minor major

My old pedalboard

Kevin Agiri

Ein externer Tap-Tempo-Regler mit 3,5-mm-Klinkenstecker.
Genug, um das Tempo unserer Pedale zu steuern, ohne den Fußschalter zu verwickeln!

An external tap tempo with a 3.5mm jack plug.
Enough to control the tempo of our pedals without tangling the footswitch!

Anasounds

Product Page

Tester

Mercury Box ist die Overdrive/Distortion-Stompbox von Brunetti. Eine kleine Metallbox vereint die Qualitäten des bekannten Kanals 2 von CustomWork Mercury! Sie ist mit FET-Technologie ausgestattet, um das Verhalten und die Dynamik von Röhren so genau wie möglich zu reproduzieren. Die Mercury Box ist extrem vielseitig, du kannst von klaren und definierten Crunch-Sounds zu Hardrock-„flüssiger“ Verzerrung wechseln, die immer sauber und nie formlos ist, sehr glatt und respektvoll gegenüber der Klangfarbe deines Instruments, selbst bei hohen Verstärkungspegeln. Die Bedienelemente sind weich und empfindlich, aber gleichzeitig effektiv. Sie interagieren tatsächlich gründlich wie bei einem echten Röhrenverstärker. Mercury Box ist das Ergebnis sorgfältigen Designs und langjähriger Forschung von Marco Brunetti und das Ergebnis ist innovativ und technologisch einzigartig. Es ist nicht der verbesserte Klon einer bekannten Stompbox! Diese Qualitäten machen Mercury Box anders und wir sind sicher, du wirst vom ersten Ton an beeindruckt sein!

Mercury Box is the Brunetti overdrive/distortion stomp box. A small metallic box holds together the qualities of the well-known CustomWork Mercury’s channel 2! It is endowed with FET technology to reproduce tubes behavior and dynamics as accurately as possible. Mercury Box is extremely versatile, you can move from clear and defined crunch sounds to hard rock “liquid” distortion which is always clean and never shapeless, very smooth and respectful of your instrument timbre, even at high gain levels. Controls are soft and sentive, but effective at the same time. They indeed interact thoroughly as in a real tube amplifier. Mercury Box arises from careful design and long lasting research of Marco Brunetti, and the outcome is innovative and technologically unique. It is not the upgraded clone of a well-know stomp box! These qualities make Mercury Box different, we are sure you will be impressed at first note!

Brunetti

Review by Stomp Box Steals

Review by guitarworld

Manual

Demo by choicenation

Demo by Guitar Gear Review

Demo by 魔法の箱研究所 - Stompbox Review Channel -

Official Product Video

Mercury Box

Kick your playing into high gear with SPARK MINI BOOSTER, a stompbox-wonder for the initiated that features a completely clean boost with some serious tone enhancement under the hood once you really start cranking things.

With a full 20 dB of boost, SPARK MINI BOOSTER is a great clean booster. But that’s not all it does – keep turning that knob and it’ll start working its magic driving gear into peak performance! No matter what your style or set-up, this musical miracle will maximize your potential – but let your core tone shine through completely unaltered.

PrimeTime is a radical new feature that is exciting guitarists around the globe. Put simply, SPARK MINI BOOSTER instantly understands whether you want the pedal to be on permanently when you hit the footswitch, or just when you hold the footswitch down. Which totally rocks for both ‘always-on’ and ‘emphasizing passages’ situations.

By adding a discrete, fully analog circuit, SPARK MINI BOOSTER adds a purely magical sense of life and excitement to your gear and tone. Each part of the circuit is carefully selected, from transistor to capacitor and from resistor to diode. What does that mean? Sweet, pure tone in all of its glory in an unparalleled clarity with zero coloration. Whether you want to make things sing or roar, this circuit ensures to maximize your tone.

TC Electronic

Review by bonedo

Review by Daniel Rettberg

Demo by Reverb

Spark Mini Booster

Cici Powell

How can you get more fans on their feet? Add more freedom to your performance— without pushing a single button. Ideal for small and medium stages, GLX-D® Digital Wireless is the easy way to go wireless with less worry.

