellenter Tondefinition liefert. Der Treble-Regler beeinflusst das gesamte Signal, während der Bass-Regler nur die trockene Hälfte beeinflusst. Zusammen mit dem Crossover-Schalter sorgen sie für eine präzise Klangformung, mit der Sie einen straffen, fokussierten Bassgitarren-Sound mit gut definierten Bässen und einem schimmernden Chorus erzielen können.


The EHX Bass Clone Chorus pedal’s core circuitry is nearly identical to the legendary Small Clone chorus, but with added features especially for bass. Chorus is a combination of modulated and dry signals. The Bass Clone’s Crossover switch cuts low end from the modulated signal so the pedal delivers a more accurately articulated bottom end with excellent note definition. The Treble control affects the whole signal while the Bass control only affects the dry half. Together with the Crossover switch they provide precise sound shaping that lets you achieve a tight, focused bass guitar sound with a well-defined low end and shimmering chorus on top.

Electro-Harmonix

Demo by The Bass Channel

Official Product Video

Review by reddit /basspedals

Review by musicradar

Review by bassic.de

Review by Premier Guitars

Manual

Bass Clone

PedalSafe Type A1

QuickMount Type A

Pedal-Montageplatte für Standard-Einzelpedale

Pedal Mounting Plate For Standard Single Pedals

Schutzabdeckung & RockBoard-Montageplatte für Standard Single Pedale

Protective Cover & RockBoard Mounting Plate For Standard Single Pedals

Schutzabdeckung & universelle Montageplatte für Standard Single Pedale

Protective Cover & Universal Mounting Plate For Standard Single Pedals

Jonathan Nicholson

Four different preamps in a single box in a pedalboard-friendly format.
From studio-grade clean sounds up to heavy saturations, passing through endless overdrive flavors with amp-like dynamics and harmonic content.
More than just a pedal, a real studio-in-a-box.

Jad Freer Audio 

Review by Basschat

Review by Talk Bass.com

Demo by Philip Conrad

Demo by

Capo Preamp

JOYO

JP-05

Für 3-5 FX-Pedale - **318 x 142 mm / 12.52" x 5.59"** - erhältlich mit Gig Bag

For 3 - 5 FX pedals - **318 x 142 mm / 12.52" x 5.59"** - including Gig Bag

andronik supersonik

Der RockBoard Pedalboard Drawer ist eine simple aber extrem effiziente Lösung zum Organisieren und Verstauen von optionalem Zubehör in einem RockBoard Pedalboard. Der Pedalboard Drawer wurde entwickelt, um Zubehör wie Kabel, Plektren, Wireless Systeme und vieles mehr im MOD Slot des Pedalboards aufzubewahren. Durch den zentralen Zugang auf der Front des Pedalboards bietet der Drawer einen sichereren, sauberen und einfach zugänglichen Platz zur Aufbewahrung direkt am Setup. Durch die intelligente Arretierung der rotierenden Schublade ist eine zusätzliche Sicherung nicht notwendig.

- rotierende Schublade für RockBoard Pedalboards
- intelligenter Drehmechanismus mit sicherer Arretierung
- für Zubehör, Kabel, Wireless Systeme, Plektren, etc.
- passt in die MOD-Slot Aussparung von RockBoard Pedalboards (außer RockBoard DUO 2.0, 2.1, und 2.2)
- Material: Verstärktes Polyamid
- inkl. Montagematerial und Werkzeug
- Maße (B x T x H): 175 x 84,5 x 47 mm
- Gewicht: 150 g
- schwarz
- Hinweis: Nicht kompatibel mit den 19" Rack Panel Single oder Double (1U) - Rack Mount for RockBoard MOD

The RockBoard Pedalboard Drawer is a simple but super effective solution to organize and store optional accessories in your RockBoard pedalboard. The Pedalboard Drawer is designed to store accessories such as cables, picks, wireless systems and more directly in the MOD slot of the pedalboard. With access on the front of the pedalboard, the Drawer provides a safer, cleaner, and convenient place for storage. The Drawer opens and closes using an intelligent swivel locking mechanism.

