Ein grafischer Equalizer, mit dem Sie den Frequenzbereich und die Q-Breite für die Klangformung von Gitarren einstellen können. Mit Nutube in der Vorverstärkersektion werden durch Anheben des Pegels charakteristische Röhrenobertöne und Kompression hinzugefügt. Wählen Sie Frequenzbänder von 100Hz/250Hz/570Hz/800Hz/2,2kHz/5,6kHz, die für eine intuitive Klangformung ausgelegt sind. Zur Erleichterung der aktiven Klangformung sind die Frequenzbänder so eingestellt, dass sie durch Verbreiterung der Q-Breite effektiver sind als bei einem typischen grafischen Equalizer. Es ist einfach, zwischen Backing und Solo zu wechseln sowie allgemeine Einstellungen vorzunehmen. Der Einsatz von Nutube im Vorverstärker sorgt für eine musikalische Verzerrung, wenn der Pegel erhöht wird. Das Fehlen eines Mittenklicks wurde absichtlich für einfache und feine Einstellungen konzipiert.

A graphic equalizer that allows you to set the frequency range and Q width tailored for guitar tone shaping. With Nutube in the preamp section, raising the level adds distinctive tube harmonics and compression. Choose frequency bands of 100Hz/250Hz/570Hz/800Hz/2.2kHz/5.6kHz, designed for intuitive tone shaping. To facilitate active tone shaping, the frequency bands are set to be more effective by widening the Q width compared to a typical graphic equalizer. It’s easy to use for switching between backing and solo, as well as for overall adjustments. The inclusion of Nutube in the preamp provides a musical distortion when the level is increased. The absence of a center click is intentionally designed for easy and fine adjustments.

Demo by  shadow's toy box

Demo by 楽器好きにはたまらない! フーチーズ 渋谷店 

Product Page

Review by AMAZONA

Review by bonedo

Valvenergy Tone Sculptor

 Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics.

The Real McCoy is voiced for the iconic nasal tone of the original wah model, with an accentuated midrange that imparts a warm and melodic character to your guitar.

Demo by BUZZBEE TV

Demo by kisugita_DIY

Real McCoy Wah VXVRM1

Introduced by VOX in 1967, the Wah-Wah pedal stemmed from the Midrange Boost feature of a VOX amp design and was initially marketed as a way to emulate Clyde McCoy’s trumpet mute technique. However, an unintended but music-changing use with electric guitar turned the Wah pedal into a vital tool for renowned artists such as Jimi Hendrix and Eric Clapton, driving the creation of now-legendary performances and songs. From the 1960s to today, the Wah pedal has become an essential tool for guitarists.

The new Real McCoy wah pedal perfectly emulates the original wah down to the component level. VOX engineers have worked hard to unravel the mysteries of the vintage McCoy wah model, resulting in a pedal that meticulously replicates the exact tonal characteristics. The Real McCoy Limited wah pedal is also available in a stunning chrome finish.

Demo by qu99

Demo by Gear Sounds

Review by Guitar.com

Review by The Gear Page

Real McCoy Wah Limited VXVRM1LTD

Der VOX Tone Garage V8 Distortion ist ein High-Gain-Distortion-Pedal, ausgelegt für harte Riffs und markante Soli. Es verwendet die Hi-Volt-Technologie von VOX, bei der die mitgelieferte 12AX7 (ECC83) Vakuumröhre selbst bei Batteriebetrieb auf etwa 200 V betrieben wird. Der Schaltkreis besteht vollständig aus diskreten Bauteilen (ohne Operationsverstärker) und das Gerät bietet einen „Mid-Shift“-Schalter zur Veränderung des Mittenbereichs: Ist er ausgeschaltet, erhält man eine breitere Mittenbetonung; ist er eingeschaltet, wird der Tonführung vorzugsweise ein anderer Mittenbereich zugewiesen. Es gibt Regler für Gain, Tone, Bass und Volume, eingebaut in ein robustes Druckgussgehäuse mit True Bypass.

The VOX Tone Garage V8 Distortion is a high-gain distortion pedal built for heavy riffs and cutting leads. It features VOX’s Hi-Volt technology which allows the included 12AX7 (ECC83) vacuum tube to run at about 200 V even when powered by batteries. The circuit is fully discrete (no op-amps) and the unit offers a Mid-Shift switch to alter the mid-range response: with it off you get a broader mid-range emphasis, with it on you shift toward more lead-friendly mids. It includes controls for Gain, Tone, Bass, Volume, housed in a heavy die-cast body with true bypass.

Official Product Video

Demo by Gak

Review by Music Radar

Manual

FUEL INJECTOR offers a distinctive overdrive with clean characteristics, rich harmonics, and a natural sense of compression and bite. Developed by amp manufacturer VOX, this overdrive pedal stands out for its amp-like distortion, in contrast to typical pedal distortions. Unlike effects that color the tone like preamp-style pedals, FUEL INJECTOR preserves its natural characteristics while distorting through Nutube, providing a tone that sounds as if your connected amp is pushed into even more distortion. Compared to many drive pedals, including TS-style ones, it features overwhelming harmonic components and a pronounced compression characteristic reminiscent of a tube amp. The harmonic richness created by distorting Nutube in multiple stages, along with the bias variations unique to tubes, produces a resonant tone, capturing the essence of an amp-like sound.

Valvenergy Fuel Injector