Shure

Review by Guitar Fella

Review by Talk Bass

Demo by sillennium

Demo by Michael Seebass

GLXD16 Wireless System

Der DD-8 ist das vielseitigste und funktionsreichste Delay-Pedal der BOSS-Compact-Serie. Dieses leistungsstarke Pedal bietet mehr von allem – mehr großartige Sounds, mehr Delay-Zeit, mehr Steuerungsoptionen und mehr Anschlussmöglichkeiten. Und das alles in einem klassischen BOSS-Gehäuse, das sich problemlos in jedes Mono- oder Stereo-Setup einfügt. Elf Modi bieten Delays von klassisch bis exotisch sowie einen Looper mit unbegrenzter Overdub-Funktion und Unterstützung für externe Steuerung. Für maximale Vielseitigkeit auf kleinstem Raum gibt es kein besseres Delay-Pedal als den DD-8.

Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything—more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colors from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there’s no better delay stomp than the DD-8.

BOSS

Review by Equip Board

Review by TonePedia

DD-8 Digital Delay

PedalSafe Type E1

QuickMount Type E

Pedal-Montageplatte für Standard-Boss-Pedale

Pedal Mounting Plate For Standard Boss Pedals

Schutzabdeckung & RockBoard-Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & RockBoard Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

Schutzabdeckung & universelle Montageplatte für BOSS Compact Serie, RC3 LoopStation & RC5 LoopStation Pedale

Protective Cover & Universal Mounting Plate For BOSS Compact Series, RC3 LoopStation & RC5 LoopStation pedals

stephen cullen

Das SD-1 Super OverDrive-Pedal erzeugt die warme, natürliche Verzerrung eines übersteuerten Röhrenverstärkers und behält dabei die subtilen Nuancen der Zupftechnik eines Spielers bei. Dies ist eines der subtileren und sanfteren Overdrive-Pedale von BOSS, perfekt für Blues und Rock.

The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.

Official Website

Demo by Honpo Nori-chan

Demo by  GUITARGUITAR

Review by The Gear Page

SD-1 Super Overdrive Vintage

Kurt Cobain hatte es, Satriani hat es und wahrscheinlich auch Ihr Nachbar!
Das BOSS DS-1 ist ohne Zweifel eines der berühmtesten Verzerrungspedale auf dem Markt.
Seit den späten 70ern und bis heute bietet dieses kleine orangefarbene Pedal eine komprimierte Verzerrung im britischen Stack-Stil mit einem einfachen Bedienlayout – Verzerrung, Ton und Pegel.

Das BOSS DS-1 ist kein subtiles Pedal, aber auch kein brutales. Es behält seine Eigenschaften mit den meisten Arten von Tonabnehmern und ist wirklich ein großartiges Pedal für Anfänger und Profis gleichermaßen.
Vergleichen Sie diese Vintage-Version mit den anderen, um zu hören, ob Sie einen Unterschied feststellen können!

Kurt Cobain had it, Satriani has it, and probably your neighbour too!
The BOSS DS-1 is without a doubt one of the most famous distortion pedals out there.
Since the late ’70s and until today, this little orange pedal offers a compressed, British stack style distortion with an easy control layout – Distortion, Tone and Level.

The BOSS DS-1 is not a subtle pedal but not brutal either, it retains its characteristics with most type of pickups and it is really a great pedal for beginners and pros alike.
Compare this vintage version against the others too hear if you can tell any difference!

Demo by Boechler Guitars and Repair

Demo by shnobel

Review by BOSS

Review by Electrosmash

Review by Tone Home

Manual download

DS-1 Distortion Vintage

Der RV-5 bietet sechs der besten Reverbs von BOSS – in Stereo. Dadurch kann er hinter anderen Pedalen mit Stereo-Ausgängen eingesetzt werden. Zu den neuen Reverb-Typen gehören eine authentische Federhall-Emulation und ein hochwertiger Gate-Reverb. Für besonders weiträumige Reverb-Sounds sorgt der neu entwickelte **Modulate-Modus**. Dank der **doppelten Eingänge** ist der RV-5 sogar für Keyboard-Spieler geeignet.

The RV-5 offers six of BOSS' best reverbs ever—in stereo. This makes it possible to connect after other pedals that feature stereo outputs. New reverbs include convincing spring reverb emulation and a high-quality gate reverb. More spacious reverb sounds can be had using the newly developed Modulate mode. And thanks to its dual inputs, the RV-5 even works for keyboard players

Review by EquipBoard

Review by Guitar Gear.org

Demo by Sweetwater

Demo by Middle Aged Gear Junkie

RV-5 Digital Reverb

Szabolcs Oláh

CE-3 Chorus

Leander Kindervatter

Mojo Diamond is the newest member of the Nano line.