- rotating mounting drawer for RockBoard pedalboards
- intelligent swivel locking mechanism
- for accessories, cables, wireless systems, etc.
- fits MOD slots in RockBoard pedalboards (except RockBoard DUO 2.0, 2.1, 2.2, and 2.3)
- material: reinforced polyamide
- incl. all mounting screws, counter nuts, and tools
- dimensions (W x D x H): 175 x 84.5 x 47 mm / 6 57/64" x 3 21/64" x 1 27/32"
- weight: 150 g / 0.33 lbs
- black
- Note: Not compatible with 19" Rack Panel Single or Double (1U) - Rack Mount for RockBoard MOD

Rotierende Schublade für RockBoard Pedalboards

Rotating Drawer for RockBoard Pedalboards

macrobitch-ctrl

Miguel Angel Antonio Martínez Fuentes

Das DC7 ist ein professionelles Schaltnetzteil mit einem bemerkenswert flachen Profil von nur einem Zoll, das speziell für die Montage unter Pedalboards mit geringer Bodenfreiheit entwickelt wurde. Es bietet sieben isolierte DC-Ausgänge, von denen jeder bis zu 660 mA bei 9 V liefert, wobei pro Ausgang vier wählbare Spannungen zur Verfügung stehen. Das Gerät verfügt über einen 5V-USB-Ausgang für Mobilgeräte und einen 24V-Zusatzanschluss zur Systemerweiterung mit Einheiten wie dem CIOKS 4 oder 8. Eine fortschrittliche mehrstufige Filterung gewährleistet einen extrem rauscharmen Betrieb, ideal für stromhungrige digitale und empfindliche analoge Effekte. Das Netzteil nutzt einen universellen Netzeingang, was den weltweiten Einsatz ohne externe Transformatoren ermöglicht.

The DC7 is a professional-grade switch-mode power supply featuring a remarkably slim one-inch profile designed for low-clearance pedalboard mounting. It provides seven isolated DC outlets, each capable of delivering up to 660mA at 9V, with four selectable voltages available per outlet. The unit includes a 5V USB output for mobile devices and a 24V auxiliary port for expanding the system with additional units like the CIOKS 4 or 8. Advanced multi-stage filtering ensures ultra-low noise operation, making it suitable for high-current digital and sensitive analog effects. The power supply utilizes a universal mains input, allowing for worldwide use without the need for external transformers.

CIOKS

Review by Sound on Sound

Review by Guitar Chalk

DC 7

Giordano Rivolta

Der CIOKS 8 Expander ist unser größter Schaltnetzteil-Extender und verfügt über 8 isolierte Ausgänge, die jeweils 9 V DC mit 660 mA liefern. Alle acht Ausgänge bieten vier wählbare Spannungen (9V, 12V, 15V und 18V).

CIOKS 8 is our largest switch-mode power supply extender and it features 8 isolated outlets which each deliver 9V DC with 660mA. All eight outlets offer four selectable voltages (9V, 12V, 15V and 18V).

8 Expander

Jimmy  Cooper

CIOKS 4 Expander is the perfect companion to CIOKS DC7 in case you would like four additional outlets with four selectable voltages on each tap (9, 12, 15 and 18V DC) which can each deliver 660mA at 9V DC. Simply connect CIOKS 4 Expander to your CIOKS DC7 via the courtesy 24V outlet and you are good to go.

But that is definitely not all – what makes CIOKS 4 Expander truly unique is the fact that you can power it with anything from 9V to 24V DC or 9V to 12V AC via the non-polarized DC socket input. Furthermore CIOKS 4 can even be powered by connecting it to a USB powerbank via its 5V USB C input or by using a tablet or laptop power supply with a USB C plug. This flexibility means that you can use CIOKS 4 Expander as a stand-alone unit and power it with almost any adapter including the 1-SPOT or GigRig Generator. You can also use the 24V output on a Strymon Zuma unit to power the CIOKS 4 Expander. It can also convert an unused AC outlet on your existing power supply into 4 isolated DC outlets. 

Demo by EytschPi42

Review by KVR Audio

Nick Heiser

Das Low Pass Filter-Pedal kann dazu verwendet werden, raue Höhen, wie z. B. das Summen von Bünden, Saitengeräusche und Artefakte von anderen Effekten, wie z. B. Verzerrerpedalen, zu dämpfen. Es ist auch nützlich, um den Hochtonabfall von Lautsprecherboxen zu simulieren. In seiner extremsten Einstellung kann der Tiefpassfilter ein Bassgitarrensignal in einen Low-End-Dub-Sound verwandeln.
Der Tiefpassfilter ist ein Hochfrequenzfilter mit 12 dB pro Oktave. Der Drehregler steuert die Cutoff-Frequenz und reicht stufenlos von 15 kHz bis 220 Hz.

