The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold.

Product Page

Review by bonedo

Review by guitarplayer

Manual

Demo by Russo Music

Demo by Pedal of the Day

Invader Distortion

Das Maestro Comet Chorus Pedal verwendet die ikonische analoge Bucket Brigade Device (BBD)-Technologie, um warme, klassische Chorus-Klänge zu liefern. 

The Maestro Comet Chorus pedal uses iconic analog bucket brigade device (BBD) technology to deliver warm, classic chorus tones. 

Demo by Colemans Music

Demo by Pedal Of The Day

Review by Guitar Player

Comet Chorus

Maestro hatte das erste Fuzz-Pedal der Welt entwickelt - das Maestro Fuzz-Tone FZ-1. Der 1962 auf den Markt gebrachte Fuzz-Tone wurde zum Sound des Rock'n'Roll und zu einem unverzichtbaren Accessoire für Gitarristen auf der ganzen Welt - insbesondere nach dem Erfolg von (I Can't Get No) Satisfaction der Rolling Stones aus dem Jahr 1965, bei dem der innovative Fuzz-Sound eine wichtige Rolle spielte. Jetzt bringt Maestro mit dem neuen Maestro Fuzz-Tone FZ-M die Freude und die Klangwucht der frühen Fuzz-Tones zurück. Dieses rein analoge Pedal verfügt über einen Modus-Kippschalter, der zwei Pedale in einem bietet und so für mehr klangliche Vielseitigkeit sorgt: So ergibt sich sowohl ein vom originalen FZ-1 inspirierter Fuzz-Sound als auch ein dicker . . .

Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from br . . .

Demo by 60 Cyle Hum

Demo by Gibson TV

Fuzz-Tone FZ-M

The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.

Demo by Buddy Blues

Demo by Edge of Breakup

Review by reddit /guitarpedals

Review by delicious audio

Review by Premier Guitar

Orbit Phaser

Inspiriert von den übersteuerten Klängen einiger der weltweit beliebtesten Vintage-Röhrenverstärker ist der Ranger ein modernes, vollständig analoges Overdrive-Pedal mit einem Modus-Wahlschalter, der zwei verschiedene Klangcharakteristiken bietet; einen warmen, ausdrucksstarken, amp-ähnlichen Overdrive und eine zweite Charakteristik, die etwas sauberer und außergewöhnlich ansprechbar ist; es mischt etwas des sauberen Signals hinzu und ist eine großartige Wahl für einen „immer eingeschalteten“ Effekt, der mit deinem Anschlag und der Lautstärkeregelung deiner Gitarre gesteuert werden kann.

Inspired by the overdriven tones of some of the world’s most cherished vintage tube amps, the Ranger is a modern, all-analog overdrive pedal featuring a Mode toggle switch that provides two different tonalities; a warm, expressive, amp-like overdrive and a second tonality that’s slightly cleaner and exceptionally touch-sensitive; it blends in some of the clean signal and is a great choice for use as an “always on” effect that can be controlled with your pick attack and your guitar’s volume control.