It is a 5w Class AB guitar amplifier head inspired by legendary Fender Tweed*.

Like the original Tweeds, Mojo Diamond has a tiny body and loud, sweet sound.

With the 3-band EQ, Volume and Gain control, you can easily create some shining sound that makes you stand out from others everywhere!

HOTONE

Demo by intheblues

Review by reddit /GuitarAmps

Review by TDPRI

Review by Performer Mag

Nano Legacy Mojo Diamond

Für 7-12 FX-Pedale, 1 MOD-Slot - **470 x 330 mm / 18.50" x 12.99"** - erhältlich mit Gig Bag oder Flight Case

For 7 - 12 FX pedals, 1 MOD slot - **470 x 330 mm / 18.50" x 12.99"** - available with Gig Bag or Flight Case

Le Bon, is the smallest of them, small in size but full of resources, it is amply enough for guitar and will save room to the point of leaving it scratched on top of the pedalboard, while admiring the beauty of moving springs!

Demo by Peter Honoré

Demo by Tone Factory

Demo by Pedal of the Day

Le Bon - Spring Tank

We all know about tape echoes, the first delay technology providing organic and slightly distorted repeats.
This particular tone is due to two elements: the magnetic tape and all the imperfections it implies, but also the internal preamp.
Many musicians, such as Eric Johnson, have used their tape echoes in a different way, using the preamp alone, without the echo, as a dirty boost
to overload their amps and make them saturate while bringing a unique character.

The Tape Preamp was inspired by the JFET preamp circuit of a popular tape echo from the 70’s, known for its unique delay and warm preamp.
Of course, we couldn’t stop there, and we redesigned the circuit in our own way to offer a whole new range of tones,
while keeping the original character of the effect. All of this without the need for a real tape echo.

Tape Preamp

Eines Tages rief uns Julien Bitoun an, weil sein Bitoun Fuzz nicht funktionierte! Nun ja... wir haben das Problem natürlich untersucht. Als wir das pedal öffneten, entdeckten wir, dass alle Trimmpotis auf 11 standen. Diese mysteriöse und unlogische Einstellung hat uns tatsächlich verblüfft! Der Sound hatte kein Sustain, er klang wie das Brüllen eines Bären, neu gemastert von einem Germanium Fuzz.
Wir haben das Geräuschproblem behoben und fanden es interessant, eine neue Version mit diesem sound zu veröffentlichen.

Da der Sound wirklich speziell und anders ist, haben wir uns entschlossen, eine kleine Auflage von diesem Pedal zu machen (50 Stück auf der ganzen Welt). und unseren großen Fans die Möglichkeit zu geben, es ganz exklusiv zu entdecken!

one day, julien bitoun called us because his bitoun fuzz didn’t work! well… we investigated that issue of course.
when we opened the pedal, we discovered that all the trimpots were close to 11.
in fact this mysterious and illogical setting astonished us! the sound had no sustain, it sounded like the cry of a bear, re-masterized by a germanium fuzz.
we’ve corrected the noise issue and found interesting to release a new version with this sound.

this time it is possible to dial with the fuzz knobs because the bias delicately embrasse all the noise glitch and smooth the final sound rendering.
so you can push both of them to the maximum and keep control over your tone.

as the sound is really special and different, we decided to launch a small run of this pedal (50 pieces for world only). and let our big fans the opportunity to discover it in exclusivity !

Crankled Bitoun Fuzz

We no longer need to introduce this famous circular fuzz pedal, which produced the iconic sound of many guitarists in the 60’s.
With its two volume and gain controls forming a smiling face, it offers a unique sound going from a creamy and dynamic fuzz to a powerful and punchy fuzz with sharp trebles.

The extremely simple circuit offers a lot of space for customization, hence our own interpretation of the mythical pedal with the Feed Me.
The Feed Me mk3 is ultra versatile and customizable. You can get the classic sound of the 60’s model, rich in trebles and sustain.
But also a thick and fat fuzz, for more modern sounds close to stoner tones. Or a garage rock style gated fuzz by using the Crack and Smash controls for a velcro texture.
While remaining ultra expressive and responsive as always to the guitar’s volume and tone controls, with the Feed control, for warm cleans.