The Low Pass Filter pedal can be used for taming harsh high end such as fret buzz, string noise, and artifacts from other effects such as distortion pedals. It is also useful for simulating the high frequency roll-off of speaker cabinets. At it's most extreme setting, the Low Pass Filter can turn a bass guitar signal into a low end dub tone.
The low pass filter is a 12 dB per octave high frequency filter. The knob controls the cutoff frequency and ranges continuously from 15 kHz to 220 Hz.

Low Pass Filter

The Scream Bass is our "Never-Off" version of the Screamer Bass.

It is a “clean” overdrive with about twice the gain of your average tube screamer-style pedal. It offers much more clarity than a typical overdrive, and is voiced to help maintain the low end of your signal.

Like the Screamer Bass, it has the Clip Selector, which allows you to select either silicon, LED, or Schottky clipping!

Cusack Music

Never-Off Scream Bass

Paul Stracke

Der ML5R ist ein neu sortierbarer Loop-Switcher, der deinen Umgang mit Audioeffekten revolutioniert. Erlebe völlig neue Sounds mit deinen vorhandenen Effekten – allein durch das Ändern ihrer Reihenfolge.

Seine schlanke, intuitive Benutzeroberfläche ermöglicht es dir, die Reihenfolge deiner Effekte jederzeit schnell und einfach zu verändern.

ML5R is a reorderable loop switcher that redefines your approach to audio effects. Experience entirely new sounds from your existing effects - just by switching up their order.

​

Its sleek, intuitive interface enables you to switch the order of your effects quickly, whenever you want.

Morningstar Engineering

ML5R

Was haben die Sounds berühmter Gitarristen wie Page, EVH und Johnson gemeinsam? Sie alle nutzten die legendäre Echo-Maschine EP-3 als Vorverstärker. Wir haben diese Magie in einem neuen Xotic Effects-Pedal eingefangen: dem EP Booster. Wir haben die hochwertigsten verfügbaren Bauteile verwendet. Mit einem diskreten FET-Design und einem Ausgang mit niedriger Impedanz liefert der EP Booster bis zu +20 dB unverfälschten Boost mit multidimensionalen, schimmernden Höhen und Tiefen, ohne das Gehör zu ermüden. Über die internen DIP-Schalter können Sie die Boost-Frequenzen und EQ-Einstellungen wählen. Ein einfacher, reiner Boost, der dem magischen EP-3 Tribut zollt und die gefeierten Sounds der berühmtesten Spieler der Welt einfängt. Der EP-Booster – großartiger Sound beginnt hier!

What do the tones of renowned guitarist such as Page, EVH and Johnson have in common? They all used the legendary echo machine EP-3 as a pre-amp. We've captured that magic in a new Xotic Effects pedal, the EP Booster. We've used the highest quality parts available with a discrete FET design and low impedance output, the EP Booster provides up to +20dB of unadulterated boost with multi-dimensional, shimmering highs and lows, and no ear fatigue. The internal DIP switches let you choose the boost frequencies, and EQ settings. A simple pure boost that pays reverence to the magical EP-3 and captures the celebrated tones of the world's most famous players. The EP-Booster,great tone starts here!

Xotic

Demo by Mike Hermans

EP Booster

Der EHX Bass Micro Synthesizer ist ein reiner Bassgitarren-Synthesizer mit vollständig analoger Schaltung. Einstellbare Synthesizer-Parameter erzeugen satte, kraftvolle Klänge aus einer anderen Welt.  

Die Voice-Mix-Sektion ermöglicht die Mischung aus vier verschiedenen Stimmen: Sub-Octave, Guitar, Octave und Square Wave. Besonders die Square Wave sorgt für den charakteristischen, fuzzigen Klang des Bass Micro Synthesizers, der an den kosmischen Sound der 70er Jahre erinnert.  

Mit der Attack-Decay-Steuerung lassen sich gestrichene Effekte oder bedrohliche Lautstärkeschwankungen erzeugen, während die Filter-Sweep-Sektion das gesamte Frequenzspektrum durchläuft – von schnellen, präzisen Schnitten von Hoch nach Tief bis hin zu langsamen, fließenden Anstiegen von Tief nach Hoch.

The EHX Bass Micro Synthesizer is a pure bass guitar synthesizer with all analog circuitry. Adjustable synth parameters deliver fat, sweet tones from another world.

