Maestro hatte das erste Fuzz-Pedal der Welt entwickelt - das Maestro Fuzz-Tone FZ-1. Der 1962 auf den Markt gebrachte Fuzz-Tone wurde zum Sound des Rock'n'Roll und zu einem unverzichtbaren Accessoire für Gitarristen auf der ganzen Welt - insbesondere nach dem Erfolg von (I Can't Get No) Satisfaction der Rolling Stones aus dem Jahr 1965, bei dem der innovative Fuzz-Sound eine wichtige Rolle spielte. Jetzt bringt Maestro mit dem neuen Maestro Fuzz-Tone FZ-M die Freude und die Klangwucht der frühen Fuzz-Tones zurück. Dieses rein analoge Pedal verfügt über einen Modus-Kippschalter, der zwei Pedale in einem bietet und so für mehr klangliche Vielseitigkeit sorgt: So ergibt sich sowohl ein vom originalen FZ-1 inspirierter Fuzz-Sound als auch ein dicker . . .

Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from br . . .

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Review by bonedo

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Fuzz-Tone FZ-M

Standard phasing effects for guitar, bass, and other electroacoustical musical signal

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MP-1 Phaser 

The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold.

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Invader Distortion

DESIGNED BY SYNTH PIONEER TOM OBERHEIM

The Maestro FSH-1, also known as the Filter Sample/Hold, was an innovative pedal released in the late 1960s. This pedal produced unpredictable filter sweeps and sample/hold effects, making it ideal for experimental and psychedelic guitarists. Its scarcity and unique sound have made it highly sought-after among collectors and sonic explorers.

The sample/hold settings allow players to add rhythmic patterns to their playing far beyond the typical vibrato and tremolo. The filter is classic low pass and sounds incredibly smooth. Controls allow you to tweak the rate of the sample/hold as well as the frequency of the filter. This is truly a fantastic pedal.

 

The controls

Filter Range: Probably the width of range in which the filter moves. Could also be a fixed width with knob controlling the center frequency (high/low) of that range.

 

Filter/Sample/Hold: Switches the effect to envelope filter or sample/hold.

 

S/H Speed: Controls the speed of the sample/hold effect.

 

The controls consist of knobs for range (depth) and sample/hold speed. A switch that engages either the sample/hold random filter effect or an envelope follower for a unique auto wah sound.

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