Its voice mix section lets you bring in 4 different voices: Sub Octave, Guitar, Octave, and Square Wave. The Square Wave gives the Bass Micro Snythesizer its signature, fuzzy growl that calls back to the cosmic ’70s .

An Attack Decay control creates bowed effects or ominous volume swells while the Filter Sweep section sweeps through the full frequency spectrum for sound from quick high to low chops and slow low to high blooms.

Review by Pedals & Effects

Review by Bass Gear Reviews

Demo by Bassic Gear Reviews

Bass Micro Synth

PedalSafe Type O

QuickMount Type O

Pedal-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Pedal Mounting Plates for FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & RockBoard-Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & RockBoard Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Schutzabdeckung & universelle Montageplatte für FRIEDMAN Overdrive Deluxe & WALRUS Descent Pedale

Protective Cover & Universal Mounting Plate For FRIEDMAN Overdrive Deluxe & WALRUS Descent pedals

Nicolas Wilfer

Die JHS Colour Box V2 ist ein Preamp / DI-Box nach dem Vorbild legendärer Neve Studio-Konsolen. Das Pedal wurde entwickelt um den authentischen Sound eines Instruments (oder Mikrofons) am Direct-In der Mischpulte zu reproduzieren, dabei bietet die Colour Box V2 alle Features der beliebten V1-Version und kommt zusätzlich mit einer Vielzahl an Verbesserungen und neuen Features, die das Pedal zu einem perfekten Allrounder und Always-On Pedal für alle denkbaren Instrumente und sogar für Sänger machen. Zu den neuen Features zählen eine erweiterte EQ-Sektion, ein Hi/Lo Schalter für massiven, cleanen Headroom und die Möglichkeit 48V Phantom-Power an Kondensator-Mikrofone weiterzugeben. Die Gain-Sektion (Rot) bietet Regelmöglichkeiten Master, Pre-Vol und Step. Master kontrolliert das Gesamt-Volume des Pedals, Pre-Vol arbeitet als Gain-Regler zwischen den beiden internen Gain Stages und bietet bei Bedarf eine Verzerrung, die von leichten Break-Up-Sounds bis zu Fuzz reicht. Der Step-Regler verändert das Gain der Preamp Stages in fünf Schritten. Der Hi/Lo Schalter verändert den cleanen Headroom des Pedals, der -20 dB Pad Schalter passt den Input bei Bedarf an Mikrofone mit einem hohen Ausgangspegel an. Die EQ-Sektion (Blau) wurden neben den bekannten Regler für Treble, Middle und Bass (+/- 17 dB Cut / Boost in jedem Band) um drei Shift-Regler erweitert, die den Frequenzbereich der einzelnen Regler anpassen. Die Hi-Pass-Sektion wird über den Kippschalter aktiviert. Um das Pedal so flexibel wie möglich zu halten steht ein kombinierter XLR/TRS Input zur Verfügung.

The JHS Colour Box V2 has all the same functionality of the popular V1 version with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a "drive" or "gain" control, adding more grit, distortion, and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB. The JHS Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds. In addition to the Hi / Lo gain switch, there is a -20 dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +/- 17 dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2. The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.

Official Product Page

JHS Colour Box: A 1073 You Can Take Anywhere - JHS Pedals

Colour Box V2 10 Year Anniversary

BOSS

TU-3S Tuner

ch ray

Say hello to the world’s most compact reorderable audio loop switcher.

A fully analog stereo loop switcher designed to break boundaries. 
Each stereo loop can be broken up into 2x mono loops with an Y-cable and in the looper used as 2x complete independent mono loops (Y-TRS-Cables). As these cannot be displayed in this tool (but often used to double the loops on big boards) we configured in this tool 3 stereo connections as 6x mono loops. 

ML10X is the answer for today's musicians.

Review by 

Demo by 

ML10X (5 Stereo Loop)

Paul De maio

MC8 Pro

The DynaVerb Limited Spring Edition is a stereo reverb pedal for professional use. With three new reverb effects of Reversed, Gated, and Spring-type, and three Hall and three Room reverbs this versatile pedal is designed for bass players who want to expand their sound options.

The new DynaVerb is created for bass but can enhance any instrument from guitar to keyboard and even vocals with its studio-quality sound in full range.

Review by Premier Guitar

Review by bonedo

Demo by Gregor Fris

Demo by Bruno Tauzin

DynaVerb Limited Spring Edition

The micro-Thumpinator is a bandwidth optimizer designed for bass guitar. It removes the low frequency signals that are outside the range of notes produced by the instrument.

Infrasonic frequencies cannot be reproduced by standard bass cabinets but they often make amplifiers clip, especially when they are set to boost the lower frequencies. The Thumpinator filters the signal content optimising the energy delivered by the amplifier. Low-frequency clip is substantially reduced and the sound is tighter especially at high volume levels.

The micro-Thumpinator accepts instrument and line level signals. It can be used between preamplifier and amplifier, between bass and amplifier or anywhere in the effect chain (line or instrument level). It can also be connected directly to an audio interface.

SFX Sound

Demo by Paul Reich

micro-Thumpinator v2

Roald Werts

Die New Yorker Company Aguilar ist seit 1995 nicht mehr aus der Szene wegzudenken. Damals war in der New Yorker Bassistenszene plötzlich ein Gerät einer noch unbekannten Marke in aller Munde: der Aguilar DB 680, ein Highend-Röhren-Preamp, welcher qualitativ höchsten Ansprüchen gerecht wurde und auf den Erfahrungen des professionellen Session-Bassisten Dave Boonshoft und des Amp-Spezialisten Alex Aguilar basierte. Beflügelt vom Erfolg des DB 680 und den positiven Rückmeldungen der Szene entstand zur damaligen Zeit die Firma Aguilar Amplification, die bis heute für edlen amerikanischen Basssound steht. Seit 1995 hat sich freilich sehr viel getan – vor allem wurde das Portfolio deutlich erweitert. Heutzutage baut Aguilar Amps, Boxen, Pickups, Elektroniken und Effektpedale. Und ein neuer Spross eben dieser Pedale liegt mir heute zum Test vor: der Grape Phaser!

The 4-stage analog Grape Phaser is a fairly simple pedal with just two dials: rate and color. It’s a solid, high-quality stompbox with a sturdy bypass switch and nice rubber control knobs. The pedal’s rate knob can take the speed of the modulation from a long and luxurious slow sweep all the way up to super-fast alien helicopter sounds. The color control feeds a portion of the signal back through the phase-shifting circuit. The Grape runs on 9V DC from your favorite universal power supply, but accepts a battery, too. The battery is accessed through a clever metal drawer that’s conveniently released with one Phillips screw. The pedal also features what Aguilar calls “gig-saver” bypass, which means if/when power to the pedal is lost, the signal is still passed through the bypassed pedal. I think that feature could really live up to its name! And, of course, the pedal is grape colored.

Aguilar

Review by PREMIER Guitar 

Review by AMAZONA 

Review by bonedo 

Demo by SweetWater 

Demo By Premier Guitar 

Grape Phaser

The Octamizer ® is an analog octave divider that creates a wide range of musical sounds an octave below your original note.
The Octamizer ® features independent volume controls for both the Clean and Octave sounds, so dialing in the exact amount of each is a cinch. The two discrete signal paths also have their own tone controls that were specifically designed to enhance and expand their musical possibilities.
The CLEAN TONE control uses a full spectrum tilt EQ, allowing for the boosting of treble while cutting bass and vice versa. This unique circuit allows you to create a clean sound that creates an octave doubling effect or to blend the sounds together for a great thick, snarky synth tone.

Review by awkwardsound

Demo by BassTheWorld

Octamizer v1

Providing the warm, rich tone that Aguilar gear is famous for, the Chorusaurus® uses analog bucket-brigade technology for lush, organic chorusing.

The Chorusaurus® gives bassists unparalleled control of their tone with an intuitive, four-knob layout. BLEND controls the ratio of dry and wet signals. The RATE, INTENSITY and WIDTH controls provide maximum tonal sculpting. Now you can dial in subtle swirling textures, extreme chorusing or anything in between!

Review by Guitar Fella

Demo by session

Chorusaurus

Der Fuzzistor ist ein analog aufgebautes Fuzz-Pedal für E-Bass. Über die vier Drehregler Blend, Level, Tone und Fuzz kann von leicht knurrendem Fuzz bis hin zu ohrebetäubender donnernder und dröhnender Distortion alles eingestellt werden.Features:- Analoger Silicon-Transistor-Distortion- Für Bassgitarre- Intuitives 4-Regler-Layout- Gig-Saver Bypass (Signal wird auch bei leerer Batterie durchgeschleift)

Delivering the deep and textured tones that Aguilar bass pedals are known for, the Fuzzistor® provides classic silicon transistor distortion. The Fuzzistor® allows for complete control over the BLEND of the clean and fuzz sound, where the LEVEL is for gain matching. The FUZZ control sets the amount of fuzz, from subtle to crushing. The TONE is a tilt EQ that changes the harmonic structure of the fuzz from booming to gnarly.

Demo by Aguilar Amplification 

Fuzzistor

Der Filter Twin® verwendet zwei identische Filter, die in entgegengesetzte Richtungen arbeiten. Einer für die unteren Frequenzen und der andere für den oberen Frequenzbereich, um klassische 70s-inspirierte Funk-Sounds oder völlig neue und einzigartige Filter-Töne zu erzeugen. Zwei Filter, die zur gleichen Zeit arbeiten, liefern organischere, vokale Sounds und erlauben es so ausdrucksstarke neue Klänge zu formen.
Der Filter Twin® bietet einzigartige Filtereffekte und lässt sich sich über ein intuitives Vier-Knopf-Layout bedienen. Mit der ‚Blend‘-regelung können Sie die Mischung zwischen den Filtern einstellen. Die ‚Threshold‘-regelung bestimmt, wie empfindlich das Pedal auf unterschiedliche Spielstile reagiert. Die ‚Velocity‘-regler bestimmen die Geschwindigkeit jedes einzelnen Filters.

Iconic Aguilar circuitry gets a fresh new look!

The Filter Twin®  uses two identical filters sweeping in opposite directions – one up in frequency, one down in frequency – to give classic 70’s-inspired funk sounds or completely new and original filter tones. Two filters sweeping at the same time give you a more organic, vocal quality and allows you to get expressive new sounds that you can’t get from other pedals.

The Filter Twin®  offers unique filter effects via an intuitive four-knob layout. The BLEND control allows you to adjust the mix between the filters. The THRESHOLD control determines how sensitive the unit is to different playing styles. The VELOCITY controls determine the speed of each filter.

Review by Just Music 

Filter Twin II

QuickMount Type B1

Pedal-Montageplatte für FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 und Mooer GL 100 Pedale

Pedal Mounting Plate for FRIEDMAN, KEELEY Halo, WAMPLER EQ, VelvetFuzz, WALRUS DeepSix, JULIA V2, 385 OD, Jupiter V2 and Mooer GL 100 pedals

The TLC Compressor ® is designed to give musicians the ability to control their dynamics in a flexible and musical way, making it an invaluable musical tool for both recording and onstage. Our proprietary Trans Linear Control (TLC) circuit enables us to achieve unprecedented levels of performance, usually found only in expensive studio compressors.

Review by Amazona

Demo by Strings Shop

TLC Compressor

Based on our coveted Tone Hammer amplifier, the Tone Hammer preamp/DI is our swiss-army knife for your pedalboard. Featuring fully sweepable midrange frequencies in addition to bass and treble controls the Tone Hammer gives you studio-inspired EQ paired with a pristine D.I. for the studio and stage. To give this tone shaping unit the ultimate flexibility we introduce our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure allowing you to go from modern tones to vintage, tube-like saturation with the stomp of a button. It’s 18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing styles and it robust design makes this pedal truly road-worthy.

Review by Awkward sound

Demo by  IvanBassist 

Tone Hammer

Für 9-15 FX-Pedale, 1 MOD-Slot - **622 x 330 mm / 24.49" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 9 - 15 FX pedals, 1 MOD slot - **622 x 330 mm / 24.49" x 12.99"** - available with Gig Bag or Flight Case

nova-bitch micro

Famous for its woody, organic and beautiful sounds of saturation, these legendary British amplifiers, the Super Lead &amp; Super Bass, have been delivering one of the all-time classic sounds for almost 50 years. Players like Jimmy Page, Paul Kossoff and countless other relied on this type of tone for their signature sound. Xotic has recreated this vintage masterpiece in a rugged small enclosure. The SL Drive offers very amp-like response and cleans up nicely with a roll of your guitar’s volume knob. The internal dip switches allow you to choose the sound characteristics of both 1959 models. The “Super Lead” setting offers a brighter tone with more gain, while the “Super Bass” setting has more low end with less highs. This compact design is a powerful tool for the working musicians.

Demo by Guitarist

SL Drive

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

Fulltone

Demo by PJ and the Beard

Review by Gearnews

Review by The Gear Page

Supa-Trem Jr

The Replicator D’Luxe is a sum up from all the knowledge, we have built up over the years, making
Tape delays.
it is a 2 head machine. The drive mechanism has been updated with a noiseless belt drive. A tape lock/release mechanism is added, to make the pinch wheel and tape last longer and electronics has been tuned to perfection.

T-Rex

Demo by Martin Klaja's Guitarchannel

Demo by Duskmos

Demo by T-Rex Effects

Review by GEOFF KING, mixdownmag.com.au

Replicator D'LUXE

With the TU-3W, BOSS brings Waza Craft mojo to the world’s leading stompbox tuner. At its core, the TU-3W provides rock-solid tuning equivalent to the industry-standard TU-3. In true Waza tradition, the pedal’s benchmark functionality is further enhanced with BOSS skill and craftsmanship. Pure, uncolored signal transfer is essential for a tuner, and the TU-3W features redesigned circuitry with selectable buffered or true-bypass operation and the most transparent audio pass-through possible. Packing high-end performance for discriminating players, the TU-3W delivers a premium pedal experience only available from BOSS.

TU-3W Tuner

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Der SP Compressor hat eine hervorragende Klangqualität und bietet eine große Auswahl an Kompressor-Sounds von Vintage über subtil bis hin zu modern.
 
Er ist sehr flexibel und verfügt über einen Dry-Blend-Regler, bis zu +15 dB Boost und einen internen Dip-Schalter zur Attack-Steuerung.

The SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage, to subtle, to modern and more.

It’s super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control.

SP Compressor

QuickMount Type L

Pedal-Montageplatte für Standard-Mini-Pedale

Pedal Mounting Plate For Standard Mini Pedals

Die wohl beste Geheimwaffe, von der du wahrscheinlich noch nicht wusstest, dass du sie brauchst! Gerade wir Pedal-Nerds laufen Gefahr unseren Sound mit endlosen Pedalketten in den Ruin zu treiben. Der Feind heißt Kapazität, ein Problem das bei zu langen Kabelwegen undn ich zuletzt schlechten Schaltungen auftritt und das Signal High End kostet und es schwach und charakterlos klingen lässt. Ein Trugschluss, der dies noch unterstützt is die Annahme dass True Bypass immer gut ist, denn ganz stimmt dies leider nicht. Der Little Black Buffer kommt genau hier ins Spiel und versorgt dein Rig mit genau der richtigen Eingangsimpedanz, damit du am Ende einen klaren, natürlichen Sound hast, der klingt als hättest du dich direkt in den Amp gestöpselt.

This may be the greatest weapon you didn’t know you needed. For those of us who are a little “pedal happy” there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined. This is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp.

Little Black Buffer

QuickMount Type UV

Universal-Pedal-Montageplatte für vertikale Pedale

Universal Pedal Mounting Plate For Vertical Pedals

Das Haunting Mids ist ein unglaublich effektives parametrisches Mid EQ Pedal, das jeden Verstärker oder jedes Pedal in ein grässliches Monster verwandeln kann. Mit seiner Fähigkeit, Mitten zu sweepen und anzuheben oder zu scoopen, kannst du den Ton finden, der dich in einen Träumen verfolgt. Die Bedienelemente des Haunting Mids beinhalten Volume, Mids, Sweep, und einen Lo/Hi Schalter. Volume fungiert als Standard-Lautstärkeregler, um das Signal zu cutten oder zu boosten. Die Mids und Sweep Regler arbeiten sehr eng zusammen, so dass du deinen ganz persönlichen Sweet Spot finden kannst, um die mittleren Frequenzen anzuheben oder abzusenken. Dieses Pedal funktioniert auch fantastisch vor Amps am Rande des Break-Ups, um sie in den Midrange-Himmel zu katapultierten oder mit übermäßig gescoopter Verzerrung den nötigen Biss für "Djent", Blueslicks, Rockriffs oder Lead-Lines zu verleihen. Das Haunting Mids eignet sich auch hervorragend zum Bändigen eines übermäßig mittenschweren Verstärkers oder Pedals. Es ist kein Overdrive-Pedal, sondern ein Mids-Pedal, das dir in Verbindung mit Overdrive ein heulen in deinen Tone zaubern wird.

The Haunting Mids is a frightfully effective parametric mid EQ pedal that can turn any amp or pedal into a ghastly monster.  With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every "djent," blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.